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Journal articles on the topic 'Concept of chivalry'

Author: Grafiati

Published: 4 June 2025

Last updated: 15 July 2025

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1

McDougall, Grace Margaret. "All Roads Lead to Homosociality: The Role of Chivalry in Medieval and Modern Society." IU Journal of Undergraduate Research 5, no. 1 (2020): 24–29. http://dx.doi.org/10.14434/iujur.v5i1.27065.

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This paper examines the role of chivalry in two of Marie de France’s lais, Guigemar and Bisclavret. One of the most studied authors of the Medieval period, Marie de France’s works reveal the values, anxieties, and societal dynamics of her time by both adhering to and pushing against literary norms. Guigemar and Bisclavret present near-perfect examples of knighthood, save for two flaws: Guigemar has no love for women, and Bisclavret is a werewolf. The treatment of these knights and their peculiarities reveals the strict expectations of masculinity and the risks of breaking from them. I pay part

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Baxter, Kent. "Becoming a Gentleman." Boyhood Studies 11, no. 1 (2018): 1–26. http://dx.doi.org/10.3167/bhs.2018.110102.

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This article traces the intellectual and cultural history of the concept of chivalry, paying particular attention to its relationship with coming-of-age narratives, boyology, and theories of adolescent development. The concept of chivalry was central to the texts surrounding turn-of-the-twentieth-century youth movements, such as the Boy Scouts and the Knights of King Arthur. Chivalry, as it was constructed in these texts, became a way to contain cultural anxieties associated with a fear of modernity and, as a code of behavior, provided a path for youths to come of age, therefore containing con

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Muscat Inglott, Matthew. "Is Chivalry Deadly? Contemporary Chivalric Disposition, Christian Knights, and the Third Reich." MCAST Journal of Applied Research & Practice 8, no. 4 (2024): 131–43. https://doi.org/10.5604/01.3001.0055.0459.

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This paper critically explores the concept of chivalry and its relevance in contemporary social science. Adopting a Nietzschean philosophical perspective, it challenges the assumption that chivalrous values are inherently good and virtuous. A novel framework is introduced conceptualising chivalry as a culturally evolved set of values surrounding fortitude, deference, and virtue, and applied as an interpretive lens to examine the notorious historical case of Nazi Germany in the 1930s. The study qualitatively analyses two educational documents and compares the values they promote with those of m

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Thal, Sarah. "Chivalry Without Women." American Historical Review 129, no. 2 (2024): 361–94. http://dx.doi.org/10.1093/ahr/rhae151.

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Abstract An American world history text—read, interpreted, and used in entirely unintended contexts—shaped what we now see as a quintessentially Japanese concept: the way of the samurai (bushidō). William Swinton’s 1874 textbook, Outlines of the World’s History, was widely read in Japan both in the original and in translation. Proponents of the new and evolving idea of bushidō in the 1890s found Swinton’s chapter on European chivalry particularly useful, adopting his logic to assert the existence of a way of the samurai, akin to European chivalry, as the basis of Japan’s civilized national cha

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Rustom, Mohammed. "ʿAyn al-Quḍāt on Chivalry". Journal of Islamic Ethics 4, № 1-2 (2020): 25–37. http://dx.doi.org/10.1163/24685542-12340041.

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Abstract This article investigates the multi-dimensional presence of the important Persian Sufi concept of jawānmardī or chivalry in the writings of the famous 6th/12th century metaphysician, martyr, and mystic ʿAyn al-Quḍāt Hamadānī (d. 525/1131). The article begins by situating jawānmardī vis-à-vis its Arabic Sufi equivalent of futuwwa. Both of them convey a wide range of spiritual perfections ranging from wisdom and detachment to justice and pure generosity. Moreover, the article explores the specifically Persian emphasis on jawānmardī as an embodiment of the ideal type of lover of God. It

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Khaleel Al-Khalili, Raja, and Maen Ali Al-Maqableh. "Migration of a Cultural Concept: Arabian Knighthood and Saladin as a Model." Advances in Language and Literary Studies 10, no. 4 (2019): 118. http://dx.doi.org/10.7575/aiac.alls.v.10n.4p.118.

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This article is a cross-cultural approach that examines the historical and literary significance of the concept of Arabian knighthood during the Crusades (1095-1292 A.D.) and especially during the period of the Islamic leader Saladin who was famous in the West for his bravery and chivalry. The concept of Arabian knighthood for Saladin embodied characteristics of bravery, chivalry, and altruism which were present in Arabic poetry. As for the West, there was a distinct definition of knighthood; however, it changed after the Crusades and the physical encounter of western fighters with the legenda

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Vyshnevska, Oksana, and Olena Bazyliuk. "The Concept of Chivalry as the Tmbodiment of Patriotism in Julian Ursyn Niemtsevych's Drama." Volyn Philological: Text and Context 31 (March 24, 2021): 148–57. https://doi.org/10.5281/zenodo.5248384.

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The article considers patriotism as a component of the formation of Poles national consciousness in the J. U. Niemtsevych’s historical dramas and tragedies. The concept of chivalry as an embodiment of national patriotism has been studied on the basis of the works «Vladyslav at Varna», «Kiejstut», «Jadwiga, the polish queen», «Khmelnytsky», «Kazimierz the Great». The dominant features of the chivalric code have been clarified: honour, nobility, sacrifice, courage, loyalty, love of freedom, religiosity and their relevance in the s

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8

Boguszewicz, Artur. "On Identifying Chivalric Culture. An Outline of Research Issue." Światowit, no. 60 (December 5, 2022): 157–70. http://dx.doi.org/10.31338/0082-044x.swiatowit.60.9.

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The article is an attempt to capture the chivalric culture on the basis of various activities of the nobility, as reconstructed by an analysis of written records as well as artefacts discovered mainly in Silesian castles during archaeological research. In order to objectify the results of this research, the concept of habitus proposed by sociologist of culture Pierre Bourdieu and his continuators was used. This approach redirects focus to the question of a range of capitals – economic, social, cultural, and others – which were at the disposal of the lord of the castle, discernible on the basis

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9

Calcagno, Julian. "The value of weoro: A historical sociological analysis of honour in Anglo-Saxon society." Journal of the Australian Early Medieval Association 17, no. 1 (2021): 43–65. http://dx.doi.org/10.35253/jaema.2021.1.3.

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The values that underpin the Anglo-Saxon concept of honour changed at the beginning of the sixth century. During this period, Anglo-Saxon kingdoms enshrined a new era of cultural and religious fervour, inculcating new practices of honour among the new Christianised Anglo-Saxon elite. This paper demonstrates the transition from pagan to Christian honour systems. Historians have often examined honour through concepts based on comparisons or 'terms of art', for example 'Bushido' in Japan, 'Futuwwa' in Islam, and 'chivalry' in Christianised later-medieval Europe. This paper emulates these examples

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Al-mobaideen, Nadeem Yousef Mohammed. "Literary Elements in the Poetry of Estrangement by Warrior’s Poets of the Pre-Islamic Era: An Analytical Study." Journal of Lifestyle and SDGs Review 5, no. 3 (2025): e04232. https://doi.org/10.47172/2965-730x.sdgsreview.v5.n03.pe04232.

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Objective: This research examines the concept of chivalry in Pre-Islamic poetry, where physical courage is harmonized with noble morals. It explores how chivalry extends beyond martial prowess to encompass Arab virtues such as generosity, bravery, protecting women and neighbors, and striving for self-realization apart from conflicts. Theoretical Framework: The study investigates the theme of exile and alienation in the poetry of warrior poets. It focuses on how these poets expressed humane and noble values, reflecting their deep aspirations and the collective ideals of Arab society at the time

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Triyono, Agus. "Pendidikan Literasi Media Pada Guru Tk Gugus Kasunanan sebagai Upaya Menanggulangi Dampak Negatif Televisi." Warta LPM 19, no. 3 (2017): 150–59. http://dx.doi.org/10.23917/warta.v19i3.3219.

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Television as part of the development of technology has been able to change the wayhuman life ranging from how to speak, dress, etc. chivalry ethics. Reality is there thecommunity is very far from what is called intelligent concept of media. Many parentswho do not pay attention to media consumption by their children and how muchimpact negetif raised by TV. Efforts to revive awareness of members of the Society ofTeachers Kindergarten Cluster Mangkunegaran about the negative influence of TVwith the concept of media literacy is expected to be applied in everyday life, has beenable to open the hor

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Gillespie, James L. "Ladies of the Fraternity of Saint George and of the Society of the Garter." Albion 17, no. 3 (1985): 259–78. http://dx.doi.org/10.2307/4048957.

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Contemporary society has discovered—or in some cases been forced to discover—the worth of women. Historians have provided valuable insights into the social, cultural, and legal status of women in an effort to highlight the roots of attitudes that have excluded women from positions of power in the western world. Much of this research has focused upon new ways of viewing history, and the fine series of monographs Women in Culture and Society being published by the University of Chicago Press provides a prime example of the new awareness of the distaff side of history. Yet, little attention has b

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Muhammad Raafi Zazuli Muflihu and Hasbi Arijal. "THE CONCEPT OF MURU’AH ACCORDING TO IBN QAYYIM AL-JAUZIYAH TO INCREASE SELF ESTEEM." Jurnal Ilmiah Spiritualis: Jurnal Pemikiran Islam dan Tasawuf 11, no. 1 (2025): 1–22. https://doi.org/10.53429/spiritualis.v11i1.1132.

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According to modern Western psychological scientists, self-esteem can be egocentric, i.e., meaning it is unaware that others have feelings and thoughts that are different from its own. There is also an egocentric aspect, namely the imaginary audience which belive that others have a very large concern for them, as much as their do. This study is qualitative research, using a Sufism approach. The method used is deductive analysis method. The conclusions that the researcher makes start from general knowledge about the character's thinking and provide an evaluation on one particular thought. that

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Bekmurzaeva, F. Sh. "Mythosymbolic Component of the Animalistic Concept Horse (Loshad' / Kon') in the Russian Language Picture of the World." Bulletin of Kemerovo State University 22, no. 1 (2020): 216–25. http://dx.doi.org/10.21603/2078-8975-2020-22-1-216-225.

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The research featured concept "horse", which is one of the key archetypal concepts of the Russian culture. The present article focuses on the secondary symbolic constituents that form the structure of the concept. The research objective was to describe symbolic features in the structure of the concept. The material involved sources of the Russian national corpus, Russian folk tales, and other genres of the belles-lettres discourse representing diverse functional styles of the language. The study revealed the ambivalent nature of symbolic categorization of the animal concept in the Russian lang

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Bakhtiar, Mohsen. "Cognitive model of GHEIRAT in Persian." Cognitive Linguistic Studies 2, no. 2 (2015): 257–88. http://dx.doi.org/10.1075/cogls.2.2.03bak.

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GHEIRAT seems to be a complex emotion in Iranian men and women with a variety of contextual meanings including, jealousy, chivalry, courage, and protecting one’s nâmus ‘female family members’. GHEIRAT may be defined as a monitoring device or alarm system in the mind of Iranians. The cognitive linguistic analysis of the conceptual domains interacting with GHEIRAT indicates that the GHEIRAT concept operates to protect one’s values against threat, insult, and injury, provide assistance to the Other, and aid the Self in accomplishing goals as a supplementary force. Moreover, the paper comes to the

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16

SHIRAISHI, Masaki. "Bushidō as a Hybrid: Hybridity and Transculturation in the Bushido Discourse." Asian Studies 6, no. 2 (2018): 51–70. http://dx.doi.org/10.4312/as.2018.6.2.51-70.

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This paper examines the discourse on bushido in the late Meiji period. My aim is to shed light on bushido’s hybridity by using the concept of transculturation. Transculturation conceptualizes encounters between different cultures as a process of mutual construction. The bushido theorists that are discussed in this paper are in some sense transculturators, struggling between Japan and the West, the particular and the universal, and tradition and modernity. One of the common theoretical strategies for solving this problem attempted to valorize bushido and was mostly dependent on establishing equ

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Schönberger, Axel. "<i>Tirant lo Blanc</i> (1490) und <i>Curial i Güelfa</i> (ca. 1450): Formen ritterlicher Liebe im späten katalanischen Mittelalter." Zeitschrift für Katalanistik 4 (July 1, 1991): 174–248. http://dx.doi.org/10.46586/zfk.1991.174-248.

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In this paper, some aspects of the concept of love are studied in the two best-known Catalan novels of the 15th century, Tirant lo Blanc (1490) and Curial e Güelfa (approx. 1450). The study is limited to the analysis of the behavior of the main characters – Curial and Güelfa, resp. Tirant and Carmesina – in three key situations: the beginning of love, some obstacles of love (spatial separation and interference of another woman) and the culmination of the love affair at the end. Essential differences between people's conception and behavior are shown: contrary to popular opinion, it seems that

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Bychkov, Pavel. "The Structure of the Ideal Society in “the Book of the Body Politic” of Christine de Pizan (1406—1407)." ISTORIYA 15, no. 1 (135) (2024): 0. http://dx.doi.org/10.18254/s207987840030199-7.

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The article examines the social model of the ideal state found in the treatise of Christine de Pizan “The Book of the Body Politic” (1406—1407). In the times when the political philosophy of modernity didn’t have its own political language, the French writer of the 15th century offers readers a model of a just state, which is ruled by an educated and pious monarch, surrounded by wise advisers. This treatise is structured around the concept of the body politic and it combines different literary traditions, instructing chivalry, discussing different forms of government and describing social grou

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Proskurnin, Boris M. "Handicraft versus Chivalry: Town Community and Historical Progress in the Later Novels of Walter Scott." Вестник Пермского университета. Российская и зарубежная филология 14, no. 2 (2022): 111–19. http://dx.doi.org/10.17072/2073-6681-2022-2-111-119.

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The article is devoted to two novels by Walter Scott in which the writer demonstrates his vision of the late Middle Ages having taken France and Scotland as bright examples. In these works, Scott, both at the level of the general concept, which reflects his understanding of historical progress, and at the level of the images of the novels and their narratives, reconstructs socio-political and moral-psychological role of the standoff between chivalry and town communities in the dynamic of the time. The novels convincingly show the peculiarity of the late stage of Scott’s creative work, when the

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José Luis, Francisco. "THE KHANDA AND THE DHULFIQAR: Sikh–Shi'a parallelisms and crossings in history and text, concept of the Divine Guide and sacred chivalry." Sikh Formations 2, no. 2 (2006): 153–80. http://dx.doi.org/10.1080/17448720601061374.

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Baklanov, Igor Spartakovich, and Nikita Mikhailovich Kuchugura. "Reflection of social norms, moral ideals and gender dispositions of Premodern society in the medieval chivalric romance." Manuscript 17, no. 4 (2024): 507–12. http://dx.doi.org/10.30853/mns20240076.

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The work aims to study the medieval chivalric romance from a socio-philosophical perspective. The chivalric romance was a rather special trend in the literary movements of Western Europe in the 12th century, when everything that was not written in Latin was declared “vulgar”, that is, common folk. The chivalric novel reflects religious norms, moral ideals and gender dispositions of medieval society as a Premodern society. Due to the reflective focus of the literary genre of that time, the chivalric novel as its most striking example absorbed the concepts of previous philosophical and religious

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Sirkel, Katri. "The Gentleman as a Hero? (Mis)representations of Heroic Masculinity in W. M. Thackeray’s Vanity Fair." Interlitteraria 22, no. 2 (2018): 372. http://dx.doi.org/10.12697/il.2017.22.2.14.

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The aim of the article is to analyse the concept of gentlemanliness with regard to heroic masculinity in W.M. Thackeray’s novel Vanity Fair. Set at the time of the Napoleonic Wars and written in the 1840s, the novel casts light on the controversial nature of the notion of gentleman. In the Victorian period, gentlemanliness came to be modelled on the principles of chivalry but there was nevertheless an implicit assumption originating from the Regency era that being a gentleman meant yielding to leisurely elegance rather than performing heroic deeds. Thackeray, whose formative years had passed i

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Sunga, Agnes. "My Fifty Shades of Grey: The Ambivalenceof Sexism in E.L. James Erotica." Mabini Review 14, no. 1 (2024): 55–65. https://doi.org/10.70922/62d2vk58.

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his paper focuses on the manifestation of two forms of sexism in the popular novel of E.L. James. By making use of content analysis, a method used to obtain the objective, systematic, and content manifest of communication, this research seeks to find a weave of similar patterns present in the literary work. The representation of patriarchy, sexism, and gender stereotypes through the characters, plot, setting, theme, and literary symbols employed in the story were used as coding categories in the novel. The author made use of Glick and Fiske’s concept of hostile and benevolent sexism to create

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Heor, Wooree. "“As freshe as any rose newe”: Imperfection, Fetishization, and the Symbolic Significance of Hector in Lydgate’s Troy Book." Studies in Philology 122, no. 1 (2025): 21–53. https://doi.org/10.1353/sip.2025.a951885.

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Abstract: The Troy Book , by John Lydgate, examines the complex array of moral values and political mores attached to the figure of Hector. Although being the epitome of idealized chivalry and the purported forefather of English monarchs, Hector in the Troy Book often displays traits inconsistent with this impeccable image. Lydgate intermixes adulation of Hector with stark descriptions of the prince’s personal flaws, placing particular emphasis on his volatile anger, imprudence, and covetousness. The concept of Hector as an imperfect object of desire is most clearly demonstrated when his prese

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Louie, Kam. "Sexuality, Masculinity and Politics in Chinese Culture: The Case of the ‘Sanguo’ Hero Guan Yu." Modern Asian Studies 33, no. 4 (1999): 835–59. http://dx.doi.org/10.1017/s0026749x99003558.

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This paper examines the sexual composition of the hero (yingxiong) in traditional China and how this sexuality is projected onto the political plane. Existing scholarship on the Chinese hero has provided Sinology with excellent material on a number of issues, from those which link the hero with Chinese concepts of chivalry, to those which discuss the hero as ‘revolutionary’ and ‘mass-based’. One of the major lacunae in all of these studies, however, has been an analysis of the importance of sexuality to the successful construction of a ‘hero’. Before Chinese studies drew on more recent methodo

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Ilich Razzhivin, Anatolij, Ekaterina Sergeevna Donskova, Aleksej Nikolaevich Pashkurov, Irina Yulievna Dulalaeva, and Li Pengfei. "TRANSITIONAL ERA GALLANTRY CULTURE IN THE FOCUS OF INTERCULTURAL COMMUNICATION PROBLEM (ON THE EXAMPLE OF N. M. KARAMZIN’S PROSE)." Humanities & Social Sciences Reviews 7, no. 6 (2020): 1216–24. http://dx.doi.org/10.18510/hssr.2019.76172.

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Purpose of the study: The article focuses on the study of gallantry culture in terms of the theory of intercultural communication on the example of fiction written by N.M. Karamzin, an outstanding representative of European and Russian sentimentalism. Methods and materials: The theoretical aspects of the problem of gallantry are considered in the context of the main provisions of modern concepts of intercultural communication. N.M. Karamzin’s “sensitive” novels are analyzed from the standpoint of gallant secular ceremonies. Main findings: The concept of gallantry is associated with

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Ali, Mukhtar H. "Futuwwa as the Noblest Character Traits (Makārim al-Akhlāq) in Anṣārī’s Manāzil al-Sāʾirīn with al-Kāshānī’s Commentary". Journal of Islamic Ethics 4, № 1-2 (2020): 8–24. http://dx.doi.org/10.1163/24685542-12340043.

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Abstract This paper investigates the Sufi concept of futuwwa (spiritual chivalry) in ʿAbdallāh Anṣārī al-Harawī’s (d. 481/1089) classic manual of spiritual wayfaring, Manāzil al-Sāʾirīn (“Stations of the Wayfarers”). After briefly taking stock of the earliest statements on futuwwa cited in al-Qushayrī’s (d. 465/1073) Risāla, we take a closer look at the Manāzil’s commentarial tradition, offering a complete translation of both Anṣārī’s chapter on the subject and ʿAbd al-Razzāq al-Kāshānī’s (d. 731/1330) commentary. In Anṣārī’s view, there are three aspects to futuwwa. The first aspect is in rel

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Wulandari, Ari. "KEARIFAN LOKAL ORANG JAWA DALAM METAFORA NOVEL PARA PRIYAYI, KARYA UMAR KAYAM." SASDAYA: Gadjah Mada Journal of Humanities 1, no. 2 (2017): 164. http://dx.doi.org/10.22146/sasdayajournal.27779.

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The metaphor is born because of the limitations of human language, while the human mind is unlimited. This research data is a metaphor in the Para Priyayi novel. This study uses a qualitative research design or research context. Metaphors are covered depends context of existing metaphors in the Para Priyayi novel. Metaphoric consists of nine patterns, namely (1) one sentence, one metaphor, (2) one sentence, two metaphors, (3) one sentence, three metaphors, (4) tenor at the front, the vehicle in the behind, (5) vehicle at the front, tenor in the behind, (6) noun - verb, (7) verb - noun, (8) nou

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Hodunok, Zoriana. "How the assistant becomes a hero, and how it affects a text: fantasy trilogy by R. Hobb «Assassin»." Bulletin of Luhansk Taras Shevchenko National University, no. 2 (361) (2024): 148–56. http://dx.doi.org/10.12958/2227-2844-2024-2(361)-148-156.

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The article analyzes the central character of Robin Hobb’s «Assassin» (originally titled trilogy «Farseer») Fitz Chivalry, according to morphological and functional characteristics, is identified in the monomyth structure of a fantasy text as an assistant / a friend. Introduced by Robin Hobb as a hero, he partially retains his assistant functions, while also being realized as a hero. Among the features that are preserved, the following stand out: a dramatic background and unique superhuman abilities. He is also realized as a defender, but this function is limited: he is not a typical warrior h

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Hucul, Wolodymyr. "DEBATES ON THE CAROLINGIAN FRANKS’ ARMORED CAVALRY IN WESTERN HISTORIOGRAPHY OF THE SECOND PART OF THE 20TH – BEGINNING OF THE 21ST CENTURIES: SELECTED ISSUES." Scientific Herald of Uzhhorod University. Series: History, no. 1 (44) (June 27, 2021): 196–205. http://dx.doi.org/10.24144/2523-4498.1(44).2021.233333.

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The article is devoted to the analysis of the late 20th – early 21st centuries’ historiographical polemics around the origin and development of the Frankish armored cavalry in the Carolingian era. The discussion broke out around the theses about the military superiority of the Frankish armored cavalry (composed of people from the upper strata of society) of the Carolingian era and, as a consequence, about the rapid spread of the military technology cultivated among the Carolingian horsemen-aristocrats, accompanied by their inherent stereotypes and behavioral patterns of Latin Europe. These iss

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Mendyk, Joanna. "Bohater społecznie uwarunkowany. Protagonista Pieśni o Cydzie a iberyjska mentalność pogranicza." Terminus 24, no. 3 (64) (2022): 219–42. http://dx.doi.org/10.4467/10.4467/20843844te.22.012.16049.

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A Socially Conditioned Hero: The Protagonist of the Cantar de mio Cid and Iberian Frontier Mentality The objective of the article is to provide an example of how the notion of social conditioning of literature might be employed both in literary studies and in history of mentalities. The author applies the concept of conditioning factors of literary texts to an analysis of the hero’s image in the Cantar de mio Cid. There are three general conditioning factors: episteme, worldview, mentality, and a specific one: the habitus. While the general conditioning factors are common for a society in each

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Mendyk, Joanna. "Bohater społecznie uwarunkowany. Protagonista Pieśni o Cydzie a iberyjska mentalność pogranicza." Terminus 24, no. 3 (64) (2022): 219–42. http://dx.doi.org/10.4467/20843844te.22.012.16049.

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A Socially Conditioned Hero: The Protagonist of the Cantar de mio Cid and Iberian Frontier Mentality The objective of the article is to provide an example of how the notion of social conditioning of literature might be employed both in literary studies and in history of mentalities. The author applies the concept of conditioning factors of literary texts to an analysis of the hero’s image in the Cantar de mio Cid. There are three general conditioning factors: episteme, worldview, mentality, and a specific one: the habitus. While the general conditioning factors are common for a society in each

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Radionova, Alla. "Doctor Zhivago by Boris Pasternak and the Knight of Faith by Kierkegaard: Common Ground." Izvestia of Smolensk State University, no. 2(50) (July 2, 2020): 48–64. http://dx.doi.org/10.35785/2072-9464-2020-50-2-48-64.

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The article deals with the intertextual relationships of the novel «Doctor Zhivago» by B. Pasternak and the treatise «Fear and Trembling» by Søren-Kierkegaard. Pasternak mentioned Kierkegaard in his works and noted his great influence on modern culture. While Pasternak was working on the novel, he used the concept of chivalry, which was an allusion to Kierkegaard. In his treatise «the Knight of Faith» is a moral model that has overcome the fetters of rational thought and broken out of the temporary boundaries. S. Kierkegaard gives his description, which is directly related to the themes

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Kozachynska, V. "HUMAN BEING IN THE SPACE OF ANTINOMIES." Philosophical Horizons, no. 46 (January 16, 2023): 8–16. http://dx.doi.org/10.33989/2075-1443.2023.46.271517.

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The idea of antithetical human nature and the concept of man as a bivalent creature are heuristic to reveal the problem of human being.The traditional antinomic splitting of anthropological features into one’s own – another’s, immanent – transcendent, freedom – necessity, good – evil, happiness –misfortune, etc. acquires a specific coloring in the Ukrainian realities. Purpose is to reveal the ambivalence of the image of a person, which acquires special features in the Ukrainian realities. Methodological basis are the principles of the phenomenological description of subjective experience, the

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A, Rajeshwaran. "The Morals of Life Shown by Bharathidasan in Pisiranthaiyar’s Play." International Research Journal of Tamil 4, S-7 (2022): 248–53. http://dx.doi.org/10.34256/irjt22s739.

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Pisiranthaiyar was a poet of Sangam period. He was very friendly with King Kopperuncholan. He was a devotee of Pandyan Idudai Nambi. He gave advice and political virtue to the king and earned the respect of Pandyan. Pisiranthaiyar lived in a town called 'Pisir' in Pandya country. Bharathidasan has created this drama in the twentieth century with his imaginative poetry, centering on the friendship of the devotees. During the Sangam period, the doctrine of virtue had a great influence on the society. Social life is structured through this religion. Ancient Tamil society was enriched by urban civ

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Rezaei, Reza. "Effect of physical training on education of students." Journal of Management and Accounting Studies 4, no. 03 (2019): 59–62. http://dx.doi.org/10.24200/jmas.vol4iss03pp59-62.

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One of the most important institutions in contemporary society closely associated with physical education and sport and its function is widely used in continuous operation, which is a function of physical education training institutions to strengthen and develop this concept. However, in some communities to keep the community and especially the rule against alien tribes of Physical Education and Sport in order to physically and mentally prepare the people and the soldiers used to fight the enemy. Methodology: Cult of chivalry and generosity, helping mankind and the needy and the deprived and p

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ASTAPOVA-VYAZMINA, Olena Igorivna. "A NATIONAL ANTHEM AS A CONSTRUCT OF THE MENTAL SPACE OF NATIONAL IDENTITY." Epistemological Studies in Philosophy Social and Political Sciences 6, no. 1 (2022): 3–13. http://dx.doi.org/10.15421/342301.

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The purpose of the article is to determine the mental space of national identity by analyzing the semantic component of the national anthem. The national anthem can be considered as a social code that forms a citizen and as an ordinary text with its semantic structured levels. The national anthem is a political symbol and therefore forms two meanings: intent and influence. In the study, we combine the theory of mental spaces by G.Fauconnier and Ch.Fillmor’s frames semantics to visualize the conceptual model of Ukrainian national identity. Research results: Designating the national anthem as a

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Rajamäe, Pilvi. "The Call of the Wild: John Buchan’s Heroes and the Decline of British Aristocracy." Interlitteraria 24, no. 2 (2020): 540–55. http://dx.doi.org/10.12697/il.2019.24.2.20.

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The article will look at how John Buchan (1875–1940) has traced the decline of British aristocracy in his novels that cover the time period when the power radically shifted from the landowning to the middle class, with concomitant feelings of confusion, loss, disillusionment and inadequacy on the part of the class whose very existence was being undermined. Buchan wrote at the time when the spirit of chivalry, so carefully cultivated by the Victorian chivalric revival, still coloured the thinking of the aristocracy and the upper middle class, soon to be extinguished by the trenches of the Great

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Boyko, Vladimir. "The Knightly Ideal of N.A. Berdyaev and the World War." Ideas and Ideals 13, no. 2-2 (2021): 395–417. http://dx.doi.org/10.17212/2075-0862-2021-13.2.2-395-417.

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The knightly ideal of N.A. Berdyaev is one of the major components of his creativity: “the spirit of chivalry” is a unique alternative to “the spirit of the bourgeois”, to “world philistinism” and total, self-sufficing, godless statehood. Berdyaev believes in the great historic mission of Russia – to become a connecting link between the East and the West, to unite two streams of world history. The First World War adds an urgency to these themes. The Russian thinker interprets this war as an epoch of great tests, hopes that it will lead to spiritual awakening of Russia, will give courage and no

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Nefedov, Sergey Alexandrovich. "The origin of Russian absolutism in the context of the military revolution theory." Studia Slavica et Balcanica Petropolitana 2(32) (2022): 3–14. http://dx.doi.org/10.21638/spbu19.2022.201.

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The article is devoted to the interpretation of socio-political processes during the reign of Ivan the Terrible from the standpoint of the theory of military revolution. Following the well-known work of B. Downing, the author identifies ten stages in the evolution of the medieval monarchy to militarybureaucratic absolutism. Such cases are described in the history of the Scandinavian states. Further, the socio-political processes of the times of Ivan the Terrible are analyzed from the point of view of their correspondence to the distinguished steps. It is concluded that these processes follow t

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Brasch, Ilka. "Modern Chivalry ’s Colonialism." Early American Studies: An Interdisciplinary Journal 21, no. 4 (2023): 600–628. http://dx.doi.org/10.1353/eam.2023.a912122.

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ABSTRACT: Hugh Henry Brackenridge’s seven-volume novel Modern Chivalry comments on and satirizes the people and politics of the early Republic. In the narrative, Indigenous characters are largely absent, yet the novel insists on the idea of their former presence. Imagined Indigenous absence in the text serves to help frontier settlers seek integration into a national whole and avoid feeling subjugated by Philadelphia’s political elites. A close analysis of the novel reveals a western perspective that aimed to colonize without being colonized. Modern Chivalry ’s publication history echoes the W

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Hrynda, Bohdana, Ilona Tkachuk, Yaryna Lysun, Yaroslav Shymin, and Vasyl Odrekhivskyi. "The Imagery of Death in the Visual Discourse of French Illumination of the 13th-15th Centuries: Iconographic Typologies and Artistic Practice." Convergences - Journal of Research and Arts Education 17, no. 33 (2024): 47–66. http://dx.doi.org/10.53681/c1514225187514391s.33.245.

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Classical historical and art studies in the context of the development of modern humanities are frequently synthesised with research on visual culture and social art history, forming a broad discourse on the study of the culture of a particular era, country, or community. This optics is taken as the basis for this study, wherein such a fundamental philosophical concept as the attitude towards death is considered from the standpoint of art history iconographic and cultural studies to identify worldviews and ideology in the development of visual narratives that cover and represent them. In this

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Velasco, Jesús R. "Knightly Fables, Visual Concepts: On the Affinity Between Chivalry and Bourgeoisie." MLN 131, no. 2 (2016): 301–19. http://dx.doi.org/10.1353/mln.2016.0024.

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Carreto, Carlos. "Global Middle Ages ou as virtudes do anacronismo. A lição do texto medieval." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes 02 (2019): 117–49. http://dx.doi.org/10.53943/elcv.0119_10.

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Has the Middle Ages invented globalization or revealed a clear consciousness of globality? On the other hand, may this anachronistic notion prove to be an appropriate and productive operative and analytical concept for rethinking medieval literature beyond its territorial and linguistic boundaries and the epistemological view of the world imposed by a (neo)positivist conception of the history of literature? Mapping the medieval literature in a global perspective implies a methodological repositioning and a process of deterritorialization of the concepts themselves that leads us to reinvest mot

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Collette, Carolyn P. "Concepts of Chivalry in Sir Gawain and the Green Knight by Wendy Clein." Studies in the Age of Chaucer 10, no. 1 (1988): 137–41. http://dx.doi.org/10.1353/sac.1988.0014.

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Jia, Leilei. "The Chivalry of a Martial Artist – Interview with Wu Jing." Journal of Chinese Film Studies 1, no. 2 (2021): 281–94. http://dx.doi.org/10.1515/jcfs-2021-0026.

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Abstract This dialog was conducted between Wu Jing, an actor and a film director, and Jia Leilei, a researcher of the Chinese National Academy of Arts, at Director Wu Jing’s Studio in Beijing on May 18, 2021. This dialog is about Wu Jing’s personal experiences and film concepts including Wu Jing as a martial artist, Wu Jing as an actor and a director; his persistence in pursuing authenticity in filmmaking as well as his life philosophy, all highlighting the chivalry of martial artists both in the film world and real life.

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Cao, Claudia. "The Rhetoric of Madness in Kathy Acker’s Don Quixote." International Journal of Comparative Literature and Translation Studies 5, no. 3 (2017): 72. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.3p.72.

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This essay examines the rhetorical experimentation of Don Quixote by Kathy Acker, starting from a theoretical concept central in the author’s thought: her search for a “language of the body”. A brief introduction to Kathy Acker’s plagiaristic poetics frames her narrative strategies between postmodern rewriting and pastiche. It shows the way in which her Don Quixote transposes the representative scheme of the chivalric quest into the contemporary value system with the aim of questioning Cervantes’ text as one of the canonical works of the Western literary tradition. The following section deepen

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López Latorre, Alicia. "La influencia del pensamiento medieval en el imaginario de Juan Eduardo Cirlot: lo “historial” y el mundus imaginalis con relación a la alquimia y la caballería." Thémata Revista de Filosofía, no. 70 (2024): 147–70. https://doi.org/10.12795/themata.2024.i70.07.

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Este artículo muestra la relevancia que adquieren diferentes aspectos de la Edad Media en el pensamiento de Juan Eduardo Cirlot. En primer lugar, su crítica al historicismo, en la cual defiende tanto el arqueologismo como el concepto de “hombre abstracto”, puede explicarse desde dos conceptos que Henry Corbin rescata de la tradición medieval: lo “historial” y el mundus imaginalis. En segundo lugar, su apología del progreso como castigo divino, que asocia a William Blake, está vinculada a la defensa de la creación tal y como era concebida en el Medioevo. Esta rechaza el triunfo de la cantidad e

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Bukowska, Joanna. "Theatricality of the Chivalric World in Thomas Malory's Le Morte D'arthurr." International Journal of Arabic-English Studies 3, no. 1 (2002): 33–44. http://dx.doi.org/10.33806/ijaes2000.3.1.3.

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The paper presents various aspects of theatricality in Thomas Malory' s Le Marte D'arthur. It explores the predominant performative character of the culture of shame and honour, in which ceremonious forms of knightly behaviour create public spectacle of chivalric ideals. The theatrical aspects of Arthur's world are analysed in the context of Erving Goffman' s concepts of the self as a product of dramatic performance, an object of social ritual and a participant of a strategic game. Due to the insight provided by these sociological theories, chivalric performance is considered as an expression

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Ansaldo, Marina. "“ʼTis but the chance of War”: Fortune and Opportunity in Shakespeare’s Troilus and Cressida". Explorations in Renaissance Culture 42, № 1 (2016): 28–58. http://dx.doi.org/10.1163/23526963-04201002.

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The study of the representation of the interrelated notions of Fortune andOccasioin Shakespeare’sTroilus and Cressidahas been largely neglected by critics. This is particularly surprising because this play, where all that takes place is nothing “but the chance of war,” and characters’ efforts and expectations are often contradicted by the turns of events, seems to invite us to meditate upon what determines a successful outcome. This article shows that considering the concepts of Fortune and Occasion, and the imagery traditionally associated with them, can provide original critical perspectives

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