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Journal articles on the topic 'Composer school of Azerbaijan'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Mammadova, Sevda Bunyatulla. "Vocal features of Vasif Adigozalov’s novel “carnation” by Ilham Nazarov (countertenor)." Scientific Bulletin 4 (2021): 71–77. http://dx.doi.org/10.54414/otri1640.

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The study examined the performance features of the romance of the outstanding composer Vasif Adygezalov “Carnation” in the interpretation of the Honored Artist of the Republic of Azerbaijan Ilham Nazarov. It should be noted that the romance was first performed with a countertenor voice. This led to different performance principles. Thus, I.Nazarov combined the features of the countertenor voice technique and the Azerbaijani vocal school.

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2

Kazımov, Nazim. "THE HISTORICAL ROLE OF UZEYIR HAJIBAYLY IN THE FORMATION OF MUSIC EDUCATION IN AZERBAIJAN." Scientific Works 92, no. 3 (2025): 20–26. https://doi.org/10.69682/arti.2025.92(3).20-26.

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The presented article highlights the exceptional services of the great composer, musicologist and public figure Uzeyir Hajibayly in the formation of musical culture and music education in Azerbaijan. His valuable ideas on the issues of school, education and teaching the native language, and the modernization of Azerbaijani education based on the example of the European education system are disclosed. The laying of the foundation of the national music school based on the synthesis of Eastern and Western musical traditions by Uzeyir bay, and the emergence of Azerbaijani music as a rich and indep

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3

Seyidova, Sevinj. "Features of Jalal Abbasov's Work 'Munajat – I'." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 273–86. https://doi.org/10.31866/2616-7581.4.2.2021.245815.

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The article analyzes the chamber-instrumental work of Jalal Abbasov, a brilliant representative of the modern Azerbaijani school of composition, in particular, ‘Munajat-I’. It also looks at the work of Jalal Abbasov against the background of the development of Azerbaijani music culture and explores the genre diversity of chamber-instrumental works. In addition, the study highlights the form and content, music, and harmonic language in the composer’s chamber-instrumental works, especially in the work ‘Munajat-I’. The article emphasizes the peculiar stylistic featur

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4

Rzaieva, Mekhpara. "Symphonic Creative Activity of Rufat Ramazanov." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 101–15. https://doi.org/10.31866/2616-7581.4.1.2021.233342.

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The article analyzes several works related to the symphonic work of Rufat Ramazanov, a middle-aged representative of the modern Azerbaijani school of composition. The article also examines Ramazanov’s symphonic works against the background of the development of Azerbaijani music culture and examines his symphonic works in terms of genre diversity. Also, the article considers the  characteristics of music and harmonic language in the symphonic works of the composer, the methods of using orchestration. The article emphasizes the unique stylistic features of Rufat Ramaza

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5

PAŞA, Gamze, and Birsen JELEN. "EXAMİNATİON OF THE BEGİNNER PİANO METHODS FREQUENTLY USED İN AZERBAİJAN." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 2 (2023): 291–302. http://dx.doi.org/10.46291/zfwt/150220.

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In Azerbaijan, which has an important place in music education and performance, piano education comes first in classical music education. The piano education of Azerbaijan, which is the place where many world-famous Turkic pianists began their education, even though it was generally influenced by the pieces and composers of the Soviet period, the piano was given a national identity with pieces written by Azerbaijani composers. When the literature is reviewed, it has been detected that there are studies on Azerbaijani composers and piano educators, while there are relatively fewer studies on ge

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6

Samadova, Naila. "PERSONAL ARCHIVES OF AZERBAIJANI COMPOSERS (BASED ON THE MATERIALS OF THE INSTITUTE OF MANUSCRIPTS)." Baltic Journal of Legal and Social Sciences, no. 1 (April 1, 2025): 82–90. https://doi.org/10.30525/2592-8813-2025-1-9.

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Abstract. The personal archives of literary and cultural figures who lived and created during the 19th-20th centuries are preserved at the Institute of Manuscripts named after Muhammad Fuzuli under the Azerbaijan National Academy of Sciences. Documents belonging to prominent poets, prose writers, artists, actors, and composers are carefully preserved in their archives. In the presented article, the archives preserved in the Institute of Manuscripts belonging to Uzeyir Hajibeyli, the founder of the Azerbaijani composer school and creator of the first opera in the East, editor, translator, and p

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7

Mamedova, Leila. "Concerto for Choir in Memory of Kara Karaiev." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 1, no. 2 (2018): 53–68. https://doi.org/10.31866/2616-7581.2.2018.153378.

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The purpose of the study is to identify the characteristics of choral writing Faik Nagiiev on example of the bright and original composition "Concerto for choir in memory of K. Karaiev”. This large-scale, in three parts, piece for choir <em>a cappella</em> choir was for the first time the subject of serious scientific studies.  The various research methods were used, as follows empirical to identify innovative sonorous techniques in musical material and theoretical for in-depth analysis of national peculiarities of Azerbaijan composers’ school in its tradit

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8

Gadimova, Narmina. "The Theme of Patriotism and Heroism in Vasif Adigozalov's Work." SCIENTIFIC RESEARCH 5, no. 1 (2025): 26–29. https://doi.org/10.36719/2789-6919/41/26-29.

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The article presents 4 great works of Vasif Adigozalov, a prominent representative of the Azerbaijani school of composition, created at the end of the 20th century – “Yurd of Fires” (1988, words: R.Z.Khandan), “Karabagh Shikastesi” (1989, words: T.Elchin), “Canaggala – 1915” (1988, libretto: S. Duru, text: Mehmet Akif Ersoy), “Caravan of Sorrow” (1999, words: R. Rza) oratorios are analyzed in terms of vocal-symphonic works of Azerbaijan. In the article, the themes of patriotism and heroism take special importance in the oratorio genre of the composer's works written in the oratorio genre in th

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9

Rzaieva, Mekhpara. "Symphonic Creative Activity of Rufat Ramazanov." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 101–15. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233342.

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The article analyzes several works related to the symphonic work of Rufat Ramazanov, a middle-aged representative of the modern Azerbaijani school of composition. The article also examines Ramazanov’s symphonic works against the background of the development of Azerbaijani music culture and examines his symphonic works in terms of genre diversity. Also, the article considers the characteristics of music and harmonic language in the symphonic works of the composer, the methods of using orchestration. The article emphasizes the unique stylistic features of Rufat Ramazanov’s symphonic works, thei

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10

Shakhmamedova, Naiba. "Modal Intonation Features of Crowd Scenes in the Operetta "O olmasyn, bu olsun" ("Not that, so this") by U. Hajibeyli." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 73–88. https://doi.org/10.31866/2616-7581.4.1.2021.233340.

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The article analyses the features of the crowd scenes’ structure in the operetta “O olmasyn, bu olsun” (1910) by the outstanding composer Uzeyir Hajibeyli (1885–1948), who founded the Azerbaijani professional composer school at the beginning of the 20th century. In this operetta rich in comic imagery, the composer’s style is reflected in choral scenes influenced by harmonious recitatives and musical patterns and analyzed as a philosophical sphere of reflection of events in the comical plane. He also interprets the development of the operetta genre as a genre of co

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11

Nəzərova, Adilə. "UZEYIR HAJIBAYLY: NATIONAL VALUES AND RESOURCES." Scientific Works 92, no. 2 (2025): 27–31. https://doi.org/10.69682/arti.2025.92(2).27-31.

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It is known that in Eastern countries the main genre is considered folk art. In Azerbaijan, the combination of mugham and folk songs, which have a complex idea, emotional meaning, and express deep thinking, with Western music - opera was first used in the work of U. Hajibayly. These works were written in the history of world music under the name "mugham opera". In the works of U. Hajibayly, especially in his operettas, the desire of the Azerbaijani people for legal freedom was expressed in unity with the expression of their spiritual freedom - the inner freedom of man. As a teacher, the brilli

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12

Mammadova, Fidan. "Franghiz Alizadeh's Composition 'Wahe' ('Oasis') for String Quartet and Tape Recorder." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 188–200. https://doi.org/10.31866/2616-7581.4.2.2021.245793.

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The article examines the chamber-instrumental work of Franghiz Alizadeh, a prominent representative of the modern Azerbaijani school of composition, People’s Artist, awarded the honorary title of ‘Artist of Peace’ by UNESCO. The article also highlights the characteristics of the musical and harmonic language, original timbre combinations, unusual dynamics, methods of using modern musical techniques of chamber-instrumental works of Franghiz Alizadeh, which is an area of her creative work that combines East-West music synthesis. The article analyzes Franghiz Alizadeh’s co

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13

MIRZEYEVA, Gulnar. "AZERBAYCAN BESTECİLERİNİN ESERLERİNDE ETÜD TÜRÜ THE GENRE OF ETUDE IN THE WORKS OF AZERBAIJANI COMPOSERS." IEDSR Association 6, no. 12 (2021): 77–86. http://dx.doi.org/10.46872/pj.270.

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The etude genre is one of the examples characterized by the emergence of different types of music that develop at certain stages of musical art. Although the introduction of studies as an independent genre in musical literature dates back to the XVII-XVIII centuries, its main function in the development of piano art was already present in other musical genres. The next stage in the development of the study genre is related to the work of the Romantic Movement representatives F.Chopin, R.Schumann, F.List. The acquisition of new features of the genre is due to the work of Russian composers. Thus

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14

Seyidova, Sevinj. "Features of Jalal Abbasov’s Work ‘Munajat – I’." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 273–86. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245815.

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Abstract:

The article analyzes the chamber-instrumental work of Jalal Abbasov, a brilliant representative of the modern Azerbaijani school of composition, in particular, ‘Munajat-I’. It also looks at the work of Jalal Abbasov against the background of the development of Azerbaijani music culture and explores the genre diversity of chamber-instrumental works. In addition, the study highlights the form and content, music, and harmonic language in the composer’s chamber-instrumental works, especially in the work ‘Munajat-I’. The article emphasizes the peculiar stylistic features of Jalal Abbasov’s chamber-

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15

Shakhmamedova, Naiba. "Modal Intonation Features of Crowd Scenes in the Operetta “O olmasyn, bu olsun” (“Not that, so this”) by U. Hajibeyli." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 73–88. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233340.

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Abstract:

The article analyses the features of the crowd scenes’ structure in the operetta “O olmasyn, bu olsun” (1910) by the outstanding composer Uzeyir Hajibeyli (1885–1948), who founded the Azerbaijani professional composer school at the beginning of the 20th century. In this operetta rich in comic imagery, the composer’s style is reflected in choral scenes influenced by harmonious recitatives and musical patterns and analyzed as a philosophical sphere of reflection of events in the comical plane. He also interprets the development of the operetta genre as a genre of contemporary music in the profes

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16

Mammadova, Fidan. "Franghiz Alizadeh’s Composition ‘Wahe’ (‘Oasis’) for String Quartet and Tape Recorder." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 188–200. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245793.

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Abstract:

The article examines the chamber-instrumental work of Franghiz Alizadeh, a prominent representative of the modern Azerbaijani school of composition, People’s Artist, awarded the honorary title of ‘Artist of Peace’ by UNESCO. The article also highlights the characteristics of the musical and harmonic language, original timbre combinations, unusual dynamics, methods of using modern musical techniques of chamber-instrumental works of Franghiz Alizadeh, which is an area of her creative work that combines East-West music synthesis. The article analyzes Franghiz Alizadeh’s composition ‘Oasis for tap

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17

Huseynli, Lala. "Evolution of Lyrical Image in Ballets of Azerbaijani Composers." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 179–87. https://doi.org/10.31866/2616-7581.4.2.2021.245785.

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This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the e

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18

Dadash-zade, Kamila. "On the Music-Synergetic Processes of Epic Art." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, no. 1 (2022): 6–13. http://dx.doi.org/10.31866/2616-7581.5.1.2022.258130.

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The purpose of the research is to reveal in the diachronic aspect some principles of the musical self-organization of the Azerbaijani heroic epic. The research aims also to study some features of the self-organization in the opera “Koroglu” by Uzeyir Hajibeyli. The research methodology is aimed at using methods of synergetic paradigm. The notion of non-linearity is a fundamental principle of asynergy. As well as synergetics, the application of certain methodological principles of a cognitive paradigm in the study of the musical language of the heroic epic would also be effective. The scientifi

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19

Humbatova, Elmira. "Piano Pieces by a Prominent Representative of the Azerbaijani Composition School Ogtay Rajabov." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 140–51. https://doi.org/10.31866/2616-7581.4.1.2021.233346.

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The article is dedicated to the piano creativity of Ogtay Rajabov, a brilliant representative of the 20th-century Azerbaijani school of composition. It should be noted that O. Rajabov is the author of many pieces for piano, and among them, the genres written for young pianists have a special place. The article analyzes some of these pieces. They include some small miniatures such as “Barkarolla”, “Lyric dance”, “Joke”, “Thought”, “Lyric waltz”, “Naughty kids”, “Remembering the Past”, “Remembering my mothe

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20

Dadash-zade, Kamila. "On the Music-Synergetic Processes of Epic Art." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, no. 1 (2022): 6–13. https://doi.org/10.31866/2616-7581.5.1.2022.258130.

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The purpose of the research is to reveal in the diachronic aspect some principles of the musical self-organization of the Azerbaijani heroic epic. The research aims also to study some features of the self-organization in the opera “Koroglu” by Uzeyir Hajibeyli. The research methodology is aimed at using methods of synergetic paradigm. The notion of non-linearity is a fundamental principle of asynergy. As well as synergetics, the application of certain methodological principles of a cognitive paradigm in the study of the musical language of the heroic epic would also

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21

Humbatova, Elmira. "Piano Pieces by a Prominent Representative of the Azerbaijani Composition School Ogtay Rajabov." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 140–51. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233346.

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The article is dedicated to the piano creativity of Ogtay Rajabov, a brilliant representative of the 20th-century Azerbaijani school of composition. It should be noted that O. Rajabov is the author of many pieces for piano, and among them, the genres written for young pianists have a special place. The article analyzes some of these pieces. They include some small miniatures such as “Barkarolla”, “Lyric dance”, “Joke”, “Thought”, “Lyric waltz”, “Naughty kids”, “Remembering the Past”, “Remembering my mother”, “Sad mood” and “My memories”. In his works, the composer was able to bring the world o

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22

Дадаш-заде Кямиля, Гусейн гызы. "About some features of the implementation the art of the ashigs in Uzeyir Hajibeyli's opera "Koroglu"." Музыкальное искусство Евразии. Традиции и современность, no. 4(9) (December 30, 2022): 22–32. http://dx.doi.org/10.26176/maetam.2022.9.4.002.

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В статье рассматриваются вопросы интерпретации эпических концептов в опере «Кёроглу» основоположника композиторской школы Азербайджана Узеира Гаджибейли. Путь познания закономерностей эпического искусства у композитора показан как ментальный процесс, в результате которого были восприняты и интерпретированы определенные когнитивные модели традиционной культуры. Автор приходит к заключению, что все творчество Гаджибейли и особенно его опера «Кёроглу» свидетельствуют о глубоком проникновении в суть архетипов эпического искусства, пересемантизировании их в новом историко-культурном контексте. The

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23

Eyvazzade, Gunel. "Research on the Problems of Piano Creative Work by A. Arensky in the Scientific Papers of Professor N. Usubova." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 89–100. https://doi.org/10.31866/2616-7581.4.1.2021.233341.

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The article examines the scientific work of one of the prominent representatives of the 20th century Azerbaijani piano performing school, Honored Art Worker, Professor Nigar Usubova (1914–1994). N. Usubova devoted an important part of her life to pedagogical activity, raising a generation of talented pianists. She made an exceptional contribution to the development of the Azerbaijani piano school and the definition of its future directions. N. Usubova’s pedagogical principles are reflected in her dissertation work and methodical manual. As it is known, N. Usubova studied in the cla

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24

Kerimova, Rovshana. "Soltan Hajibeyov's "Caravan" Symphonic Poem." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 116–29. https://doi.org/10.31866/2616-7581.4.1.2021.233343.

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The article considers some features of the symphonic poem “Caravan” by the outstanding Azerbaijani composer Sultan Hajibeyov, studied the style of the work, the principles of symphonic development, methods used in orchestration. In the symphonic poem “Caravan”, a connection with national origins is clearly manifested. The improvisational principle inherent in mugham, the organic combination of melodic developmental techniques with symphonic development, the use of variable and variational development, as well as the creative use of national frets – all this arises

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25

Kerimova, Rovshana. "Soltan Hajibeyov’s “Caravan” Symphonic Poem." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 116–29. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233343.

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The article considers some features of the symphonic poem “Caravan” by the outstanding Azerbaijani composer Sultan Hajibeyov, studied the style of the work, the principles of symphonic development, methods used in orchestration. In the symphonic poem “Caravan”, a connection with national origins is clearly manifested. The improvisational principle inherent in mugham, the organic combination of melodic developmental techniques with symphonic development, the use of variable and variational development, as well as the creative use of national frets – all this arises from national music. The arti

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26

Huseynli, Lala. "Evolution of Lyrical Image in Ballets of Azerbaijani Composers." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 179–87. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245785.

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Abstract:

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the e

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27

Eyvazzade, Gunel. "Research on the Problems of Piano Creative Work by A. Arensky in the Scientific Papers of Professor N. Usubova." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 89–100. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233341.

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The article examines the scientific work of one of the prominent representatives of the 20th century Azerbaijani piano performing school, Honored Art Worker, Professor Nigar Usubova (1914–1994). N. Usubova devoted an important part of her life to pedagogical activity, raising a generation of talented pianists. She made an exceptional contribution to the development of the Azerbaijani piano school and the definition of its future directions. N. Usubova’s pedagogical principles are reflected in her dissertation work and methodical manual. As it is known, N. Usubova studied in the class of A. Gol

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28

Irada, Kocharli. "HEYDAR ALIYEV AND AZERBAIJANI TRADITIONAL MUSIC." Problems of Arts and Culture / İncəsənət və mədəniyyət problemləri 17, no. 3 (2023): 3–12. https://doi.org/10.5281/zenodo.8416309.

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The article about Heydar Aliyev begins with an introduction to the booklet “The Composer’s Higher Purpose and Duty”. This booklet is the published text of the Great Leader’s speech at the meeting with Azerbaijani composers on October 1,1979. This far-sighted speech, containing deep ideas, can be considered as a program-speech, program-document addressed to the future about Azerbaijan, generally, the musical culture. The Azerbaijan music and its glorious path was examined in the context of historical development by the musicologist’s precision, a number of theoreti

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29

Vəliyeva, Sevinc. "UZEYIR HAJIBEYLY’S STORIES AS A MEANS OF UPBRINGING." Scientific Works 92, no. 3 (2025): 27–30. https://doi.org/10.69682/arti.2025.92(3).27-30.

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Uzeyir Hajibayly worked fruitfully as an outstanding composer, writer, playwright, translator, journalist and public figure. He lived an extremely meaningful life and laid the foundations of opera art in Azerbaijan, as well as in the Islamic world. Uzeyir bey is the author of the operas "Leyli and Majnun", "Shah Abbas and Khurshid Banu", "Asli and Kerem", "Harun and Leyla", "Rustam and Sohrab", "Koroghlu". "Leyli and Majnun" is his first opera, and the opera "Koroghlu" is a masterpiece of the outstanding composer. In addition to valuable operas, Uzeyir bey Hajibayly wrote musical comedies "Not

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30

Əmirəliyeva, İradə. "UZEYIR HAJIBAYLI ON THE DUTIES OF A TEACHER AND UPBRINGING." Scientific Works 92, no. 2 (2025): 23–26. https://doi.org/10.69682/arti.2025.92(2).23-26.

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Uzeyir Hajibayly is one of the most outstanding personalities that Azerbaijan has given to world culture. He is a writer, playwright, translator, journalist, public figure, conductor and, most importantly, the greatest composer. After graduating from the Gori Teachers' Seminary, he worked as a teacher in Hadrut and Baku. He is the author of numerous operas, musical comedies, short stories, articles, feuilletons and reviews. The article examines the life of Uzeyir bay.

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31

Zaliieva, Leila. "Ways of Choirmaster Art Development in Azerbaijan." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 21–33. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233335.

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The article is devoted to the history of the choral music development in Azerbaijan and to highlighting the ways of choirmaster art formation. The development of choral art in Azerbaijan began, firstly, with the formation of the composer creative activity. The introduction of classical choral samples with the emergence of the first opera and the formation of an ensemble for performing it are considered to be the first step in this area. Later, the emergence of professional choral collectives, the development of the opera genre, as well as the activity of music education institutions included a

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32

Ersay, B., and G. Aliyeva. "THE FIRST NATIONAL MILITARY SCHOOL IN AZERBAIJAN AND ITS FIRST GRADUATION." Sciences of Europe, no. 122 (August 4, 2023): 13–17. https://doi.org/10.5281/zenodo.8213862.

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The article analyzes the history of the foundation of the first national military school in Azerbaijan - the School of Podpraporshiks. The foundations of that school were laid before the declaration of independence of the Azerbaijan Democratic Republic. And after independence, a more favorable condition was laid out for the functioning of that military institution. At the end of October 1918, the training process was completed and the cadets of the Podpraporshik School successfully passed the final exams and joined the army of the Azerbaijan Democratic Republic.

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Zaliieva, Leila. "Ways of Choirmaster Art Development in Azerbaijan." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 21–33. https://doi.org/10.31866/2616-7581.4.1.2021.233335.

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The article is devoted to the history of the choral music development in Azerbaijan and to highlighting the ways of choirmaster art formation. The development of choral art in Azerbaijan began, firstly, with the formation of the composer creative activity. The introduction of classical choral samples with the emergence of the first opera and the formation of an ensemble for performing it are considered to be the first step in this area. Later, the emergence of professional choral collectives, the development of the opera genre, as well as the activity of music education institutions included a

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Lala, Kyazimova. "GARA GARAYEV'S FIRST SYMPHONY." Problems of Arts and Culture International scientific journal 17, no. 2 (2023): 54–60. https://doi.org/10.5281/zenodo.8105904.

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G.Garayev’s first symphony is one of the most interesting examples of Azerbaijani symphonic music in the 1940 s. This work was destined to open a new page in the history of Azerbaijani musical culture – it supposed the formation of the national symphonic school as an original phenomenon in the history of the 20th century world symphony. Scientists of different generations are discovering new aspects of comprehension and artistic interpretation of the abovementioned work. These aspects undoubtedly include productive association with the creative heritage of classical composers and t

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Guliyeva, Sabina. "Educational model forming family-school partnership in Azerbaijan school." Azerbaijan Journal of Educational Studies 2, no. 2 (2020): 65–70. http://dx.doi.org/10.29228/edu.218.

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Kyianovska, Liubov. "SOCIO-CULTURAL PARADIGM OF LVIV COMPOSER SCHOOL." Ukrainian musicology 45 (December 27, 2019): 31–48. http://dx.doi.org/10.31318/0130-5298.2019.0.45.189953.

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Macgill, Andrew. "Composing in the School: Composing for the School." British Journal of Music Education 5, no. 1 (1988): 35–43. http://dx.doi.org/10.1017/s0265051700006318.

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This article describes some of the experiences of, and lessons learnt by a composer working as Head of Music in a secondary school. The article highlights in particular aspects which are considered to be of value to teachers and other colleagues now embarking on a new era of musical education in schools, notably aspects relevant to the composing component in public examinations. The text includes details of a recording of newly composed music.

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Pavlova-Borisova, Tat'yana Vladimirovna, and Milena Mikhailovna Kuz'mina. "Yakut national school of composers and works of the first Even composer P. M. Starostin: review experience." Философия и культура, no. 12 (December 2020): 1–10. http://dx.doi.org/10.7256/2454-0757.2020.12.34736.

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This article is dedicated to the life and works of the first Even composer P. M. Starostin (1944-2013) in the context of evolution of the national school of composers in the East. The goal of this research consists in review of the life and works of the Even composer P. M. Starostin. The object of study is the professional musical art of the Evens, while the subject is the artistic heritage of the first Even composer. The article is based on the comparative and typological methods, with consideration of theoretical insights of the national musicologists dedicated to the development trends of y

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Nasibova, V. "On the Satirical Poetry School." Bulletin of Science and Practice 6, no. 6 (2020): 323–30. http://dx.doi.org/10.33619/2414-2948/55/43.

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The article is devoted to the views of Great Azerbaijan writer Mirza Ibragimov on satirical poetry in Azerbaijani Literature. The academician gave an extensive analysis of the satirical poetry of Mirza Alekper Sabir.

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Veremeychik, M. "Constructing the historical memory of the 1917 revolution in school textbooks of the Republic of Azerbaijan (2018-2023)." Proceedings of the Komi Science Centre of the Ural Division of the Russian Academy of Sciences, no. 6 (October 16, 2024): 89–95. http://dx.doi.org/10.19110/1994-5655-2024-6-89-95.

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The paper deals with the main conceptual approaches to the presentation of the events of the February and October stages of the 1917 Revolution in the school textbooks of the Republic of Azerbaijan. Considerable attention is paid to the national component of the 1917 Revolution – the formation of the First Republic (Azerbaijan Democratic Republic) and the Second Republic (Azerbaijan SSR). The content of textbooks on academic subjects “History of Azerbaijan” for grades 5, 9, 11 and “General History” for grades 9, 11 published in 2018 - 2023 was analyzed.

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TÜRKMENOĞLU, Ömer, and Zümra AZİZOĞLU. "THE FIRST OPERA OF THE TURKISH WORLD "LEYLI AND MAJNUN’’." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (2021): 305–20. http://dx.doi.org/10.46291/zfwt/130216.

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The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" by Azerbaijani composer Üzeyir Hacıbeyli. According to many sources, "Leyli and Majnun" is described as the first opera of the Turkish world and the Islamic world, and the east. The most important feature of this opera is the masterful synthesis of classical western music and folk music. The opera, which was composed for the first time in this way, influenced the east with its staging and ensured that the art of opera was adopted by the public. The great composer Uzeyir Hajibeyli was born in the

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Maharramov, Ziyaddin. "Education in Azerbaijan: New Stage of Literary Social Thought." International Journal of Life Sciences 9, no. 6 (2015): 96–99. http://dx.doi.org/10.3126/ijls.v9i6.13431.

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In the XIX century in all Caucasus Azerbaijanians most densely lived in the Western Azerbaijan. The originality material and moral riches, folklore literature, art, a mass school network, monuments of art, architecture differed. At the same time, the Azerbaijanians living in the Western Azerbaijan were an example of preservation and enrichment of our literary language, our religion, our customs and traditions, not marriages with other nationality. In the XIX century in Azerbaijan, in its Western part, school business and education developed. With opening here for people education in row settle

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Drozhzhina, Marina Nikolaevna. "Tajik National Composer School: The Stage of Restoration and Identification of Development Paths." Pan-Art 3, no. 1 (2023): 21–31. http://dx.doi.org/10.30853/pa20230004.

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The aim of the research is to comprehend the cause-and-effect relationships and formulate conclusions about the prospects for the development of the Tajik national composer school. The paper presents the most difficult stage in the history of the Tajik national composer school, which was mainly due to the circumstances external to it, i.e. getting into the epicenter of the upheavals that engulfed the post-Soviet cultural space in the late XX century. It is determined that a balance of two types of musical professionalism – oral (traditional) and written (a composer’s) – is necessary for the de

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Muller, Stephanus. "A COMPOSER IN AFRICA: AN INTERVIEW WITH STEFANS GROVÉ." Tempo 61, no. 240 (2007): 20–27. http://dx.doi.org/10.1017/s0040298207000101.

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South African composer Stefans Grové celebrates his eighty-fifth birthday this year. Grové studied under Erik Chisholm in Cape Town, took his Master's at Harvard under Walter Piston and attended Aaron Copland's composition class at the Tanglewood Summer School. He taught for over a decade at the Peabody Institute in Baltimore before returning to South Africa in 1972. He is Composer in Residence at the University of Pretoria.

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Аллахверди Маммадли. "ШКОЛА «МОЛЛА НАСРЕДДИН» В КОНТЕКСТЕ ПРИНЦИПОВ ЛИТЕРАТУРНОЙ ШКОЛЫ". World Science 2, № 10(50) (2019): 52–55. http://dx.doi.org/10.31435/rsglobal_ws/31102019/6731.

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   The article deals with the literary school “Molla Nasreddin” that is considered on the basis of the concrete facts and examples in the context of the principles of the literary school. The main principles of the literary school are highlighted: unity of opinions, clouseness of aesthetic ideals and novelty. The activities of the Azerbaijani satirical journal “Molla Nasreddin”, the first Azerbaijani newspaper “Ekinchi”, (“A ploughman”), the journal “Fuyuzat” (“Admonition”) are traced and appreciated. It is emphasized that the beginning of the XX century is one of the most im

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Ciritci, Hayriye, and Mustafa Cem Babadogan. "Examination of secondary school students' perceptions of mathematics course self-efficiency in Azerbaijan and Türkiye." New Trends and Issues Proceedings on Humanities and Social Sciences 10, no. 1 (2023): 49–61. http://dx.doi.org/10.18844/prosoc.v10i1.8842.

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Abstract The purpose of this research is to analyze the mathematics course self-efficacy perceptions of secondary school students studying in Azerbaijan and Türkiye in terms of various variables. The study groups of the research consisted of secondary school students aged 10-14. In the study, the Self-Efficacy Perception Scale Against Mathematics prepared by Umay was used. The results show, mathematics self-efficacy perceptions of secondary school students working in both countries in the research unit are close to each other and at a moderate level. While the self-efficacy perceptions o

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Hoskins, Trevor. "Constant Lambert: His Illness at Christ's Hospital School and the Role of Dr G E Friend." Journal of Medical Biography 11, no. 1 (2003): 14–20. http://dx.doi.org/10.1177/096777200301100106.

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The composer Constant Lambert suffered a near fatal attack of septicaemia while he was at school at Christ's Hospital in 1916. His survival owed no small part to the school medical officer, Gerald Friend, himself renowned for his work on nutrition and development.

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Smirnova, Marina V., and Anna E. Sheludko. "Theodor Leschetizky as Pianist and Composer." Университетский научный журнал, no. 75 (August 25, 2023): 13–18. http://dx.doi.org/10.25807/22225064_2023_75_13.

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The paper is devoted to the piano pieces and the characteristics of the performing style of Theodore Leschetizky, the head of the large piano school of the 20th century. It is emphasised that the composer’s miniatures are very original, refl ect the atmosphere of the era, have considerable artistic value and can certainly arouse interest among modern audiences, which is proven by artistic experiments undertaken today. The article analyses the problems facing modern performers of Leschetizky’s piano pieces.

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Nurmammamdova, Turan, and Ilhama Sultanova. "Perceptions of school administrators about teacher leadership in Azerbaijan." Metafizika Journal 6, no. 4 (2023): 183–205. http://dx.doi.org/10.33864/2617-751x.2023.v6.i4.183-205.

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One of the concepts with unclear definitions is teacher leadership. Teachers must be inclined to take various risks to become leaders. In fact, in practice, most teachers are not taught leadership skills in career preparation programs. Teachers' success in decision-making processes and school leadership efforts is sometimes limited. Teachers who achieve control in their classrooms have much more power to make suggestions to other adults in the school and can bring valuable qualities to the school as teacher leaders. In addition to aiming to organize effective classroom activities, teacher lead

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Soltanova, N. "FOUNDER OF THE SCHOOL OF SEMICONDUCTOR PHYSICS IN AZERBAIJAN." Slovak international scientific journal, no. 72 (June 8, 2023): 41–45. https://doi.org/10.5281/zenodo.8016982.

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The article discusses the path of scientific activity of academician, doctor of physical and mathematical sciences, ex-president of ANAS, Hasan Abdullayev. His merits are mentioned. Abdullaev’s school gave worthy scientists to the scientific world.

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