Relevant bibliographies by topics / Composers – Austria – Correspondence

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Academic literature on the topic 'Composers – Austria – Correspondence'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Composers – Austria – Correspondence"

1

Векслер, Юлия. "Between Expressionism and Dadaism. Erwin Schulhoff in Dialogue with the Second Viennese School." Музыкальная академия, no. 3(779) (September 26, 2022): 98–115. http://dx.doi.org/10.34690/255.

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Судьба чешского композитора и пианиста Эрвина Шульхофа (1894-1942) показательна для второго поколения представителей новой музыки - тех, кто начал свой творческий путь после окончания Первой мировой войны, в период Веймарской республики. На протяжении многих лет Шульхоф вынашивал свою идею музыкальной революции, начало которой положили концерты «музыки будущего» в Дрездене. Затем последовали контакты с берлинскими дадаистами и венскими экспрессионистами, увлечение джазом; потом возникли и симпатии коммунистическим идеям. Особое значение для Шульхофа, который искал единомышленников среди радика
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2

Векслер, Ю. С. "Александр Веприк и становление консерваторского образования в Советской России". АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, № 3(74) (30 вересня 2024): 29–36. http://dx.doi.org/10.26086/nk.2024.74.3.005.

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Статья посвящена Александру Веприку (1899–1958) ‑ представителю еврейской школы в советской музыке. В 1920-е годы он работает в Секции музыкального образования Главпрофобра и активно участвует в реформировании системы музыкального образования в России. В 1927 году композитор совершает поездку в Австрию, Германию и Францию с целью знакомства с европейской системой музыкального образования. Он планирует пригласить для преподавания в Московской консерватории одного из крупнейших композиторов современности. В качестве возможных кандидатур Веприк рассматривает Арнольда Шенберга, Пауля Хиндемита и М
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3

Batstone, Leah. "A Dance from Iglau: Gustav Mahler, Bohemia, and the Complexities of Austrian Identity." 19th-Century Music 44, no. 3 (2021): 169–86. http://dx.doi.org/10.1525/ncm.2021.44.3.169.

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A survey of Mahler’s correspondents, especially his classmates at the University of Vienna in the 1870s, reveals a multifaceted identity he shared with them. Most of his fellow members of the Pernerstorfer Circle, young intellectuals who met to discuss art and politics during their university years, had a similar background: German-speakers with a Jewish heritage and an upbringing in one of the Eastern minority communities of the Habsburg Empire. While some of Mahler’s music has been examined with respect to his Jewish background, little has been said about the influence of Bohemia on the comp
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4

Shabshaevich, Elena M. "From the History of the Publication of the Opera The Woman with the Dagger: Vladimir Rebikov — Boris Jurgenson — Arthur Schnitzler." Contemporary Musicology 8, no. 3 (2024): 50–67. http://dx.doi.org/10.56620/2587-9731-2024-3-050-067.

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The article elucidates the history of the publication of Vladimir Ivanovich Rebikov’s opera The Woman with the Dagger in the Moscow-based publishing house P. Jurgenson, spanning the years 1910–1912. The context is disclosed of the creation of the work occurring at the beginning of the late period of the composer’s creativity, and a short characterization is given of the opera’s dramatic source — a play with the same title by outstanding Austrian dramaturgist and writer of the modern period of the early 20th century. The vicissitudes of the signing of the contract between the composer and the d
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5

Veksler, Yulia S. "Alban Berg. “Diary” of a trip to Leningrad (based on the composer’s notebooks)." Contemporary Musicology, no. 1 (2019): 86–141. http://dx.doi.org/10.56620/2587-9731-2019-1-086-141.

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The article is based on previously unpublished archival materials from the Alban Berg Foundation of the Austrian National Library. These are, namely, the composer’s notebooks with his account of the trip to Leningrad to the premiere of the opera Wozzeck in June 1927. The article features facsimiles, transcriptions, and translations of some materials as well as their general description. The jewel of the collection is the notebook that Berg took with him on his trip to Leningrad. It resembles a diary with a detailed account of the trip to Leningrad and back. Inter alia, it describes what Berg d
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6

Isapchuk, Yulia. "Mentors and Ingeborg Bachman: A Writing Workshop for a Successful Start." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 64–83. http://dx.doi.org/10.31861/pytlit2022.106.064.

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The article studies the image of a mentor for the development of a novice author on the example of the work of the successful Austrian writer Ingeborg Bachmann (1926–1973). The role of a tutor is analysed from her first texts to the status of a Viennese intellectual in the middle of the 20th century. The direct influence of older writers and artists from the same generation on the formation of her author’s style is gradually investigated. The figure of the first mentor, the Carinthian writer and teacher Joseph Friedrich Perkonig is emphasized in the example of her early story “The Cross of Hon
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7

Stensager, Anders Otte. "»Mit navn er Boye, jeg graver dysser og gamle høje«." Kuml 52, no. 52 (2003): 35–80. http://dx.doi.org/10.7146/kuml.v52i52.102638.

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»My name is Boye, I dig carins and old mounds«The archaeologist Vilhelm Christian BoyeThe story of Vilhelm Boye is the history of one man’s passionate and insightful involvement in archaeology, which from the first was directed solely towards the Bronze Age. His involvement led to an academic disaster in his youth, but left behind it a developed skill in field archaeology. Despite his problems he persisted with what most obsessed him, namely the preservation of Denmark’s oak coffin graves. His multi-facetted personality and his more popular approach to archaeology may have challenged his conte
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8

Diaconu, Mircea. "Ciprian Porumbescu. Mică poveste despre rochia Berthei (o incursiune printre manuscrise, ediții etc.)." Transilvania, February 15, 2021, 79–96. http://dx.doi.org/10.51391/trva.2021.02.08.

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A young Romanian composer from the Austrian Bucovina, Ciprian Porumbescu (1853-1883) is an important figure of the local cultural mythology. This fact, we believe, is due to the association of his image with some ill-fated aspects of his life, such as an impossible love, his premature death, his exultant talent, maybe even his ardent patriotism. In my attempts at recovering the past cultural life of Bucovina, I discovered the journal of Ciprian Porumbescu (that probably includes a rich correspondence as well), written around 1878-1883. I am not talking about a journal on creation, nor about on
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Books on the topic "Composers – Austria – Correspondence"

1

Mahler, Gustav. Briefe. 2nd ed. Reclam, 1985.

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Mahler, Gustav. The Mahler family letters. Oxford University Press, 2006.

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3

Mahler, Gustav. Mahler's unknown letters. Northeastern University Press, 1987.

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4

Mahler, Gustav. Briefe. 2nd ed. P. Zsolnay, 1996.

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1965-, McClatchie Stephen, ed. The Mahler family letters. Oxford University Press, 2005.

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6

Lenka, Křupková, Univerzita Palackého v Olomouci. Filozofická fakulta, and Universal Edition (Vienna Austria), eds. Vítězslav Novák - Universal Edition Wien: Korespondence 1910-1935. Univerzita Palackého v Olomouci, 2007.

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7

1868-1938, Rosé Justine, and McClatchie Stephen 1965-, eds. The Mahler family letters. Oxford University Press, 2009.

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8

Floros, Constantin. Alban Berg and Hanna Fuchs: The story of a love in letters. Indiana University Press, 2007.

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9

1928-, Vogg Herbert, ed. Am Beispiel Egon Wellesz: Sein Briefwechsel mit Doblinger als Zeugnis der Partnerschaft zwischen Komponist und Verlag. L. Doblinger, 1996.

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Austria), Universal Edition (Vienna, ed. Kodály Zoltán és az Universal Edition levélváltása = Zoltán Kodály und die Universal Edition Briefwechsel. Argumentum Kiadó, 2013.

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Book chapters on the topic "Composers – Austria – Correspondence"

1

Korngold, Julius, and Bryan Gilliam. "“Give up your plans of coming home”: Letters of a Viennese Father to His Son." In Korngold and His World, edited by Kevin C. Karnes, translated by Elisabeth Staak. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691198293.003.0012.

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This chapter presents some correspondence between Erich Korngold and his father, Julius. These letters reflect a tumultuous, even dangerous time for Erich and his extended family. The famed Viennese opera composer had had a prestigious career on the international musical stage with such works as Der Ring des Polykrates and Violanta (both 1916), which premiered in Munich when he was only nineteen years old. Die tote Stadt was so highly anticipated that it received an unusual double premiere in Hamburg and Cologne on December 4, 1920; the Vienna premiere followed shortly thereafter, with Richard
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2

Heyman, Barbara B. "The American Academy." In Samuel Barber. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190863739.003.0007.

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Barber continued to receive numerous recognitions and awards for his work. In 1935, he was given the Prix de Rome, for being the most talented and promising music student at the time. With the award, he was granted two years of study at the American Academy in Rome, with full lodging and a regular stipend. In this new environment, Barber continued to flourish, winning a Pulitzer traveling scholarship, which provided him with an extended stay at the American Academy, where his fSymphony in One Movement was composed. His uncle, Sidney Homer, proudly observed Barber’s triumphs as he read stories
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