Academic literature on the topic 'Conceptual art'

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Journal articles on the topic "Conceptual art"

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Beach, Brett. "Conceptual Art." Prairie Schooner 90, no. 3 (2016): 72–84. http://dx.doi.org/10.1353/psg.2016.0136.

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Tamblyn, Christine. "Computer Art as Conceptual Art." Art Journal 49, no. 3 (1990): 253. http://dx.doi.org/10.2307/777116.

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Tamblyn, Christine. "Computer Art as Conceptual Art." Art Journal 49, no. 3 (1990): 253–56. http://dx.doi.org/10.1080/00043249.1990.10792699.

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Van Laeken, Alexandra. "Democratising conceptual art." Aesthetic Investigations 5, no. 2 (2023): 159–72. http://dx.doi.org/10.58519/aesthinv.v5i2.12781.

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In this paper I elaborate upon the elitist character of the mainstream theories on conceptual art. I show that the elitism is founded on wrong presumptions concerning the relation between artists and spectators. Working from the philosophy of Jacques Rancière, I reject the hierarchical structure present in the mainstream theories on conceptual art. Instead, I propose to take a ‘democratic turn’, as understood by Rancière. In such an outlook, the contribution of the spectator is revalued as equally active and creative as the contribution of the artist. The democratic turn has serious consequenc
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Dal, Sasso Davide. "Exploring Conceptual Art." Philosophical Readings VI, no. 2 (2015): 101–14. https://doi.org/10.5281/zenodo.34514.

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In a historical view, art has always offered different ways to distract us from reality. In this paper I will argue that art allows us to explore and discuss reality, its natural and social possibilities and complexity, as a consequence of its profound change since the 60s due to the establishment of Conceptual Art. My main arguments are the following ones. First I illustrate some philosophical and theoretical criticisms about Conceptual Art that emphasise its idealistic obstinacy based on the target of the dematerialisation of art object. Second I focus on the reductionism adopted by conceptu
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Steele, Jeffrey. "Notes on Conceptual Art." Aesthetic Investigations 2, no. 1 (2017): 10–22. https://doi.org/10.5281/zenodo.4118283.

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Smith, Trudi Lynn. "Photography After Conceptual Art." Visual Studies 26, no. 3 (2011): 270–71. http://dx.doi.org/10.1080/1472586x.2011.610953.

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Hanson, L. "Philosophy and Conceptual Art." British Journal of Aesthetics 48, no. 2 (2008): 229–31. http://dx.doi.org/10.1093/aesthj/ayn007.

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Steele, Jeffrey. "Notes on Conceptual Art." Aesthetic Investigations 2, no. 1 (2017): 10–22. http://dx.doi.org/10.58519/aesthinv.v2i1.11976.

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Mustafa, GÜRGÜLER. "Traditional Textile Art Carpet and Conceptual Art." International Journal of Humanities and Art Researches 8, no. 1 (2023): 85–97. https://doi.org/10.5281/zenodo.7742039.

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The gap arising between human relations is a product of post-industrial technology. The reflection of this situation on the human spirit emerges as a global problem. The proposed solutions are insufficient for the modern individual at the social level. As the crisis of the new generation modern age forces people to search continuously for a new identity, it also directs artists to draw attention to different disciplines, including the material, but this search deepens the gap that emerged. We need to be in a constant state of change, examine different cultures and, when necessary, include them
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Dissertations / Theses on the topic "Conceptual art"

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Goldwhite, Phil. "Frames ate the art, frames are the art, the camera is the art, the text is the art, the thing is the art, art is the art /." Online version of thesis, 1995. http://hdl.handle.net/1850/12203.

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Weis, Kristin K. "Art as Negation: A Defense of Conceptual Art as Art." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461602608.

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Sutherland, Zoë Dominique. "A phenomenology of conceptual art." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/47228/.

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This thesis emerges from and responds to certain recent philosophical writings on conceptual art, in particular from the British analytic tradition. Having identified a recent tendency implicit within this tradition towards an increasingly phenomenological reading of the ontology of the conceptual artwork, I aim to develop such ideas through an analysis of Heidegger's theory of art, and through a subsequent enquiry into its applicability to conceptual art. This will involve a lengthy analysis of several conceptual artworks on the basis of this theory. The thesis consists of three substantive c
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Hanson, Louise Mary. "Conceptual art : what is it?" Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e.

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Conceptual Art (henceforth CA) has the peculiar status of being at once a neglected topic in philosophical aesthetics, and one on which a degree of philosophical weight disproportionate to the attention it has received is placed. On the one hand it is frequently mentioned by philosophers as a problematic case, one that general theories of art have difficulty dealing with, but on the other, there is a notable lack of philosophical research taking CA as its focus. It is largely taken as a given that CA is radically different from other art in various ways and thus poses problems for some of the
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Blacksell, Ruth. "Typography after conceptual art : text-based conceptual art and its contribution to contemporary typographic discourse." Thesis, University of Sheffield, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631696.

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Nijsse, Jennifer Jean. "Beauty: deepening an understanding of contemporary art, art practice and theory /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2100.

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Drinkall, Jacquelene Ashley School of Art History &amp Theory UNSW. "Telepathy in contemporary, conceptual and performance art." Awarded by:University of New South Wales. School of Art History and Theory, 2005. http://handle.unsw.edu.au/1959.4/31097.

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This thesis investigates the impact of telepathy and psi on conceptual and performance art from 1968. Emerging from the author???s art practice, the thesis argues telepathy is a key leitmotif and creative concern within much post 60s art, and has become central to the practice of a number of contemporary video, performance and new media artists. This thesis is composed of two interrelated parts: an exhibition of the artwork by the author concerning telepathic processes, and a written project which uses the major themes of the exhibition to frame an historical study of a number of key contempor
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Iwataki, Ana A. "Mythic Narratives: The Chronicling of Conceptual Art." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/pitzer_theses/1.

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An exploration of the mythologized narratives that the work and lives of Conceptual artists Bas Jan Ader, Ana Mendieta, and Francis Alÿs have created and inspired. By virtue of their biographies, the fetishization of their personalities, and the ways in which this anecdotal information can be read in their work, mythologized narratives have been constructed, allowing for a prolonged interest existing within and without the confines of the art world. These mythologies come together as part of the oral tradition of the art world, a chronicling of narratives that incites continued interest for f
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Morton, Luise H. "Theories of three conceptual artists : a critique and comparison." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/425069.

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Conceptual Art emerged as an international, avant-garde art movement in the mid-60s. Attacking the prevailing aesthetics of modern art, Conceptual artists claim that art lies not in the object itself but in the artist's idea or intention. Their asserted goals have been to combine theory with art and to eliminate the need for form in artworks. The purpose of this study was to examine and critique the key theoretical writings of three artists whose works have been recognized by the critics as significant and seminal for the Conceptual Art Movement: Joseph Kosuth, Sol LeWitt, and Terry Atkinson.H
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Shtromberg, Elena. "Conceptual encounters art and information in Brazil (1968-1978) /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1741085621&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Books on the topic "Conceptual art"

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Schlatter, Christian. Art conceptuel formes conceptuelles =: Conceptual art conceptual forms. Galerie 1900/2000, 1990.

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1958-, Osborne Peter, ed. Conceptual art. Phaidon, 2002.

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Alexander, Alberro, and Buchmann Sabeth, eds. Art after conceptual art. MIT Press, 2006.

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Michael, Corris, ed. Conceptual art: Theory, myth, and practice. Cambridge University Press, 2004.

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Vicente, Aliaga Juan, and Cortés José Miguel G, eds. Arte conceptual revisado =: Conceptual art revisited. Departamento de Escultura, Facultad de Bellas Artes, Universidad Politécnica de Valencia, Servicio de Publicaciones, 1990.

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Lin, Gibson, and Centre for Contemporary Canadian Art (New York, N.Y.), eds. Gordon Lebredt: Nonworks, 1975-2008. Plug In Editions, 2011.

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Celant, Germano. Arte Povera =: Art Povera. Electa, 1985.

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Celant, Germano. Arte povera =: Art povera. Electa, 1985.

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Celant, Germano. Arte povera: Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari ... U. Allemandi, 1989.

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Celant, Germano. Arte povera: Giovanni Anselmo, Alighiero Boetti .... Art Edition, 1989.

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Book chapters on the topic "Conceptual art"

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Bailey, Robert. "After “Conceptual Art”." In Conceptual Art After Modernism. Routledge, 2025. https://doi.org/10.4324/9781003537670-3.

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Bailey, Robert. "Conceptualist Art Histories." In Conceptual Art After Modernism. Routledge, 2025. https://doi.org/10.4324/9781003537670-6.

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Bailey, Robert. "(Art) History Reconceptualized." In Conceptual Art After Modernism. Routledge, 2025. https://doi.org/10.4324/9781003537670-10.

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Friedel, Sophie. "Conceptual Considerations." In The Art of Living Sideways. Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-08955-9_3.

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Grosch, Leonard. "Designing Parks – ​The Art of Creating Lively Places." In Conceptual Landscapes. Routledge, 2023. http://dx.doi.org/10.4324/9781003053255-17.

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Wildgen, Wolfgang. "Conceptual innovation in art." In Seduction, Community, Speech. John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/pbns.127.16wil.

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Calfoglou, Christine, and Spiros Polimeris. "Teaching through Conceptual Art." In Putting Critical Language Pedagogy into Practice. Routledge, 2023. http://dx.doi.org/10.4324/9781003399414-6.

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McLean, Ian. "Decolonisation and Conceptual Art." In Crosscurrents in Australian First Nations and Non-Indigenous Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003284765-10.

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Stigter, Sanneke. "Conceptual Art and Conservation." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_9.

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AbstractThis chapter addresses the function of a “conservation research approach” in the study of conceptual art in combination with the role of the curator’s expertise, advocating an autoethnographic approach in relation to contemporary art conservation as a function of museum practice. This approach is exemplified by means of the author’s personal testimonies of encounters with artworks by John Baldessari and Ger van Elk. These accounts help to provide a better understanding of the shaping of an artwork’s physical form in various contexts, while also laying bare the conservator’s personal bi
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Chesher, Andrew. "Phenomenology After Conceptual Art." In Eco-Phenomenology: Life, Human Life, Post-Human Life in the Harmony of the Cosmos. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77516-6_33.

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Conference papers on the topic "Conceptual art"

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Zhang Jian. "On sponsors and land art." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730793.

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Wenting Xie and Ren Peng. "Philosophy of art & arts in philosophy." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730806.

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Yanyan Wang, Weiping Hu, and Zhihao Zou. "The inheritance of minority art elements in Chinese designs." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730671.

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Guang-qun Yuan and Dong-ning Ben. "Combining art and science of the integration of designs." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730709.

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Wenwen Du and Xunxiang Li. "The development of Environmental Art in the inheritance and innovation." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730770.

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Lin Zi-bo and Li min. "The thinking of traditional art language being applied to innovation design." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730774.

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Toister, Yanai, and Nimrod Astarhan. "Spectral Choreographies: Electromagnetism after Conceptual Art." In Proceedings of Polititcs of the machines - Rogue Research 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/pom2021.25.

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Libin Yang, Yilai Zhang, and Hailin Li. "Decorative pattern design of ceramic based on cloud model and fractal art." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730704.

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Wei Peng. "The analysis to the Chu—art in the international cultural vision." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730766.

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Yun Gao. "Non-stable form using in environmental art design from the view of Gestalt aesthetics." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730705.

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Reports on the topic "Conceptual art"

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Galenson, David. Conceptual Revolutions in Twentieth-Century Art. National Bureau of Economic Research, 2009. http://dx.doi.org/10.3386/w15073.

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Galenson, David. A Conceptual World: Why the Art of the Twentieth Century is So Different From the Art of All Earlier Centuries. National Bureau of Economic Research, 2006. http://dx.doi.org/10.3386/w12499.

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Vivarelli, Marco, and Guillermo Arenas Díaz. New technologies and employment: the state of the art. UNU-MERIT, 2025. https://doi.org/10.53330/kffp5948.

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The relationship between technology and employment has long been a topic of debate. This issue is even more pertinent today as the global economy undergoes a technological revolution driven by automation and the widespread adoption of Artificial Intelligence. The primary objective of this paper is to provide insights into the relationship between innovation and employment by proposing a conceptual framework and by discussing the state of the art of the debates and analyses surrounding this topic.
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Ebringerová, Paulína, Peter Mazalán, and Michal Hronský. Fine art projects in architectural education: a tool for socio-critical reflection. WIETE Publications, 2025. https://doi.org/10.61544/vwck4333.

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The study of architecture, urban planning and design at technical universities primarily offers a rational, technology- and practice-oriented education. The offer of a conceptual and socially critical approach to creation is only represented to a low degree. Students create projects that take into account the latest technical, environmental and architectural trends, but receive few assignments or conceive their designs as specific philosophical statements critically examining current social and political phenomena, whether on a local or trans-regional scale. By implementing courses and seminar
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Lombardo, Franklin, Faiaz Khaled, Hadi Meidani, Jinhui Yan, and Jingling Ma. Feasibility Study and Conceptual Design of a Multi-Hazard Environmental Test Facility with a Wind Energy Example. Illinois Center for Transportation, 2024. http://dx.doi.org/10.36501/0197-9191/24-009.

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This report aims to identify opportunities for conducting research on enhancing the performance of sensors in autonomous vehicles in extreme weather and harnessing wind energy on highways in a proposed facility. This report will help researchers learn about the knowledge gaps in the current state of the art and maximize the research potential of the proposed facility.
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Nosenko, Yuliya H., Maiia V. Popel, and Mariya P. Shyshkina. The state of the art and perspectives of using adaptive cloud-based learning systems in higher education pedagogical institutions (the scope of Ukraine). [б. в.], 2019. http://dx.doi.org/10.31812/123456789/3246.

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The article deals with the problems of using adaptive cloud-based learning systems (ACLS) in the modern high-tech educational environment and expanding access to them as tools of educational and research activity at higher education pedagogical institutions in Ukraine. The conceptual apparatus of cloud-based adaptive learning systems application and design is considered; their main characteristics are revealed; the ways of their pedagogical application are described. The experience of Institute of Information Technologies and Learning Tools of NAES of Ukraine on designing and applying of the c
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Osadchyi, Viacheslav V., Hanna Y. Chemerys, Kateryna P. Osadcha, Vladyslav S. Kruhlyk, Serhii L. Koniukhov, and Arnold E. Kiv. Conceptual model of learning based on the combined capabilities of augmented and virtual reality technologies with adaptive learning systems. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/4417.

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The article is devoted to actual problem of using modern ICT tools to increase the level of efficiency of the educational process. The current state and relevance of the use of augmented reality (AR) and virtual reality (VR) technologies as an appropriate means of improving the educational process are considered. In particular, attention is paid to the potential of the combined capabilities of AR and VR technologies with adaptive learning systems. Insufficient elaboration of cross-use opportunities for achieving of efficiency of the educational process in state-of-the-art research has been ide
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Tintle, Nathan, Beth Chance, Laura Callis, and Jennifer McNally. Teaching Statistics via Active Investigations (Free Seminar). Instats Inc., 2025. https://doi.org/10.61700/chnzshtl0emoe1704.

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This comprehensive seminar, led by members of the NSF-funded Exploring the Art and Practice of Statistics Teaching (EAPOST) team, equips educators with innovative approaches for teaching introductory statistics, focusing on active learning, the statistical investigation process, and simulation-based inference. Participants will gain practical tools to enhance student engagement and conceptual understanding in the classes they teach, with insights tailored to diverse educational settings.
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Miller and Lane. L51669 Diverless Pipeline Repair Clamp-Phase II. Pipeline Research Council International, Inc. (PRCI), 1992. http://dx.doi.org/10.55274/r0010416.

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The general goal of the work described herein is to develop the capability to remotely repair minor leaks in pipelines residing in water depths beyond diver work depths. Wells are now being drilled and production facilities are being installed in these water depths at the time of this writing. A wide range of pipeline damage is conceivable. At the least severe end of the spectrum, leakage due to local corrosion or a latent weld defect is possible. More severe damage such as that caused by anchor snagging or mudslides would likely require a more extensive repair capability. This research is lim
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Wintenberg, A. L., P. L. Butler, S. M. Babcock, M. N. Ericson, and C. L. Jr Britton. Whole-arm obstacle avoidance system conceptual design. Office of Scientific and Technical Information (OSTI), 1993. http://dx.doi.org/10.2172/10152420.

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