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Journal articles on the topic 'Concept of absurdity'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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1

Sathotho, Surya Farid. "ABSURDITY IN PUTU WIJAYA’S SHORT PLAY." TONIL: Jurnal Kajian Sastra, Teater dan Sinema 18, no. 2 (2021): 76–82. http://dx.doi.org/10.24821/tnl.v18i2.4458.

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Short play known as Drama Pendek (Drapen) is the latest form of Putu Wijaya's work. The play only ranges from two to twelve pages. From the number of pages, it is assumed that the drapen performance will only last five to ten minutes. Although only a short duration, Putu Wijaya is consistent with the aesthetic concept of terror. This concept, if traced further, is a derivative of the concept of the theater of the absurd. To see the possibility of performing the drapen, an analysis of the structure and texture of randomly selected drapes will be carried out. The analysis is carried out with a t
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2

Ciocoi-Pop, Miruna, and Emilian Tîrban. "Absurdity in Ernest Hemingway’s The Sun Also Rises." East-West Cultural Passage 19, no. 2 (2019): 159–74. http://dx.doi.org/10.2478/ewcp-2019-0017.

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Abstract The purpose of this essay is to capture and convey, through the use of different works of philosophy that encapsulate thoughts on the same idea, the motif of the absurdity of life in Ernest Hemingway’s first novel The Sun Also Rises. The concept of the absurd will be, first and foremost, examined through absurdist criticism of the novel, using the philosophical thought of Albert Camus, Soren Kierkegaard, Friedrich Nietzsche and other philosophers who captured the essence of the absurd in their philosophy, all in order to represent this concept in Hemingway’s novel and to show how it t
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3

Kiyanskaya, O. I., and D. M. Feldman. "The pragmatics of absurdity." Voprosy literatury, no. 5 (November 9, 2019): 108–37. http://dx.doi.org/10.31425/0042-8795-2019-5-108-137.

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The analysis is focused on the pragmatics of V. Lenin’s articles ‘Party Organization and Party Literature’ [‘Partiynaya organizatsia i partiynaya literatura’] (1905) and ‘How to Ensure Success of the Constituent Assembly (on freedom of the press)’ [‘Kak obespechit uspekh Uchreditelnogo sobraniya (o svobode pechati)’] (1917). Foreign and Russian scholars alike considered the two works as components of the concept of Socialist state literature and journalism, conceived before the Soviet era. Based on examination of the political context, this work proves that Lenin was driven to write the articl
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4

Fahmi, Ari Khairurrijal. "ABSURDITAS ALBERT CAMUS DALAM NOVEL TERJEMAHAN KARYA ZURIYATI MENCARI PEREMPUAN YANG HILANG." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 3, no. 2 (2020): 81–90. http://dx.doi.org/10.30998/jh.v3i2.219.

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Abstract: The aim of this study is to describe depthly about an Albert Camus Absurdity in a translation novel by Prof Zuriyati "Mencari Perempuan yang Hilang". The focus of this research is an expressions and words in the novel which have elements of life uncertainty, feelings of turmoil, and death in Albert Camus's concept. This study uses the Content Analysis method with expressions in the form of sentences as data derived from the novel book " Mencari Perempuan yang Hilang " as a data source. The researcher noted several patterns of expressions found in the novel in the form of uncertainty
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5

Dacko, D. "Analysis of the interpretation field of the CORONAVIRUS concept in German-language poetic Internet texts." Scientific Research and Development. Modern Communication Studies 9, no. 6 (2020): 18–22. http://dx.doi.org/10.12737/2587-9103-2020-18-22.

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Classical concepts LEBEN (LIFE), TOD (DEATH), LIEBE (LOVE), NATUR (NATURE) as well as representations from other fields: religion (АPOKALYPSE, ARMAGEDDON), domestic life (ALLTAG (EVERYDAY LIFE), FAMILIENKRISE (FAMILY CRISIS), economics and politics (FINANZKRISE (FINANCIAL CRISIS), sport (FUßBALL (FOOTBALL), SPORT, DOPING (PERFORMANCE-ENHANCING DRUG), philosophy (ABSURDITÄT DES MENSCHLICHEN LEBENS (ABSURDITY OF HUMAN EXISTENCE) are explicated within the context of the German poetry discourse of the XXI century. However in 2020 due to the spread of coronavirus infection, which had an impact on w
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6

Barański, Jarosław, and Wojciech Mackiewicz. "Absurdity in Medicine. Stanisław Trzebiński’s Philosophy of Medicine." Kwartalnik Historii Nauki i Techniki, no. 1 (2021): 9–23. http://dx.doi.org/10.4467/0023589xkhnt.21.001.13385.

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Stanisław Trzebiński (1861–1930), professor at Stefan Batory University in Vilnius, was one of the most distinguished representatives of the Polish School of Philosophy of Medicine before the Second World War. He undertook studies in neurology, philosophy of medicine, and literature. The article explores Trzebiński’s philosophical ideas, especially his call for rationality in medicine and the concept of absurdity in medicine as a precondition for the development of medical knowledge and practice. Today this method is an essential background in Evidence-Based Medicine and confirms cultural and
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7

Lundberg, Randolph. "Velocity and absurdity in modern physics." Physics Essays 33, no. 2 (2020): 118–39. http://dx.doi.org/10.4006/0836-1398-33.2.118.

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When physicists write the variable v, they usually mean the velocity of an object in an inertial coordinate system, otherwise known as a reference frame. This is the most common velocity concept in modern physics. The velocity of an object in this sense depends on which inertial coordinate system one is working with. For example, an airplane in flight has a velocity of about 500 miles per hour in a coordinate system anchored in a nearby mountain, a velocity of more than 60 000 miles per hour in a coordinate system anchored in the sun, and a velocity of 0 in a coordinate system anchored in the
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8

Yasa, I. Nyoman. "DUNIA ABSURD DAN PERLAWANAN KELAS PADA DRAMA DAG-DIG-DUG KARYA PUTU WIJAYA." Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa 3, no. 2 (2010): 136. http://dx.doi.org/10.24036/ld.v3i2.7374.

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Research on drama in Indonesia is an effort to apply and express the theory in Indonesia. Naturally a theory existence from research accumulation to applied skills. It is hoped that this research can accumulate the science, mainly drama. The term of absurd was used by Martin Esslin for kind of theater that used the failure of language as main of communication. Besides, this term is popularized by Eugene Ionesco. He is a writer of absurd theater. Many of his drama already translated and performed in Indonesia. The data that already collected is analyzed by using the concept of absurdity to reve
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9

Makhamatov, Tair M., Valeriy S. Khaziyev, Timour T. Makhamatov, Radik Z. Yulbayev, and Lucio Giuliodori. "Existential aspects in modern education." SHS Web of Conferences 103 (2021): 01022. http://dx.doi.org/10.1051/shsconf/202110301022.

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The authors analyse the current objectives of modern education, based on recent studies of human existence revealing its multidirectional and multifaceted nature and determining the life position and behaviour of a person. The levels of the modern education system often do not focus on the existential aspect because of the educational goals and objectives, which is to prepare the workforce for the labour market. The transformation of the negative form of a student’s existence into the existence of a person struggling with the absurdity and meaninglessness of life is not included in the educati
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10

Schinckus, Christophe. "Essay on performance writing: Pataphysical Oulipo-ian perspective on the rationalist programme." Journal of Writing in Creative Practice 14, no. 1 (2021): 59–77. http://dx.doi.org/10.1386/jwcp_00014_1.

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This article exemplifies the concept of performance writing through an essay that falls at the crossover point between academic (Apollonian) and artistic (Dionysian) piece of work caricaturing rationalist conservatism. By using an unconventional approach coming from French literature (pataphysics), this article explores the hilarity of well-constructed rationalist conservatism by irrationalizing it through a rigorous absurdity and visual entities. Such writing experience leads the reader to a visual Oulipo-ian dialogue illustrating the tension that an extreme rationalism might generate between
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11

Kanaeva, Nataliya. "Indian Tradition of Rationality." Russian Journal of Philosophical Sciences, no. 6 (October 10, 2018): 73–82. http://dx.doi.org/10.30727/0235-1188-2018-6-73-82.

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The article touches upon the problem of concept “Indian tradition of rationality”. The author recalls a genetic link of the concept with Western philosophy. She notices the complexity of its application to Indian material, gives some examples in which the use of Western concepts of “reason”, “methods of cognition”, etc., leads to a distortion of the text’s meaning, and when an application of the criteria of Western logic to analysis of Indian philosophical discourse gives the readers an impression of its absurdity. However, according to the author’s mind, the difficulties with the applying of
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12

Castro, Flávia Rodrigues de, and Natália Cintra de Oliveira Tavares. "The refugee status in brazilian law, based on Kafka’s dystopia." ANAMORPHOSIS - Revista Internacional de Direito e Literatura 5, no. 2 (2019): 587–611. http://dx.doi.org/10.21119/anamps.52.587-611.

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This article aims at critically analyzing the concept of eligibility for refugee status in Brazilian law, by approaching administrative processes of refugee status pleas, as well as the legal defense given to applicants for refugee status in the legal system. Based on the central aim of this article, we scrutinize how the decision-making mechanisms work, especially considering the collective decision-making spaces and the confidential aspect of these lawsuits under the allegation of protecting the interested parts. This critical analysis is thought of as a reflection on the possible existence
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13

Moshchenko, Irina A. "The concept of “love” in the early works of Zhang Ailing (张爱玲 1920–1995)". Philological Sciences. Scientific Essays of Higher Education, № 3 (травень 2021): 59–67. http://dx.doi.org/10.20339/phs.3-21.059.

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This article presents a study designed to analyse the concept of love in the early work of chinese writer Zhang Ailing. The research reveals conceptual binary oppositions which are formed arround the core of the concept of love that is: ai (爱), qing (情) and lian (恋). The oppositions are the following: absurdity — conciseness; frivolous / pretense — serious / sincerity; material — spiritual / sacred; isolation — openness; selfishness — generosity; cowardice — courage; overseas — traditional. This ambiguity of the concept is the key to understanding how early works of Zhang Ailing differs from t
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14

Inya, Blessing T., and Onwu Inya. "Conversational humour in a Nigerian radio news programme: A case study of Lati inu aka aka Biodun/Kayode." European Journal of Humour Research 6, no. 4 (2018): 75. http://dx.doi.org/10.7592/ejhr2018.6.4.inya.

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This paper investigates the Generic Structure Potential (GSP) of Lati inu aka aka Biodun/Kayode (LIABK), a Nigerian secondary gatekeeping radio news programme, with the aim of indicating the stages of the genre where conversational humour typically occurs, and then it analyses humour types in the data through the neo-Gricean concept of untruthfulness and pragmatic act theory. The data for the study constitute a ten hour audio recording of Lati inu aka aka Biodun/Kayode from two radio stations in Ekiti and Ondo States, South-Western Nigeria. The GSP of LIABK is constituted by five obligatory el
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15

Šemelák, Martin. "The suffering of existence in Kazuo Ishiguro’s Never Let Me Go." Ars Aeterna 10, no. 2 (2018): 8–17. http://dx.doi.org/10.1515/aa-2018-0008.

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AbstractThis paper deals with the British dystopian novel Never Let Me Go by Kazuo Ishiguro, in which human clones are forced to donate their organs in an alternate reality set in 1990s England. Through the characters of the novel, various manifestations of suffering are examined from the viewpoint of existentialism. The whole concept of donation might be understood as a metaphorical expression for human life, as well as the omnipresent consciousness of its finitude. Ishiguro has prepared the ground for disturbing discussion where two ostensibly different groups of people – clones, whose only
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16

Adi, Birul Sinari. "ABSURDITAS DALAM DRAMA LES MOUCHES KARYA JEAN-PAUL SARTRE." Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan 15, no. 28 (2016): 45–56. http://dx.doi.org/10.32795/ds.v15i28.59.

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This study is an attempt to assess absurdity in Les Mouches as a concept of pessimistic humanism. Regarding the issues expressed through the work may be understood on the humanism perspective, then, the aims to be achieved through this research is the understanding of the humanity issues, which have a great extent of possibilities expressed through the literary work. The drama play of Les Mouches is actually the manifestation of the problems of the human life, which deal with many possibilities as well. As a text, Les Mouches is a structure that arranges its constituent elements to create mean
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17

Mensch, James. "Phenomenology and Aristotle’s Concept of Being-at-Work." Investigaciones Fenomenológicas, no. 7 (February 22, 2021): 511. http://dx.doi.org/10.5944/rif.7.2018.29956.

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Husserl, as is well known, bases his study of appearing on subjective functions. He also makes appearing prior to being insofar phenomenology grants being to entities only to the point that they can appear. Both positions result in the paradox that he presents in the Crisis, where he asks: “How can human subjectivity, which is a part of the world, constitute the whole world, i.e., constitute it as its intentional product…? The subjective part of the world swallows up, so to speak, the whole world including itself. What an absurdity!”. The paradox arises from Husserl’s taking being as presence
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18

Ali Esmaeili, Zohreh, Bahram Kheiry, and Farzin Farahbod. "Authentic marketing pragmatic marketing (components, foregrounds, outcomes): interactions & conflicts." Independent Journal of Management & Production 11, no. 6 (2020): 1778. http://dx.doi.org/10.14807/ijmp.v11i6.1150.

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The age of new technology is fraught with contradictions, engagement and communications that the customer with the crisis of meaning and absurdity that stems from obedience and consumption. And in the same vein, authenticity, which Katler considers to be the most effective element in this era, in order to achieve a sustainable development and response to the psychological adventures of the customer, which he calls the human soul. Also, the efforts of brands to maintain and develop their own beliefs and philosophies have made it necessary to study the concept of authentic marketing. And, on the
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19

BrittoJenobia, J., and Dr V. Sekar. "The Anxiety of Death in Don DeLillo’s White Noise." Think India 22, no. 3 (2019): 212–18. http://dx.doi.org/10.26643/think-india.v22i3.8151.

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Anxiety is a human condition which prevails common in many people. Anxieties can be differentiated into ‘ Primal anxiety’, ‘ Ontological anxiety’, ‘ Reality anxiety’, Psychological anxiety’, ‘Social anxiety’, and so on. The real fact is all these anxieties are in some way existential.Paul Tillich, a Christian existentialist says that according to him anxiety can be of three forms: Anxiety of Death, Anxiety of meaninglessness and Anxiety of Condemnation. Paul Tillich declares, “The Anxiety of death is the permanent horizon within which the anxiety of fate is at work”. In the modern world anythi
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20

Sneed, Gillian. "The Disciplinary and the Domestic." Diacrítica 34, no. 2 (2020): 107–31. http://dx.doi.org/10.21814/diacritica.534.

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This essay focuses on works of video art from the 1970s and early 1980s by Letícia Parente (1930–1991), a first-generation video art pioneer in Brazil, whose video performances associated household imagery, domestic spaces, and quotidian chores and objects with violence, repression, and incarceration during the period the Brazilian dicatorship (1964–1985). Parente worked in video performance, an approach to performance art in which she performed for the video camera, rather than for a live audience. I argue that in her video performances, Parente performs domestic and quotidian actions in ways
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21

Zlotnikova, Tatiana S. "Chekhov’s Discourse of World Culture (To the 160th Anniversary of A.P. Chekhov’s Birth)." Observatory of Culture 17, no. 3 (2020): 292–304. http://dx.doi.org/10.25281/2072-3156-2020-17-3-292-304.

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The purpose of this article is to prove that world culture, whether it is a picture of the world in its generalized quality or specific artistic practices in different types of art, still remains under the unabated influence of A.P. Chekhov’s personality and creativity. This applies not only to his characters, life conflicts, or individual artistic and aesthetic techniques, but also to the meaning-setting, qualitatively changed by A.P. Chekhov, which we define as “Chekhov’s discourse”. It is understood as a frame of reference in which intercultural communication takes place, and designated by
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Derek Illing, Sean. "Camus and Nietzsche on politics in an age of absurdity." European Journal of Political Theory 16, no. 1 (2016): 24–40. http://dx.doi.org/10.1177/1474885114562977.

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This article examines the significance of Friedrich Nietzsche to Albert Camus’ concepts of absurdity and revolt. It rests on three related claims. First, that Nietzsche’s critique of metaphysics (foundationalism) is the point of departure for Camus’ absurdist inquiries. Second, that Camus’ philosophy of revolt is informed in crucial ways by Nietzsche’s views on the sources of moral and intellectual authority in the modern world. Finally, that Camusian revolt is an attempt to deal with the political crisis of foundationalism in a way that preserves Nietzsche’s anti-essentialism while also avoid
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23

Zaheer, Faiza, and Kamal ud Din. "American Dream or Avaratia: Critical Circumspectis of American Dream Through Ages." International Journal of English Linguistics 9, no. 3 (2019): 57. http://dx.doi.org/10.5539/ijel.v9n3p57.

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This paper is an attempt to apply Jacques Derrida’s theory of Deconstruction to American Dream and its treatment in the language of Edward Albee’s play American Dream and other American Playwrights. Different deconstructive terms have been applied to understand and analyze the language of Albee’s The American Dream. Deconstructive terms; Différance, Erasure and Aporia have been applied to the language used by Albee to analyze the concept of American dream and its relation to its context of old American Dream as envisaged by the founding fathers and the
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24

LODATKO, Evgen. "INTERPRETATIONS OF TEACHING METHODS IN CONTEMPORARY SCIENTIFIC DISCOURSE: SOPHISTIC DIMENSION." Cherkasy University Bulletin: Pedagogical Sciences, no. 1 (2021): 10–18. http://dx.doi.org/10.31651/2524-2660-2021-1-10-18.

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Introduction. This paper focuses on the issue of conceptual thinking inherent in modern scientific dis-course. The idea is emphasized that in any field of pedagogical activity, the acquisition of subject knowledge and thinking skills requires an understanding of the subject content, which is considered to be a complex and methodologically im-portant task not only in secondary school instruction, but also in professional training. An equally important aspect related to the understanding and interpretation of the senses embedded in texts is the awareness of the semantic core of those concepts th
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Siame, Mukundwe. "The Robotic Man by Habit: An Existential Analysis of Albert Camus’ The Misunderstanding." Journal of Law and Social Sciences 3, no. 1 (2020): 93–100. http://dx.doi.org/10.53974/unza.jlss.3.1.445.

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Human existence is essentially characterised by habit. It is habit that
 carries us most of the times, from one day to another as our daily activities
 are mostly routine in nature. As Albert Camus (1942) notes, most of our
 daily activities are commanded by habit. This is why Camus compares the
 human condition to that of Sisyphus. Camus submits that like Sisyphus, the
 same rhythm carries us from one day to another and this makes our actions
 automatic, if not robotic. Furthermore, Camus notes that habit usually
 leads to monotony, boredom and meaninglessne
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26

Baranova, Jūratė. "MAIŠTO PRASMĖ IR BEPRASMYBĖ: NE TIK APIE JULIĄ KRISTEVĄ." Religija ir kultūra 9 (January 1, 2011): 110–21. http://dx.doi.org/10.15388/relig.2011.0.2744.

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Sartre’as teigė, kad esame įmesti į laisvę. Pasmerkti laisvei. Galime laisvai rinktis, bet negalime nesirinkti. Kur surasti kriterijų, nusakantį, kad maišto pasirinkimas iš tiesų yra laisvas pasirinkimas, o ne prichologinė neišvengiamybė, spaudžiant pasąmonės kompleksams? Ar įmanoma iki galo nuosekli laikysena pasirinkus laisvę kaip vertybinį išeities tašką. Šiame straipsnyje bus siekiama atskleisti maišto kaip laisvės išraiškos sampratos dviprasmybę per Sartre’o kaip filosofo, literato ir maištininko fenomenų refleksiją. Bus keliamas klausimas kaip hipotezė: ar Sartre’o kaip maištininko laiky
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Boyle, A. J. "Introduction." Ramus 16, no. 1-2 (1987): 1–3. http://dx.doi.org/10.1017/s0048671x00003222.

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oratio certam regulam non habet; consuetudo illam ciuitatis, quae numquam in eodem diu stetit, uersat.Style has no fixed rules; the usage of society changes it, which never stays still for long.Seneca Epistle 114.13This is the first of two volumes of critical essays on Latin literature of the imperial period from Ovid to late antiquity. The focus is upon the main postclassical period (A.D. 1-150), especially the authors of the Neronian and Flavian principates (A.D. 54-96), several of whom, though recently the subject of substantial investigation and reassessment, remain largely unread, at best
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FENG, YING, ROBERT L. GOLDSTONE, and VLADIMIR MENKOV. "A GRAPH MATCHING ALGORITHM AND ITS APPLICATION TO CONCEPTUAL SYSTEM TRANSLATION." International Journal on Artificial Intelligence Tools 14, no. 01n02 (2005): 77–99. http://dx.doi.org/10.1142/s0218213005002004.

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ABSURDIST II, an extension to ABSURDIST, is an algorithm using attributed graph matching to find translations between conceptual systems. It uses information about the internal structure of systems by itself, or in combination with external information about concept similarities across systems. It supports systems with multiple types of weighted or unweighted, directed or undirected relations between concepts. The algorithm exploits graph sparsity to improve computational efficiency. We present the results of experiments with a number of conceptual systems, including artificially constructed r
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Aich, Tapas Kumar. "Existential Psychology & Buddha Philosophy: It's Relevance in Nurturing a Healthy Mind." Journal of Psychiatrists' Association of Nepal 3 (January 2, 2015): 22–28. http://dx.doi.org/10.3126/jpan.v3i3.11836.

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The term "existentialism" have been coined by the French philosopher Gabriel Marcel in the mid-1940s and adopted by Jean-Paul Sartre. The label has been applied retrospectively to philosophers like Martin Heidegger, Karl Jaspers and Søren Kierkegaard and other 19th and 20th century philosophers who, despite profound doctrinal differences, generally held that the focus of philosophical thought should be to deal with the conditions of existence of the individual person and his or her emotions, actions, responsibilities, and thoughts. The early 19th century philosopher Søren Kierkegaard, posthumo
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Suwandana, Engkin. "EKSISTENSIALISME DAN ABSURDISME DALAM DRAMA KARYA PUTU WIJAYA." Jurnal Pena Indonesia 2, no. 1 (2017): 12. http://dx.doi.org/10.26740/jpi.v2n1.p10-21.

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This study aims to (1) describe the existential drama Oh, Edan, and Dag Dig Dug works of Putu Wijaya which include: (a) freedom, (b) anxiety, (c) the failure, (d) the futility, (e) death, (2) describe absurdism in drama Ah, Edan, and Dag Dig Dug by Putu Wijaya which includes: (a) suicide philosophical, (b) the nature of the symbolic, and (c) of tragedy and comedy. This study focuses on (1) existentialism in the drama Oh, Edan, and Dag Dig Dug by Putu Wijaya which include: (a) freedom, (b) anxiety, (c) the failure, (d) the futility, (e) death and (2) absurdism in drama Ah, Edan, and Dag Dig Dug
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Дышкант, Т. Н. "О ЗНАЧИМОСТИ МЕТАФИЗИКИ ДЛЯ ЧЕЛОВЕКА". Humanities journal, № 3 (22 грудня 2018): 78–85. http://dx.doi.org/10.32620/gch.2018.3.08.

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The modern worldview inherent in postmodern culture consists in the negation of metaphysics. Metaphysics is a teaching that has its subject universal, considered in the forms or absolute basis, or the ultimate cause of the universe, the universe itself as an ordered whole (cosmos), as well as the soul as a principle of unity. In the modern era, the absolute beginning (the absolute can be described as complete infinity) moves from the transcendent to nature and to the human race. This naturally led to the «loss» of metaphysics in the culture of postmodernism. The logical development of the oppo
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Yakovleva, E. L. "DESIGNING A FEMALE ELEGANCE MODEL BASED ON THE IDEAS OF MAGGI RUFF." Intelligence. Innovations. Investment, no. 5 (2020): 152–60. http://dx.doi.org/10.25198/2077-7175-2020-5-152.

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The relevance of the article is due to the fact that the attention of a modern personality is focused on the formation of the image. It helps not only to present it favorably, but at the same time to develop your own individual style. Among the significant components of style is elegance, which contributes to the uniqueness of the personality and its memorization in the environment. In this regard, the aim of the study was an attempt to construct a model of elegance, the analysis of which is built using the phenomenological and systemic approaches. A fairly complete phenomenological descriptio
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Smith, Tyron Tyson, and Ajit Duara. "Postmodernism: The American T.V. Show, 'Family Guy, As a Politically Incorrect Document." Revista Gestão Inovação e Tecnologias 11, no. 4 (2021): 4868–84. http://dx.doi.org/10.47059/revistageintec.v11i4.2510.

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Postmodernism is a movement that grew out of modernism. Movements in art, literature, and cinema focused on a particular stance. The visual artists who created entertainment focused on expressing the creator herself/himself beginning from German expressionism to modernism, surrealism, cubism, etc. These art movements played an important part in what an artist (literature, art, and visual) portrayed to his or her audience. As perspectives played an important part, an understanding of what the artist needed to portray was critical. Modernism dealt with this portrayal, which came about due to the
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O.V., Goniuk, та Sydorenko O.Yu. "КОНЦЕПТОСФЕРА ХРОНОТОПУ ВІЙНИ В КНИЗІ КАТЕРИНИ КАЛИТКО «ЗЕМЛЯ ЗАГУБЛЕНИХ, АБО МАЛЕНЬКІ СТРАШНІ КАЗКИ»". South archive (philological sciences), № 85 (12 квітня 2021): 13–18. http://dx.doi.org/10.32999/ksu2663-2691/2021-85-2.

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Стаття є спробою дослідження провідних складників концептосфери хронотопу війни в книзі малої прози сучасної української письменниці та перекладачки Катерини Калитко «Земля Загублених, або Маленькі страшні казки» на прикладі циклу оповідань із середньовічно-лицарською темпоральністю та оповідання «Мартин», в якому художньо висвітлено сучасну війну на Сході України. Концептний аналіз оповідань дозволяє простежити, яким чином сучасна війна концептуалізується в хронотопі художніх творів покоління українських письменників, передусім Катерини Калитко, та як це позначається на особливостях творчої м
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Allen, Rob. "Transformational and digital change: a UK perspective." Organisational and Social Dynamics 19, no. 2 (2019): 143–67. http://dx.doi.org/10.33212/osd.v19n2.2019.143.

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This article is based on a qualitative interpretivist methodology that helps to analyse, interpret, and explain the meanings that executives and consultants (as social actors), construct regarding so called transformational and digital change in the corporate setting. It explores change interventions through a psychodynamic perspective that recognises many of the forces operating in an organisation may be “under the surface” and may need to be made explicit if collective progress is to be made. The author has attempted to produce research that is relevant to both practitioners and scholars by
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Kalenichenko, O. N. "Fernand Crommelynck’s dramaturgy and its interpretation by Vsevolod Meyerhold and Les Kurbas." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 102–14. http://dx.doi.org/10.34064/khnum1-51.05.

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Background. The modernist dramaturgy of Fernand Crommelynck allows some literary critics to attribute it to symbolism: continuing the symbolist traditions, the author builds his works “on the development of an abstract position, personified by dramatic characters that can be perceived both as living people and as figurative designations of concepts” [8]. Other researchers believe that the F. Crommelynck’s works are expressionistic, since the Crommelynck Theater is “poetic, but full of pathos, hyperbolized images, in the characteristics of his personages exaggeration is brought to the point of
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Couder, Olivier. "Problem solved? Absurdist humour and incongruity-resolution." Journal of Literary Semantics 48, no. 1 (2019): 1–21. http://dx.doi.org/10.1515/jls-2019-2005.

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Abstract This article explores the role absurdist humour fulfils in the narrative structure of novels as well as its impact on the process of literary interpretation. Tracing the historical and philosophical roots of absurdist humour, the article emphasises the importance of the concept of incongruity. It then critically evaluates current and influential cognitive and linguistic theories of humour, specifically incongruity-resolution theories and their purported suitability for literary analysis. Drawing on schema-theory, the article examines a passage from Douglas Adams’s The Restaurant at th
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Winegar, Reed. "To Suspend Finitude Itself: Hegel’s Reaction to Kant’s First Antinomy." Hegel Bulletin 37, no. 1 (2016): 81–103. http://dx.doi.org/10.1017/hgl.2016.4.

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AbstractHegel famously criticizes Kant’s resolution of the antinomies. According to Sedgwick, Hegel primarily chastises Kant’s resolution for presupposing that concepts are ‘one-sided’, rather than identical to their opposites. If Kant had accepted the dialectical nature of concepts, then (according to Sedgwick) Kant would not have needed to resolve the antinomies. However, as Ameriks has noted, any such interpretation faces a serious challenge. Namely, Kant’s first antinomy concerns the universe’s physical dimensions. Even if we grant that the concept of the finite is necessarily related to t
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Saldanha, Arun. "Michaux: Xenopathic Ontology." Deleuze Studies 6, no. 3 (2012): 411–37. http://dx.doi.org/10.3366/dls.2012.0072.

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The hallucinogenic art of Michaux and other surrealists should never be regarded as advocating unbridled sensuous experimentation. The affects they generate may index absurdity, incongruity and comedy – they may ‘ridiculise’ our systematic thinking – but these affects thereby serve a more serious production of concepts. Through an abstemious aesthetics of existence Michaux becomes an ontologist of the prephilosophical sort. Carefully but ambiguously he explores the truths of matter, movement, body and modernity. As Deleuze saw clearly, the resulting ontology has strong affinities with that of
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Ciobanu, Estella. "Give Us This Day Our Daily Absurd, As We Also Have Given It to Our Absurd-mongers! One Look at the Absurd in Romanian Culture." East-West Cultural Passage 19, no. 1 (2019): 39–63. http://dx.doi.org/10.2478/ewcp-2019-0004.

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Abstract An unpublished piece of prose in the style of Romanian writer Urmuz has rekindled my interest in absurdist writings and/or absurd cases which, in Romanian culture, are associated with the likes of Urmuz, Caragiale or Ionesco. I will ponder here, with the aid of the aforementioned authors and also by comparing their work with Lewis Carroll’s, the absurdist spirit of certain Romanian literary and dramatic pieces, or only of certain scenes therein, to propose a typology of the absurd as distinct from satire (the latter often a companion piece to the former). Mine is an investigation that
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Lozhkina, Anastasiya Vitalievna. "Ethics and Ontology in the Theravāda Buddhism: Talks on ethically good and bad deeds in “Kathāvatthu” I.1.200–I.1.216." Philosophy of Religion: Analytic Researches 5, no. 1 (2021): 107–23. http://dx.doi.org/10.21146/2587-683x-2021-5-1-107-123.

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This article focuses on the development of ethical issues in early Buddhism. The author focuses on the concepts “good deed” (kālyana-kamma) and “bad deed” (pāpa-kamma). These concepts are discussed in the text “The Section on Ethical Goodness” from “The Points of Discpute” (Kathāvaththu). The article begins with a brief description of “Points of Discpute”. The author then analyzes the semantics of the concepts of good and evil in early Buddhism. Beside therms kālyana – pāpa, a pair of concepts kusala – akusala is used in early Buddhist philosophy. The author concludes that the concepts kusala
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Wautischer, Helmut. "On Love and Awareness." Dialogue and Humanism 4, no. 2 (1994): 31–40. http://dx.doi.org/10.5840/dh199442/34.

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In this paper I will discuss some aspects of a humanistic perpsective on love which include both elements, idealistic (e.g. concepts of oneness) as well as realistic (e.g., social anthropology) ones. I will argue, that any experience of love is directly affected by an individual's love of self-awareness that enables a person to recognize the origins of his feeelings and allows him to act upon them in an intentional manner. Through such realizations, an individual can remain an autonomous actor, utilizing his knowledge of oneself to explore one's emotions beyond the limits of social restraints.
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Backman-Rogers, Anna. "Making nothing happen." Alphaville: Journal of Film and Screen Media, no. 2 (February 14, 2012): 76–87. http://dx.doi.org/10.33178/alpha.2.06.

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This article draws from Gilles Deleuze’s interpretation of the Nietzschean concept of “the eternal return” in order to read Jim Jarmusch’s film Broken Flowers as being not merely a study in duration, apathy and reactive nihilism, but also a film which, through its formal repetitive structure, also offers pathways to transformation and affirmation. As such, I argue that the central protagonist, Don Johnston undergoes a subtle yet crucial change in the course of the film from a state of ressentiment to affirmation and becoming. I also characterise the film as an absurdist quest or road movie.
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Portelli, Daniel. "Music Gesture and the Correspondence of Lines: Collaborative Video Mediation and Methodology." Leonardo Music Journal 30 (December 2020): 50–55. http://dx.doi.org/10.1162/lmj_a_01081.

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Music Gesture can be thought of as being made up of dynamic, multisensorial lines. From this, the author draws from Ingold's “correspondence of lines” as a conception of music and a transformative compositional process, informing gestural line expressions and the development of notation systems for the body. The author outlines the technology he has developed for two compositions, involving a video scoring methodology and software that enables interactive video gestural sampling in a collaborative art music context. The author also engages with Ingold's concept of the “mesh,” as lines that ove
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McGuire, Sarah. "A defense of the modern, high-tech redneck on reality TV: Why the world loves Duck Dynasty and its resulting redemptive representation of Rednecks." SURG Journal 7, no. 3 (2014): 5–14. http://dx.doi.org/10.21083/surg.v7i3.2972.

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This article uses key terms and concepts from Television Studies to “close read” the reality TV show Duck Dynasty in its visual form. This article questions not only how Duck Dynasty represents rednecks, but also how the representation of the “redneck” is understood by the TV audience. It explores the success of Duck Dynasty as a reality TV show and argues that it redeems “rednecks” from Hollywood’s previous portrayals of the overly caricatured redneck stereotype. The Robertsons have the ability to convey truth – even if it is through a partially fake/mediated realm – and what they actually re
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Matveeva, Alla, Roman Krasnov, Elena Atmanskykh, and Stanislav Bannykh. "Antirealism of new reality or art against personality: with the eyes of the philosophy." SHS Web of Conferences 72 (2019): 03051. http://dx.doi.org/10.1051/shsconf/20197203051.

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In the article, the authors provide an assessment of the modernism art, cultivated for decades, in terms of the possibilities of its social and ideological influence. It is argued that the ideologists of the bourgeoisie had to admit that Western art culture was at an impasse. The article analyzes the works of philosophers and artists, such as: Lenin, Schwartz, Nietzsche, Brooke, Leist, Meyer, Reed, Bergson, Lauterbach, Huxley, Weir, etc. Among the many concepts - the theory of "cultural circles", "cultural lag" and "cultural traditions"; Theory of Art Evolution - Professor Munroe; theory of so
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Wlodarczyk, Justyna. "When pigs fly: emotional support animals, service dogs and the politics of legitimacy across species boundaries." Medical Humanities 45, no. 1 (2019): 82–91. http://dx.doi.org/10.1136/medhum-2018-011625.

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This paper probes the distinction between the so-called emotional support animals (ESAs), a term that is specific to the USA and that has recently been the subject of significant media attention, and service animals. The attention devoted to ESAs has largely taken on the form of jokes and critical comments related to the absurdity of the ‘political correctness’ that makes it possible for pigs to fly in the passenger cabin of airplanes and llamas to accompany their owners on trips to the supermarket. Much criticism is meted out, also from within the disability community, against animal guardian
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Spokes, Matthew. "The Democratic People’s Republic of Korea, Procedural Rhetoric and the Military-Entertainment Complex: Two Case Studies from the War on Terror." Media, War & Conflict 13, no. 2 (2019): 153–69. http://dx.doi.org/10.1177/1750635219828761.

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This article explores how the Democratic People’s Republic of North Korea is represented in video games developed and played during the height of the War on Terror. Drawing on Šisler’s article, ‘Digital Arabs: Representation in video games’ (2008) and Robinson’s articles ‘Videogames, persuasion and the War on Terror: Escaping or embedding the military-entertainment complex? (2012) and ‘Have you won the war on terror? Military videogames and the state of American exceptionalism’ (2015), this article explores two case studies Tom Clancy’s Splinter Cell: Chaos Theory (2005) and Tom Clancy’s Ghost
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Dovhanych, Myroslava. "The Image of the Lost Home in the Works of Kazuo Ishiguro." Pitannâ lìteraturoznavstva, no. 100 (December 27, 2019): 25–41. http://dx.doi.org/10.31861/pytlit2019.100.025.

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The image of home has been examined and the peculiarities of the artistic interpretation of this symbol in the novels of a British novelist of Japanese origin Kazuo Ishiguro have been revealed in the article. The essence of the category “image” has been determined; the symbolic significance of home in the life of a person has been analyzed; the differences between the interpretation of the archetypal image of home within the framework of European and Japanese cultures have been indicated; the role of the house in the literary works of K. Ishiguro has been considered, which makes it possible to
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Merkushov, Stanislav F. "AUTHOR IN PLAYS BY ALEXEY SHIPENKO." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 3 (2020): 126–41. http://dx.doi.org/10.18522/2415-8852-2020-3-126-141.

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Various modes of the author in the plays of Alexey Shipenko fi x the variety of forms and types, the complex interpretation of which suggests the idea of possible accumulation of the playwright’s creative energy in a single point, called “the Author”. Consideration of the author’s explications in characteristic combinations, designated as “author and author”, “author and reader / viewer”, “author and character”, allows us to put forward and to a certain extent confi rm the hypothesis about the concept of “author-universe”, actualized in the work of the playwright. Reseach is based on the texts
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