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Relevant bibliographies by topics / Composer / Dissertations / Theses

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Dissertations / Theses on the topic 'Composer'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Hart, Sarah Marie. "The violist as composer." Thesis, University of Maryland, College Park, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3711607.

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<p> The search for interesting and rewarding repertoire is a lifelong process for the modern violist. Because of the viola's belated acceptance as a solo instrument, only the occasional solo viola piece appears in the Baroque, Classical, and Romantic periods, giving violists special incentive to embrace new sources of repertoire, including transcriptions of works for other instruments, new works by living composers, and rediscovered works by lesser-known composers. This dissertation explores another means by which violists have contributed to the concert repertoire: composing their own music.

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2

Lawrence, Mark. "Veljo Tormis, Estonian composer." Thesis, City University London, 2013. http://openaccess.city.ac.uk/2734/.

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The music of Veljo Tormis (b. 1930) became well-established in Estonia during the 1960s yet remained little known in the West during the Communist period. By incorporating traditional song, regilaul,into his works, Tormis’s name became closely associated for Estonians with upholding a sense of national identity against the Soviet regime. It is his vast output of some 500 choral songs for which he is most immediately recognised; indeed, once regilaul had come to dominate the ‘Tormis style’, he dedicated himself almost exclusively to choral composition. This study, building on the work of Mimi D

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3

Vane, Roland Edwin. "Composer-Centered Computer-Aided Soundtrack Composition." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/1168.

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For as long as computers have been around, people have looked for ways to involve them in music. Research in computer music progresses in many varied areas: algorithmic composition, music representation, music synthesis, and performance analysis to name a few. However, computer music research, especially relating to music composition, does very little toward making the computer useful for artists in practical situations. This lack of consideration for the user has led to the containment of computer music, with a few exceptions, to academia. <br /><br /> In this thesis, I propose a

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4

Åberg, Ellinor. "Game music: from composer to consumer." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27285.

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By conducting an experiment involving interviews with successful video game music composers about the emotions they wish to convey to the players with their music, and a survey questioning consumers about what emotions they actually experienced while listening to these musical pieces, this bachelor's thesis tries to provide a deeper understanding for music in games and the impact it has on the player and whether or not the three composers that has been interviewed has succeeded with conveying the emotions they wished to convey to their consumers. The results showed that each composer that has

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5

Pasieczny, Marek. "The duality of the composer-performer." Thesis, University of Surrey, 2016. http://epubs.surrey.ac.uk/811785/.

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The main focus of this submission is the composition portfolio which consists of four pieces, each composed several times over for different combinations of instruments. The purpose of this PhD composition portfolio is threefold. Firstly, it is to contribute to the expansion of the classical guitar repertoire. Secondly, it is to defy the limits imposed by the technical facilities of the physical instrument and bring novelty to its playability. Third and most importantly, it is to overcome the challenges of being a guitarist-composer. Due to a high degree of familiarity with the traditional gui

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6

Wilshere, Brian. "Brian Wilshere : the drummer as composer." Thesis, Goldsmiths College (University of London), 2007. http://research.gold.ac.uk/6599/.

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This thesis consists of a portfolio of compositions with the addition of 5 CD's, commentaries on selected compositions and additional written material placing submitted work in context. It is that context which supplies the title of the thesis. It is my contention that a composers' work is affected by the culture surrounding them, and that that culture contains a number of musical and social factors which impinge upon a composers' interaction with the world. In my case, I seek to show how a combination of my formative experiences and somewhat unusual musical background have influenced my work

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7

Wiggins, Kathryn Louise. "Alan Bush : activist, cultural diplomat, composer." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730835.

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8

Hand, Angela René. "Francis Hopkinson : American poet and composer /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983125.

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9

Weitner, Carol A. "Jacques Nicolas Lemmens : organist, pedagogue, composer /." Digitized version, 1991. http://hdl.handle.net/1802/3220.

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Thesis (D.M.A.)--University of Rochester, 1991.<br>Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3220

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10

Tu, Chia-Fang. "Observation and Evaluation of Two Composer-Teachers of Pre-College Piano." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214246893.

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11

Rodriguez, Bermejo Sonia Maria. "Discovering Isaac Albéniz as a song composer." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1280777597.

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12

Huff, Dwayne. "Robert Goldbeck : pianist, composer, educator, and publisher /." Full text available from ProQuest UM Digital Dissertations, 2007. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1609001631&SrchMode=1&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1245416721&clientId=22256.

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13

Russoniello, Nicholas. "A Creativity Model for the Composer Performer." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29539.

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The composer-performer is faced with important questions when composing for their principal instrument: how is compositional output shaped by technical habits and assumptions acquired during instrumental training? How does performance practice inhibit or enhance the creative process of composition? This research explores the relationship between my performance practice and compositional output through a series of diverse creative experiments which will be explored in this thesis. Qualitative and quantitative data is used to expose the conscious and subconscious decisions made throughout my

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14

Zavada, Ivan. "3D Composer: A Software for Micro-composition." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5461.

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The aim of this compositional research project is to find new paradigms of expression and representation of musical information, supported by technology. This may further our understanding of how artistic intention materialises during the production of a musical work. A further aim is to create a software device, which will allow the user to generate, analyse and manipulate abstract musical information within a multi-dimensional environment. The main intent of this software and composition portfolio is to examine the process involved during the development of a compositional tool to verify how

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15

Zavada, Ivan. "3D Composer: A Software for Micro-composition." University of Sydney, 2009. http://hdl.handle.net/2123/5461.

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Doctor of Philosophy<br>The aim of this compositional research project is to find new paradigms of expression and representation of musical information, supported by technology. This may further our understanding of how artistic intention materialises during the production of a musical work. A further aim is to create a software device, which will allow the user to generate, analyse and manipulate abstract musical information within a multi-dimensional environment. The main intent of this software and composition portfolio is to examine the process involved during the development of a composit

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16

Contreras, Maria Elena. "Paradoja: concerto for orchestra [score]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/969.

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Music Composition<br>D.M.A.<br>Paradoja: Concerto for Orchestra consists of three contrasting movements: slow, fast, slow (Paradoja = "paradox," Sp.). These movements are framed by a motif that opens and closes each of them, and connects them all. This framing motif is based on an alternation between a rhythmical pattern in the bass drum, and a melody sung by a boy mezzo-soprano, both over a string pedal. The first movement, Lamentos (Sorrows), is dramatic in character; it goes from simple to complex in its orchestration, harmony, texture, dynamics and tempo changes. The second movement, Algar

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17

Diffner, Björn, and Erik Edlund. "Utvärdering av 3dvia Composer : -För arbetsinstruktioner och beredning." Thesis, Linköping University, Linköping University, Department of Management and Engineering, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-17234.

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<p>With recent technical development computer aided design and manufacturing has taken amore important role in the product life cycle. New business segments such as Product/ServiceSystems and remanufacturing is emerging. This development demands better control of theproduct data throughout the entire product life cycle. Computer aided design is widelyrecognized and used within the manufacturing industries and in recent years the importance ofDigital manufacturing has increased. One part of Digital manufacturing is paperlessproduction which involves all orders and working instruction shown for

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18

Rossow, Stacie Lee. "The Choral Music of Irish Composer Michael McGlynn." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/438.

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Michael McGlynn is predominantly known around the world for his choral music that reflects the traditional sounds of Ireland. The greater body of his compositions, however, fit into the contemporary choral genre and represent a sizable contribution to the choral music repertoire of Ireland. This essay begins with a discussion of McGlynn's life and work. Extensive interviews and rehearsal comments with the composer regarding compositional process and performance practice were conducted and are included. The musical history of Ireland and details regarding the harmonic and rhythmic language spec

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19

Guy, Robin D., and Robin D. Guy. "Tobias Matthay: The Man, The Pedagogue, The Composer." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/626205.

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20

Laycock, Jolyon. "A changing role for the composer in society." Thesis, University of York, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274517.

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21

Roman, Zoltan. "Gustav Mahler: Conductor and Composer as ’Music Historian’." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38338.

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22

Szczyrbak, Lucas. "Becoming One with My Instrument as A Composer." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3629.

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Det finns otaliga metoder att komponera musik på, och resultatet blir alltid annorlunda. Den föredragna metoden för många är gemensam komposition och andra tycker det finns mer kontroll och bekvämhet i att komponera ensam. Så är frågan vilka verktyg fungerar bäst för den ene kompositör. Det kan vara ett instrument, ett program eller en metod för att skapa musiken, och det val av verktyg som väljas har också en påverkan på kompositionsprocessen och de idéer som följer efter. Som kompositören gradvis börjar att utvecklar en bestämt stilar for att komponera, utvecklar kompositören också musiske m

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23

Rosenstock, Raymond Hugh. "Jean Maillard (Fl.1538-1572) : French Renaissance composer /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37059830p.

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Diss.--Philosophie--New York--City Univ. of NY, 1981.<br>Catalogue raisonné des oeuvres de J. Maillard p. 169-203. Réunit la musique de messes, motets et autres oeuvres vocales sacrées p. 204-281. Bibliogr. p. 289-309.

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24

Michelsen, Catherine Bingman. "Julius Eichberg (1824-1893): Composer and String Pedagogue." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/323447.

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This document examines the life and string pedagogical contributions of German-American violinist, composer, and pedagogue Julius Eichberg (1824-1893). Biographical information about Eichberg is presented to demonstrate his expertise in the areas of education and performance, as well as to provide some context for his compositions. As little has been written about Eichberg and his contributions to music and music education, much of the information gathered about his life and musical background was found in primary sources in the form of scrapbooks compiled by Eichberg and his daughter. These s

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25

Contreras, Maria Elena. "Paradoja [dissertation]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/926.

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Music Composition<br>D.M.A.<br>Paradoja: Concerto for Orchestra consists of three contrasting movements: slow, fast, slow (Paradoja = "paradox," Sp.). These movements are framed by a motif that opens and closes each of them, and connects them all. This framing motif is based on an alternation between a rhythmical pattern in the bass drum, and a melody sung by a boy mezzo-soprano, both over a string pedal. The first movement, Lamentos (Sorrows), is dramatic in character; it goes from simple to complex in its orchestration, harmony, texture, dynamics and tempo changes. The second movement, Algar

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26

English, David Landon. "Role of Schaunard in La Boheme : Composer: Giacomo Puccini." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31614.

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The thesis for the Master of Music degree in Opera consists of the performance of a major role in one full opera production in the first or second year. My major role in one full opera production was Schaunard performed in La Boheme on February 8th and 10th of 2007.<br>Arts, Faculty of<br>Music, School of<br>Graduate

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27

Conlon, John Thomas. "Role of Marcelo in La Bohème : composer: Giancomo Puccini." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/32235.

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The thesis for the Master of Music degree in Opera consists of the performance of a major role in one full opera production in the first or second year. My major role in one full opera production was Marcelo performed in La Boheme on February 9th , 2007.<br>Arts, Faculty of<br>Music, School of<br>Graduate

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Sloan, Whitney-Leigh. "Role of "Mimi" in "La Bohème" : composer : "Giacomo Puccini"." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/32350.

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The thesis for the Master of Music degree in Opera consists of the performance of a major role in one full opera production in the first or second year. My major role in one full opera production was "Miml" performed in "La Boheme" on "February 9 and February 11, 2007".<br>Arts, Faculty of<br>Music, School of<br>Graduate

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29

Brooks, Malcolm Philip. "Autoethnography of a Composer with a New Composing Method." Thesis, Prescott College, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3567918.

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<p> This auto ethnography examines how a timid young boy grew up to become a confident music composer and how he developed a method of auto ethnographic songwriting. Through a process of systematic narrative inquiry and hermeneutic analysis, the study uncovers personal insights in self-awareness and in compositional technique. The study examines how the author reacted to personal and professional failures, regained emotional equilibrium through creative expression, and developed a method of transforming spoken text into complete songs. The study also considers how educational practices and cul

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Sprout, Graciela Beverly Magwili. "Considerations, examples, and explanations for the non-harpist composer." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1589654.

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<p> This project report serves as a resource to provide composers with the tools to tackle the complexities of writing for the harp. This will be achieved by considering the mechanical aspects of the harp, as well as analyze the strategies celebrated composers Maurice Ravel, Henriette Renié, and Carlos Salzédo employ in their own compositions to utilize the intricacies of the instrument to their advantage. Pieces discussed include: Ravel's <i>Introduction et Allegro,</i> Renié's <i> Pièce Symphonique,</i> Salzédo's <i>Five Poetic Studies for Harp Alone</i> an

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Rogers, Kallie. "Wil Offermans| The pedagogy of a contemporary flutist-composer." Thesis, The Florida State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3705916.

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<p> Wil Offermans is a flutist-composer with a holistic approach to contemporary flute pedagogy. At present day, there are very few English-language publications on Offermans; thus, in comparison to his contemporaries, the broader English-speaking flute community knows very little of the Dutch flutist-composer. The purpose of this treatise is to present Offermans's pedagogical ideas as a modern day flutist-composer so that his knowledge, creativity, and unique perspective may be made available to a larger flute population. </p><p> A brief overview of the development of contemporary flut

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32

Devaux, Vanessa. "Joseph Mayseder (1789-1863) : a Viennese violinist and composer." Thesis, Cardiff University, 2014. http://orca.cf.ac.uk/67546/.

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Joseph Mayseder (1789-1863) was one of the most significant musical figures in Vienna in the first half of the nineteenth century as a violinist and composer. His participation in musical life in Vienna was of central importance, as a ‘Soloist’ at the Hofkapelle, as the Director of the Orchestra at the Kärntnertortheater and as a friend of Beethoven. The dissertation offers an in-depth survey of Mayseder’s achievements in Vienna in his lifetime. A biographical overview of Mayseder’s life in Vienna is given, evaluating the role of his persona as a musician. Chapter 1 focuses on Mayseder as a vi

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33

Warrington, Miles. "The composer as technologist : an investigation into compositional process." Doctoral thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20787.

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This work presents an investigation into compositional process. This is undertaken where a study of musical gesture, certain areas of cognitive musicology, computer vision technologies and object-orientated programming, provide the basis for a composer (author) to assume the role of a technologist and acquire knowledge and skills to that end. In particular, it focuses on the application and development of a video gesture recognition heuristic to the compositional problems posed. The result is the creation of an interactive musical work with score for violin and electronics that supports the re

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Kumpula, Joshua J. "An analysis of selected band works with composer perspective /." View online, 2009. http://repository.eiu.edu/theses/docs/32211131565352.pdf.

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35

Choi, Bokyung. ""Restless Soul"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248419/.

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Restless Soul is composed of observational and expository style to depict a culture of youth, strength, and passion. The film captures an improvising musician and composer named Garrett Wingfield, who expresses spontaneous sound reflected in his mind, body and spirit. By working with his music friends, he releases his creative energies through his compositions and his different types of saxophones. The documentary allows its audience to experience the youth culture in a postmodern world.

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36

Williams, James Benjamin. "Analytical explorations of creative interaction and collaborative process through composition, rehearsal and performance : a composer-composer case study of acoustic music with live electronics." Thesis, University of Wolverhampton, 2017. http://hdl.handle.net/2436/620604.

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This thesis explores both the creative process and the creative product behind a unique and complex collaboration between two composers, called Endings (2012): firstly Jeremy Peyton Jones and secondly Kaffe Matthews. It interrogates the behavioural aspects and negotiations between the two composers in the compositional and rehearsal processes, in the run-up to three performances. Using ethnomusicological methodologies towards data collection (rehearsal recordings, interviews, studio work) and analysis (discourse in compositional discussion, rehearsal), the thesis offers new understandings on c

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Elipe, Gimeno Javier. "Composer d'après le cinéma muet : une approche théorique et pratique." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080127/document.

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Ce travail étudie le rapport entre le langage narratif cinématographique et le discours musical contemporain. Le point de départ en a été l’étude des nouvelles créations contemporaines écrites pour accompagner certains films de l’époque du cinéma muet. Pour atteindre ces objectifs, nous sommes partis d’une vision théorique, pour arriver à l’analyse plus concrète qui nous a donné les consignes de base pour créer notre propre modèle d’analyse applicable à la composition. Ce modèle permet de préciser les concepts nous permettant d´aborder la relation entre le film et la musique selon deux axes, q

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Hsu, Sheng-Wei. "Interpreting the piano music of Taiwanese composer Kuo Chih-Yuan." Thesis, University of Sheffield, 2016. http://etheses.whiterose.ac.uk/15666/.

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In 2016 Taiwan gained its first Taiwanese, female President Tsai Ing-wen, at the same time, composer Kuo Chih-Yuan (1921-2013) was named by popular media as the ‘Father of Taiwanese Music’. Kuo Chih-Yuan was a Taiwanese composer who created music with elements of traditional Taiwanese music in ways which had not been done before. In this thesis I evaluate how Kuo uses traditional elements from Taiwanese music in the Kuo Chih Yuan Piano Solo Album and Concertino for Piano and String Orchestra, and suggest how an understanding of these influences might guide an appropriate performance of these w

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Coltman, Charles. "Carl Gottlieb Reissiger, 1798-1859 forgotten composer for the clarinet /." connect to online resource, 2002. http://www.library.unt.edu/theses/open/20021/coltman%5Fcharles/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2002.<br>Accompanied by 4 recitals, recorded Nov. 28, 1994, Apr. 24, 1995, Apr. 9, 2001, and Mar. 11, 2002. Includes bibliographical references and discography.

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Gutsche-Miller, Sarah. "The reception of Carl Nielsen as a Danish National Composer." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19661.

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Carl Nielsen, labelled as Denmark's national composer, has long been relegated to a secondary status in English-language musicology as a composer of great national significance but negligible importance outside of Scandinavia. This thesis explores the links between Danish nationalism and Nielsen's music, as well as the effects of Nielsen's status as a national composer on the reception of his symphonic music outside of Denmark. The first section of this paper is a study of Nielsen's music in the context of Danish cultural nationalism at the turn of the twentieth century, focusing on the folk i

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Nederberg, Annelie. "The corporeosonic composer : corporeality, feedback and movement in electronic music." Thesis, University of Surrey, 2018. http://epubs.surrey.ac.uk/849804/.

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This artistic inquiry contributes to the field of performed and acousmatic electronic music by nuancing the relationship between musician and instrument as going beyond control into intimacy, immersion and shifting identities. The main streams of inquiry have been to explore conceptualisations of corporeality in electronic music and how such music can be created in relatedness with the gestural body. I have contextualised the inquiry with corporeality as movement (Sheets-Johnstone) and with the feedback works of Eliane Radigue. I have created a gestural feedback instrument, which has allowed m

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Segal, Rachel. "Franz Waxman : the composer as Auteur in golden era Hollywood." Thesis, University of Newcastle upon Tyne, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.545771.

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Silva, Laryssa Aparecida Machado da. "Composer-science: um framework para a composição de workflows científicos." Universidade Federal de Juiz de Fora (UFJF), 2010. https://repositorio.ufjf.br/jspui/handle/ufjf/4770.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-05-31T11:20:44Z No. of bitstreams: 1 laryssaaparecidamachadodasilva.pdf: 4042568 bytes, checksum: 22bb878bf9e226b2225e96b0e5b6405a (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-05-31T12:42:13Z (GMT) No. of bitstreams: 1 laryssaaparecidamachadodasilva.pdf: 4042568 bytes, checksum: 22bb878bf9e226b2225e96b0e5b6405a (MD5)<br>Made available in DSpace on 2017-05-31T12:42:13Z (GMT). No. of bitstreams: 1 laryssaaparecidamachadodasilva.pdf: 4042568 bytes, checksum: 22bb878bf9e226b2225e96b

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Galloway, Morag. "The dynamics of mutuality in the composer and performer relationship." Thesis, University of York, 2016. http://etheses.whiterose.ac.uk/17656/.

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This PhD composition portfolio explores through practice the collaborative relationship between composer and performer. The work demonstrates an inter-dependence between the desire to work with a person or group of people and exploration of an abstract or conceptual idea. Many of these conceptual ideas are from the Jungian school of psychology, or drawn from the real life experiences of composer and/or performer. The commentary reflects on the differing nature of these relationships, and the effect this has on the work. Ideas laid out in Vera John-Steiner’s book Creative Collaboration—such as

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Coltman, Charles Arthur. "Carl Gottlieb Reissiger (1798-1859) Forgotten Composer for the Clarinet." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3151/.

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Carl Gottlieb Reissiger was a successful German composer, conductor, and teacher in the first half of the nineteenth century. At the height of his career, he was Hofkapellmeister of theater and opera in Dresden, a position he held until his death. He was a composer of more than 200 works in a multitude of different genres. Today he is mainly known as a composer of opera, a small portion of his total output as a composer. He wrote approximately eighty piano solos, eighty collections of songs or duets, nine masses, and many smaller sacred choral works, as well as 27 piano trios, seven piano quar

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Musselman, Susan Joanne. "Cohesion of composer and singer the female singers of Poulenc /." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1196185791.

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Marcho, Trevor K. "Socially Responsible Music Repertoire: Composer Gender Diversity in Instrumental Ensembles." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1593085683940817.

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Shewbert, Sarah Grace. "The versatile Marion Bauer (1882-1955) American composer, lecturer, writer /." University of Portland, 2008. http://library2.up.edu/theses/2008_shewberts.pdf.

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Nowicki, Andrzej. "Between Hope and Despair: an Australian composer and the environment." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16366.

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To gain insights into the relationships between composer, social context and current environmental issues by creating a body of original works, contextualised by the relevant literature and secondly by reflection on these inter-relationships, especially of the composer’s internal journey, in the form of a personal evaluation or autoethnography.

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Strickson, Adam John. "The librettist's adaptation of source in collaboration with the composer." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/7594/.

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This practice-led investigation explores strategies for addressing extreme events drawn from a contemporary context through the collaborative process of composing opera. In particular, the thesis examines possibilities for managing the emotional impact of such work on the audience through looking beyond the Western tradition at the aesthetics of Japanese Nō theatre and the haiku. It explores the differing functions of words and music, and posits suggestions towards a method of composition designed to develop a more considered, thinking relationship between the members of the audience and the p

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