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Journal articles on the topic 'Computer-assisted composition'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Williams, Noel. "Computer assisted composition." Intelligent Tutoring Media 3, no. 2-3 (May 1992): 51–52. http://dx.doi.org/10.1080/14626269209408308.

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2

Winsor, Phil. "Patt_Proc1: A Computer-Assisted Composition Program." Leonardo. Supplemental Issue 1 (1988): 122. http://dx.doi.org/10.2307/1557930.

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3

Laurson, Mikael, and Mika Kuuskankare. "Two Computer-Assisted Composition Case Studies." Contemporary Music Review 28, no. 2 (April 2009): 193–203. http://dx.doi.org/10.1080/07494460903322471.

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4

Cope, David. "An Expert System for Computer-Assisted Composition." Computer Music Journal 11, no. 4 (1987): 30. http://dx.doi.org/10.2307/3680238.

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5

Harvey, T. Edward. "Computer-Assisted Spanish-Composition Instruction Survey—1986." CALICO Journal 4, no. 2 (January 14, 2013): 55–67. http://dx.doi.org/10.1558/cj.v4i2.55-67.

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This study reports on a survey of Spanish instructors' views on the use of computers in Spanish composition instruction. Data are reported for 208 (from a total of 1,678) full-time instructional faculty at universities, two-year colleges, and high schools across the nation. Most respondents taught one-semester courses whose enrollment sizes were increasing. Text use for the majority of programs is three years or less. This corresponds to the advent of process-model texts. Apples and IBM-PCs predominate among the hardware available. The lack of foreign-character support remains the major frustr

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6

Jones, Kevin. "Generative models in computer-assisted musical composition." Contemporary Music Review 3, no. 1 (January 1989): 177–96. http://dx.doi.org/10.1080/07494468900640121.

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7

Lee, John, Ying Cheuk Hui, and Yin Hei Kong. "Knowledge-rich, computer-assisted composition of Chinese couplets." Digital Scholarship in the Humanities 31, no. 1 (October 10, 2014): 152–63. http://dx.doi.org/10.1093/llc/fqu052.

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8

Rosenwasser, George O. D., and James S. Tiedeman. "Computer-Assisted Composition and Reproduction of Ophthalmic Documentation." American Journal of Ophthalmology 99, no. 6 (June 1985): 711–14. http://dx.doi.org/10.1016/s0002-9394(14)76042-8.

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9

Assayag, Gérard, Camilo Rueda, Mikael Laurson, Carlos Agon, and Olivier Delerue. "Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic." Computer Music Journal 23, no. 3 (September 1999): 59–72. http://dx.doi.org/10.1162/014892699559896.

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CourtotFrancisCourtot, Francis. "CARLA: Knowledge acquisition and induction for computer assisted composition." Interface 21, no. 3-4 (January 1992): 191–217. http://dx.doi.org/10.1080/09298219208570608.

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11

Collins, Terence, and Lisa Gerrard. "Writing at Century's End: Essays on Computer-Assisted Composition." College Composition and Communication 38, no. 4 (December 1987): 483. http://dx.doi.org/10.2307/357647.

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12

Feller, Ross. "Örjan Sandred: The Musical Fundamentals of Computer Assisted Composition." Computer Music Journal 42, no. 2 (June 2018): 67–71. http://dx.doi.org/10.1162/comj_r_00462.

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13

Guo, Qili. "Computer-assisted Music Composition Algorithm Design Dependent on Interactive Genetic Algorithm with Interval Fitness." Journal of Physics: Conference Series 2066, no. 1 (November 1, 2021): 012035. http://dx.doi.org/10.1088/1742-6596/2066/1/012035.

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Abstract Computer-assisted music composition refers to computer-assisted music composition with the participation of people. However, there are problems such as style and expression. In this paper, a computer-assisted music composition algorithm based on the interactive genetic algorithm with interval fitness is proposed. A new music prediction model is established by integrating melody units and rhythms into traditional models with only notes or rhythms as units. Moreover, the generated music phrases are optimized by the interactive genetic algorithmphrase. The simulation results suggest that

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14

Okpara, Mabel Ugochi. "Multimedia technology: a vital instrument for music composition." AFRREV IJAH: An International Journal of Arts and Humanities 7, no. 3 (September 10, 2018): 55–64. http://dx.doi.org/10.4314/ijah.v7i3.6.

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Music composition over the years has continued to be a much dreaded course of study by so many Nigerian students of Music in tertiary institutions. Through the interview conducted in this study, it was discovered that the students’ fear of the course stems from its abstractness or rather as a result of the erroneous belief that it is a very complex area of specialization to venture into, in music pedagogy. This study is aimed at disabusing the minds of the students of music from this xenophobic wrong impression and by creating an enabling mind-set and interest in music composition through this

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15

THYWISSEN, KURT. "GeNotator: an environment for exploring the application of evolutionary techniques in computer-assisted composition." Organised Sound 4, no. 2 (June 1999): 127–33. http://dx.doi.org/10.1017/s1355771899002095.

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A computer-assisted composition tool for investigating the application of evolutionary techniques in the composition of music is presented. The nature of such an application is examined in terms of defining the possible mechanisms that provide a means for automated creativity. These mechanisms take inspiration from processes found in Darwinian-based evolution theory, genetic algorithm theory and similar aesthetically based uses of a genetic search heuristic in the visual arts. A formal model of ‘musical evolution’ is proposed, with particular emphasis placed on the ways in which a genetic algo

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16

Kumar, K., A. G. Menon, P. S. Sastry, and D. Mathur. "Computer-assisted determination of elemental composition of fragments in mass spectra." Rapid Communications in Mass Spectrometry 6, no. 9 (September 1992): 585–91. http://dx.doi.org/10.1002/rcm.1290060911.

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17

MAIA, ADOLFO, PAUL DO VALLE, JONATAS MANZOLLI, and LEONARDO N. S. PEREIRA. "A computer environment for polymodal music." Organised Sound 4, no. 2 (June 1999): 111–14. http://dx.doi.org/10.1017/s135577189900206x.

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KYKLOS, an algorithmic composition program, is presented here. It generalises musical scales for use in composition as well as in performance. The sonic output of the system is referred to as polymodal music since it consists of four independent voices playing ‘synthetic modes’. KYKLOS is suitable for computer-assisted composition because it generates MIDI files which can be altered later by the composer. It can equally well be used in live performance for dynamic modification of parameters enabling realtime musical control.

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18

Sekulic, S., P. R. Haddad, and C. J. Lamberton. "Computer-assisted selection of mobile phase composition in reversed-phase liquid chromatography." Journal of Chromatography A 363, no. 2 (January 1986): 125–38. http://dx.doi.org/10.1016/s0021-9673(01)83732-8.

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19

Szerlip, Paul, Amy Hoover, and Kenneth Stanley. "Demo: A Computer-Assisted Approach to Composing with MaestroGenesis." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 8, no. 4 (June 30, 2021): 86–88. http://dx.doi.org/10.1609/aiide.v8i4.12556.

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This demonstration presents MaestroGenesis, a program that helps users create complete polyphonic musical pieces from as little as a simple, human composed monophonic melody. MaestroGenesis creates music by exploiting two key ideas behind the functional scaffolding for musical composition (FSMC) approach: (1) that music a function of time and (2) that functional transformations of initial human starting melodies, or scaffolds, inherit some of the essential human qualities contained in the scaffold. Music in FSMC is represented as a functional relationship between the scaffold and a generated a

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20

Biletskyy, Andriy. "Doctor Webern: A Visual Environment for Computer-Assisted Composition Based on Linear Thematism." Computer Music Journal 24, no. 3 (September 2000): 34–37. http://dx.doi.org/10.1162/014892600559425.

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21

Chen, Jason Chi Wai. "A pilot study mapping students’ composing strategies: Implications for teaching computer-assisted composition." Research Studies in Music Education 34, no. 2 (October 29, 2012): 157–71. http://dx.doi.org/10.1177/1321103x12465515.

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22

Nauert, Paul. "Division- and Addition-Based Models of Rhythm in a Computer-Assisted Composition System." Computer Music Journal 31, no. 4 (December 2007): 59–70. http://dx.doi.org/10.1162/comj.2007.31.4.59.

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23

Hirst, David. "An echo from closed doors." Organised Sound 6, no. 1 (April 2001): 39–45. http://dx.doi.org/10.1017/s1355771801001066.

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On 31 December 1999 the La Trobe University Music Department closed its doors. From the outset, La Trobe Music saw itself as providing an alternative tertiary music education to the predominant paradigms of the time by fostering creativity through composition, technology, improvisation and other types of alternative performance practices. The philosophy of teaching electroacoustic music at La Trobe was to encourage students to find their own compositional voice rather than preach a particular style of electroacoustic music. The Department's research areas were in improvisation and technology,

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24

Cooper, Joel, and Jeff Stone. "Gender, Computer-Assisted Learning, and Anxiety: With a Little Help from a Friend." Journal of Educational Computing Research 15, no. 1 (July 1996): 67–91. http://dx.doi.org/10.2190/w932-d1pt-2px7-3tc2.

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This study examined the effects of learning group gender composition and the use of nonverbal communication by a computer on performance and motivation following a computer-assisted biology lesson. The results showed that before the lesson began, group gender composition influenced self-reports of experience and knowledge about computers and also how subjects arranged their computer desktop. During the lesson, when a computer image of a human face was present on the screen, girls who reported low anxiety performed better and were more motivated to use the program relative to girls who reported

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25

Zhu, Dong. "The Composition of Digital Wushu Instruction Court." Advanced Materials Research 271-273 (July 2011): 423–27. http://dx.doi.org/10.4028/www.scientific.net/amr.271-273.423.

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Hard to learn and easy to forget are real problems in Wushu practice. Digital Wushu instruction court as the computer assisted technology increases alternative teaching method in Wushu teaching activities. Digital Wushu instruction court includes hardware system and software system. Hard ware is mainly composed by digital floor, digital periphery, digital terminal and communication platform. Software includes picture, video, music, text, motion analysis system and so on. The purpose of digital Wushu instruction court is to cultivate students’ interests to Wushu, increase Wushu instruction effe

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26

Waschka, Rodney. "Computer-Assisted Composition and Performance: The Creation of "A Noite, Porém, Rangeu E Quebrou"." Leonardo Music Journal 2, no. 1 (1992): 41. http://dx.doi.org/10.2307/1513208.

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27

Ghisi, Daniele, and Andrea Agostini. "Extending bach: A Family of Libraries for Real-time Computer-assisted Composition in Max." Journal of New Music Research 46, no. 1 (November 21, 2016): 34–53. http://dx.doi.org/10.1080/09298215.2016.1236823.

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28

Liu, Song, Peng Liu, and Yoshiyori Urano. "A Study of Composition/Correction System with Corpus Retrieval Function." International Journal of Distance Education Technologies 11, no. 3 (July 2013): 58–78. http://dx.doi.org/10.4018/jdet.2013070105.

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Practice and research in the composition education that is using computer and network have been more and more active. Through online composition system, a large amount of written texts produced by students and teachers can be collected. This kind of information is called a learner corpus, which is important in second language education because the specific learning situations of learners can be analyzed. However, there is still little effective application on how to utilize the collected learner corpus in pedagogy. In this research, a web based composition/correction system has been constructe

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29

Hoover, Amy K., Paul A. Szerlip, and Kenneth O. Stanley. "Functional Scaffolding for Composing Additional Musical Voices." Computer Music Journal 38, no. 4 (December 2014): 80–99. http://dx.doi.org/10.1162/comj_a_00269.

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Many tools for computer-assisted composition contain built-in music-theoretical assumptions that may constrain the output to particular styles. In contrast, this article presents a new musical representation that contains almost no built-in knowledge, but that allows even musically untrained users to generate polyphonic textures that are derived from the user's own initial compositions. This representation, called functional scaffolding for musical composition (FSMC), exploits a simple yet powerful property of multipart compositions: The pattern of notes and rhythms in different instrumental p

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30

Kulikajevas, Audrius, Rytis Maskeliunas, and Robertas Damaševičius. "Detection of sitting posture using hierarchical image composition and deep learning." PeerJ Computer Science 7 (March 23, 2021): e442. http://dx.doi.org/10.7717/peerj-cs.442.

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Human posture detection allows the capture of the kinematic parameters of the human body, which is important for many applications, such as assisted living, healthcare, physical exercising and rehabilitation. This task can greatly benefit from recent development in deep learning and computer vision. In this paper, we propose a novel deep recurrent hierarchical network (DRHN) model based on MobileNetV2 that allows for greater flexibility by reducing or eliminating posture detection problems related to a limited visibility human torso in the frame, i.e., the occlusion problem. The DRHN network a

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31

TLEBAYEV, Manat B., Bolotbek I. BIIBOSUNOV, Zhazira K. TASZHUREKOVA, Marina A. BAIZHARIKOVA, and Zamira K. AITBAYEVA. "CREATION OF A COMPUTER-ASSISTED MATHEMATICAL MODEL FOR THE RAW MATERIALS BIOLOGICAL PROCESSING." Periódico Tchê Química 17, no. 35 (July 20, 2020): 640–54. http://dx.doi.org/10.52571/ptq.v17.n35.2020.55_tlebayev_pgs_640_654.pdf.

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During anaerobic fermentation, the alternation of liquid and solid substances in the substrate makes the bacteria adapt to changing conditions, which significantly reduces the biogas yield, reduces the methane concentration in it, and increases the retention time of the substrate in the bioreactor. The solution to this problem when using cavitation destruction can not only minimize temperature nonuniformity but also solve the problem of the same load on the biocenosis and maximum contact surface of bacteria during anaerobic fermentation in the bioreactor. Studies have shown that the compositio

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32

VERBORGH, RUBEN, DÖRTHE ARNDT, SOFIE VAN HOECKE, JOS DE ROO, GIOVANNI MELS, THOMAS STEINER, and JOAQUIM GABARRO. "The pragmatic proof: Hypermedia API composition and execution." Theory and Practice of Logic Programming 17, no. 1 (March 7, 2016): 1–48. http://dx.doi.org/10.1017/s1471068416000016.

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AbstractMachine clients are increasingly making use of the Web to perform tasks. While Web services traditionally mimic remote procedure calling interfaces, a new generation of so-called hypermedia APIs works through hyperlinks and forms, in a way similar to how people browse the Web. This means that existing composition techniques, which determine a procedural plan upfront, are not sufficient to consume hypermedia APIs, which need to be navigated at runtime. Clients instead need a more dynamic plan that allows them to follow hyperlinks and use forms with a preset goal. Therefore, in this pape

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33

Sugawara, Kikuko, Hajime Kikuchi, and Keiichi Honda. "Computer-Assisted Analysis system of 13C-NMR Spectra Desinged for Composition Determination of Cosmetic Products (II)." Journal of Society of Cosmetic Chemists of Japan 23, no. 2 (1989): 111–17. http://dx.doi.org/10.5107/sccj.23.111.

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34

Bourotte, Rodolphe, and Sharon Kanach. "UPISketch: The UPIC idea and its current applications for initiating new audiences to music." Organised Sound 24, no. 3 (November 29, 2019): 252–60. http://dx.doi.org/10.1017/s1355771819000323.

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With the invention of UPIC by Iannis Xenakis in 1977, for the first time one could achieve the sonic realisation of drawn musical ideas by a computer. Since then, no one seems to have proposed an equivalent tool, providing usability for both beginners and professionals. We will discuss how lively the UPIC idea can still be today, and why we should pay attention to this approach. Indeed, there has been a relative quietness in the domain of computer music specifically regarding how we arrange graphical curves to describe the evolution of sound parameters and create a musical form. This ascertain

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35

Aguiar, Daniella, Luiz E. Castelões, and João Queiroz. "VIA: A collaborative project integrating mobile technology, video-dance and computer-assisted composition in Rio de Janeiro." Metaverse Creativity 5, no. 1 (June 1, 2015): 7–19. http://dx.doi.org/10.1386/mvcr.5.1.7_1.

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36

Barnes, Linda Laube. "Why is there a text in this class?: Classroom teachers′ (re)views of computer-assisted composition textbooks." Computers and Composition 7, no. 1 (November 1989): 27–36. http://dx.doi.org/10.1016/s8755-4615(89)80004-0.

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37

Haas, Petr. "The language of the assistant and the language of the creator : selected aspects of computer assisted composition." Musicologica Brunensia, no. 2 (2017): 121–39. http://dx.doi.org/10.5817/mb2017-2-12.

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38

Taatjes, D. J., M. P. Wadsworth, D. J. Schneider, and B. E. Sobel. "Improved quantitative characterization of atherosclerotic plaque composition with immunohistochemistry, confocal fluorescence microscopy, and computer-assisted image analysis." Histochemistry and Cell Biology 113, no. 3 (March 21, 2000): 161–73. http://dx.doi.org/10.1007/s004180050435.

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39

Mochizuki, Fumiyo, Keiichi Honda, and Tohru Yoneya. "Computer-assisted analysis system of 13C-NMR spectra designed for composition determination of organic mixtures - Application to cosmetic products." Journal of Society of Cosmetic Chemists of Japan 20, no. 3 (1986): 180–85. http://dx.doi.org/10.5107/sccj.20.180.

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40

Babic, Sandra, Marija Kastelan-Macan, and Mira Petrovic. "Determination of agrochemical combinations in spiked soil samples." Water Science and Technology 37, no. 8 (April 1, 1998): 243–50. http://dx.doi.org/10.2166/wst.1998.0331.

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Quantitative determination of combinations of the agrochemicals: atrazine, propham, chlorpropham, diflubenzuron, α-cypermethrin and tetramethrin from spiked soil is reported. Method involves ultrasonic extraction of agrochemicals with acetone, separation of samples by means of reverse-phase thin-layer chromatography and quantification by slit-scanning densitometry. Computer-assisted optimisation was used to select the optimum mobile phase composition. Apparent recoveries of agrochemicals from spiked soil were: 90.3±8.5 for chlorpropham, 79.3±10.3 for propham, 102±2.4 for atrazine, 100.6±5.4 fo

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41

Zhang, Shi, and Feng Chen. "The Effects of Computer-Aided Animation Technology in the Teaching of Hematological Medicine." Computer-Aided Design and Applications 18, S3 (October 20, 2020): 58–69. http://dx.doi.org/10.14733/cadaps.2021.s3.58-69.

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Clinical hematology and hematology are one of the main courses of the Department of Medical Laboratory Science. In experimental teaching, students are required to correctly identify a variety of cells in bone marrow under a microscope, which is one of the most difficult content for students to master. The traditional experimental teaching of cell morphology has brought different degrees of influence on the teaching effect. In order to make it easier, faster and effective for teachers to teach students about cell morphology in the limited teaching time, and to allow students to more intuitively

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42

Monro, John A., and Mike Williams. "Concurrent management of postprandial glycaemia and nutrient intake using glycaemic glucose equivalents, food composition data and computer-assisted meal design." Asia Pacific Journal of Clinical Nutrition 9, no. 2 (June 15, 2000): 67–73. http://dx.doi.org/10.1046/j.1440-6047.2000.00146.x.

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43

Schwarz, Tomasz, Nelia Scheeres, Martyna M. Małopolska, Maciej Murawski, Tristan D. Agustin, Bahareh Ahmadi, Nina Strzałkowska, Patrycja Rajtar, Piotr Micek, and Pawel M. Bartlewski. "Associations between Mammary Gland Echotexture and Milk Composition in Cows." Animals 10, no. 11 (October 30, 2020): 2005. http://dx.doi.org/10.3390/ani10112005.

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Thirty clinically healthy Holstein-Friesian cows underwent twice daily machine milking and ultrasonographic examinations of the udder just prior to and after milking. Digital ultrasonographic images of each udder quarter were subjected to computer-assisted echotextural analyses to obtain mean numerical pixel values (NPVs) and pixel heterogeneity (PSD) of the mammary gland parenchyma. The average milk yield and pH were higher (p < 0.05) in the morning, whereas crude fat, total solids, solids non-fat and citric acid content were higher (p < 0.05) during the evening milking period. Mean NPV

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44

O’Callaghan, James. "Mimetic Instrumental Resynthesis." Organised Sound 20, no. 2 (July 7, 2015): 231–40. http://dx.doi.org/10.1017/s1355771815000114.

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This article provides a brief survey of composition in which field recordings or other referential sounds are transcribed for acoustic instruments. Through a discussion of how electroacoustic music and scholarship have conceptualised the notion of mimesis, and how various forms of contemporary acoustic music have adopted electroacoustic techniques, it identifies a recent musical practice in which these concerns are brought together. The article proposes the term mimetic instrumental resynthesis as a way of describing the common threads behind works that employ electronic-assisted or computer-a

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45

Gudigar, Anjan, Sneha Nayak, Jyothi Samanth, U. Raghavendra, Ashwal A J, Prabal Datta Barua, Md Nazmul Hasan, Edward J. Ciaccio, Ru-San Tan, and U. Rajendra Acharya. "Recent Trends in Artificial Intelligence-Assisted Coronary Atherosclerotic Plaque Characterization." International Journal of Environmental Research and Public Health 18, no. 19 (September 23, 2021): 10003. http://dx.doi.org/10.3390/ijerph181910003.

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Coronary artery disease is a major cause of morbidity and mortality worldwide. Its underlying histopathology is the atherosclerotic plaque, which comprises lipid, fibrous and—when chronic—calcium components. Intravascular ultrasound (IVUS) and intravascular optical coherence tomography (IVOCT) performed during invasive coronary angiography are reference standards for characterizing the atherosclerotic plaque. Fine image spatial resolution attainable with contemporary coronary computed tomographic angiography (CCTA) has enabled noninvasive plaque assessment, including identifying features assoc

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46

Vicente, Paula. "Exploring Fieldwork Effects in a Mobile CATI Survey." International Journal of Market Research 59, no. 1 (January 2017): 57–76. http://dx.doi.org/10.2501/ijmr-2016-054.

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This study explores the effects of call attempts and time periods on call outcomes and sample composition. A mobile computer-assisted telephone interview survey was conducted to collect data from adult mobile phone users about use and attitudes towards mobile phones; paradata regarding call dispositions, time and day of the week of calls and number of call attempts was also available. The first call contact rate was approximately 27% and varied significantly across time periods; the rate fell to below 20% for the second call. Weekend time periods yielded higher contact rates than weekday time

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47

Vitkin, Edward, Alexander Golberg, and Zohar Yakhini. "BioLEGO — a web-based application for biorefinery design and evaluation of serial biomass fermentation." TECHNOLOGY 03, no. 02n03 (June 2015): 89–98. http://dx.doi.org/10.1142/s2339547815400038.

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The composition of feedstock biomass and the selection of fermenting microorganisms are critical factors in biorefinery design. Feedstock biomass composition is constrained by local supply materials, but microorganism selection affords considerable flexibility. Once biomass feedstock is identified, biorefinery designers need to select optimal fermenting organisms. While fermentation by microorganism communities can increase the range of digested biomass compounds and can be more resistant to infections, it has intrinsic problems in the context of species competition, process design and modelin

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48

Gilbride, Kimberley A., and Roberta R. Fulthorpe. "A survey of the composition and diversity of bacterial populations in bleached kraft pulp-mill wastewater secondary treatment systems." Canadian Journal of Microbiology 50, no. 8 (August 1, 2004): 633–44. http://dx.doi.org/10.1139/w04-031.

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Bacterial community compositions from 10 pulp- and paper-mill treatment systems were compared using both traditional and molecular techniques. 16S-RFLP (Random Fragment Length Polymorphisms) analysis was used to examine the genotypic profiles of the whole bacterial community of each treatment system. Although all the communities shared approximately 60% of their DNA band pattern, as determined by computer-assisted cluster analysis, each community displayed a unique profile that was stable over time under normal operating parameters. Reverse Sample Genome Probing (RSGP) and 16S-RFLP were used t

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49

Osama Qutub, Salman Khalid Bashnani, and Faisal Khalid Bashnaini. "Flexural Strength of Composite Based Provisional Crown Materials." International Journal of Innovative Research in Medical Science 6, no. 01 (January 19, 2021): 78–81. http://dx.doi.org/10.23958/ijirms/vol06-i01/1055.

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Introduction: One of the important aspects of provisional restorations, especially in case of long-span edentulous situations, short-height pontics, extended treatment time and in patients with para-functional habits is their flexural strength. Maintaining the integrity of the provisional restorations throughout the course of treatments is highly valuable and important to have a predictable outcome. Objectives: To evaluate and compare the flexural strength of composite based provisional materials. Materials and Methods: Materials: Group 1, conventional bisacryl composite material (Protemp 4, 3

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50

Victor, Jennifer Nicoll, and Gina Yannitell Reinhardt. "Competing for the platform." Party Politics 24, no. 3 (December 29, 2016): 265–77. http://dx.doi.org/10.1177/1354068816678888.

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What explains which groups are included in a party coalition in any given election cycle? Recent advances in political party theory suggest that policy demanders comprise parties, and that the composition of a party coalition varies from election to election. We theorize three conditions under which parties articulate an interest group’s preferred positions in its quadrennial platform: when groups are ideologically proximate to the party median, when groups display party loyalty, and when groups are flush with resources. Using computer-assisted content analysis on a unique and rich data source

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