Relevant bibliographies by topics / Compositeur

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Compositeur'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 July 2024

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Journal articles on the topic "Compositeur"

1

Morel, François. "Esquisse d’une rencontre." En mémoire 7, no. 2 (February 25, 2010): 9–10. http://dx.doi.org/10.7202/902171ar.

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Trois compositeurs de la génération de Garant et Maryvonne Kendergi, marraine de la musique contemporaine au Québec, disent la qualité de l’homme et du compositeur, ses exigences dans le métier de compositeur et la nécessité, aujourd’hui, d’intégrer son héritage en retournant à sa musique.
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Bertrand, Simon. "Les résidences de compositeurs : ateliers de recherche ou apprentissage des contraintes ?" Circuit 27, no. 1 (April 26, 2017): 49–54. http://dx.doi.org/10.7202/1039672ar.

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Les résidences de création sont pour un compositeur un défi particulier, que celles-ci se déroulent dans un contexte intimiste ou au sein d’une structure plus « lourde » comme un orchestre. Quelles réflexions tirent les compositeurs de ce type d’expérience spécifique, dans lequel la composition en soi n’est souvent qu’une simple partie du travail ? Au travers d’une discussion de ton assez convivial, quelques questions d’ordre plutôt sociologique ont été posées à trois compositeurs ayant participé à des résidences, de façon à en tirer un aperçu au niveau de l’apport concret de cette expérience au métier du compositeur, et aussi générer des pistes de questionnement sur la place du compositeur dans la culture globale d’une société.
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Nicolas, François. "L’exigence du vouloir chez Deliège." Circuit 16, no. 1 (February 1, 2010): 33–44. http://dx.doi.org/10.7202/902381ar.

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Cet article évalue la difficile consistance de l’ouvrage de Deliège en centrant son examen sur le thème du « vouloir exigeant ». Un portrait en trois touches de Célestin Deliège montre que l’auteur de Cinquante ans de modernité musicale est un musicien tenant en haute estime une musicologie conçue comme intellectualité; distinguant le vouloir du musicologue de celui du compositeur, Deliège accorde une importance centrale au vouloir du compositeur, puisque selon lui, dans la musique contemporaine, les concepts précèdent et déterminent les styles ou idées musicales. L’article met cette thèse à l’épreuve en prenant l’exemple de Brian Ferneyhough, avant d’exposer l’idée que pour comprendre le rapport entre intention musicienne (vouloir du compositeur) et intension musicale (vouloir de l’oeuvre elle-même), il faut plutôt aller de l’oeuvre vers son créateur. En fait, si Deliège met autant l’accent sur le vouloir du compositeur, c’est peut-être parce que, plutôt que de viser les simples lecteurs amateurs, Cinquante ans de modernité musicale s’adresse avant tout aux compositeurs.
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Savatier, François. "Moqueur compositeur." Pour la Science Juillet, no. 7 (July 1, 2021): 13a. http://dx.doi.org/10.3917/pls.525.0013a.

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Marmaras, Nicolas V. "L’interaction compositeur-ordinateur il y a 25 ans." Circuit 18, no. 1 (April 29, 2008): 109–20. http://dx.doi.org/10.7202/017912ar.

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Résumé L’article concerne une étude ergonomique sur la composition musicale assistée par ordinateur, effectuée en 1982-1983. Le but était d’étudier l’interaction entre compositeur et ordinateur et de saisir la façon dont cet outil nouveau (à l’époque) affectait le processus compositionnel. Cet article se concentre sur les projets de deux compositeurs, qui travaillaient à l’Ircam avec deux systèmes informatiques différents, et sur les contraintes pragmatiques subies par les compositeurs. L’analyse ergonomique effectuée a montré que le processus compositionnel de deux compositeurs se caractérisait par trois étapes: (i) création d’un espace compositionnel décrit sur le plan du système informatique par un certain nombre de paramètres ; (ii) exploration de l’espace compositionnel afin d’examiner ses possibilités ; (iii) attribution aux paramètres de l’espace sonore des valeurs qui vont produire une musique souhaitable. Dans le cas du premier projet, l’espace compositionnel était constitué des instruments musicaux, dont les paramètres psycho-acoustiques ne pouvaient pas être facilement décrits d’une manière compatible avec les formalismes de l’informatique. Cela avait obligé le compositeur, pendant l’étape de l’exploration de l’espace compositionnel, à entrer dans une situation d’apprentissage, comparable à celle de l’apprentissage d’un instrument de musique. Or, à cause d’une série de contraintes pragmatiques (par exemple, le temps d’écoute différé et la modification discrète des valeurs des paramètres), un tel apprentissage n’a pas pu se réaliser. Par conséquent, le compositeur n’a pas pu réaliser son projet en utilisant le système informatique. Dans le cas du second projet, l’espace compositionnel était défini par le compositeur, sur le plan conceptuel, d’une manière compatible avec les formalismes de l’informatique (règles mathématico-géométriques). Ainsi, et malgré les contraintes pragmatiques subies, le compositeur est arrivé plus facilement à explorer l’espace compositionnel et finalement à créer la musique qu’il souhaitait. Outre son intérêt historique, cette étude peut aussi avoir un intérêt à l’heure actuelle. Les contraintes pragmatiques qui sont présentes dans l’utilisation de tout système informatique peuvent expliquer, au moins en partie, les difficultés éprouvées par les compositeurs qui essaient de réaliser une oeuvre à l’aide d’un système informatique, et leur identification peut indiquer les directions que doit prendre l’amélioration de ce dernier.
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Cardoso, Thomas Fontes Saboga. "L’intervalle de quarte dans la musique d’Astor Piazzolla." Diacrítica 35, no. 2 (August 13, 2021): 43–65. http://dx.doi.org/10.21814/diacritica.637.

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Nous examinons dans cet article l’utilisation et l’origine de l’intervalle de quarte comme élément organisateur des hauteurs dans la musique du compositeur et bandonéoniste argentin Astor Piazzolla (1921–1992). Des exemples nous permettront de prendre contact avec une utilisation diversifiée de cet intervalle, soit mélodique ou harmonique, et d’en constater un emploi conscient et systématique. Une œuvre de jeunesse du compositeur où l’emploi de ces quartes est abondant nous permet de tisser un lien avec les leçons de Piazzolla avec Alberto Ginastera qui eurent lieu pendant l’élaboration de cette pièce, la musique de son professeur de cette période révélant elle-aussi d’importants usages de ces techniques quartales. Finalement, la fascination des deux compositeurs argentins pour Stravinski, et la présence de ces techniques quartales dans la musique du compositeur russe nous permet de déceler l’origine de ces techniques quartales dans la musique savante moderne.
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Gauthier, François. "De l’orchestre À la machine." Articles 33, no. 1 (June 12, 2014): 83–101. http://dx.doi.org/10.7202/1025557ar.

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Le compositeur canadien Paul Baillargeon a réalisé la musique de plus de quarante épisodes des séries télévisées Star Trek, maintenant traduites et diffusées à travers le monde. Star Trek est l’une des dernières séries télévisuelles américaines ayant utilisé un orchestre symphonique d’envergure avant que ses principaux compositeurs réalisent eux-mêmes leurs bandes sonores à l’aide d’ordinateurs et d’échantillons numériques, remplaçant ainsi la cinquantaine de musiciens qui perpétuait la tradition acoustique de la production musicale à Hollywood. Cet article explore comment ces outils ont influencé la musique du compositeur, ainsi que son travail au sein de la postproduction des populaires séries télévisées.
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Eigeldinger, Jean-Jacques. "L'atelier du compositeur." Revue de la BNF 34, no. 1 (2010): 12. http://dx.doi.org/10.3917/rbnf.034.0012.

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de Montpellier d’Annevoie, Mélanie. "La bibliothèque du compositeur : Vincent d’Indy, ses lectures épiques et « l’épopée musicale »." Articles 39, no. 2 (August 30, 2022): 119–44. http://dx.doi.org/10.7202/1091839ar.

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Les bibliothèques de compositeurs, comme ensembles de textes, n’ont connu que peu d’investigations, entraînant alors un manque de reconnaissance de leurs valeurs intellectuelle et herméneutique en musicologie. Or, depuis le XIXe siècle, à la suite du développement de la musicologie et de l’appropriation de la critique musicale par les musiciens, le compositeur n’est plus seulement artisan mais penseur de son art : il se fait intellectuel. L’examen de la bibliothèque de Vincent d’Indy (1851–1931), joint à celui de ses écrits, permet de préciser une dynamique intellectuelle propre à ce compositeur, et plus précisément de révéler la dimension épique primordiale à la bibliothèque qui se situe ainsi à l’origine d’une réflexion croisée sur l’épopée littéraire et ce que d’Indy nomme « l’épopée musicale ».
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Goldman, Jonathan. "L’interculturalisme à travers le filtre cognitif : comment Gilles Tremblay recompose le gamelan dans Oralléluiants." Circuit 28, no. 1 (April 6, 2018): 71–85. http://dx.doi.org/10.7202/1044377ar.

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Dans un article consacré à l’impact bien connu du gamelan sur le langage musical de Claude Debussy, Nicholas Cook propose une interprétation de l’oeuvre du compositeur français qui navigue entre une perspective qui prétend que le gamelan a eu une valeur de « confirmation » de principes déjà acquis et, à l’opposé, une autre qui ne considère les innovations de Debussy que comme de douteuses imitations superficielles d’une culture musicale étrangère. Le présent article est conçu dans la prolongation de l’article de Cook mais orienté vers l’inspiration de la musique javanaise dont témoigne l’oeuvre Oralléluiants (1975) de Gilles Tremblay (1932-2017), et tente, à l’instar de celui de Cook, d’aller au-delà d’une opposition entre un pastiche stylistique passablement orientaliste et une approche plus profonde d’« assimilation stylistique » dans la musique du compositeur québécois. L’article propose la notion de « filtre cognitif » pour comprendre la façon dont le gamelan a exercé une influence sur le compositeur sans qu’il ait pour autant affecté d’autres compositeurs de la même façon. Le terme « filtre cognitif » désigne ici toute schématisation de la musique que l’observateur doit à sa formation, son métier, son acculturation, la singularité de sa vie intérieure, etc., et qui représente et ordonne les données de la perception sensorielle permettant ainsi l’appréhension d’une musique jusqu’alors inconnue.
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Dissertations / Theses on the topic "Compositeur"

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Claisse, Van Heesbeke Denise. "Jacques Casterede compositeur français." Online version, 1996. http://bibpurl.oclc.org/web/23441.

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Brouillaud, Jean-Pierre. "Le juge amiable compositeur." Paris 1, 1995. http://www.theses.fr/1995PA010265.

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L'amiable compositeur est celui qui a la possibilite de trancher un litige en faisant prevaloir la conception qu'il a de l'equite sur l'application stricte de la regle de droit. Le juge etatique est en principe contraint de statuer par reference exclusive a la loi, mais, dans certains cas, cette regle s'efface et le juge devient alors un amiable compositeur. Il s'agit, en premier lieu, des hypotheses d'arbitrage judiciaire : le juge judiciaire statue en equite lorsqu'il examin e une sentence arbitrale rendue elle-meme en amiable composition, ou lorsque les parties, en vertu de l'article 12 alinea 4 du nouveau code de procedure civile, lui ont donnee cette mission. Il s'agit egalement des cas dans lesquels le juge, sans avoir le statut officiel d'amiable compositeur, statue en equite, soit que la loi l'y autorise, expressement ou implicitement, soit qu'il ecarte de sa propre initiative une regle de droit qu'il estime injuste
The judge's mission, theoretically, is to apply the law. When he has to resolve a cese, he cannot win acceptance for his opinion, without taking legal rules into account. But there are a few exceptions to this obligation : sometimes the judge can put aside the enforcement of the law and resolve the case by the application of his conception of equity and justice, notably when the parties to the case, by common consent, ask him, or when the law enables him to do so. But even if ther is neither request from the parties nor legal authorization, the judge, pretending to be interpreting a law, sometimes puts it aside, when he considers it unfair. In such situations, the judge can be considered like an arbitrator, searching more for equity and justice than for a decision exclusively founded on a strict application of juridical rules
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Claisse, Denise. "Jacques Castérède, compositeur français." Paris 4, 1996. http://www.theses.fr/1996PA040017.

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Jacques Castérède, qui fut professeur d'analyse musicale au Conservatoire national supérieur de Paris, est l'un des compositeurs les plus représentatifs de la musique actuelle. Au moment de son soixante-dixième anniversaire, cette thèse présente les principaux éléments de sa vie et de sa carrière (livre 1), fait découvrir les lignes directrices de son langage musical (livre 2), présente une analyse approfondie de 9 partitions significatives (livre 3). Cette œuvre, structurée et d'un style clair, intègre, sans coupure avec ses racines culturelles, les techniques d'écriture les plus contemporaines. Ecrite par un compositeur-artisan, elle est accessible bien que non-conventionnelle. Jacques Castérède est l'auteur de 150 œuvres dont beaucoup ont été créées par Radio-France ou dans de grands festivals français et étrangers. Ses œuvres les plus récentes sont souvent d'inspiration spirituelle. Cette thèse est le premier ouvrage entièrement consacre à ce compositeur
Jacques Castérède, who was a professor of musical analysis in the Paris conservatoire, is one of the most significant composers of the music of to-day for his seventieth anniversary. This thesis presents the chiefly elements of his life and of his career (the first book), allows discovering the main lines of his musical language (the second one), and offers a detailed analysis of nine significant scores (the third one). This work, well-structured and clearly built, contains, the most contemporary technics of writing, without cutting with his cultural roots. Well done and written by a conscientious composer, it is easy to hear although unconventional. Jacques Castérède is the author of 150 works. Most of them were created by Radio-France or in great French and foreign festivals. His most recent works are often of spiritual inspiration. That thesis is the first work entirely devoted to this composer
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Teglia, Elisa. "Théodore Dubois, compositeur organiste en son temps." Paris 4, 2005. http://www.theses.fr/2005PA040054.

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Théodore Dubois (1837-1924) fut un musicien très célèbre en son temps : ses nombreuses et importantes fonctions dans le monde musical parisien le placèrent au centre de la réalité complexe et bouleversée du début du XXe siècle français. Mais après sa mort, ses œuvres tombèrent dans un oubli presque total, et ses idées théoriques furent considérées comme hostiles au progrès comme aux mouvements musicaux nouveaux. Cette thèse, fondée sur plusieurs documents inédits, présente une biographie qui situe ce musicien dans son époque, à travers une étude de sa carrière ainsi qu'une analyse approfondie de toutes ses partitions pour orgue. Elle permet de déterminer la nature et la portée de son œuvre à l'intérieur du contexte musical de son époque. Un catalogue complet de ses pièces organistiques et divers documents nouveaux accompagnent ce travail
Théodore Dubois (1837-1924) has been a famous musician during his life: his numerous and important charges in the parisian musical life placed him in the complex and perturbed reality of the early 20th century. After his death, almost all his works falled into oblivion, and his teorical ideas were considered as the product of a man who did not follow the progress and who opposed the new musical movements. This dissertation, based on several unpublished sources, comprises a biography which describes his place in contemporary musical life, an examination of his career and a careful analysis of all his catalogue for organ. It contributes to an understanding of the significance of his life-work in the musical context at his time. Included are a complete catalogue of his organ compositions and various selected documents
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Decourt, Aurélie. "Albert Alain (1880-1971), organiste et compositeur /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 2001. http://catalogue.bnf.fr/ark:/12148/cb376364894.

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Lueders, Kurt. "Alexandre Guilmant (1837-1911), organiste et compositeur." [Paris] : [K. Lueders], 2002. http://catalogue.bnf.fr/ark:/12148/cb389853868.

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Turellier, François. "Jean-Baptiste Morin (1677-1745) : compositeur français." Paris 4, 2000. http://www.theses.fr/1999PA040288.

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La thèse retrace la biographie de ce compositeur. Elle établit ensuite son corpus et présente l'analyse de ses œuvres. Nous en transcrivons deux. Le catalogue décrit les exemplaires existant en France. Cet inventaire des recueils et des œuvres est assorti d'une localisation des exemplaires imprimés ou gravés qui sont à l'étranger. Une généalogie et une chronologie terminent la thèse. Nous commençons par décrire les milieux dans lesquels Morin vécut et définissons sa place. Formé dans la maitrise d'une église d'Orléans, cite janséniste, il s'installa, vers 1698, à Paris, où il fut d'abord attaché à Jean Serré de Rieux, parlementaire, poète et amateur de musique, surtout italienne. Devenu également ordinaire du duc d'Orléans (le futur régent, aux goûts semblables), Morin publia. En 1719, après quatre années obscures, peut-être dues aux nouvelles préoccupations du prince ou à des persécutions religieuses, il entra encore au service de la fille du régent, devenue abbesse de Chelles, à 19 km de paris. Elle était musicienne et janséniste. Apres qu'elle eut démissionné, en 1731, Morin resta proche de personnes qu'il avait connues à Chelles. Il continua à produire, parfois avec Serré de Rieux. On lui doit des petits motets. Il resta célèbre pour avoir été un des tout premiers créateurs de la cantate française, peut-être le premier. Sa notoriété atteignit un sommet avec le divertissement la chasse du cerf. Il chercha à unir les styles français et italien, dans le motet comme dans la cantate, créée a l'imitation de la cantate profane italienne. La basse continue soutient, généralement, un ou deux chanteurs et parfois un ou deux violons concertants (ou flutes). La cantate enchaine souvent trois récitatifs et trois airs, da capo, mais aussi binaires à la française. Chez lui, la polyphonie tient une assez grande place. Figuralisme et agréments se côtoient. La conduite de la basse peut être originale. Ses dernières cantates et ses deux divertissements doivent plus au style français.
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Chueke, Isaac. "Francisco Braga, compositeur brésilien : la vie et l’œuvre." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040031.

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Francisco Braga (1868-1945) fut une personnalité musicale très marquante en son temps : compositeur, chef d’orchestre, professeur, il occupa de nombreuses et importantes fonctions dans le scénario musical brésilien, qui assista à d’importantes transformations à partir du début du XXe siècle. Malgré son séjour de dix ans en Europe, ce compositeur demeure encore virtuellement méconnu à l’étranger ce qui s’avère être également vrai auprès des nouvelles générations de musiciens dans son pays natal. Cette thèse présente la biographie de Braga et l’analyse de quelques-unes de ses œuvres orchestrales. En examinant sa trajectoire dans les divers contextes musicaux, l’on sera en mesure de mieux déterminer la portée de son œuvre artistique. Un catalogue de ses compositions, ainsi que divers documents difficiles d’accès accompagnent ce travail
Francisco Braga (1868-1945) has been a famous musician in his time: as composer, conductor and teacher, he held several and important positions in the Brazilian musical scenario, which suffered important changes from the beginning of the 20th century. Notwithstanding his ten-year period in Europe, he still remains virtually unknown to audiences abroad, a fact which proves to be also true among the new generations of musicians in his native country. This dissertation presents thus Braga’s biography as well as the analysis of some of his orchestral works. Examining his career within the various musical contexts, we shall be able to better apprehend the significance of his artistic output. Included are a catalog of his compositions and various selected documents
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Papadimitriou, Nicolas. "Être compositeur aujourd'hui : de l'analyse à la création." Paris 1, 1995. http://www.theses.fr/1995PA010524.

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Etude sur la création musicale contemporaine à travers l'analyse d'une démarche compositionnelle personnelle, celle de l'auteur. Influences et révélations par l'analyse comparée des œuvres de Schonberg et de Debussy, définition de deux modernités dont se réclament beaucoup de compositeurs aujourd'hui: la modernité française et la modernité allemande. Questions de forme et de contenu et discussion de la dissonance comme facteur de mouvement dans l'œuvre musicale. Témoignage personnel du cheminement entre la poétique de l'idée compositionnelle et les techniques de sa réalisation
This is an essay on contemporary musical composition based on the analysis of a personal artistic evolution. That of the writer. There are also discussed his influences from the study of the masterpieces of Schonberg and Debussy, and, eventually, his definition of two modernities, one German the other French, which have inspired many composers of his generation. Furthermore, this is an essay on both form and content in music, as well as on dissonance being a factor of motion in musical composition
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Pirez, Simone. "Alexandre Vassilievitch Mossolov, compositeur soviétique (vie et œuvre)." Paris 4, 1995. http://www.theses.fr/1994PA040373.

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Alexandre Vassilievitch Mossolov (1900-1973) est un compositeur soviétique connu pour son activité au sein de l'association de musique contemporaine. Il fait partie de la jeune génération issue de la Révolution d'Octobre : cette dernière a élaboré un système de langage musical futuriste, puisant ses racines dans la vie quotidienne d'une société en pleine mutation. Dès 1924, il compose des œuvres de musique de chambre (quatuor pour cordes), de musique vocale (Quatre annonces de journaux, mélodies pour voix et piano) de musique orchestrale (Zavod : musique des machines, concerto pour harpe). Après avoir passé huit mois en camp de travail pour "activité antisoviétique", Mossolov se tourne vers l'ethnomusicologie : il recueille, harmonise des chants du Kouban, de Kabardino-Balkarie. Il achève sa vie en écrivant de nombreuses compositions pour le chœur académique russe d'État du Grand Nord
Alexander V. Mossolov (1900-1973) is a soviet composer known for his activities within the association of contemporary music. He belongs to the young generation issued from the October Revolution which worked out a system of futuristic musical language originated from the daily life of a society in full change. By 1924 he composed works of chamber music (string quartet, melodies for voice and piano), orchestral music (“Zavod : music-machines”, harp concerto). After spending eight months in a work camp owing to his "anti-Soviet activities", Mossolov takes to ethnomusicology: he gathers, harmonizes songs from Kouban, Kabardino-Balkaria. At the end of his life he writes several compositions for the academic state choir of the Great North
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Books on the topic "Compositeur"

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Duchamp, compositeur. Paris: Harmattan, 2009.

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Kowalczyk, Marc. Roger Tessier: Compositeur. Luçon: Éd. Hécate, 1993.

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Genève, Max. Le compositeur: Roman. [Paris]: Flammarion, 1992.

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Wölfli, Adolf. Wölfli: Dessinateur-compositeur. Lausanne: L'Age d'homme, 1991.

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Ben Abderrazak, Mohamed Saifallah, writer of postface and Rifaï Dima translator, eds. Wadia Sabra: Compositeur. Paris: Geuthner, 2018.

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Francis Thomé, compositeur créole. Paris: L'Harmattan, 2013.

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Tappolet, Claude. Julien-François Zbinden, compositeur. Genève: Georg, 1995.

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George Onslow: Gentleman compositeur. Clermont-Ferrand: Presses universitaires Blaise-Pascal, 2003.

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Tappolet, Claude. Julien-François Zbinden, compositeur. [Genève]: Georg, 1995.

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Tappolet, Claude. Julien-François Zbinden: Compositeur. Chêne-Bourg: Georg Éditeur, 2010.

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Book chapters on the topic "Compositeur"

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Billiet, Frédéric. "Gautier de Coinci est-il un compositeur?" In Medieval Texts and Cultures of Northern Europe, 127–47. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.tcne-eb.3.4033.

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Malachta, Radovan. "Sources of Transnational Public Policy in International Commercial Arbitration." In Cofola International 2021, 200–325. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-8639-2021-11.

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The paper deals with transnational public policy in international commercial arbitration. Firstly, the distinction between national and international public policy and the application of these types of public policy in arbitration are presented. Secondly, a characterization of transnational public policy is given so that the paper can discuss the question – what are the sources of transnational public policy. In the last part, the application of transnational public policy is then inferred from the existence of international conventions, from the lex mercatoria and from deciding as amiable compositeur.
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Malachta, Radovan. "Amiable compositeur – státní právo a nestátní prostředky ve světle spravedlnosti." In Nestátní právo v oblasti mezinárodního obchodu aneb ke konceptu Lex Mercatoria 21. století, 293–317. Brno: Masaryk University Press, 2022. http://dx.doi.org/10.5817/cz.muni.m280-0246-2022-9.

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Diani, Marco, Abdelrahman H. Abdalla, Claudio Luis de Melo Pereira, and Marcello Colledani. "Impact of Policy Actions on the Deployment of the Circular Value-Chain for Composites." In Systemic Circular Economy Solutions for Fiber Reinforced Composites, 445–74. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-22352-5_21.

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AbstractThe effect of legislation on composites recycling can be both a driving force, such as in the case of End-of-Life Vehicle legislation, that is making it mandatory to reuse the materials used in vehicle manufacturing, or a boundary, increasing the burden to manufacturers reusing composite materials. As a consequence, a deep study on the impact of policies on the reuse of composites is fundamental to promote those actions boosting the deployment of circular value-chains. In this Chapter, a model based on System Dynamics theory, representing the entire industrial environment of composite materials, has been developed, leading to a prioritization of most impacting legislations, providing conclusions and recommendations derived from data.
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Chen, W., J. Xiang, Y. Gao, and Z. Zhang. "Effects of Graphene Oxide Content on the Reinforcing Efficiency of C–S–H Composites: A Molecular Dynamics Study." In Lecture Notes in Civil Engineering, 521–26. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-3330-3_55.

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AbstractDetermining the graphene oxide (GO) content is the key to applying GO to reinforce the mechanical performance and durability of cementitious composites. However, most of the previous studies are conducted from the perspective of experiments and lack elaboration on the mechanism of the GO-reinforced cementitious composite under different GO content. Hence, we investigated the effect of GO content on the reinforcing efficiency of calcium–silicate–hydrate (C–S–H) to trade off the enhancement of GO in cementitious composites and the corresponding economic benefits. The results demonstrated that an appropriate number of GO nanosheets can reinforce the cementitious composite with simultaneous high enhancing efficiency and economic benefits. The microdamage evolution of GO/C–S–H composites and the GO reinforcing mechanisms are reported. Our findings deepen the understanding of the enhancing mechanisms of GO embedded in C–S–H nanocomposites and help to determine the suitable GO content in practical engineering.
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Panin, Sergey V., Lyudmila A. Kornienko, Nguyen Duc Anh, Vladislav O. Alexenko, Dmitry G. Buslovich, and Svetlana A. Bochkareva. "Three-Component Wear-Resistant PEEK-Based Composites Filled with PTFE and MoS2: Composition Optimization, Structure Homogenization, and Self-lubricating Effect." In Springer Tracts in Mechanical Engineering, 275–99. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-60124-9_13.

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AbstractThe aim of this work was to design and optimize compositions of three-component composites based on polyetheretherketone (PEEK) with enhanced tribological and mechanical properties. Initially, two-component PEEK-based composites loaded with molybdenum disulfide (MoS2) and polytetrafluoroethylene (PTFE) were investigated. It was shown that an increase in dry friction mode tribological characteristics in metal-polymer and ceramic-polymer tribological contacts was attained by loading with lubricant fluoroplastic particles. In addition, molybdenum disulfide homogenized permolecular structure and improved matrix strength properties. After that, a methodology for identifying composition of multicomponent PEEK-based composites having prescribed properties which based on a limited amount of experimental data was proposed and implemented. It was shown that wear rate of the “PEEK + 10% PTFE + 0.5% MoS2” composite decreased by 39 times when tested on the metal counterpart, and 15 times on the ceramic one compared with neat PEEK. However, in absolute terms, wear rate of the three-component composite on the metal counterpart was 1.5 times higher than on the ceramic one. A three-fold increase in wear resistance during friction on both the metal and ceramic counterparts was achieved for the “PEEK + 10% PTFE + 0.5% MoS2” three-component composite compared with the “PEEK + 10% PTFE”. Simultaneous loading with two types of fillers slightly deteriorated the polymer composite structure compared with neat PEEK. However, wear rate was many times reduced due to facilitation of transfer film formation. For this reason, there was no microabrasive wear on both metal and ceramic counterpart surfaces.
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Tarasti, Eero. "Henri Tomasi, compositeur existentiel." In Henri Tomasi, du lyrisme méditerranéen à la conscience révoltée, 377–84. Presses universitaires de Provence, 2015. http://dx.doi.org/10.4000/books.pup.33698.

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Ferneyhough, Brian. "Compositeur – ordinateur – forme active." In Univers parallèles, 60–67. Éditions Contrechamps, 2018. http://dx.doi.org/10.4000/books.contrechamps.2892.

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Boukobza, Jean-François. "Le compositeur et sa réflexion." In György Ligeti Études pour piano, 21–36. Éditions Contrechamps, 2019. http://dx.doi.org/10.4000/books.contrechamps.4047.

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Laliberté, Martin. "Le compositeur et son dispositif." In Numérique et transesthétique, 193–215. Presses universitaires du Septentrion, 2012. http://dx.doi.org/10.4000/books.septentrion.46577.

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Conference papers on the topic "Compositeur"

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Dinesh, A. "Development of Self-Sensing Cement Composite Using Nanomaterials for Structural Health Monitoring of Concrete Columns – A Comprehensive Review." In Sustainable Materials and Smart Practices. Materials Research Forum LLC, 2022. http://dx.doi.org/10.21741/9781644901953-23.

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Abstract. Due to age, structural deterioration, and other factors, concrete constructions such as beams and columns will inevitably deteriorate. The growth of nanomaterials and recent advances in multidisciplinary research has broadened cement composites' applicability in various fields. A self-sensing cement composite can detect its own deformation, strain, and stress by changing its electrical characteristics, which may be measured with electrical resistivity. Carbon-based nanomaterials, such as carbon fiber, carbon black, and carbon nanotube, have a strong potential to increase cement composite's mechanical (strength) and electrical (resistivity, sensitivity) potentials due to their remarkable strength and conductivity. Due to the artificial integration of conductive carbon-based components will generate piezoresistive properties in typical cement composites, transforming them into self-sensing cement composites. As a result, the review focuses primarily on the development of nanoparticle-based self-sensing cement composites and their use in the health monitoring of structural columns. This research critically examines the materials used, fabrication techniques, strength, and sensing methodologies used to develop the self-sensing cement composite. The difficulties of commercializing self-sensing cement composites, as well as potential solutions, are also highlighted. According to the review, the difference in Poisson ratio and youngs modulus between the self-sensing cement composite and columns leads the self-sensing cement composite to have different strength and conductivity before and after embedding in columns. According to the study, the addition of conductive material diminishes the composite's workability due to its large specific surface area. Because of the well-distributed conductive network, the composite's resistivity is significantly lowered. The study also shows that the inclusion of a self-sensing cement composite has no bearing capacity influence on the column. Finally, according to the review, the self-sensing cement composite has the ability to monitor the health of structural columns.
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ENAB, WALAA, STEVEN KEY, and PHILIP BRADFORD. "EFFECTIVE TRANSVERSE REINFORCEMENT OF UNIDIRECTIONAL THIN PREPREG COMPOSITES USING VERTICALLY ALIGNED CARBON NANOTUBES." In Proceedings for the American Society for Composites-Thirty Seventh Technical Conference. Destech Publications, Inc., 2022. http://dx.doi.org/10.12783/asc37/36379.

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In this paper, we investigate the use of vertically aligned carbon nano tubes (VACNTs) in laminated composites across nearby plies for developing advanced composites to improve the transverse mechanical properties of the composite. VACNTs introduced into the interlaminar area by manually printing aligned carbon nanotubes onto the surface of the composite prepreg plies. The transverse tensile test is utilized to determine the improvement in transverse mechanical properties. The results shows that the transverse tensile improved by 31.6 %. This approach demonstrates extremely promising outcomes in terms of improving the composite's transverse strength.
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FENG, HAOTIAN, SSABARINATHAN P. SUBRAMANIYAN, and PAVANA PRABHAKAR. "DEEP LEARNING FRAMEWORK FOR WOVEN COMPOSITE DESIGN AND OPTIMIZATION." In Proceedings for the American Society for Composites-Thirty Seventh Technical Conference. Destech Publications, Inc., 2022. http://dx.doi.org/10.12783/asc37/36415.

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Woven composites are produced by interlacing warp and weft fibers in a pattern or weave style. By changing the pattern or material, the mechanical properties of woven composites can be significantly changed. However, how a woven composite’s architecture (pattern, material) is related to its mechanical properties is still unclear. Thus, in this paper, we utilize Deep Neural Network to explore the relationship between 2D woven composite architectures and their corresponding mechanical properties. We propose Deep Convolutional Neural Network to predict in-plane modulus from a given weave pattern and material sequence. More importantly, we propose a Physics-Constrained Neural Network to predict woven composite architecture from in-plane modulus, which is an extremely complex problem. The results demonstrate that our proposed Deep Neural Network frameworks can effectively represent the relationships between woven composite architecture and corresponding in-plane modulus with much higher accuracy compared to existing frameworks. We anticipate our proposed frameworks will not only facilitate woven composite analysis and optimization process but also be a starting point to introduce Physics knowledge guided Neural Networks into woven composite analysis.
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VASYLEVSKYI, KOSTIANTYN, BORYS DRACH, and IGOR TSUKROV. "INFLUENCE OF TEMPERATURE-DEPENDENT RESIN BEHAVIOR ON NUMERICAL PREDICTION OF EFFECTIVE CTES OF 3D WOVEN COMPOSITES." In Thirty-sixth Technical Conference. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/asc36/35938.

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3D woven composites are well known for their high strength, dimensional stability, delamination, and impact resistance. They are often used in aerospace, energy, and automotive industries where material parts can experience harsh service conditions including substantial variations in temperature. This may lead to significant thermal deformations and thermally-induced stresses in the material. Additionally, 3D woven composites are often produced using resin transfer molding (RTM) technique which involves curing the epoxy resin at elevated temperatures leading to accumulation of the processing-induced residual stress. Thus, understanding of effective thermal behavior of 3D woven composites is essential for their successful design and service. In this paper, the effective thermal properties of 3D woven carbon-epoxy composite materials are estimated using mesoscale finite element models previously developed for evaluation of the manufacturing-induced residual stresses. We determine effective coefficients of thermal expansion (CTEs) of the composites in terms of the known thermal and mechanical properties of epoxy resin and carbon fibers. We investigate how temperature sensitivity of the thermal and mechanical properties of the epoxy influences the overall thermal properties of the composite. The simulations are performed for different composite reinforcement morphologies including ply-to-ply and orthogonal. It is shown that even linear dependence of epoxy’s stiffness and CTE on temperature results in a nonlinear dependence on temperature of the overall composite’s CTE.
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Salve, Aniket Vinayak, and Ashok Mache. "Friction and Wear Studies on Jute Fiber and SS 304 Wire Mesh Reinforced Hybrid Polymer Composites for Automotive Applications." In WCX SAE World Congress Experience. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2023. http://dx.doi.org/10.4271/2023-01-0727.

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<div class="section abstract"><div class="htmlview paragraph">Automotive industry is looking for high strength and durable lightweight material with resistance to wear and friction. To meet this requirement, a new hybrid polymer composite material has been developed using reinforcement as SS 304 wire mesh and jute fibre. Present paper explores the experimental findings of wear performance of hybrid polymer composite under dry condition. Four different laminates with configurations JJSJJSJJ, (JJSJJSJJ)45<sup>0</sup>, GGSGGSGG and GJSJJSJG along with their virgin counterpart were developed by hand layup technique supported by compression moulding. These laminates were tested as per the ASTM standards to investigate its performance for friction and wear using pin on disc machine with steel as a counterpart. Testing parameters were sliding distance, applied load and sliding speed. Experimental results showed that, applied load have major influence on the friction and wear performance of developed hybrid composites. As load rises, friction force value increases with increased specific wear rate for entire composites. With hybridization of composite laminates, the frication and wear performance has improved as their virgin counterpart. The study demonstrates that wire mesh added to hybrid polymer composites during manufacturing increases the composite's wear resistance. This developed hybrid composite material has great potential to replace metal or alloy in automobile door trim panels where friction and wear are dominates.</div></div>
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Margraf, Jr., Thomas W., Thomas J. Barnell, Ernie Havens, and Christopher D. Hemmelgarn. "Reflexive composites: self-healing composite structures." In The 15th International Symposium on: Smart Structures and Materials & Nondestructive Evaluation and Health Monitoring, edited by Masayoshi Tomizuka. SPIE, 2008. http://dx.doi.org/10.1117/12.776284.

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Okoro, Ifeanyi J., Yves Q. Yougoubare, and Su-Seng Pang. "Effects of Shape Geometry on the Efficiency of Self-Healing Polymers." In ASME 2012 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/pvp2012-78610.

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Autonomic smart self-healing composites are being developed and tested to deal with the problems of crack propagation and eventual damage. The recovery and self-healing efficiencies of these composite structures varies with changes in different physical properties such as temperature and shape geometry. The foremost steps in creating a self-healing composite are mixing and programming and recovery. This paper explores the relationship between a composite’s programming processes against its shape-geometry. Improving the programming and recovery would lead to an improved self-healing polymer. To this end, samples of self-healing shape-memory polymers of different aspect ratios are tested after programming and recovery, and their compressive strengths are compared. The results show a direct relationship between the compressive strengths and aspect ratio.
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Dinesh, A. "Carbon-Based Nanomaterial Embedded Self-Sensing Cement Composite for Structural Health Monitoring of Concrete Beams - A Extensive Review." In Sustainable Materials and Smart Practices. Materials Research Forum LLC, 2022. http://dx.doi.org/10.21741/9781644901953-25.

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Abstract. Structural health monitoring has proven to be a dependable source for ensuring the integrity of the structure. It also aids in detecting and estimating the progression of cracks and the loss of structural performance. The most compelling components in the structural health monitoring system are sensing material and sensor technology. In health monitoring systems, fiber optic sensors, strain gauges, temperature sensors, shape memory alloys, and other types of sensors are commonly used. Even though the sensors bring monetary value to the system, they have some apparent drawbacks. As a result, self-sensing cement composite was established as a sensor alternative with better endurance and compatibility than sensors. Carbon nanotubes, nanofibers, graphene nanoplates, and graphene oxide are carbon-based nanomaterials with unique mechanical and electrical properties. As a result, this review comprises a complete assessment of the fresh, mechanical, and electrical properties of self-sensing cement composite developed using carbon-based nanoparticles. The research also focuses on the self-monitoring performance of cement composite in concrete beams, both bulk and embedded, by graphing the deviation of fractional change in resistivity with strain. The network channel development of carbon-based nanomaterials in cement composites and their characterization acquired using scanning electron microscopy (SEM), and X-Ray diffraction spectroscopy (XRD) research are also comprehensively discussed. According to the study, increasing carbon-based embedment decreased the relative slump and flowability while increasing the composite's compressive, split tensile, flexural, and post-peak performance. Also, the amount of carbon in the carbon-based nanomaterial directly relates to the composite's conductivity. As a result, the development of piezoresistive and sensing capabilities in carbon-based self-sensing cement composites not only improves mechanical and conductive properties but also serves as a sensor in structural health monitoring of flexural members.
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Li, Longbiao. "Micromechanical Modeling of Time-Dependent Crack Opening Behavior in SiC/SiC Composites." In ASME Turbo Expo 2022: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/gt2022-80583.

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Abstract Ceramic-matrix composites (CMCs) possess high specific strength and modulus at elevated temperature and have already been applied in hot-section components in commercial or military gas turbine engines. Due to low fracture strain in the brittle SiC ceramic, matrix microcracking occurs below the proportional limit stress (PLS). At elevated temperature, the opening of matrix microcracking affects the mechanical properties of CMCs when the oxygen or oxidative gas ingresses the composite through these cracks. To ensure the reliability, safety, and airworthiness level of CMCs components, it is necessary to understand the crack opening behavior of CMCs at elevated temperature. In this paper, a micromechanical approach is developed to predict the time-dependent crack opening behavior in SiC/SiC composite. Micro stress field in the different damage regions are obtained and the cracking opening displacement (COD) are calculated. Experimental CODs in SiC/SiC composite for different matrix crack lengths are predicted. Effects of composite material properties, stress level, and testing temperature on the time-dependent crack opening behavior in SiC/SiC composite are analyzed. Relationships between the cracking opening, composite’s constituent properties, stress level, and testing temperature are established. The analysis results can help the engineering designer better understanding the crack opening behavior in CMCs.
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Pochanard, Pandhita, and Anil Saigal. "Prediction of Rice Husk Particulate-Filled Polymer Composite Properties Using a Representative Volume Element (RVE) Model." In ASME 2015 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/imece2015-51145.

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In this study, a numerical representative volume element (RVE) model was used to predict the mechanical properties of a Rice Husk Particulate (RHP)-Epoxy composite for use as an alternative material in non-critical applications. Seven different analytical models Counto, Ishai-Cohen, Halpin-Tsai, Nielsen, Nicolais, Modified Nicolais and Pukanszky were used as comparison tools for the numerical model. The mechanical properties estimated for 0%, 10% and 30% RHP-Epoxy composites using the numerical and analytical models are in general agreement with each other. Using the analytical models, it was calculated that an increase in volume percentage of RHP to 30% led to continual reduction in elastic Young’s modulus and ultimate tensile strength of the composite. The numerical RVE models also predicted a similar trend between filler volume percentage and material properties. Overall, the results of this study suggest that RHP can be used to reduce the composite raw material costs by replacing the more expensive polymer content with agricultural waste products with limited compromise to the composite’s mechanical properties.
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Reports on the topic "Compositeur"

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McCullough, Roy L., and Diane S. Kukich. Composites 2000: An International Symposium on Composite Materials. Fort Belvoir, VA: Defense Technical Information Center, June 2000. http://dx.doi.org/10.21236/ada384778.

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Barnes, Eftihia, Jennifer Jefcoat, Erik Alberts, Hannah Peel, L. Mimum, J, Buchanan, Xin Guan, et al. Synthesis and characterization of biological nanomaterial/poly(vinylidene fluoride) composites. Engineer Research and Development Center (U.S.), September 2021. http://dx.doi.org/10.21079/11681/42132.

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The properties of composite materials are strongly influenced by both the physical and chemical properties of their individual constituents, as well as the interactions between them. For nanocomposites, the incorporation of nano-sized dopants inside a host material matrix can lead to significant improvements in mechanical strength, toughness, thermal or electrical conductivity, etc. In this work, the effect of cellulose nanofibrils on the structure and mechanical properties of cellulose nanofibril poly(vinylidene fluoride) (PVDF) composite films was investigated. Cellulose is one of the most abundant organic polymers with superior mechanical properties and readily functionalized surfaces. Under the current processing conditions, cellulose nanofibrils, as-received and 2,2,6,6-tetramethylpiperidine-1-oxyl radical (TEMPO) oxidized, alter the crystallinity and mechanical properties of the composite films while not inducing a crystalline phase transformation on the 𝛾 phase PVDF composites. Composite films obtained from hydrated cellulose nanofibrils remain in a majority 𝛾 phase, but also exhibit a small, yet detectable fraction of 𝛼 and ß PVDF phases.
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Chattopadhyay, Aditi. Damage Precursor Detection in Polymer Matrix Composites Using Novel Smart Composite Particles. Fort Belvoir, VA: Defense Technical Information Center, September 2016. http://dx.doi.org/10.21236/ad1018261.

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Zhu, Y. T., J. A. Valdez, I. J. Beyerlain, M. G. Stout, S. Zhou, N. Shi, and T. C. Lowe. Innovative Composites Through Reinforcement Morphology Design - a Bone-Shaped-Short-Fiber Composite. Office of Scientific and Technical Information (OSTI), June 1999. http://dx.doi.org/10.2172/763899.

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Keller, Michael W. DTPH56-14-H-CAP01 Patch and Full-Encirclement Repairs for Through-Wall Defects. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), December 2016. http://dx.doi.org/10.55274/r0012087.

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The objective of the research presented in this report was to investigate the performance of patch-type composite repairs on pressure vessels with through-wall defects. The most common repair geometry for bonded composites is the full-encirclement repair where the repair is formed by installing a composite that completely encircles the damaged substrate. These repairs are straightforward to install and have proven to have good field performance through a variety of industry and academic-sponsored research projects. When the substrate vessel becomes large, then these encirclement repairs begin to become cumbersome and costly to install. A potential alternative is to use, instead, an adhesively bonded patch that does not encircle the substrate. Patch-type repairs have been used for almost two decades in the aerospace industry, but are not a common or accepted repair type for pressure vessels. The primary goal of the research in the present study was to understand the differences between full-encirclement and patch repairs on through-wall defects.
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Coppola, Anthony, Omar Faruque, James F. Truskin, Derek Board, Martin Jones, Jian Tao, Yijung Chen, and Manish Mehta. Validation of Material Models For Automotive Carbon Fiber Composite Structures Via Physical And Crash Testing (VMM Composites Project). Office of Scientific and Technical Information (OSTI), September 2017. http://dx.doi.org/10.2172/1395831.

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Stansberry, Peter G., and John W. Zondlo. COAL DERIVED MATRIX PITCHES FOR CARBON-CARBON COMPOSITE MANUFACTURE/PRODUCTION OF FIBERS AND COMPOSITES FROM COAL-BASED PRECURSORS. Office of Scientific and Technical Information (OSTI), July 2001. http://dx.doi.org/10.2172/801029.

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Hosur, Mahesh V., Shaik Jeelani, Uday K. Vaidya, and Sylvanus Nwosu. Survivability of Affordable Aircraft Composite Structures. Volume 2: High Strain Rate Characterization of Affordable Woven Carbon/Epoxy Composites. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada421599.

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Alexander, Chris. L52318 State of the Art Assessment of Composite Repair Systems. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2010. http://dx.doi.org/10.55274/r0000005.

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Composite materials have been used to repair high pressure transmission pipelines. Over this time period a wide variety of composite systems have been developed and evaluated. With the increased demands being placed on pipeline systems around the world, it is expected that the market potential for composite repair systems will continue to expand. Additionally, as composite technology is further developed the opportunities for new applications will expand. An assessment of this composite repair technology is needed. This report has been developed to provide industry with a state of the art assessment of composite pipeline repair technology as it currently stands.
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Fort, III, William C., Richard A. Kallman, Miguel Maes, Edward G. Skolnik, and Steven C. Weiner. Safety Evaluation Report: Development of Improved Composite Pressure Vessels for Hydrogen Storage, Lincoln Composites, Lincoln, NE, May 25, 2010. Office of Scientific and Technical Information (OSTI), December 2010. http://dx.doi.org/10.2172/1122334.

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