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Books on the topic 'Composition of filet'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Carson, Haven. Illustrators' reference file: Compositional elements for artists, renderers, and students. New York: Van Nostrand Reinhold, 1993.

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2

Maskrey, Carol-Ann. TGV files, secondary 3. Saint-Laurent, PQ: Éditions du Renouveau pédagogique, 1996.

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3

Hartley, Mark. The art of teaching writing: A complete resource file for 7 to 12 year olds. Milton Park, Abingdon, Oxon: Routledge, 2012.

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4

The Facts on File guide to good writing. New York: Facts On File, 2005.

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5

Agon, Carlos. The OM composer's book. Paris: IRCAM-centre Pompidou, 2006.

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6

David, Cope. The algorithmic composer. Madison, Wis: A-R Editions, 2000.

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7

Composing with Finale. Australia: Course Technology, 2009.

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8

The SuperCollider book. Cambridge, Mass: MIT Press, 2011.

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9

Wilson, Scott. The SuperCollider book. Cambridge, Mass: MIT Press, 2011.

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10

Wilson, Scott. The SuperCollider book. Cambridge, Mass: MIT Press, 2011.

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11

service), SpringerLink (Online, ed. Foundation Blender Compositing. Berkeley, CA: Apress, 2009.

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12

Survey, Ontario Geological. Till compositional database, Peterlong Lake-Radisson Lake Area, southern Abitibi Subprovince [computer file]. Toronto, ON: Ministry of Northern Development and Mines, 1996.

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13

W, Miller David. Practicing persuasive written and oral advocacy: Case file III. New York: Aspen Publishers, 2005.

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14

Michael, Vitiello, and Fontham Michael R, eds. Practicing persuasive written and oral advocacy: Case file II. New York: Aspen Publishers, 2003.

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15

Finale 2012: A trailblazer guide. Minneapolis, MN: Penelope Press, 2012.

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16

Cousins, Mark. Logic Pro 8: Audio and music production. Amsterdam: Focal, 2008.

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17

Jefimenko, Oleg D. Scientific graphics with Lotus 1-2-3: Curve plotting, 3D graphics, and pictorial compositions. Star City, W. Va: Electret Scientific Co., 1987.

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18

Inc, ebrary, ed. Blender 2.5 lighting and rendering: Bring your 3D world to life with lighting, compositing, and rendering. Birmingham, U.K: Packt Pub., 2010.

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19

Bajura, K. V. A. Finale for composers: An illustrated guide to Finale. Pittsburgh, PA: Phoebus Apollo Music, 2004.

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20

Composing interactive music: Techniques and ideas using Max. Cambridge, Mass: MIT Press, 1998.

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21

Composing interactive music: Techniques and ideas using Max. Cambridge, Mass: MIT Press, 1999.

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22

The art of iPhoneography: A Shutter Sisters' guide to mobile creativity. New York: Lark Books, 2011.

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23

Drone, Jeanette Marie. Indexes to the established titles, variant titles, obsolete uniform titles, and work numbers in the Library of Congress Name-Authority File for the works of Bach, Beethoven, Brahms, Haydn, Mozart, Schubert, Tchaikovsky, Telemann. Dublin, Ohio: OCLC Online Computer Library Center, Office of Research, 1988.

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24

Nahmani, David. Logic Pro 8 and Logic Express 8. Berkeley, CA: Peachpit Press, 2008.

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25

Nahmani, David. Logic Pro 8 and Logic Express 8. Berkeley, CA: Peachpit Press, 2008.

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26

Nahmani, David. Logic Pro 8 and Logic Express 8. Berkeley, CA: Peachpit Press, 2008.

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27

Creative sequencing techniques for music production: A practical guide to Pro Tools, Logic, Digital Performer, and Cubase. 2nd ed. Amsterdam: Focal Press, 2011.

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28

Asher, Jay. Going pro with Logic Pro 9. Boston: Course Technology PTR, 2011.

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29

Going pro with Logic Pro 9. Boston: Course Technology PTR, 2011.

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30

Rooney, Steve Thomas. Digital performer power! Boston, MA: Thomson/Course Technology, 2005.

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31

A typographic workbook: A primer to history, techniques, and artistry. New York: Wiley, 1999.

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32

Dvorin, David. Logic Pro 8: Beyond the basics. Berkeley, CA: Peachpit Press, 2008.

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33

The art of iphoneography: A guide to mobile creativity. Asheville: Pixiq, 2012.

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34

Software, Coda Music. Finale: The art of music notation. 3rd ed. Eden Prairie, MN: Coda Music Software, 1992.

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35

The sound & music workshop. San Francisco: Sybex, 1996.

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36

Grace, Rich. The sound & music workshop. San Francisco: Sybex, 1996.

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37

LATEX line by line: Tips and techniques for document processing. 2nd ed. New York: J. Wiley & Sons, 1999.

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38

LATEX line by line: Tips and techniques for document processing. Chichester, West Sussex, England: J. Wiley, 1993.

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39

English File. Oxford University Press, 2012.

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40

Seligson, Paul, Clive Oxenden, and Christina Latham-Koenig. English File. Oxford University Press, 2003.

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41

Parkinson, Rita M. The Botanical Art Files. Mastering Composition: A practical course in composition for botanical artists. The Botanical Press, 2018.

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42

Cheetham, John, John Cowley, Martin Ainsworth, Phil L. Wright-Taylor, and John Barnes. The Poetry File. Nelson Thornes Ltd, 1989.

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43

Martin, Ainsworth, ed. The Poetry file. Cheltenham: Stanley Thornes, 1990.

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44

Miller. Practicing Persuasive Written & Oral Advocacy: Case File 4. Aspen Publishers, 2008.

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45

Oxenden, Clive, and Christina Latham-Koenig. English File. Oxford University Press, 2015.

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46

Hudson, Jane, Paul Seligson, Clive Oxenden, Christina Latham-Koenig, and Mike Boyle. English File. Oxford University Press, 2014.

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47

English File. Oxford University Press, 2013.

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48

Oxenden, Clive, and Christina Latham-Koenig. English File: Elementary. Oxford University Press España, S.A., 2012.

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49

English File: Intermediate. Oxford University Press, 2014.

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50

Vorenberg, Amy. Preparing for Practice : Legal Analysis and Writing in Law School's First Year: Case Files Set C. Wolters Kluwer Law & Business, 2017.

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