Log in

Relevant bibliographies by topics / Computation in music / Books

To see the other types of publications on this topic, follow the link: Computation in music.

Books on the topic 'Computation in music'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Computation in music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Yust, Jason, Jonathan Wild, and John Ashley Burgoyne, eds. Mathematics and Computation in Music. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39357-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Klouche, Timour, and Thomas Noll, eds. Mathematics and Computation in Music. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-04579-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Collins, Tom, David Meredith, and Anja Volk, eds. Mathematics and Computation in Music. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20603-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Agon, Carlos, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, and John Mandereau, eds. Mathematics and Computation in Music. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-21590-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Chew, Elaine, Adrian Childs, and Ching-Hua Chuan, eds. Mathematics and Computation in Music. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02394-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Agustín-Aquino, Octavio A., Emilio Lluis-Puebla, and Mariana Montiel, eds. Mathematics and Computation in Music. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-71827-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Montiel, Mariana, Francisco Gomez-Martin, and Octavio A. Agustín-Aquino, eds. Mathematics and Computation in Music. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-21392-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

A-life for music: Music and computer models of living systems. A-R Editions, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Elaine, Chew, Childs, Adrian P. (Adrian Phillip), 1971-, and Chuan Ching-Hua, eds. Mathematics and computation in music: Second international conference, MCM 2009, John Clough Memorial Conference, New Haven, CT, USA, June 19 - 22, 2009, proceedings. Springer, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Agon, Carlos. Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings. Springer-Verlag GmbH Berlin Heidelberg, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Yust, Jason. Mathematics and Computation in Music: 4th International Conference, MCM 2013, Montreal, QC, Canada, June 12-14, 2013. Proceedings. Springer Berlin Heidelberg, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Timour, Klouche, and Noll, Thomas, 1962 Dec. 25-, eds. Mathematics and computation in music: First international conference, MCM 2007, Berlin, Germany, May 18-20, 2007 : revised selected papers. Springer, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Meredith, David, ed. Computational Music Analysis. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25931-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Chakraborty, Soubhik, Guerino Mazzola, Swarima Tewari, and Moujhuri Patra. Computational Musicology in Hindustani Music. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11472-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

G, Mazzola, Noll Thomas 1962-, Lluis-Puebla Emilio 1952-, International Seminar on Mathematical Music Theory (2nd : 2001 : Sauen, Germany), and International Seminar on Mathematical Music Theory and Music Informatics (3rd : 2002 : Zurich, Switzerland), eds. Perspectives in mathematical and computational music theory. Electronic Publishing Osnabrück, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Ekárt, Anikó, Antonios Liapis, and María Luz Castro Pena, eds. Computational Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16667-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Liapis, Antonios, Juan Jesús Romero Cardalda, and Anikó Ekárt, eds. Computational Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77583-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Correia, João, Vic Ciesielski, and Antonios Liapis, eds. Computational Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55750-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Rowe, Robert. Interactive music systems: Machine listening and composing. MIT Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Kausel, Wilfried. A musical acoustician's guide to computational physics: Concepts, algorithms & applications. Institute of Musical Acoustics, University of Music, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

IEEE Symposium on Computational Intelligence in Scheduling (2009 Nashville, Tenn.). 2009 IEEE Symposium on Computational Intelligence in Scheduling (CI-Sched 2009) proceedings: March 30-April 2, 2009, Sheraton Music City Hotel, Nashville, TN, USA. IEEE, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

1951-, Feichtinger Hans G., Dörfler M, European Mathematical Society, Österreichische Mathematische Gesellschaft, and Universität Wien Mathematischer Zirkel, eds. Diderot Forum on Mathematics and Music: Computational and mathematical methods in music : Vienna, Austria, December 2-4, 1999 (EMS, ÖMG, Mathematischer Zirkel der Univ. Wien). Österreichische Computer Gesellschaft, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

International Workshop on the Cognitive Science of Natural Language Processing (8th 1999 Galway, Ireland). Language, vision, and music: Selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland, 1999. John Benjamins Pub., 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Bader, Rolf. Sound - Perception - Performance. Springer International Publishing, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Mark, d’Inverno, and SpringerLink (Online service), eds. Computers and Creativity. Springer Berlin Heidelberg, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Brown, Andrew R. Algorithms and Computation in Music Education. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.17.

Full text

Abstract:

The chapter discusses how bringing music and computation together in the curriculum offers socially grounded contexts for the learning of digital expression and creativity. It explores how algorithms codify cultural knowledge, how programming can assist students in understanding and manipulating cultural norms, and how these can play a part in developing a student’s musicianship. In order to highlight how computational thinking extends music education and builds on interdisciplinary links, the chapter canvasses the challenges, and solutions, involved in learning through algorithmic music. Prac

APA, Harvard, Vancouver, ISO, and other styles

27

(Editor), Eduardo Reck Miranda, and John Al Biles (Editor), eds. Evolutionary Computer Music. Springer, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Dean, Roger T., and Alex McLean, eds. The Oxford Handbook of Algorithmic Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.001.0001.

Full text

Abstract:

Algorithmic music appears to be at a turning point in its history, with many new systems and communities of practice developing together, as vibrant musical culture. This handbook brings together dozens of leading researchers and practitioners in the field, blending technical, artistic, cultural and scientific viewpoints into a whole that considers the making of algorithmic music as a rich, and essentially human activity. The book is organised into four sections, the first grounding the topic in the history, philosophy and psychology of algorithmic music. The second section asks 'what can algo

APA, Harvard, Vancouver, ISO, and other styles

29

Mathematics and Computation in Music: 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings. Springer, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Agon, Carlos, Emmanuel Amiot, and Moreno Andreatta. Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings. Springer, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Yust, Jason, Jonathan Wild, and John Ashley Burgoyne. Mathematics and Computation in Music: 4th International Conference, MCM 2013, Montreal, Canada, June 12-14, 2013, Proceedings. Springer, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Lluis-Puebla, Emilio, Octavio A. Agustín-Aquino, and Mariana Montiel. Mathematics and Computation in Music: 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017, Proceedings. Springer, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Meredith, David. Computational Music Analysis. Springer, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Meredith, David. Computational Music Analysis. Springer, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Collins, Nick. Origins of Algorithmic Thinking in Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.2.

Full text

Abstract:

Musicians’ relationships with algorithms have deep precedents in the confluence of music and mathematics across millennia and across cultures. Technological and musico-mathematical precedents in the ancient world predate the Arabic etymology of the term ‘algorithm’. From Guido d’Arezzo’s hand to rule systems in music theory and eighteenth-century ars combinatoria, there is a rich background to twentieth-century rule-led music making. Robotic music, too, has precedents, and there is an interesting proto-computational thread linking the automata builder Vaucanson to early programmable weaving lo

APA, Harvard, Vancouver, ISO, and other styles

36

Mazzola, Guerino, Soubhik Chakraborty, Swarima Tewari, and Moujhuri Patra. Computational Musicology in Hindustani Music. Springer, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Computational Musicology in Hindustani Music. Springer, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Greher, Gena R., and Jesse M. Heines. Computational Thinking in Sound. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199826179.001.0001.

Full text

Abstract:

With Computational Thinking in Sound, veteran educators Gena R. Greher and Jesse M. Heines provide the first book ever written for music fundamentals educators that is devoted specifically to music, sound, and technology. Using a student-centered approach that emphasizes project-based experiences, the book provides music educators with multiple strategies to explore, create, and solve problems with music and technology in equal parts. It also provides examples of hands-on activities that encourage students, alone and in groups, to explore the basic principles that underlie today's music techno

APA, Harvard, Vancouver, ISO, and other styles

39

Gérard, Assayag, Gerzso Andrew, and IRCAM (Research institute : France), eds. New computational paradigms for computer music. Delatour, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Gérard, Assayag, Gerzso Andrew, and IRCAM (Research institute : France), eds. New computational paradigms for computer music. Delatour, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

McLean, Alex, and Roger T. Dean. Algorithmic Trajectories. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.37.

Full text

Abstract:

This chapter discusses the contrasting creative experiences of the two editors of this volume on algorithmic music, two complementary people from very different generations and musical backgrounds. One is an experienced instrumentalist with conventional musical training, who has run an international intermedia creative ensemble for several decades. He came to algorithms so as to extend his musical practice, in part by listening. The other is primarily a computer musician, with more training in computation than instrumental performance, and who conversely came to music to extend his algorithmic

APA, Harvard, Vancouver, ISO, and other styles

42

Young, Michael, and Tim Blackwell. Live Algorithms for Music. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.002.

Full text

Abstract:

Live algorithms are an ideal concept: computational systems able to collaborate proactively with humans in the creation of group-based improvised music. The challenge is to achieve equivalence between human and computer collaborators, both in formal terms and in practice (evident to both performers and audience alike). The fundamental question is the capacity for computational processes to exhibit “creativity.” The problems inherent in computer music performance are considered, in which computers are quasi-instruments or act in proxy for another musician. Theories from social psychology and pr

APA, Harvard, Vancouver, ISO, and other styles

43

Wiggins, Geraint A., Marcus T. Pearce, and Daniel Müllensiefen. Computational Modeling of Music Cognition and Musical Creativity. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199792030.013.0019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Miranda, Eduardo Reck. Guide to Unconventional Computing for Music. Springer, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Miranda, Eduardo Reck. Guide to Unconventional Computing for Music. Springer, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Eldridge, Alice, and Oliver Bown. Biologically Inspired and Agent-Based Algorithms for Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.18.

Full text

Abstract:

This chapter examines a range of approaches to algorithmic music making inspired by biological systems, and considers topics at the intersection of contemporary music, computer science, and computational creativity. A summary of core precursor movements both within and beyond musical practice (A Life, cybernetics, systems art, etc.) sets the scene, before core models and algorithms are introduced and illustrated. These include evolutionary algorithms, agent-based modelling and self-organizing systems, adaptive behaviour and interactive performance systems, and ecosystemic approaches to composi

APA, Harvard, Vancouver, ISO, and other styles

47

Lazzarini, Victor. Spectral Music Design. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197524015.001.0001.

Full text

Abstract:

This volume offers a complete guide to a computational approach to spectral music-making. It provides, in a stepwise manner, a [ ] to the signal processing techniques and their application to computer music. The book begins with a series of fundamental definitions, delineating the basic concepts of spectral audio. This includes both a technical and a historical appreciation of the ideas related to the spectrum. The core of the text is formed by six chapters on the techniques of spectral musical signal processing. These are thoroughly illustrated with examples and code excerpts using the Python

APA, Harvard, Vancouver, ISO, and other styles

48

Mazzola, Guerino, Octavio Alberto Agustín-Aquino, and Julien Junod. Computational Counterpoint Worlds: Mathematical Theory, Software, and Experiments. Springer, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Mazzola, Guerino, Octavio Alberto Agustín-Aquino, and Julien Junod. Computational Counterpoint Worlds: Mathematical Theory, Software, and Experiments. Springer, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Tenney, James. Excerpts from “An Experimental Investigation of Timbre—the Violin”. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0005.

Full text

Abstract:

James Tenney presents excerpts from his 1966 essay “An Experimental Investigation of Timbre—the Violin.” The research was carried out at the School of Music and the Computation Center at Yale University. Tenney first provides a description of the experiment as well as the equipment and computer programs he used in his investigation. In particular, he discusses the basic approach to sound analysis and synthesis that employs a digital computer with peripheral equipment for translating a signal from “analog” to digital form (for analysis) and from digital to analog form (for synthesis). The analy

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!