Academic literature on the topic 'Composers, norway'

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Journal articles on the topic "Composers, norway"

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Rickards, Guy. "Shadows and Acclamations: The Cello Music Of Arne Nordheim." Tempo, no. 181 (June 1992): 8–14. http://dx.doi.org/10.1017/s0040298200015126.

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Arne Nordheim was sixty years old last year. Although he is one of Europe's foremost composers, the event went largely unnoticed outside of Norway, his home country, in the bicentenary of Mozart's death and (to a considerably lesser extent) the centenary of Prokofiev's birth. To be sure, Nordheim was a featured composer in various festivals – Zürich (ISCM) and Huddersfield not least – but in London, allegedly the music capital of Europe, barely a note was sounded. The Proms passed him by (though here Nordheim was in very good company; the 70th birthdays of Robert Simpson and Malcolm Arnold, as
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Maguire, Phil. "Huddersfield Contemporary Music Festival 2: 22–23 November 2013." Tempo 68, no. 268 (2014): 77–79. http://dx.doi.org/10.1017/s004029821300171x.

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Huddersfield Contemporary Music Festival's promotion of Scandinavian and Catalan music – through established partnerships with The Danish Composers’ Society and Music Norway, and a more recent association with Catalonia's Institut Ramon Llul – have helped to bring under-represented regions for contemporary music to the foreground of the international scene.
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Rzaieva, Mekhpara. "Symphonic Creative Activity of Rufat Ramazanov." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 101–15. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233342.

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The article analyzes several works related to the symphonic work of Rufat Ramazanov, a middle-aged representative of the modern Azerbaijani school of composition. The article also examines Ramazanov’s symphonic works against the background of the development of Azerbaijani music culture and examines his symphonic works in terms of genre diversity. Also, the article considers the characteristics of music and harmonic language in the symphonic works of the composer, the methods of using orchestration. The article emphasizes the unique stylistic features of Rufat Ramazanov’s symphonic works, thei
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Skyllstad, Kjell. "Nordic Symphony – Grieg at the cross-roads." Musicological Annual 39, no. 1 (2003): 107–14. http://dx.doi.org/10.4312/mz.39.1.107-114.

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In music historiography there appears the notion of a Europe musically divided between a central "universal" culture and a peripheral "national" orientation. 19th century composers of the Scandinavian and East European countries share the same fate of being marginalized as provincial representatives of "national" or "regional" cultures, in contrast to those that »spoke the language of "humanity" (Alfred Einstein). In Germany Edvard Grieg is stili derogatively regarded as Kleinkünstler, who was not able to produce large scale works in sonata form, which alone would qualify for the stature of a
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RUDI, JØRAN. "Norge – et lydrike, Norway remixed: a sound installation." Organised Sound 8, no. 2 (2003): 151–55. http://dx.doi.org/10.1017/s1355771803000049.

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This paper describes a large, interactive sound installation that was presented in Oslo during October 2002. The installation, in broad terms, brought the presence of the whole country into the one location through sound, and made the sound available for the public as material to play with or explore in a more structured fashion. The sonic results were streamed to the Internet, together with images from the exterior of the installation. The installation was located at the central train station in an area where thousands of people pass through every day. The curatorial idea was developed by two
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Tomashevsky, Igor V., and Vladimir P. Konnov. "The Concerto for Piano and Orchestra in the Works of Scandinavian Composers (1890–1900s)." Университетский научный журнал, no. 78 (February 16, 2024): 34–53. http://dx.doi.org/10.25807/22225064_2024_78_34.

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t. The article is devoted to the historical fate of Austro-German musical Romanticism in the musical cultures of the Scandinavian region of Denmark and Norway, where Romantic traditions found their viability in the piano concerto genre. The research material was the works of the Dane Emil Hartmann and the Norwegian master Halfdan Cleve, highly valued by the authors’ contemporaries. The article traces in detail the concertos’ belonging to the traditions, in the fi rst case, of early (Mendelssohn, Schumann, Chopin), and in the second case, late Romanticism (which was indicated by reminiscences a
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Rzaieva, Mekhpara. "Symphonic Creative Activity of Rufat Ramazanov." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 101–15. https://doi.org/10.31866/2616-7581.4.1.2021.233342.

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The article analyzes several works related to the symphonic work of Rufat Ramazanov, a middle-aged representative of the modern Azerbaijani school of composition. The article also examines Ramazanov’s symphonic works against the background of the development of Azerbaijani music culture and examines his symphonic works in terms of genre diversity. Also, the article considers the  characteristics of music and harmonic language in the symphonic works of the composer, the methods of using orchestration. The article emphasizes the unique stylistic features of Rufat Ramaza
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Serdiuk, Ya O. "Amanda Maier: a violinist, a pianist, a composer – the representative of Leipzig Romanticism." Aspects of Historical Musicology 17, no. 17 (2019): 232–48. http://dx.doi.org/10.34064/khnum2-17.15.

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Background. The performance practice of recent decades demonstrates an obvious tendency to expand and update the repertoire due to the use of the works of those composers whose pieces had “lost” over time against to the pieces of their more famous contemporaries. At the same time, in sociology, psychology, culturology, gender issues are largely relevant. Musicology does not stand aside, applying the achievements of gender psychology in the study of composer creativity and musical performing (Tsurkanenko, I., 2011; Gigolaeva-Yurchenko, V., 2012, 2015; Fan, Liu, 2017). In general, the issue of g
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Conway, Paul. "Huddersfield Contemporary Music Festival 2012." Tempo 67, no. 264 (2013): 66–69. http://dx.doi.org/10.1017/s0040298213000089.

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As diverse and inquiring as ever, the 35th Huddersfield Contemporary Music Festival provided nine days of unfamiliar and rarely encountered repertoire, sometimes rewarding, sometimes baffling, but always worth sampling. The 2012 late-November celebration of avant-gardism placed an emphasis on Norway and the voice in its many guises, both strands exemplified by the choice of Trondheim-born vocalist Maja S. K. Ratkje as composer-in-residence. Yet despite this spotlight on vocal and choral works, there was no shortage of instrumental and chamber music, most of it new to Britain.
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Chub, Maksym. "Christian Sinding’s piano works: the experience of a post-romantic world perception." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, no. 66 (2023): 42–60. http://dx.doi.org/10.34064/khnum1-66.03.

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Statement of the problem. Christian Sinding is the first composer after Edward Grieg, whose name resonated in wide circles of the musical community not only in Norway, but also in Europe, in particular Germany. His works were widely performed and aroused general interest, being evidence of the high status of national Norwegian music. In Ukraine, the figure of Sinding is little known, and his works are performed very rarely, despite the fact that his heritage, in particular the piano one, deserves attention and study as a vivid expression of the national style in the music of the early and firs
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Dissertations / Theses on the topic "Composers, norway"

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Haug, Rachel E. "An Introduction to Twentieth-Century Flute Music by Norwegian Composers: With Emphasis on Øistein Sommerfeldt and Publications by Norsk Musikforlag." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429628301.

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Lutch, Mitchell Bryan. "Contributions to the wind ensemble medium by three contemporary American composers: Norman Dello Joio, Warren Benson, and Samuel Adler /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/11437.

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Dlugošová, Simona. "Publikace Základního profilu normy ISO/IEC 29110 v Eclipse Process Framework Composer." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-192438.

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This diploma thesis focus on matters of improving the software processes in very small enterprises sector. Its main goal is to provide the instruction for implementation of systematic processes and operations in project management and software implementation sphere to that type of company in Czech Republic. It is accomplished by the publication Basic profile of the ISO/IEC 29110 standard translated to Czech. The creation of this publication has been done in open source tool for control of methodical content Eclipse Process Framework Composer. Published profile is simultaneously referencing its
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Medley, Susan Annette. "THE CHORAL MUSIC OF NORMAN DELLO JOIO." University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin962990468.

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Júnior, Mário Luiz Santana. "Interação genótipo-ambiente em bovinos de corte compostos." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/74/74131/tde-17112011-094920/.

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Objetivou-se com o presente estudo foram caracterizar e definir ambientes homogêneos de produção de bovinos de corte compostos no Brasil com relação às variáveis climáticas e geográficas, utilizando técnicas exploratórias multivariadas. Verificar a presença de interação genótipo-ambiente (GxE) nas características peso ao nascimento (PN), peso a desmama (PD), ganho de peso da desmama ao sobreano (GP), perímetro escrotal (PE) e musculosidade (MUS). Pela análise de agrupamento não-hierárquico foram agrupadas as regiões similares com relação às variáveis ambientais. Foram formados seis grupos de f
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Šimko, David. "Lokalizace Vstupního profilu normy ISO/IEC 29110 do češtiny a jeho publikace v Eclipse Process Framework Composer." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-193845.

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The aim of diploma thesis is translation, customization, realization and publication English version of Entry profile which is part of ISO/IEC 29110 in Eclipse Process Framework Composer tool with own methodology of realization so that profile will be available to Czech expert public. The goals are achieved by conversion of Entry Profile in Eclipse Process Framework Composer tool into web form. The first benefit of diploma thesis is description and characteristics of Entry Profile which is part of ISO/IEC 29110 standard, which serves to profile understanding and its practical usage. The second
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Melo, Weslley Imperiano Gomes de. "Análise dos domínios de deformação de seções retangulares de concreto armado submetidas à flexão composta normal – segundo NBR 6118/14." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/7698.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2016-01-07T11:50:38Z No. of bitstreams: 1 arquivototal.pdf: 2770765 bytes, checksum: 227f3aba263e8ceeb937ff453f784cd5 (MD5)<br>Made available in DSpace on 2016-01-07T11:50:38Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2770765 bytes, checksum: 227f3aba263e8ceeb937ff453f784cd5 (MD5) Previous issue date: 2015-08-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>In order to follow the development occurred in the field of concrete technology, which has permitted the achievement of concrete with increased resist
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Blatt, Jose Agostinho. "Infiltração marginal em cavidades preparadas sobre dentina normal e esclerosada, restauradas com materiais ionomerico e resinoso." [s.n.], 2000. http://repositorio.unicamp.br/jspui/handle/REPOSIP/288189.

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Orientador: Mario Fernando de Goes<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Odontologia de Piracicaba<br>Made available in DSpace on 2018-08-14T19:35:08Z (GMT). No. of bitstreams: 1 Blatt_JoseAgostinho_M.pdf: 2893059 bytes, checksum: cf1ca8b9535f7d4b0b87c687c0e6f655 (MD5) Previous issue date: 2000<br>Resumo: A proposta deste estudo foi avaliar a infiltração marginal em restaurações confeccionadas com cimento de ionômero de vidro convencional e resina composta modificada por poliácidos em cavidades de classe V preparadas sobre dentina normal e esclerosada. A
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Bouras, Meriem. "Etude comparative et optimisation de prétraitements des écorces de bois pour l'extraction des composés phénoliques." Thesis, Compiègne, 2015. http://www.theses.fr/2015COMP2245.

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Ce travail de recherche porte sur l’intensification de l’extraction des polyphénols à partir des écorces de chêne pédonculé et d’épicéa commun par des technologies innovantes : les champs électriques pulsés (CEP), les ultrasons (US) et les micro-ondes (MO). Ces prétraitements permettent l’amélioration de l’extraction par endommagement des membranes et/ou parois cellulaires. L’effet de chacune de ces techniques (CEP, US et MO) sur l’extraction des polyphénols a été mis en évidence à travers une étude d’optimisation quantitative et qualitative : suivi du rendement des polyphénols, de l’activité
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Saint-Charles, Alexandra. "Contribution des rhodopsines et des récepteurs à l’histamine dans la synchronisation de l’horloge circadienne par la système visuel chez Drosophila melanogaster." Thesis, Paris 11, 2014. http://www.theses.fr/2014PA11T033.

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L’horloge circadienne permet de régler avec précision les anticipations physiologiques et comportementales face à un environnement perpétuellement oscillant entre jour et nuit. Cette capacité endogène n’est utile que si les processus biologiques restent synchronisés sur le temps solaire. La lumière représente le stimulus le plus efficace pour informer l’horloge des cycles environnementaux. Chez la drosophile (Drosophila melanogaster) la synchronisation des rythmes veille/sommeil par la lumière est assurée par la molécule photosensible CRYPTOCHROME et par le système visuel. Alors que le cryptoc
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Books on the topic "Composers, norway"

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Odriozola, Ricardo. Opus perseverat: Five composers from western Norway. Musikproduktion Höflich, 2016.

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Johannessen, Geir Harald. Egil Hovland: Englene danser på tangentene. Lunde, 1999.

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Bredal, Dag. Edvard Grieg: "musikken er en kampplass". Aventura, 1992.

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Laurent, Françoise. Plaire et édifier: Les récits hagiographiques composés en Angleterre aux XIIe et XIIIe siècles. H. Champion, 1998.

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Boyle, Andrew J. Delius and Norway. Boydell & Brewer, Incorporated, 2017.

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Delius and Norway. Boydell & Brewer, Incorporated, 2017.

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O'Leary, Margaret Hayford. Culture and Customs of Norway. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400635649.

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This thorough introduction to modern-day Norway and Norwegian culture shows the impact a small country can have on the world in terms of peace building, environmental issues, technological innovation, and more. Culture and Customs of Norway provides an up-to-date view of Norway, showcasing a nation that is part of modern Europe, yet zealously maintains its own culture and identity. Providing the most current information on a broad range of topics—including cinema, literature, food, art, performing arts, and architecture—the book also places modern-day Norway in a historical context that makes
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Smith, Frederick K. Nordic Art Music. Praeger, 2002. http://dx.doi.org/10.5040/9798400691959.

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The five countries that make up Northern Europe—Denmark, Sweden, Norway, Finland, and Iceland—have, over the course of the last several centuries, developed and unique and viable art music history that easily rivals that of their continental neighbors.Nordic Art Music: From the Middle Ages to the Third Millenniumprovides an informative and accessible overview of the fascinating historical and aesthetic developments of this music and its creators, from the Middle Ages and the Renaissance, through the Baroque, Classical, and Romantic eras, to the beginning of this new century. Though some Nordic
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Dietz, Dan. Complete Book of 2000s Broadway Musicals. Rowman & Littlefield, 2017. https://doi.org/10.5040/9798881823443.

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In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British import
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Campbell, Edward. Music-Becoming-Animal in Works by Grisey, Aperghis and Levinas. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0007.

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The concept of ‘becoming-animal’ has rich potential for a discussion of a number of recent musical artworks. It links Deleuze and Guattari not only with Olivier Messiaen, the bird-lover par excellence, but also with composers Gérard Grisey, Michaël Levinas and Georges Aperghis. With Levinas's sonic hybridisations in the Ouverture pour une fête étrange (1979) sound is amplified to the point that it becomes ‘an almost animal living mob’. In the experimental music theatre piece Avis de tempête (2004) Georges Aperghis produces a ‘fetish reading' of Moby Dick in which 'Melville's universe impregnat
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Book chapters on the topic "Composers, norway"

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Hwang, Chi-Hung, Tzu-Yu Kuo, and Wei-Chung Wang. "Determining Object Motion by Digital Image Correlation Method with Camera-Array Composed Cameras of Normal Frame Rate." In Structural Integrity. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-21894-2_19.

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Meling, Lise Karin, Aud Torill Meland, and Lilli Mittner. "I See and Hear Things Differently Now – Students’ Experiences of the ERASMUS+ Project Voices of Women." In Utfordringer og muligheter innen musikk og utdanning. Cappelen Damm Akademisk/NOASP, 2024. https://doi.org/10.23865/cdf.234.ch6.

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The interdisciplinary ERASMUS+ project Voices of Women (VOW) commenced in January 2022, bringing students and teachers from Norway, the Netherlands, and Germany together. One of the main objectives of VOW was to familiarize students and audiences with art songs created by women composers from 19th and 20th century Europe. The purpose of this article is to present results from the research project Agents of Change, where we shed light on the students’ perceptions of the VOW project. We have investigated students’ knowledge of women composers and their representation in the arts, their thoughts
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Kildea, Paul. "An English Composer Sees America (1940)." In Britten on Music. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0008.

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Abstract In April of last year, I left England on a vacation trip across the Atlantic, a vacation rather from the general European atmosphere than from overwork. I spent two months in Canada, and since last August have been chiefly in and around New York with occasional visits to the Middle West. I have found this country enormously stimulating, and, as I have met many of the chief figures in American music today, I have had perhaps as good an opportunity as most foreigners of comparing conditions in this country with those in their own. There has been recently a lot of correspondence about Am
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Gjerdingen, Robert O. "Institutionalized Apprenticeship." In Child Composers in the Old Conservatories. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190653590.003.0005.

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Apprenticeship was the normal way to learn a trade in past centuries. A typical master might have one or two apprentices, who lived in the master’s home like members of the family. A new path for apprentices opened up with the founding in London of the Inns of Court, four institutions to train future lawyers. The combination of famous teachers, a critical mass of talented students, and the experiences of seeing law practiced in a royal city all made this new type of apprenticeship superior to what came before. The same thing happened with music training in the four conservatories of Naples. Gr
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Mabry, Sharon. "Vocal Hybrids: Sprechstimme and Recitation." In Exploring Twentieth-Century Vocal Music. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195141986.003.0006.

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Abstract Several hybrid and alternative forms of vocal declamation were developed and exploited during the twentieth century and continue to be used by contemporary composers. None of them could be called normal singing in the traditional sense. These mixtures of speech and song rely on aspects of both functions of the voice, exhibiting characteristics of each. Composers who incorporated some type of speech-song in their music were doing so in an attempt to heighten dramatic, conversational, or coloristic elements of both text and music.
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Rosenblum, Joshua. "The First Thing They Give You Is Writing the Obits." In Closer than Ever. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197758236.003.0007.

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Abstract Shire works his way up at Universal Studios as a Hollywood TV and film composer, drawing the analogy that his early scoring of weekly TV series (The Virginian and McCloud) was akin to a young journalist writing file obituaries. He scores big successes with the movies The Taking of Pelham One Two Three—a groundbreaking fusion of twelve-tone music and contemporary jazz—and The Conversation, directed by his then-brother-in-law, Francis Ford Coppola (brother of Shire’s wife at the time, Talia Shire). Shire’s score for Norma Rae yields the Oscar-winning song “It Goes Like It Goes,” with ly
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Siromoney, Arul, and Rani Siromoney. "Variations and Local Exceptions in Inductive Logic Programming." In Machine Intelligence 14. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198538608.003.0008.

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Abstract Variations are valid departures from the normal. One pictures the classical music composer writing variations for a given theme, the jazz player improvising on a melody, or the Indian percussionist improvising on a rhythm. Each variation is valid in itself, and is a departure or variation from some normal base or theme. We note that variations are different from noise. Each variation is a valid departure from the normal, whereas noise is incorrect or illegal deviation from the normal.
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McKay, Elizabeth Norman. "Opportunities (1817-1819)." In Franz Schubert. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165231.003.0004.

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Abstract AT the end of January 1817 Schubert attained his twentieth birthday. Already a picture of the composer is emerging. He was short in stature and thick-set, an unassuming, unprepossessing, bespectacled young man who preferred the congenial company of intimate friends to what he judged to be more pretentious society. Reticent even with friends about his own feelings and aspirations, he was to a high degree absorbed in music, both composition and performance; yet his absorption was not exclusive, and he particularly enjoyed both high-spirited companionship and serious discussion about art
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Burlingame, Jon. "“You are there”Documentaries, News, and Information Programming." In Music for Prime Time. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190618308.003.0009.

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Abstract Richard Rodgers’s Victory at Sea score was a landmark moment in TV scoring, the first time a major Broadway songwriter contributed instrumental themes for a documentary series. Equally stellar names, mostly from the classical field, followed: Norman Dello Joio for Air Power, George Antheil for 20th Century, Morton Gould for World War I. Composers Elmer Bernstein and Lalo Schifrin contributed to David L. Wolper’s 1960s documentaries, including Bernstein’s National Geographic fanfare, and other major composers (Alex North for Africa) followed. Walter Scharf scored dozens of National Geo
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Brown, Clive. "Notated Ornaments." In Classical and Romantic Performing Practice, 2nd ed. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197581612.003.0013.

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Abstract The manner of executing notated ornaments has been confusing, contradictory, and often controversial. Changing attitudes are considered together with evidence for particular composers’ practice. The chapter deals with appoggiaturas and grace-notes, acciaccaturas, trills, and turns. It deals with the misleading nature of some early 19th-century treatises, especially Hummel, Czerny, and Spohr, which have been taken to mean that upper-note starts were not normal in Classical repertoire. It also revisits the matter of turned endings, arguing that, well into the 19th century, these were no
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Conference papers on the topic "Composers, norway"

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Scoczynski Ribeiro, Rodrigo, Laura Silvestro, Rúbia Mara Bosse, and Gustavo de Miranda Saleme Gidrão. "O isolamento acústico ao ruído aéreo em edificações residenciais construídas por meio de iniciativas habitacionais governamentais: estudos de caso." In XX ENCONTRO NACIONAL DE TECNOLOGIA DO AMBIENTE CONSTRUÍDO. UFAL, 2024. http://dx.doi.org/10.46421/entac.v20i1.5748.

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O déficit habitacional brasileiro, em 2019, era de aproximadamente 6 milhões de moradias. Em uma tentativa de diminuir este indicador o poder público implementou diferente inciativas habitacionais. Este trabalho tem por objetivo avaliar o isolamento acústico frente ao ruído aéreo de paredes de geminação em três edificações térreas que possuem o mesmo projeto arquitetônico, mas divergem quanto ao sistema construtivo, sendo: a) vedações verticais em concreto armado; alvenaria estrutural de blocos cerâmicos; c) parede dupla em alvenaria de vedação de blocos cerâmicos. Adicionalmente, medições acú
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Hmadeh, L., B. Feneuil, E. Wiggen, et al. "The Effect of Bismuth Plug Expansion on Cement Sheath Integrity." In SPE Norway Subsurface Conference. SPE, 2024. http://dx.doi.org/10.2118/218458-ms.

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Abstract In the North Sea, around 2000 off-shore wells are scheduled to be plugged-and-abandoned over the upcoming decades, requiring new cost-effective solutions. Among those, bismuth alloy plugs are raising a major interest, as they have high sealing abilities and require less material volume than cement plugs. Bismuth is well-known for its expansion during solidification as its main sealing mechanism. In this work we investigate whether this expansion may damage the annular barrier material set behind the casing. In this study, we examine a laboratory-scale well section composed of a sandst
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Abd-Al-Zuhra, Ghaidaa F., and Hayder M. Jawad. "Experimental investigation of hybrid RCCs composed of normal concrete cores with a reactive powder concrete surrounding layer." In 7TH INTERNATIONAL CONFERENCE ON ENGINEERING SCIENCES – ICES23. AIP Publishing, 2025. https://doi.org/10.1063/5.0265747.

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Apiwattanalunggarn, Polarit, Steven W. Shaw, and Christophe Pierre. "Component Mode Synthesis Using Nonlinear Normal Modes." In ASME 2003 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/detc2003/vib-48441.

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This paper describes a methodology for developing reduced-order dynamic models of nonlinear structural systems that are composed of an assembly of component structures. The approach is a nonlinear extension of the fixed-interface component mode synthesis technique developed for linear structures by Hurty and modified by Craig and Bampton. Specifically, the case of nonlinear substructures is handled by using fixed-interface nonlinear normal modes. These normal modes are constructed for the various substructures using an invariant manifold approach, and are then coupled through the traditional l
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Pandey, Vibhas J., Rodrigo Ruysschaert, Maxim Prosvirnov, and Matthew M. Ferris. "Acid Fracturing Treatment Design Optimization in North Sea Chalk Wells in Norway." In SPE Hydraulic Fracturing Technology Conference and Exhibition. SPE, 2025. https://doi.org/10.2118/223572-ms.

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Abstract Acid fracturing is a common stimulation technique employed in enhancing hydrocarbon production from the chalk formations in the North Sea sector of Norway. The efficacy of this stimulation method relies on several factors, some of which are well defined and understood whereas the others become obvious only after detailed analysis of multiple treatments which could prolong the optimization process. This study highlights the improvements in stimulation design over the past decade that resulted in optimal placement and subsequent improvement in well performance. The Paleocene Ekofisk res
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Georgiou, Ioannis T., and Alexander F. Vakakis. "Invariant NNM Manifolds for Studying Localized and Chaotic Dynamics of an Array Composed of STIFF/SOFT Elements." In ASME 1997 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1997. http://dx.doi.org/10.1115/detc97/vib-3954.

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Abstract This study concerns propagation of waves in a coupled array of soft/stiff oscillators. We show that the array supports a family of purely slow waves, including a solitary one, and a family of purely fast waves. The slow and fast waves interact to give rise to chaotically modulated slow/fast and fast/slow waves. Slow and fast waves are realized as two-dimensional invariant manifolds (normal modes) in phase space of a singular perturbation problem.
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Streator, Jeffrey L. "Micro-Scale Simulation of Adhesive Effects During Normal Impact." In ASME 1997 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1997. http://dx.doi.org/10.1115/detc97/vib-3914.

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Abstract A numerical simulation is developed to investigate the role of adhesive forces during the normal impact of a rigid body against an elastic surface. The model consists of a rigid, 2D translating body and a surface that is composed of a flexible linear array of particles, coupled to a fixed base via linear springs. Adhesive effects are incorporated in the model by ascribing a Lennard-Jones type interaction potential between the surface and the body. Dynamical equations of motion for the interface are integrated numerically during an impact event. It is found that the coefficient of rest
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Makino, Shuntaro, Masahiro Suga, Takanori Sato, Takeshi Fusjisawa, and Kunimasa Saitoh. "Ultimately low-loss and compact Si wire 90° waveguide bend composed of clothoid and normal curves for dense optical interconnect PICs." In Optical Fiber Communication Conference. OSA, 2017. http://dx.doi.org/10.1364/ofc.2017.th3e.2.

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Kou, Heung, Hidetoshi Masuda, and Seizi Sasaki. "RADIATIVE HEAT TRANSFER CONTROL BY GRATING COMPOSED OF PARALLEL ELLIPTICAL CYLINDERS (ENERGY COLLIMATION IN DIRECTION NORMAL TO PLANE SURFACE OF GRATING)." In International Heat Transfer Conference 11. Begellhouse, 1998. http://dx.doi.org/10.1615/ihtc11.4450.

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Meghdari, Ali, and Amir H. Bahrami. "Mathematical Modeling of Normal, Degenerated, and Fused Cervical Spines Using IAR’S Concept." In ASME 2001 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/imece2001/bed-23038.

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Abstract During flexion/extension, of the head-neck system, cervical spine undergoes a stepwise motion from the upper to lower regions with a specific time lag. Motion of each vertebrae is composed of a translation and a rotation with respect to lower vertebrae, which may be considered as an absolute rotation about an axis called Instantaneous Axis of Rotation (IAR). Location of this axis is different between normal, and degenerated spines. In this research intersegmental force-moments are evaluated and compared in normal, degenerated, and fused subjects employing a biomechanical model of head
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Reports on the topic "Composers, norway"

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Clark, Donald L., Stefan M. Kirby, and Charles G. Oviatt. Geologic Map of the Rush Valley 30' X 60' Quadrangle, Tooele, Utah, and Salt Lake Counties, Utah. Utah Geological Survey, 2023. http://dx.doi.org/10.34191/m-294dm.

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The Rush Valley 30' x 60' quadrangle extends southwest and west from the greater Salt Lake City–Provo metropolitan area with land use varied between public, military, Indian reservation, and private. This 1:62,500-scale geologic map will aid the proper management of land, water, and other resources. The map area lies within the eastern Basin and Range Province. Mountain ranges are composed of unexposed basement rocks overlain by exposed Neoproterozoic through Triassic rocks that are about 10.4 miles (16.8 km) thick, and by numerous Tertiary sedimentary and volcanic units (~47 to 20 Ma). The in
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Martinez, Hector, Kylie Rochford, and Diane Bergeron. Helping You, Helping Me? The Mediating Role of Organizational Citizenship Behavior in the Relationship Between Psychological Capital and Social Network Positions. Center for Creative Leadership, 2025. https://doi.org/10.35613/ccl.2025.2061.

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Over the past few decades, there has been an increasing shift from focusing on what is wrong with humans and organizations (e.g., problems, maladaptive behavior) to focusing on what is right (e.g., strengths, human and organizational flourishing). In this positive vein, we investigated the explanatory role of organizational citizenship behavior (e.g., helping others, volunteering for tasks that help the group or organization, organizing events, speaking up with ideas) in examining the relationship between psychological capital and social network positions. Psychological capital is an individua
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Shmulevich, Itzhak, Shrini Upadhyaya, Dror Rubinstein, Zvika Asaf, and Jeffrey P. Mitchell. Developing Simulation Tool for the Prediction of Cohesive Behavior Agricultural Materials Using Discrete Element Modeling. United States Department of Agriculture, 2011. http://dx.doi.org/10.32747/2011.7697108.bard.

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The underlying similarity between soils, grains, fertilizers, concentrated animal feed, pellets, and mixtures is that they are all granular materials used in agriculture. Modeling such materials is a complex process due to the spatial variability of such media, the origin of the material (natural or biological), the nonlinearity of these materials, the contact phenomenon and flow that occur at the interface zone and between these granular materials, as well as the dynamic effect of the interaction process. The lack of a tool for studying such materials has limited the understanding of the phen
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