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Books on the topic 'Composers’ Liturgy'

Author: Grafiati
Published: 30 May 2022
Last updated: 31 July 2025

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1

Milwaukee Symposia for Church Composers. The Milwaukee Symposia for Church Composers: A ten-year report, July 9, 1992. National Association of Pastoral Musicians, 1992.

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2

Voshi, Lois A. Martin Luther, reformer and musician. Shazco, 1988.

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3

Zēsimos, Geōrgios D. Kosmas Ivēritēs kai Makedōn: Domestikos tēs Monēs tōn Ivērōn. Hidryma Vyzantinēs Mousikologias, 2007.

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4

The Milwaukee Symposia for Church Composers: A Ten Year Report. National Association of Pastoral Musicians, 1992.

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5

Heart of Our Music : Practical Considerations: Reflections on Music and Liturgy by Members of the Liturgical Composers Forum. Liturgical Press, 2015.

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6

Heart of Our Music : Digging Deeper: Reflections on Music and Liturgy by Members of the Liturgical Composers Forum. Liturgical Press, 2015.

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7

Heart of Our Music : Underpinning Our Thinking: Reflections on Music and Liturgy by Members of the Liturgical Composers Forum. Liturgical Press, 2015.

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8

The Heart of Our Music : Practical Considerations: Reflections on Music and Liturgy by Members of the Liturgical Composers Forum. Liturgical Press, 2015.

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9

The Heart of Our Music : Digging Deeper: Reflections on Music and Liturgy by Members of the Liturgical Composers Forum. Liturgical Press, 2015.

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10

The Heart of Our Music : Underpinning Our Thinking: Reflections on Music and Liturgy by Members of the Liturgical Composers Forum. Liturgical Press, 2015.

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11

Kroeger, Karl. Three Connecticut Composers : Oliver Brownson, Alexander Gillet, and Solomon Chandler: The Collected Works. Taylor & Francis Group, 2014.

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12

Three Connecticut Composers: Oliver Brownson, Alexander Gillet, and Solomon Chandler: The Collected Works (Music of the New American Nation - Sacred Music from 1780 to 1820 , Vol 2). Routledge, 1997.

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13

Nardini, Luisa. Chants, Hypertext, and Prosulas. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514139.001.0001.

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The liturgical chant that was sung in the churches of southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various times and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand preexisting liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics in the city of Benevento. Th
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14

Koester, Craig R., ed. The Oxford Handbook of the Book of Revelation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190655433.001.0001.

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The Oxford Handbook of the Book of Revelation is the premier reference work for the study of Revelation. Part 1 gives attention to the literary features of the book, including its narrative and rhetorical aspects, imagery, hymns, use of the Old Testament and distinctive Greek style. Part 2 considers the social context in which Revelation was composed and first read, including its relation to Roman rule, Jewish communities, Greco-Roman religions, and various groups of Jesus followers. Part 3 explores major topics in theology and ethics, including God, Jesus, and the Spirit; perspectives on crea
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15

Contributors, Multiple. Smectymnuus Redivivus. Being an Answer to a Book, Entituled an Humble Remonstrance in Which the Original of Liturgy Episcopacy Is Discussed and Queries Propounded Concerning Both... . Composed by Five Learned and Orthodox Divines. the Sixth Edition. Creative Media Partners, LLC, 2018.

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