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Books on the topic 'Composition (Music) Art and music'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Jacob, Gordon. The composer and his art. Westport, Conn: Greenwood Press, 1986.

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2

Jacob, Gordon. The composer and his art. Westport, Conn: Greenwood Press, 1986.

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3

Schoenberg, Arnold. The musical idea and the logic, technique and art of its presentation. Bloomington, Ind: Indiana University Press, 2006.

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4

1923-, Carpenter Patricia, and Neff Severine 1949-, eds. The musical idea and the logic, technique, and art of its presentation. New York: Columbia University Press, 1995.

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5

Wishart, Trevor. On sonic art. London: Routledge, 2002.

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6

Software, Coda Music. Finale: The art of music notation. 3rd ed. Eden Prairie, MN: Coda Music Software, 1992.

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7

Cacavas, John. The art of writing music: A practical book for composers and arrangers of instrumental, choral, and electronic music as applied to publication, films, television, recordings, and schools. Los Angeles: Alfred Pub. Co, 1993.

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8

Cacavas, John. The art of writing music: A practical book for composers and arrangers of instrumental, choral, and electronic music as applied to publication, films, television, recordings, and schools. Van Nuys, CA: Alfred Pub. Co., 1993.

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9

1950-, Emmerson Simon, ed. On sonic art. Amsterdam: Harwood Academic Publishers, 1996.

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10

Trevor, Wishart. On sonic art. York: Imagineering Press, 1985.

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11

Trevor, Wishart. On sonic art. York: Imagineering Press, 1985.

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12

1926-, Friedman B. H., ed. Give my regards to Eighth Street: Collected writings of Morton Feldman. Cambridge, MA: Exact Change, 2000.

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13

The act of musical composition: Studies in the creative process. Burlington, VT: Ashgate, 2013.

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14

Rona, Jeffrey C. The reel world: Scoring for pictures : [a practical guide to the art, technology, and business of composing for film and television]. San Francisco, Calif: Miller Freeman Books, 2000.

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15

1948-, Baker Nancy Kovaleff, Christensen Thomas Street, and Koch Heinrich Christoph 1749-1816, eds. Aesthetics and the art of musical composition in the German Enlightenment: Selected writings of Johann Georg Sulzer and Heinrich Christoph Koch. Cambridge: Cambridge University Press, 1995.

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16

Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.

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17

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

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18

Hejmej, Andrzej. Muzyczność dzieła literackiego. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2012.

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19

Hejmej, Andrzej. Muzyczność dzieła literackiego. 2nd ed. Wrocław: Wydawn. Uniwersytetu Wrocławskiego, 2002.

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20

Le frisson des chansons: Essai de définition d'une bonne chanson, des conditions nécessaires pour mieux l'écouter et des conditions utiles pour en écrire. Outremont, Québec: Stanké, 2006.

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21

Jerusalem Academy of Music and dance. Music in time: Special issue following the symposium on the art of composition toward the 21st century. Jerusalem: Jerusalem Academy of Music and dance, 2001.

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22

Karmen, Steve. Through the jingle jungle: The art and business of making music for commercials. New York: Billboard Books, 1989.

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23

India) "Bhāratīya Śāstrīya Saṅgīta meṃ Bandiśoṃ ke Vibhinna Prakāra" tathā "Kalā evaṃ Nāṭaka meṃ Ubharate Āyāma" (Seminar) (2013 Gwalior. Saṅgīta meṃ bandiśa kalā evaṃ nāṭaka kā mahatva. Dillī: Pratibhā Prakāśana, 2014.

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24

Wiggli, Oscar. Partition forgée: Sculptures et compositions musicales. Fribourg: Editions Iroise, 1995.

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25

Musical creativity: Insights from music education research. Burlington, VT: Ashgate, 2011.

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26

Belkin, Alan. Musical Composition: Craft and Art. Yale University Press, 2018.

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27

Musical composition : craft and art. Yale University Press, 2018.

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28

Carpenter, Patricia. The Musical Idea And the Logic, Technique, And Art of Its Presentation. Indiana University Press, 2006.

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29

Berger, Anna Maria Busse. Medieval Music and the Art of Memory. University of California Press, 2005.

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30

Medieval Music and the Art of Memory. University of California Press, 2005.

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31

Berger, Anna Maria Busse. Medieval Music and the Art of Memory. University of California Press, 2019.

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32

Finale: The art of music notation : Installation & tutorials. Eden Prairie, MN: Coda Music Technology, 1997.

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33

Finale: The art of music notation : Installation & tutorials. Eden Prairie, MN: Coda Music Technology, 1997.

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34

Moore, Adrian. Sonic Art: An Introduction to Electroacoustic Composition. Taylor & Francis Group, 2016.

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35

Sonic Art: An Introduction to Electroacoustic Composition. Taylor & Francis Group, 2016.

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36

Potter, Caroline. Erik Satie: Music, Art and Literature. Taylor & Francis Group, 2016.

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37

Erik Satie: Music Art and Literature. Taylor & Francis Group, 2016.

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38

1951-, Heifetz Robin Julian, ed. On the wires of our nerves: The art of electroacoustic music. Lewisburg: Bucknell University Press, 1989.

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39

Notes, Linda. Blank Sheet Music Notebook Kids: Composition Manuscript Staff Paper Art Music Notebook Black 8. 5x11 Inch 120 Pages. Independently Published, 2020.

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40

Collins, Nick. Origins of Algorithmic Thinking in Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.2.

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Musicians’ relationships with algorithms have deep precedents in the confluence of music and mathematics across millennia and across cultures. Technological and musico-mathematical precedents in the ancient world predate the Arabic etymology of the term ‘algorithm’. From Guido d’Arezzo’s hand to rule systems in music theory and eighteenth-century ars combinatoria, there is a rich background to twentieth-century rule-led music making. Robotic music, too, has precedents, and there is an interesting proto-computational thread linking the automata builder Vaucanson to early programmable weaving looms. Ada Lovelace’s writing, Joseph Schillinger’s composition system, and John Pierce’s 1950 stochastic music science fiction article provide productive insight into the origins of algorithmic music. Indeed, the world’s musics reveal a panoply of interesting practices, such as campanology, Nzakara court harp music, time structures in Indian classical music, and many more examples of the rich combinations of music and mathematics often predating musical computer science.

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41

Edition, Music. Composition Music Book: Music Book Lined Notebook / Journal Gift, 100 Pages, 6x9, Art Cover, Matte Finish Inspirational Quotes Journal, Notebook, Diary, Composition Book. Independently Published, 2020.

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42

How to rap : the art and science of the hip-hop MC . Chicago Review Press,Incorparted, 2009.

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43

Fuchs, Stephanie. Composition Notebook: Life Sounds Better with Music - Cool Typographic Music Art Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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44

Collins, Dave. Act of Musical Composition: Studies in the Creative Process. Taylor & Francis Group, 2016.

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45

Heines, Jesse M., and Gena R. Greher. Computational Thinking in Sound: Teaching the Art and Science of Music and Technology. Oxford University Press, Incorporated, 2014.

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46

M, Heines Jesse, ed. Computational thinking in sound: Teaching the art and science of music and technology. 2014.

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47

Koch, Heinrich Christoph, and Johann Georg Sulzer. Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 2006.

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48

Lester, Joel. Compositional Theory in the Eighteenth Century. Harvard University Press, 2005.

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49

Kellman, Noah. The Game Music Handbook. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938680.001.0001.

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Writing music for games is an art that requires conceptual forethought, specialized technical skill, and a deep understanding of how players interact with games and game audio. The Game Music Handbook embarks on a journey through numerous soundscapes throughout video game history, exploring a series of concepts and techniques that are key to being a successful game music composer. This book organizes key game music scoring concepts into an applicable methodology, describing them with memorable distinctions that leave readers with a clear picture of how to apply them to creating music and sound. Any music composer or musician who wishes to begin a career in game composition can pick up this text and quickly gain a solid understanding of the core techniques for composing video game music, as well as the conceptual differences that separate it from any other compositional field. Some of these topics include designing emotional arcs for nonlinear timelines, the relationship between music and sound design, discussion of the player’s interaction with audio, and more. There is also much to be gained by advanced readers or game audio professionals, who will find detailed discussion of game state and its effect on player interaction, a composer-centric lesson on programming, how to work with version control, information on visual programming languages, emergent audio, music for virtual reality (VR), procedural audio, and other indispensable knowledge about advanced reactive music concepts. The text often explores the effect that music has on a player’s interaction with a game. It discusses the practical application of this interaction through the examination of various techniques employed in games throughout video game history to enhance immersion, emphasize emotion, and create compelling interactive experiences.

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50

Crasneanscki, Stephan. Soundwalk Collective : Medea: Zag Zig Series. Dis Voir Editions, 2012.

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