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Journal articles on the topic 'Composés traces'

Author: Grafiati

Published: 12 May 2023

Last updated: 31 July 2025

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1

DIAO, Ousmane. "Les mots composés savants : identification et interprétation." Afrosciences Antiquity Sunu-Xalaat A1, no. 1 (2023): 203–12. http://dx.doi.org/10.61585/pud-asasx-a1n115.

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: This study is a contribution to the description and interpretation of learned compound words. It constitutes an observation and reasoning on their mode of training. The morphological aspect of learned words brings them closer to radical words that traditional grammar calls simple words. From a morphosyntactic point of view, these lexical units bring together two autonomous formants of Greek and/or Latin origin following different combinations. On a semantic level, this study explains the French word using the traces and imprint of dead languages. The identification of these compound units is

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2

Ahronian, Céline, and Henri Béjoint. "Les noms composés anglais et français du domaine d’Internet : une radiographie bilingue." Meta 53, no. 3 (2008): 648–66. http://dx.doi.org/10.7202/019245ar.

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Résumé Cet article se propose d’étudier le lexique d’un domaine de spécialité, Internet, qui présente la particularité de n’être pas réservé à un groupe d’experts. Les termes apparaissant quasi exclusivement en langue anglaise, la question centrale est de savoir comment se traduit l’influence de l’anglais sur la terminologie du français, langue cible. Pour apporter des éléments de réponse, nous avons examiné les noms composés, qui sont particulièrement nombreux dans ce domaine. Après avoir dressé le profil morphosyntaxique des termes collectés dans notre corpus à travers l’étude de leurs struc

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Assam, Malika. "Narrations berbères de la guerre du Rif." 20 & 21. Revue d'histoire N° 158, no. 2 (2024): 51–67. http://dx.doi.org/10.3917/vin.158.0051.

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Les récits de la guerre du Rif en langues berbères se multiplient aujourd’hui, depuis les réappropriations des poèmes composés par les Rifains lors de l’événement jusqu’aux écrits diffusés par les militantismes amazighs contemporains. À travers l’analyse du langage et des choix différenciés pour mettre en avant ou occulter certains éléments, cet article interroge ces « traces du passé dans le présent » et, en particulier, la mise en avant du leader rifain Mohand Abdelkrim, personnalité qui dénote avec les « panthéons mémoriels » amazighs habituels. Au-delà des enjeux culturels, ces constructio

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4

Delécluse, François. "Debussy librettiste. L’écriture des livrets d’opéra d’après Poe." Revue musicale OICRM 11, no. 1 (2024): 1–27. http://dx.doi.org/10.7202/1113310ar.

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Avec Pelléas et Mélisande de Maurice Maeterlinck, Claude Debussy faisait la rencontre d’une pièce de théâtre qui répondait en de nombreux points à ses attentes telles qu’il les exprimait déjà pendant ses études de composition. Mais, au-delà de son unique drame lyrique achevé, trouver ou concevoir un nouveau livret s’est révélé plus difficile que prévu, au point qu’il existe chez Debussy un « théâtre imaginaire », fait de dizaines de drames musicaux rêvés, mais jamais composés ou jamais terminés. Cet article se propose d’interroger les traces du travail de Debussy librettiste, en se penchant en

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CHATELET, A., A. FOURNIER, S. JURJANZ, et al. "L’épandage de matières fertilisantes d’origine résiduaire sur les prairies comporte-t-il des risques en termes de transfert de polluants organiques et inorganiques vers la chaîne alimentaire ?" INRA Productions Animales 28, no. 5 (2020): 383–98. http://dx.doi.org/10.20870/productions-animales.2015.28.5.3041.

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    L’objectif de cet article est d’identifier les points de vigilance relatifs aux transferts de polluants inorganiques ou organiques vers les animaux d’élevage via l’ingestion de sol, de plantes, d’eau ou encore de pédofaune, consécutivement à l’épandage de MAtières Fertilisantes d’Origine Résiduaire (MAFOR) sur les prairies. Cette identification consiste à prendre en compte simultanément les quantités de polluants ingérées (quantité de matrice ingérée × concentration du polluant dans cette matrice), la fraction biodisponible et le devenir des polluants au sein de l’o

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Rolim, Nathiene Patrícia Ferreira Amaral, Ilda Antonieta Salata Toscano, Gil Dutra Furtado, Flávia Oliveira Paulino, and Maria Cristina Crispim. "CREVETTICULTURE, SANTÉ PUBLIQUE ET ENVIRONNEMENT: SECURITE ALIMENTAIRE, SECURITE NUTRITIONNELLE ET DURABILITE DE L’ACTIVITE." ENVIRONMENTAL SMOKE 2, no. 1 (2019): 47–66. http://dx.doi.org/10.32435/envsmoke.20192147-66.

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La présence humaine à proximité des écosystèmes aquatiques a entraîné la survenue d'impacts environnementaux affectant en particulier les zones de mangroves, d'apiquons et de talus. Parmi les activités humaines dans ces écosystèmes, on peut souligner que l’élevage de crevettes a de graves incidences sur l’environnement et est une préoccupation majeure pour la société, en particulier pour les crevettes cultivées. Le fait de proposer des rations commerciales de faible qualité et d’autres sources de contamination telles que des engrais, des pesticides, des algicides et d’autres substances utilisé

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7

Kumar, Parveen, Joshua Tamayo, Ruei-Feng Shiu, Wei-Chun Chin, and Arvind Gopinath. "Size-Dependent Diffusion and Dispersion of Particles in Mucin." Polymers 15, no. 15 (2023): 3241. http://dx.doi.org/10.3390/polym15153241.

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Mucus, composed significantly of glycosylated mucins, is a soft and rheologically complex material that lines respiratory, reproductive, and gastrointestinal tracts in mammals. Mucus may present as a gel, as a highly viscous fluid, or as a viscoelastic fluid. Mucus acts as a barrier to the transport of harmful microbes and inhaled atmospheric pollutants to underlying cellular tissue. Studies on mucin gels have provided critical insights into the chemistry of the gels, their swelling kinetics, and the diffusion and permeability of molecular constituents such as water. The transport and dispersi

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Schindler, David W. "Geoscience of Climate and Energy 12. Water Quality Issues in the Oil Sands Region of the Lower Athabasca River, Alberta." Geoscience Canada 40, no. 3 (2013): 202. http://dx.doi.org/10.12789/geocanj.2013.40.012.

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I summarize the controversies about industrial pollutants in freshwaters near the oil sands industrial area of Alberta, the inadequacies in environmental monitoring that have led to widespread misconceptions, and recent attempts to correct the problems. Adequate data are available to show that mercury, other trace metals, and polycyclic aromatic compounds are being added by industry to the Athabasca river system and its watershed, although the relative contributions of industrial development and natural sources remain in question. Recent improvements in water monitoring by Environment Canada s

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9

DE VALAIS, SILVINA. "Ichnotaxonomic revision of Ameghinichnus, a mammalian ichnogenus from the Middle Jurassic La Matilde Formation, Santa Cruz province, Argentina." Zootaxa 2203, no. 1 (2009): 1–21. http://dx.doi.org/10.11646/zootaxa.2203.1.1.

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The ichnological assemblage from the Estancia Laguna Manantiales, from the Middle Jurassic La Matilde Formation, Santa Cruz province, Argentina, is exceptional both in diversity and abundance. It is composed of mammal, dinosaur, invertebrate, and root traces. The most significant and abundant specimens are those assigned to the ichnogenus Ameghinichnus Casamiquela, 1961. This ichnogenus is revised and an emendation of its diagnosis is suggested. The inclusion of all the known specimens to the type ichnospecies, Ameghinichnus patagonicus Casamiquela, 1961, is challenged and some specimens are p

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Liwan, Bao. "ALEXANDER TCHEREPNIN: RUSSIAN-CHINESE COMPOSER-PIANIST-TEACHER." Arts education and science 1, no. 38 (2024): 90–96. http://dx.doi.org/10.36871/hon.202401090.

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The article is devoted to the activities of the greatest Russian composer and pianist A. Tcherepnin, son of the famous Saint Petersburg professor N. Tcherepnin. The author traces the work of the Tcherepnin dynasty, which for almost a century and a half contributed to the development of musical art not only in Russia and China, but also in the Far East, Europe and America. A. Tcherepnin is characterised as a Russian and American composer, pianist, theorist, teacher and critic. The stages of life of an outstanding composer and musician are considered and structured. The most important innovation

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11

Moore, Thomas R. "Tools of the trade: click-tracks and conductors." Interdisciplinary Studies in Musicology, no. 20 (December 31, 2020): 9–20. http://dx.doi.org/10.14746/ism.2020.20.1.

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This essay will examine the manner in which composers and artistic directors have used conductors and click-tracks within the context of new music ensembles performing integrative concerts. The analyses and examples provided will rely for the most part on material gathered during in-depth interviews that I conducted with artistic directors, composers, conductors, and musicians, all of whom are professionally active in the new music field in Europe (and beyond). I will examine the application of both click-tracks and conductors and demonstrate that their implementation represents an active choi

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De Saussure, Louis. "Remarques sur l'usage futur du passé composé." Travaux neuchâtelois de linguistique, no. 51 (January 1, 2011): 45–60. http://dx.doi.org/10.26034/tranel.2011.2770.

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This paper attempts to identify the pragmatic constraints that license the use of the present perfect with a future time adverb in French, such as J'ai bientôt fini (lit. 'I have soon finished') or Dans une heure, le président est sorti de sa réunion (lit. 'In an hour, the president has exited from his meeting'). Previous studies have argued that only aspectual verbs are available in such constructions, and that a pragmatic notion of planification must be accessible to the interlocutors, hence utterances like Demain il a plu ('Tomorrow it has rained') or Demain Pierre a été heureux ('Tomorrow

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Ashurov Ma’rufjon Abdumutalibovich. "The study of the life and creativity of yunus rajabi and the rich heritage he left to the uzbek nation." International Journal on Integrated Education 3, no. 12 (2020): 40–43. http://dx.doi.org/10.31149/ijie.v3i12.909.

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This article looks at the life of Yunus Rajabi, People's Artist of Uzbekistan, laureate of the Republican State Prize, musician, hafiz and composer, multifaceted artist, academician. His life, his entry into the art of music, the lessons he learned from his family, the deep and bright traces in the history of twentieth-century Uzbek music, his contribution to the development of our modern music culture, as well as O He is one of the founders of the Union of Composers of Uzbekistan. given.

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Chalaux-Clergue, Thomas, Rémi Bizeul, Pedro V. G. Batista, Núria Martínez-Carreras, J. Patrick Laceby, and Olivier Evrard. "Sensitivity of source sediment fingerprinting to tracer selection methods." SOIL 10, no. 1 (2024): 109–38. http://dx.doi.org/10.5194/soil-10-109-2024.

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Abstract. In a context of accelerated soil erosion and sediment supply to water bodies, sediment fingerprinting techniques have received an increasing interest in the last 2 decades. The selection of tracers is a particularly critical step for the subsequent accurate prediction of sediment source contributions. To select tracers, the most conventional approach is the three-step method, although, more recently, the consensus method has also been proposed as an alternative. The outputs of these two approaches were compared in terms of identification of conservative properties, tracer selection,

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Yap, Steven Y., Barbara Frias, Melissa C. Wren, et al. "Discriminatory ability of next-generation tau PET tracers for Alzheimer’s disease." Brain 144, no. 8 (2021): 2284–90. http://dx.doi.org/10.1093/brain/awab120.

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Abstract A next generation of tau PET tracers for the imaging of Alzheimer’s disease and other dementias has recently been developed. Whilst the new compounds have now entered clinical studies, there is limited information available to assess their suitability for clinical applications. Head-to-head comparisons are urgently needed to understand differences in the radiotracer binding profiles. We characterized the binding of the tau tracers PI2620, RO948, MK6240 and JNJ067 in human post-mortem brain tissue from a cohort of 25 dementia cases and age-matched controls using quantitative phosphorim

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Верещагіна-Білявська, Олена, and Алла Степова. "Borys Buievskyi: creative portrait on the background of musical processes of the second half of the 20th century." Мистецтво в культурі сучасності: теорія та практика навчання, no. 1 (October 30, 2023): 45–51. http://dx.doi.org/10.31652/3041-1009-2023(1)-06.

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The article is devoted to highlighting the peculiarities of the period of formation of the musical avant-garde in Ukraine in the 60s-80s of the twentieth century. This period was a time of oppression, misunderstanding, bans and repressions of all Ukrainian art by the Soviet authorities, and, on the other hand, years of bold compositional searches and the formation of a new musical thinking oriented towards the musical culture of Western Europe, bypassing the established rules and censorship. This period became a new historical milestone in the development of Ukrainian music, marked by the

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Hooper, Michael. "THE START OF PERFORMANCE, OR, DOES COLLABORATION MATTER?" Tempo 66, no. 261 (2012): 26–36. http://dx.doi.org/10.1017/s0040298212000241.

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AbstractThis article presents a view of the first meetings between the oboe virtuoso Christopher Redgate and the composers Dorothy Ker and Fabrice Fitch. The article details some aspects of these meetings to highlight the processes that are at play in the earliest stages of collaboration. These processes are both practical (in which information about how the oboe works is uncovered and shared) and philosophical (in which the oboe itself becomes a significant source of new possibilities). The article traces a period during which Redgate was developing a new oboe, working with composers to creat

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Yao, Yao, Peike Li, Boyu Chen, and Alex Wang. "JEN-1 Composer: A Unified Framework for High-Fidelity Multi-Track Music Generation." Proceedings of the AAAI Conference on Artificial Intelligence 39, no. 13 (2025): 14459–67. https://doi.org/10.1609/aaai.v39i13.33584.

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With rapid advances in generative artificial intelligence, the text-to-music synthesis task has emerged as a promising direction for music generation. Nevertheless, achieving precise control over multi-track generation remains an open challenge. While existing models excel in directly generating multi-track mix, their limitations become evident when it comes to composing individual tracks and integrating them in a controllable manner. This departure from the typical workflows of professional composers hinders the ability to refine details in specific tracks. To address this gap, we propose JEN

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Phillips, C. B., and D. J. Jerolmack. "Dynamics and mechanics of tracer particles." Earth Surface Dynamics Discussions 2, no. 1 (2014): 429–76. http://dx.doi.org/10.5194/esurfd-2-429-2014.

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Abstract. Understanding the mechanics of bed load at the flood scale is necessary to link hydrology to landscape evolution. Here we report on observations of the transport of coarse sediment tracer particles in a cobble-bedded alluvial river and a step-pool tributary, at the individual flood and multi-annual timescales. Tracer particle data for each survey are composed of measured displacement lengths for individual particles, and the number of tagged particles mobilized. For single floods we find that: measured tracer particle displacement lengths are exponentially distributed; the number of

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Phillips, C. B., and D. J. Jerolmack. "Dynamics and mechanics of bed-load tracer particles." Earth Surface Dynamics 2, no. 2 (2014): 513–30. http://dx.doi.org/10.5194/esurf-2-513-2014.

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Abstract. Understanding the mechanics of bed load at the flood scale is necessary to link hydrology to landscape evolution. Here we report on observations of the transport of coarse sediment tracer particles in a cobble-bedded alluvial river and a step-pool bedrock tributary, at the individual flood and multi-annual timescales. Tracer particle data for each survey are composed of measured displacement lengths for individual particles, and the number of tagged particles mobilized. For single floods we find that measured tracer particle displacement lengths are exponentially distributed; the num

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Hou, L., K. Luby-Phelps, and F. Lanni. "Brownian motion of inert tracer macromolecules in polymerized and spontaneously bundled mixtures of actin and filamin." Journal of Cell Biology 110, no. 5 (1990): 1645–54. http://dx.doi.org/10.1083/jcb.110.5.1645.

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By use of light microscopy and fluorescence photobleaching recovery, we have studied (a) structures that form in a system composed of copolymerized rabbit muscle actin and chicken gizzard filamin and (b) the Brownian motion of inert tracer macromolecules in this matrix. We have used as tracers size-fractionated fluorescein-labeled ficoll and submicron polystyrene latex particles. In F-actin solutions, the relative diffusion coefficient of the tracer was a decreasing function of both tracer size and actin concentration. Also, a percolation transition for latex particle mobility was found to fol

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Pavel, Cecilia. "Grigore Nica’s youthful “subversive activity” and its effects." Muzikologija, no. 37 (2024): 63–87. https://doi.org/10.2298/muz2437063p.

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This study presents results of the research of the archival documentation on the life and activity of the Romanian composer Grigore Nica (1936-2009). Starting from the files kept in the archives of the Union of Romanian Composers and Musicologists, National University of Music Bucharest, and the National Council for the Study of the Securitate Archives, to the personal correspondence and interviews I have conducted with some of his colleagues, I have traced the composer?s personal and professional path, emphasizing his imprisonment in 1952-1953, the consequences of this traumatic experience, a

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Emmanuel, U. Dan, E. Shuaibu Solomon, K. Fatunla Opeyemi, and F. Ekpo Victor. "Physicochemical Profile of Sludge – Wood Sawdust Compost." Chemistry Research Journal 3, no. 4 (2018): 184–92. https://doi.org/10.5281/zenodo.13856155.

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Physicochemical properties of compost resulting from mixture of sludge from water treatment plant in Nigeria and wood sawdust were investigated using scientific methods. Physicochemical, nutrient, essential and trace element levels of raw sludge and wood sawdust used in composting indicated varied pH , total organic carbon, moisture and ash content, organic matter, nitrogen, nitrate, sulphate, chloride, phosphate, essential (K, Mg, Ca, Na, Fe) elements, and trace metals (Cr, Zn, Ca, Cd, Co). Compost obtained after 40 days indicated increased ash and moisture content, organic matter, but reduce

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Gergis, Sonia. "The Power of Women Musicians in the Ancient and Near East: The Roots of Prejudice." British Journal of Music Education 10, no. 3 (1993): 189–96. http://dx.doi.org/10.1017/s0265051700001741.

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Amongst the most fascinating discoveries made in recent years was the identification of the Egyptian songstress Iti (2450 BC) as the first woman composer to have been mentioned by name in musical history. This paper examines the status of professional women musicians in Ancient Egypt, their role in society and their contribution to various aspects of life and death. Reviewing the range of styles, practices and variety of instrumental and vocal ensembles in which women took part as composers, performers and instructors, the author traces the development of a musical tradition which would appear

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Islam Naas, Mohammed, François Trahay, Alexis Colin, et al. "EZIOTracer." ACM SIGOPS Operating Systems Review 55, no. 1 (2021): 88–98. http://dx.doi.org/10.1145/3469379.3469391.

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Tracing is a popular method for evaluating, investigating, and modeling the performance of today's storage systems. Tracing has become crucial with the increase in complexity of modern storage applications/systems, that are manipulating an ever-increasing amount of data and are subject to extreme performance requirements. There exists many tracing tools focusing either on the user-level or the kernel-level, however we observe the lack of a unified tracer targeting both levels: this prevents a comprehensive understanding of modern applications' storage performance profiles. In this paper, we pr

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Zhang, Yu-Qing, Duo-Hong Chen, Xiang Ding, et al. "Impact of anthropogenic emissions on biogenic secondary organic aerosol: observation in the Pearl River Delta, southern China." Atmospheric Chemistry and Physics 19, no. 22 (2019): 14403–15. http://dx.doi.org/10.5194/acp-19-14403-2019.

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Abstract. Secondary organic aerosol (SOA) formation from biogenic precursors is affected by anthropogenic emissions, which are not well understood in polluted areas. In this study, we accomplished a year-round campaign at nine sites in polluted areas located in the Pearl River Delta (PRD) region during 2015. We measured typical biogenic SOA (BSOA) tracers from isoprene, monoterpenes, and β-caryophyllene, as well as major gaseous and particulate pollutants and investigated the impact of anthropogenic pollutants on BSOA formation. The concentrations of BSOA tracers were in the range of 45.4 to 1

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HUELIN, TOBY. "An Interview with Composer Paul Mottram." Music, Sound, and the Moving Image 18, no. 2 (2024): 203–15. https://doi.org/10.3828/msmi.2024.13.

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This article features an interview with British composer Paul Mottram, conducted by Toby Huelin as part of the ‘Library Music in Audiovisual Media’ conference (15–16 September 2022, University of Leeds). Mottram is a prolific composer of production music with a catalogue comprising over 700 tracks. He has a long-standing association with the music library Audio Network, having been closely involved in the company’s founding in 2001. Mottram’s production music has featured in high-profile series including The Great British Bake-Off (BBC/Channel 4) , The Apprentice (BBC) , Downton Abbey (ITV), a

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Asia, Daniel. "Wynton Marsalis: What We Need Now." Academic Questions 36, no. 3 (2023): 23–27. http://dx.doi.org/10.51845/36.3.5.

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MILLER, BONNY H. "Augusta Browne: From Musical Prodigy to Musical Pilgrim in Nineteenth-Century America." Journal of the Society for American Music 8, no. 2 (2014): 189–218. http://dx.doi.org/10.1017/s1752196314000078.

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AbstractAugusta Browne Garrett composed at least two hundred piano pieces, songs, duets, hymns, and sacred settings between her birth in Dublin, Ireland, around 1820, and her death in Washington, D.C., in 1882. Judith Tick celebrated Browne as the “most prolific woman composer in America before 1870” in her landmark study American Women Composers before 1870. Browne, however, cast an enduring shadow as an author as well, publishing two books, a dozen poems, several Protestant morality tracts, and more than sixty music essays, nonfiction pieces, and short stories. By means of her prose publicat

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Skosyreva, Aleksandra. "Alban Berg: from amateur composer to the author of Altenberglieder." Культура и искусство, no. 8 (August 2020): 87–102. http://dx.doi.org/10.7256/2454-0625.2020.8.33532.

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The object of this research is the piano compositions of Alban Berg &ndash; the String Quartet, Op. 3, and the vocal cycle Altenberglieder, Op. 4. The subject of this research is the artistic transformation of Berg from amateur composer of romantic music to the author of the complex atonal composition. The article reviews the aspects of Berg's apprenticeship that impacted his professional becoming. The peculiarities of the pedagogical method the composer's mentor and friend. Arnold Schoenberg are described. The author systematizes Berg's musical impressions acquired in his earlier period,

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Rivera, Marisol Juarez, and Dawn Y. Sumner. "Unraveling the three-dimensional morphology of Archean microbialites." Journal of Paleontology 88, no. 4 (2014): 719–26. http://dx.doi.org/10.1666/13-084.

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Fenestrate microbialites from the 2521±3 Ma Gamohaan Formation, South Africa, are composed of calcite with traces of kerogen that represent the remains of ancient microbial mats. To delineate the 3-D geometry of these microbialites, specimens were serial-sectioned; sequential slices were polished in 120 μm increments and scanned to yield an image stack, which was rendered into a virtual model of the microbialites. The resulting virtual representation allowed for visualization and characterization of microbial growth geometries that were not visible from 2-D surfaces. Several new insights into

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Филиппова, А. К. "“St. Mark’s Passion” from the Repertoire of J. S. Bach: the Sources, the Versions, Attribution." Научный вестник Московской консерватории, no. 3(38) (September 25, 2019): 106–39. http://dx.doi.org/10.26176/mosconsv.2019.38.3.005.

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Статья посвящена сочинению из лейпцигского репертуара И. С. Баха— «Страстям по Марку», которые ранее ошибочно приписывали Р. Кайзеру. Прослеживается судьба всех сохранившихся источников «Страстей по Марку», описывается длительная история изучения этой группы рукописей и сопутствующая ему научная полемика. Освещаются существующие гипотезы об авторстве, а также времени и месте возникновения произведения, которое послужило основой для всех последующих редакций,— как баховских, так и принадлежащих другим авторам. Кроме того, прослеживается возможный вклад Баха как редактора и соавтора в те версии,

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Németh G., István. "“constant sources of experience and tension” — Bartók's influence on transylvanian composers." Studia Musicologica 48, no. 1-2 (2007): 171–82. http://dx.doi.org/10.1556/smus.48.2007.1-2.11.

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Abstract The paper examines how members of the “Cluj/Kolozsvár School” of composition, the disciples of Sigismund Toduţă, Gábor Jodál, Max Eisikovits and János Jagamas dealt with the influence of Bartók. One can find traces of Bartókian influence in the work of Transylvanian composers beginning from the 1950s, a series of hommage-compositions being written on the occasion of Bartók-anniversaries in 1965, 1970 and especially 1981. The last piece mentioned was composed in 1998. The paper focuses on the cases of five individual composers: Cornel Ţăranu, Ede Terényi, Péter Vermesy, György Orbán an

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RICE, JOHN. "The Roman intermezzo and Sacchini's La contadina in corte." Cambridge Opera Journal 12, no. 2 (2000): 91–107. http://dx.doi.org/10.1017/s0954586700000914.

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The origins of the Roman intermezzo, an important and influential sub-genre of Italian comic opera, can be traced back to the 1730s, when the composer and librettist Benedetto Micheli wrote several two-part intermezzi for the Teatro Valle and other theaters in Rome for performance during the intermissions of spoken plays. The Valle cultivated the intermezzo with particular consistency during the next six decades, presenting works by many distinguished composers, including Sacchini, Paisiello, and Cimarosa. Sacchini's La contadina in corte, on a libretto derived from Giacomo Rust's three-act co

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Paradelo, Remigio, Antía Villada, Rosa Devesa-Rey, et al. "Distribution and availability of trace elements in municipal solid waste composts." J. Environ. Monit. 13, no. 1 (2011): 201–11. http://dx.doi.org/10.1039/c0em00408a.

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Pichtel, John, and Mary Anderson. "Trace metal bioavailability in municipal solid waste and sewage sludge composts." Bioresource Technology 60, no. 3 (1997): 223–29. http://dx.doi.org/10.1016/s0960-8524(97)00025-4.

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Terterian, Rubén. "The symphony of the great silence: Avet Terterian and his time." Disputatio. Philosophical Research Bulletin 1, no. 2 (2012): 39–55. https://doi.org/10.5281/zenodo.5064442.

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This portrayal of Armenian composer Avet Terterian traces a panoramic view over his life and musical work, adding some opportune thoughts about the nature of musical art, creative innovation, and the difficult relation between art, ideology and political power, represented here by the Soviet Union and its contradictory way of dealing with artists.

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Lombardi, Judith. "Traces left by Herbert Brün that orient my cybernetics (Maybe)." Kybernetes 49, no. 8 (2020): 2125–37. http://dx.doi.org/10.1108/k-04-2019-0270.

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Purpose Herbert Brün was a composer of many things including electronic and computer music. His compositions were, by design, nested in his passions for designing a new society – without violence. In this article, the author attempts to address several of Brün’s concepts relevant to his desire for social change. This paper was stimulated by a panel discussion about Brün at the 2018 American Society for Cybernetics (ASC) conference “Framing a Reality and How It Matters in a Shared World.” Design/methodology/approach Herbert Brün nested his communication in what he labeled “anticommunication,” w

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Straathof, Milou, Michel RT Sinke, Rick M. Dijkhuizen, and Willem M. Otte. "A systematic review on the quantitative relationship between structural and functional network connectivity strength in mammalian brains." Journal of Cerebral Blood Flow & Metabolism 39, no. 2 (2018): 189–209. http://dx.doi.org/10.1177/0271678x18809547.

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The mammalian brain is composed of densely connected and interacting regions, which form structural and functional networks. An improved understanding of the structure–function relation is crucial to understand the structural underpinnings of brain function and brain plasticity after injury. It is currently unclear how functional connectivity strength relates to structural connectivity strength. We obtained an overview of recent papers that report on correspondences between quantitative functional and structural connectivity measures in the mammalian brain. We included network studies in which

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Münch, Beat. "Néocodage et discours de la presse : le mot composé dans le quotidien suisse-romand Le Matin." Travaux neuchâtelois de linguistique, no. 11 (December 1, 1986): 247–66. http://dx.doi.org/10.26034/tranel.1986.2302.

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Tsvetkova, P. Yu. "I. F. STRAVINSKY AND S. P. DIAGHILEV: TO THE HISTORY OF COOPERATION." Arts education and science 2, no. 31 (2022): 179–84. http://dx.doi.org/10.36871/hon.202202023.

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In 2022, two significant dates are celebrated: the 150th anniversary of the birth of S. P. Diaghilev (1872–1929), entrepreneur, creator and head of the "Russian Seasons" enterprise in Paris, and the 140th anniversary of the birth of I. F. Stravinsky, an outstanding composer. Based on documentary evidence, the article traces the nature of the interaction between the two creators in certain periods of their joint work. At the same time, it is noted that the fates of the two figures of Russian culture were closely intertwined in terms of personal friendship. They also had much in common: both Dia

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Monnin, Pierre-Eric. "français en anglais: peut-on voir une règle à l'évolution phonétique de 's' intervocalique et de ses composés 'ss', 'bs' et 'x' ?" Travaux neuchâtelois de linguistique, no. 18 (September 1, 1992): 125–40. http://dx.doi.org/10.26034/tranel.1992.2472.

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Sodemann, Harald, and Andreas Stohl. "Moisture Origin and Meridional Transport in Atmospheric Rivers and Their Association with Multiple Cyclones*." Monthly Weather Review 141, no. 8 (2013): 2850–68. http://dx.doi.org/10.1175/mwr-d-12-00256.1.

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Abstract During December 2006 many cyclones traveled across the North Atlantic, causing temperature and precipitation in Norway to be well above average. Large excursions of high vertically integrated water vapor, often referred to as atmospheric rivers, reached from the subtropics to high latitudes, inducing precipitation over western Scandinavia. The sources and transport of atmospheric water vapor in the North Atlantic storm track during that month are examined by means of a mesoscale model fitted with water vapor tracers. Decomposition of the modeled total water vapor field into numerical

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Puławska, Zofia. "Longitudinal arrangement of leaf traces and compound vascular bundles in the stem of Aristolochia clematitis L." Acta Societatis Botanicorum Poloniae 51, no. 3-4 (2014): 361–75. http://dx.doi.org/10.5586/asbp.1982.033.

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The compound vascular bundles in the <em>Aristolochia clematitis</em> stems are entirely composed of leaf traces. At the stage of protoxylem differentiation there is not one vessel in the compound vascular bundle which would belong solely to the stem. In a mature compound vascular bundle less xylem belongs to traces of higher lying leaves than to these of the lower situated ones. The lower ends of the particular traces, components of the compound vascular bundle, gradually become thinner. The traces of the upper leaves are represented in the xylem of the compound vascular bundle in

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Meller, Edward, Edward Niedźwiecki, Patrycja Rogalska, Grzegorz Jarnuszewski, and Dawid Wilczyński. "FERTILISER VALUE AND TRACE ELEMENT CONTENT OF COMPOSTS PRODUCED FROM DIFFERENT WASTES." Journal of Ecological Engineering 16 (2015): 154–60. http://dx.doi.org/10.12911/22998993/59365.

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Peacock, David. "Stages in the Development of Tonal Thinking in Compositions by Young Composers." British Journal of Music Education 11, no. 2 (1994): 93–98. http://dx.doi.org/10.1017/s026505170000098x.

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The increasing interest in children and young people as composers, as evidenced by the growing literature on the subject in recent years, has tended to overlook at least one important aspect of young composers' development: their sense of tonal thinking, its emergence and consolidation. This article traces these characteristics through the compositions of one boy, showing how he ‘progressed’ from pre-tonal operations to fully-established tonal procedures. The discussion of his development is deliberately limited to the examination of harmonic thinking, which manifests itself before long(er)-ra

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Polyashov, Alexander, Andrey Zaporozhets, and Ivan Nazarov. "INFLUENCE OF PLASTIC DEFORMATION ON THE PHYSICAL PROPERTIES OF GRANULAR QUARTZ." SCIENTIFIC PAPERS OF DONNTU Series: “The Mining and Geology”, no. 3(23)-4(24) 2020 (2020): 34–44. http://dx.doi.org/10.31474/2073-9575-2020-3(23)-4(24)-34-44.

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Purpose. To study traces of plastic deformation in quartz of crystalline rocks of the Sea of Azov. Methodology. Work was done in the field to observe the crystallinity of the crystalline rocks of the Sea of Azov. In laboratory conditions, samples were made from samples taken of rocks and quartz, in which traces of plastic deformation were observed qualitatively by visual and optical methods by transmission and reflection. In natural and ultraviolet light, the physical properties of quartz were quantified, and the effects of luminescence in quartz samples and quartz sandstone material were st

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Shon, Howoong, and Tokuo Yamamoto. "Simple data processing procedures for seismic section noise reduction." GEOPHYSICS 57, no. 8 (1992): 1064–67. http://dx.doi.org/10.1190/1.1443318.

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Seismic traces are signals composed of information and noise. In essence, the part of the data set that is noise obscures the information and complicates the processing and interpretation of the seismic traces. Of the two procedures discussed, one is maximum standard deviation for an optimum threshold, and the other is the data transformation by variance. Either or both procedures can be used to enhance signal‐to‐noise (S/N) ratio. The procedures are data processing steps that are applied to each trace. Examples of successful application of the procedures are presented.

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Payne, Emily. "The craft of musical performance: skilled practice in collaboration." cultural geographies 25, no. 1 (2017): 107–22. http://dx.doi.org/10.1177/1474474016684126.

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This article examines the nature of skilled practice within two settings of musical performance, the rehearsal and the compositional workshop. Drawing primarily on the work of Richard Sennett and Tim Ingold, I suggest that a characterisation of musical performance as a craft practice attends to the development of skill and expertise through the performer’s physical and everyday encounters with the world and provokes a reconsideration of the dimensions of performance that might otherwise be taken for granted. The first case study addresses rhythmic coordination during a rehearsal of Four Duets

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Sarmah, Achyanta Kumar, Smriti Kumar Sinha, and Shyamanta M. Hazarika. "A New Pattern-Based Flexible Approach for Maintaining a Constrained Workflow." International Journal of Software Engineering and Knowledge Engineering 24, no. 01 (2014): 139–61. http://dx.doi.org/10.1142/s0218194014500065.

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The context of any workflow has functional and non functional characteristics. Functional characteristics give rise to Workflow Patterns (WPs) in a workflow. Changes may occur to the relationships amongst patterns in a workflow after the initial enactment. Run-time changes could occur due to roles executing the patterns. Design-time changes could occur due to changing user specifications and subsequent decisions being taken by the workflow composer. An approach of accommodating and propagating such changes is required. These changes are to be accommodated in a manner that the relationships amo

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