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Books on the topic 'Composer create'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Andrien, Baptiste, and Florence Corin. De l'une à l'autre: Composer, apprendre et partager en mouvements : ouvrage collectif. Contredanse, 2010.

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2

My Amazing Composer Book: I Create. Independently Published, 2021.

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3

Create Video with Media Composer: Official Avid Curriculum. Rowman & Littlefield Publishers, Incorporated, 2023.

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4

Team, raywenderlich Tutorial, and Chris Language. Apple Augmented Reality by Tutorials: Create Experiences with ARKit, RealityKit & Reality Composer. Razeware LLC, 2020.

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5

Apple Augmented Reality by Tutorials: Create AR Experiences with ARKit, RealityKit & Reality Composer. Kodeco Inc., 2022.

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6

Ryder, Dragon. Music Composition for the Budding Composer: Sunrise 100 Stave Pages to Create Musical Scores. Independently Published, 2022.

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7

PUBLISHING, SHEETMUSIC. Sandra: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial S | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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8

PUBLISHING, SHEETMUSIC. Nataly: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial N | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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9

PUBLISHING, SHEETMUSIC. Brianna: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial B | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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10

PUBLISHING, SHEETMUSIC. Miriam: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial M | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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11

PUBLISHING, SHEETMUSIC. Bellamy: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial B | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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12

PUBLISHING, SHEETMUSIC. Alaina: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial A | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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13

PUBLICATIONS, MUSIK. Casen: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Cover | Musician Composer Instrument Composition Book | 12 Staves a ... | Create, Compose & Write Creative Songs. Independently published, 2019.

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14

PUBLISHING, SHEETMUSIC. Avery: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial A | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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15

PUBLISHING, SHEETMUSIC. Adelynn: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial A | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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16

Hischak, Thomas S. Encyclopedia of Film Composers. The Rowman & Littlefield Publishing Group, Inc., 2015. https://doi.org/10.5040/9798881831332.

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For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memor

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17

Hyler, Jeremy. Create, Compose, Connect! Routledge, 2014. http://dx.doi.org/10.4324/9781315819808.

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18

Create Compose Connect. Taylor & Francis Ltd, 2014.

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19

PHP 7 : Intensive Coding Bootcamp for One Month to Create a PHP Framework: With an Introduction to Composer, Interface, Trait, Horizontal Reuse of Code, PDO, and MVC Pattern. Independently Published, 2020.

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20

WEB, Json. PHP 7 : Intensive Coding Bootcamp for One Month to Create a PHP Framework: With an Introduction to Composer, Interface, Trait, Horizontal Reuse of Code, PDO, and MVC Pattern. Independently Published, 2020.

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21

Parsons, Laurel, and Brenda Ravenscroft. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190237028.003.0001.

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This volume, the second to be published in a four-volume series, examines compositions by eight composers from the twelfth to nineteenth centuries. The introductory chapter outlines the organization of the volume and the goals of the project—to celebrate outstanding music composed by women by according it the same scholarly attention devoted to music by men; to create a critical mass of scholarship that will stimulate new analytical research and bring it into the mainstream of music theoretical discourse; and to bring to readers’ attention “new” repertoire that is rewarding to performer, liste

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22

How operas are created by composers and librettists: The life of Jack Beeson, American opera composer. Edwin Mellen Press, 2008.

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23

Harris, Ellen T. The Nineteenth and Early Twentieth Centuries. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190271664.003.0008.

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The performance history of Dido and Aeneas in the nineteenth century is marked by two, seemingly conflicting, trends: attempts to create a more authentic score and the increased use of added orchestration. Many of the most important contributions to the reception history of the opera in this era, including new editions and major revivals, can be attributed to the faculties at the Royal Academy of Music and the Royal College of Music. The founding of the Purcell Society by William Cummings, his biography of the composer, and his edition of the opera mark a watershed in the modern history of the

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24

Reenan, Sam. Symphonic Spectacles. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197691113.001.0001.

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Abstract Symphonic music of the early twentieth century reflects the complex, cosmopolitan world it inhabited. In a time of waning empire, rising nationalism, and heightened sexual politics, composers in Germany, Britain, and the United States drew upon the compositional resources of tradition to create intensely personal symphonic spectacles. The hybrid symphonic works that flourished in this period mixed musical forms and genres freely, adapting compositional procedures for their rhetorical potential. Symphonic Spectacles investigates large-scale formal mixture in six case studies that juxta

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25

WEB, Json. PHP 7 : Intensive Coding Bootcamp for Intermediate Learners to Create a PHP Framework: With a Detailed Explanations to Composer, Interface, Trait, Horizontal Reuse of Code, PDO, and MVC Pattern. Independently Published, 2020.

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26

Matijas-Mecca, Christian. The Words and Music of Brian Wilson. Praeger, 2017. http://dx.doi.org/10.5040/9798216038351.

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A fascinating study of Brian Wilson's creative career as a composer, producer, performer, and collaborator that addresses all aspects of Brian's five-decade-long music career through his creative methods and processes. The cofounder and central figure of one of America's most successful vocal groups, The Beach Boys, Brian Wilson is a standout artist with an astonishing volume of diverse work spanning over half a century that serves as testament to his creative output and influence on modern music. Today, Wilson stands as a survivor of life challenges stemming from substance abuse and mental il

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27

School, Love. Composition: Compose and Create As You Go. Independently Published, 2018.

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28

Wilson Kimber, Marian. Words and Music Ladies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0009.

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Women’s clubs networks supported the careers of composer-performers Frieda Peycke (1884–1964) and Phyllis Fergus (1887–1964). Both women presented herself not as an elocutionist, but as a composer of a musical art form and publicized the spoken word genres in which she performed with a unique label: Fergus’s “story poems,” and Peycke’s “musically-illustrated readings.” Fergus appeared before women’s music clubs in Chicago, groups that had readers as members into the 1940s, and gradual assumed leadership positions. Peycke’s performances in private homes suggests an ongoing women’s salon culture

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29

Siwe, Thomas. Artful Noise. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.001.0001.

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A substantial body of musical literature for solo and ensemble percussion was created in the twentieth century. This book examines percussion literature’s evolution: how it came to be and the styles that composers embraced as they produced a large body of music for percussion instruments alone. The focus is on the music that was created, the various genres that arose, and the composers who contributed seminal works. The question is posed: What world and cultural events brought composers to reject the past and embrace modernism? The twentieth century is notable for its many technological advanc

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30

Pears, Pauline. Create Compost. Impact Publishing, 2004.

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31

Making Shapes: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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32

Making Shapes: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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33

Publishing, Trunkhill. Music Manuscript : 100 Blank Sheets: Create - Compose - Perform. Independently Published, 2018.

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34

Making Shapes: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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35

Sciannameo, Franco. Reflections on the Music of Ennio Morricone. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781978724976.

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Reflections on the Music of Ennio Morricone: Fame and Legacy provides new contextualized perspectives on Ennio Morricone’s position as a radical composer working at the cutting edge of music within the frame work of his cinematic compositions. The Italian composer has reached world fame as the creator of some 500 film scores and hundreds more arrangements for commercial recordings; however, Sciannameo argues that Morricone’s legacy must include his concert works, a catalogued list of more than 100 titles. By analyzing the composer’s formative years as a music practitioner and his transition in

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36

Anders, Torsten. Compositions Created with Constraint Programming. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.5.

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This chapter surveys music constraint programming systems, and how composers have used them. The chapter motivates why and explains how users of such systems describe intended musical results with constraints. This approach to algorithmic composition is similar to the way declarative and modular compositional rules have successfully been used in music theory for centuries as a device to describe composition techniques. This systematic overview highlights the respective strengths of different approaches and systems from a composer’s point of view, complementing other more technical surveys of t

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37

Stölzel, Gottfried Heinrich. Die leidende und am Creutz sterbende Liebe Jesu. Edited by Warwick Cole. A-R Editions, 2020. http://dx.doi.org/10.31022/b214.

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Gottfried Heinrich Stölzel (1690–1749) was a highly respected musician and composer who contributed works in all major eighteenth-century musical genres. His first Passion, Die leidende und am Creutz sterbende Liebe Jesu, was performed widely during his lifetime, including by Bach in the same year he composed his Christmas Oratorio, which imitates various aspects of Stölzel's style. There are several characteristics of Stölzel's Passion that demonstrate the composer's unusual approach to the genre, including a lack of named protagonists, texts couched in the present tense to heighten the immed

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38

Allie's Art Class: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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39

Valentine, Bridget. Building with Shapes: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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40

Killian, Pat. Put It Together: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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41

Valentine, Bridget. Building with Shapes: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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42

Killian, Pat. Put It Together: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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43

Allie's Art Class: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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44

Killian, Pat. Put It Together: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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45

Allie's Art Class: Analyze, Compare, Create, and Compose Shapes. Rosen Classroom, 2013.

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46

Valentine, Bridget. Building with Shapes: Analyze, Compare, Create, and Compose Shapes. Rosen Publishing Group, 2013.

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47

Compose, Design, Advocate. Pearson, 2017.

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48

Smith, Steven C. Music by Max Steiner. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190623272.001.0001.

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During a seven-decade career that spanned from 19th-century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to establish and codify the language of film music. Composers today like John Williams use the same techniques perfected by the classically trained Steiner, in his scores for such motion pictures as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and more than two hundred other titles. Steiner’s private life was as tumultuous as the films he scored. B

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49

Town, Stephen. Choral-Orchestral Works of Ralph Vaughan Williams. The Rowman & Littlefield Publishing Group, 2019. https://doi.org/10.5040/9781978728417.

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The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identi

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50

Decker, Gregory J., and Matthew R. Shaftel, eds. Singing in Signs. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190620622.001.0001.

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Singing in Signs is a collection of essays from prominent opera scholars that explores the rich interplay of symbols in the operatic genre, while simultaneously providing perspective on the state of opera study. Each author, whether explicitly or implicitly, uses the powerful tools of semiotics (the study of signs) to construct interpretations and discover relationships among music, lyrics, and drama. Authors in this collection use a combination of traditional and emerging methodologies to engage composer-constructed and work-specific music-semiotic systems, broader sociocultural music codes,

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