Relevant bibliographies by topics / Conceptual art / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Conceptual art.

Dissertations / Theses on the topic 'Conceptual art'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Conceptual art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Goldwhite, Phil. "Frames ate the art, frames are the art, the camera is the art, the text is the art, the thing is the art, art is the art /." Online version of thesis, 1995. http://hdl.handle.net/1850/12203.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Weis, Kristin K. "Art as Negation: A Defense of Conceptual Art as Art." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461602608.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sutherland, Zoë Dominique. "A phenomenology of conceptual art." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/47228/.

Full text
Abstract:
This thesis emerges from and responds to certain recent philosophical writings on conceptual art, in particular from the British analytic tradition. Having identified a recent tendency implicit within this tradition towards an increasingly phenomenological reading of the ontology of the conceptual artwork, I aim to develop such ideas through an analysis of Heidegger's theory of art, and through a subsequent enquiry into its applicability to conceptual art. This will involve a lengthy analysis of several conceptual artworks on the basis of this theory. The thesis consists of three substantive c
APA, Harvard, Vancouver, ISO, and other styles
4

Hanson, Louise Mary. "Conceptual art : what is it?" Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e.

Full text
Abstract:
Conceptual Art (henceforth CA) has the peculiar status of being at once a neglected topic in philosophical aesthetics, and one on which a degree of philosophical weight disproportionate to the attention it has received is placed. On the one hand it is frequently mentioned by philosophers as a problematic case, one that general theories of art have difficulty dealing with, but on the other, there is a notable lack of philosophical research taking CA as its focus. It is largely taken as a given that CA is radically different from other art in various ways and thus poses problems for some of the
APA, Harvard, Vancouver, ISO, and other styles
5

Blacksell, Ruth. "Typography after conceptual art : text-based conceptual art and its contribution to contemporary typographic discourse." Thesis, University of Sheffield, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631696.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nijsse, Jennifer Jean. "Beauty: deepening an understanding of contemporary art, art practice and theory /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2100.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Drinkall, Jacquelene Ashley School of Art History &amp Theory UNSW. "Telepathy in contemporary, conceptual and performance art." Awarded by:University of New South Wales. School of Art History and Theory, 2005. http://handle.unsw.edu.au/1959.4/31097.

Full text
Abstract:
This thesis investigates the impact of telepathy and psi on conceptual and performance art from 1968. Emerging from the author???s art practice, the thesis argues telepathy is a key leitmotif and creative concern within much post 60s art, and has become central to the practice of a number of contemporary video, performance and new media artists. This thesis is composed of two interrelated parts: an exhibition of the artwork by the author concerning telepathic processes, and a written project which uses the major themes of the exhibition to frame an historical study of a number of key contempor
APA, Harvard, Vancouver, ISO, and other styles
8

Iwataki, Ana A. "Mythic Narratives: The Chronicling of Conceptual Art." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/pitzer_theses/1.

Full text
Abstract:
An exploration of the mythologized narratives that the work and lives of Conceptual artists Bas Jan Ader, Ana Mendieta, and Francis Alÿs have created and inspired. By virtue of their biographies, the fetishization of their personalities, and the ways in which this anecdotal information can be read in their work, mythologized narratives have been constructed, allowing for a prolonged interest existing within and without the confines of the art world. These mythologies come together as part of the oral tradition of the art world, a chronicling of narratives that incites continued interest for f
APA, Harvard, Vancouver, ISO, and other styles
9

Morton, Luise H. "Theories of three conceptual artists : a critique and comparison." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/425069.

Full text
Abstract:
Conceptual Art emerged as an international, avant-garde art movement in the mid-60s. Attacking the prevailing aesthetics of modern art, Conceptual artists claim that art lies not in the object itself but in the artist's idea or intention. Their asserted goals have been to combine theory with art and to eliminate the need for form in artworks. The purpose of this study was to examine and critique the key theoretical writings of three artists whose works have been recognized by the critics as significant and seminal for the Conceptual Art Movement: Joseph Kosuth, Sol LeWitt, and Terry Atkinson.H
APA, Harvard, Vancouver, ISO, and other styles
10

Shtromberg, Elena. "Conceptual encounters art and information in Brazil (1968-1978) /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1741085621&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Pereira, Medina Fernanda. "L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20034/document.

Full text
Abstract:
La thèse prétend discuter des analogies intimes révélées entre le travail de l’art conceptuel tel qu’il est conçu par Joseph Kosuth, comme un processus de production de sens, et le travail analytique tel qu’il est élaboré par Sigmund Freud. Elle travaille donc à partir de l’interface entre l’art et la psychanalyse comme deux expériences de production de signification. Elle interroge le sens à partir des particularités inhérentes à chacun des discours et des pratiques concernés, mais aussi à partir de ce qui semble les réunir, à savoir : les mécanismes impliqués dans la production de sens au se
APA, Harvard, Vancouver, ISO, and other styles
12

Rabe, Justin. "Art to Architecture: Translating Sol LeWitt." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1226377750.

Full text
Abstract:
Thesis (Master of Architecture)--University of Cincinnati, 2008.<br>Advisor: Vincent Sansalone. Title from electronic thesis title page (viewed Feb. 5, 2009). Includes abstract. Keywords: LeWitt; conceptual; architecture; series. Includes bibliographical references.
APA, Harvard, Vancouver, ISO, and other styles
13

Metzgar, Richard. "Contextual trappings : strategy of contradiction /." Online version of thesis, 1991. http://hdl.handle.net/1850/10943.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Soysal, Deniz. "Conceptual Background Of Truth Content Of Art In Gadamer." Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/3/12609689/index.pdf.

Full text
Abstract:
The following dissertation is an endeavor to put forward the conceptual background of Gadamer&rsquo<br>s assertion in Truth and Method that art has a truth value. This conceptual background includes many important concepts which are indispensable in understanding the assertion that art has a truth value. Second chapter is mainly concerned with Bildung and sensus communis. Bildung describes the nature of knowledge which flourishes in the character of the person and which changes that person by penetrating the personality of him. Sensus communis describes the relationship of truth with the power
APA, Harvard, Vancouver, ISO, and other styles
15

Narusevicius, Vytas. "Parallel processing : conceptual art in the age of revolt." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/58030.

Full text
Abstract:
This dissertation investigates Conceptual artists and their practices ranging from John Latham in 1966 to Hans Haacke in the early 1970s, with a particular focus on the link with educational institutions, student protest movements, and a desire for autonomy found in all three. It is through an analysis of the relationship between Conceptual art and the various notions of autonomy that result in a different way of understanding Conceptual art. Instead of perceiving Conceptual art as merely reflecting the social context of an administered society, or conversely of artist-intellectuals critiqui
APA, Harvard, Vancouver, ISO, and other styles
16

Cumberland, S. "Sensible signs : pictures and not painting after conceptual art." Thesis, University of Westminster, 2019. https://westminsterresearch.westminster.ac.uk/item/qq49w/sensible-signs-pictures-and-not-painting-after-conceptual-art.

Full text
Abstract:
This PhD by published work contributes to debates regarding aesthetics versus art history and theory. It provides a contextual review of anti-aesthetic legacies of pop and conceptual art developing from an understanding of modern art as de-humanized. The research is concerned with why, how and what to paint after conceptual art and proceeds by making a distinction between postconceptual painting and a return to painting. These themes are tested in the first of two of the author's solo exhibitions titled 'Four Circle Paintings'. The show consisted of lo-fi mechanical mono-chrome copies of gestu
APA, Harvard, Vancouver, ISO, and other styles
17

Morgan-Evans, T. J. "Towards an aesthetic of simultaneity : conceptual art and beyond." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1356298/.

Full text
Abstract:
This thesis argues that we reconsider the philosophical premises which prefigure our encounter with art today. The thematic of ‘simultaneity’ is proposed as one means which might enable this to be achieved. Mapping the notion of simultaneity’s constant presence in art and philosophy associated with Conceptual art after 1960, I look at how this un-examined modality lies at the core of some of our understandings of the subject, its object and the relationship between the two. I also consider how this theme leads us back towards a territory of possibility that re-invigors the claims and concerns
APA, Harvard, Vancouver, ISO, and other styles
18

Skrebowski, Luke. "Systems, contexts, relations : an alternative genealogy of conceptual art." Thesis, Middlesex University, 2009. http://eprints.mdx.ac.uk/6229/.

Full text
Abstract:
Recent scholarship has revisited conceptual art in light of its ongoing influence on contemporary art, arguing against earlier accounts of the practice which gave a restricted account of its scope and stressed its historical foreclosure. Yet conceptual art remains both historically and theoretically underspecified, its multiple and often conflicting genealogies have not all been convincingly traced. This thesis argues for the importance of a systems genealogy of conceptual art—culminating in a distinctive mode of systematic conceptual art—as a primary determinant of the conceptual genealogy of
APA, Harvard, Vancouver, ISO, and other styles
19

Raungpaka, Thirada. "conceptual packaging." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/975.

Full text
Abstract:
Packaging and package design is commonly thought of as a tool to attract the consumer to material goods. Packages, however, have other attributes. In Japan, packaging design is very charming because of the delicate selection of materials, images, and interaction. Different kinds of material provide different emotions and appeal to our sense of touch, which can be interpreted in many ways. Packaging lets us directly interact with an object and this experience becomes memorable and intimate. The combination of image and interaction creates another dimension of story telling. My creative project,
APA, Harvard, Vancouver, ISO, and other styles
20

Palmer, Daniel. "Exhibiting practice : retrospective survey exhibitions of conceptual art, 1989-2000." Thesis, Kingston University, 2007. http://eprints.kingston.ac.uk/20221/.

Full text
Abstract:
In recent decades, the retrospective survey exhibition has become one of the primary sites for the presentation of art historical propositions. This thesis examines the contribution of four such exhibitions to a history of Conceptual art: L'Art Conceptuel, Une Perspective (Paris, 1989); Reconsidering the Object of Art, 1965-1975 (Los Angeles, 1995-96); Global Conceptualism: Points of Origin, 1950s-1980s (New York, 1999); and Live in Your Head: Concept and Experiment in Britain, 1965-1975 (London, 2000). These exhibitions could not claim access to an objective and empirically verifiable categor
APA, Harvard, Vancouver, ISO, and other styles
21

Martin, Ariya. "In search of delicious /." Link to online version, 2005. https://ritdml.rit.edu/dspace/handle/1850/1109.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Stephen, Ann. "Looking through conceptual art : a dialogue between Ian Burn and his collaborators." Thesis, Queensland University of Technology, 2003.

Find full text
Abstract:
A monograph on Ian Burn poses major problems and opportunities for art historical inquiry. A central dilemma concerns the challenge that his Conceptual art raises for biography. How is it possible to turn a conversational practice into a monograph? In Looking Through Conceptual Art Bum's dialogical art is engaged in a series of imaginary and actual encounters with the work of other artists. The ten chapters mark out the passage of a life through a series of exchanges. Each chapter begins at a specific historical moment however its internal dynamic pursues a conversational rather than a tem
APA, Harvard, Vancouver, ISO, and other styles
23

Steiner, Tracy. "The trailer project /." Online version of thesis, 1995. http://hdl.handle.net/1850/12150.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Kalyva, Evanthia-Maria. "Image and text juxtapositions in conceptual art in Britain 1967-1972." Thesis, University of Leeds, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540567.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Patrick, Martin. "Im/possibilities : the development of Conceptual and Intermedial art in Poland." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324660.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Le, Roux Neil. "A case of emergence : autonomy and self-organisation in conceptual art practice." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86383.

Full text
Abstract:
Thesis (MA(VA))--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This thesis entails a practice-led theoretical discussion on generative art production within an ecological framework. It is based on my work in Eyemvelo Kosbos (2010- ), an interdisciplinary collaborative project geared toward food production within ecologically sound parameters. Acting in my capacity as live-in curator of this agroecological space, I have subsequently formulated a series of biological generative artworks known as Ecological Concept Objects (2011- ), which serve as the main practical component of this resear
APA, Harvard, Vancouver, ISO, and other styles
27

Harvie, Spencer I. "Zany Systems: Information Overload and Contemporary Art." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/411514.

Full text
Abstract:
Information overload and algorithmic systemisation have come to characterise our everyday experience. While this state of hyperconnectivity facilitates communication and instant retrieval of knowledge, our networked systems overwork and overwhelm us as users. In particular, the total integration of the Internet into lived experience has had undesirable effects on our workplaces, attention spans, decision-making and emotions. Workplace employees are expected to be contactable and productive at any time; the novelty produced by information feeds rewards inattention; algorithms choose songs, meal
APA, Harvard, Vancouver, ISO, and other styles
28

McCay, Rachel Marie. "Reframing Conceptual Art: The Case of Vija Celmins and Anna Maria Maiolino." Master's thesis, Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216596.

Full text
Abstract:
Art History<br>M.A.<br>My thesis establishes an alternative history of the development of Conceptual art in both the United States and Brazil. The work of U.S. artist Vija Celmins (b. 1938) and Brazilian artist Anna Maria Maiolino (b. 1942) serve as case studies to support my argument that post-war realism was an influential precedent for Conceptual art. Within the historiography of Conceptual art, scholars have maintained that nonrepresentational modes of expression serve as the movement's foundation and little consideration has been given to the influence of Pop-oriented strategies that empl
APA, Harvard, Vancouver, ISO, and other styles
29

Fenney, Lucia T. "Shattered epochs : a design of imagined realities /." Connect to online version, 2007. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2007/203.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Salinger, Victoria. "The Pont Neuf wrapped framing the bridge, bridging the frame /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/1055.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Delgado, Huitrón Cynthia Citlallin. "Boundaries transgressed : action-reaction-repercussion ; /." Connect to online version, 2009. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2009/369.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Bowles, John Parish. "Bodies of work autobiography and identity in Adrian Piper's conceptual and performance art /." [S.l. : s.n.], 2002. http://catalog.hathitrust.org/api/volumes/oclc/53916455.html.

Full text
Abstract:
Thesis (Ph.D.)--University of California, Los Angeles, 2002.<br>Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 238-256).
APA, Harvard, Vancouver, ISO, and other styles
33

Varas, Alarcón Paulina. "Cartografía crítica del conceptualismo en América Latina : 1960-1980." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/399648.

Full text
Abstract:
Esta investigación se enfoca en el complejo territorio que determina las prácticas artísticas en el periodo comprendido entre 1960 y 1980 donde tuvo lugar el desarrollo de los conceptualismos. Ha habido una serie de tránsitos, desplazamientos, exilios y problemáticas que mueven las fronteras y se desbordan hacia otras territorialidades que exceden el orden mundial que mantuvo al conceptualismo en un lugar fijo. Este estudio indaga en los siguientes puntos: Los itinerarios de la noción conceptualismo ideológico desde sus orígenes y usos posteriores; Los debates que relacionan discursos, momento
APA, Harvard, Vancouver, ISO, and other styles
34

Lininger, Taylor. "Art-making in practice: achieving optimal creativity during the conceptual design process." Kansas State University, 2016. http://hdl.handle.net/2097/32655.

Full text
Abstract:
Master of Landscape Architecture<br>Department of Landscape Architecture/Regional and Community Planning<br>Laurence A. Clement<br>There can be no design product without a design process to achieve it; how we design is just as important as what we design. If landscape architects engage creative activities at work, they may be able to achieve flow, "an optimal and positive state of mind during which key individuals are highly motivated and engrossed" (Fullagar, Knight, and Sovern 2013, 236). Individuals experiencing flow find themselves in situations with challenge/skill balance, intrinsic moti
APA, Harvard, Vancouver, ISO, and other styles
35

Garber, Elizabeth Jessie. "Feminist polyphony : a conceptual understanding of feminist art criticism in the 1980s /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487671640055385.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Hall, Pauline A. "Integrating Art Therapy and Emotionally Focused Therapy with Couples: A Conceptual Framework." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/1003.

Full text
Abstract:
This qualitative study examines how art interventions are aligned and integrated with emotionally focused therapy (EFT; Johnson, 2020) in the treatment of relational distress with couples. EFT is a brief humanistic evidence-based treatment, grounded in attachment theory, with experiential and systemic approaches to intervention that engage underlying emotion to create more secure bonds. Notably scant literature exists blending art-based and verbal approaches in EFT, despite the importance of verbal imagery in EFT intervention and the experiential nature of expressive therapies. In this study,
APA, Harvard, Vancouver, ISO, and other styles
37

Spencer, Joëlle. "Monsters under the bed." Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1393.

Full text
Abstract:
Thesis (M.F.A.)--West Virginia University, 2000.<br>Title from document title page. Document formatted into pages; contains iv, 17 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 15).
APA, Harvard, Vancouver, ISO, and other styles
38

Lauritis, Beth Anne. "Lucy Lippard and the provisional exhibition intersections of conceptual art and feminism, 1970-1980 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1925733141&sid=11&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Leidig-Farmen, Pamela. "Glimpses of grief." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/845931.

Full text
Abstract:
The purpose of this creative project was to represent the structure and dynamics of the emotion of grief through a visual medium. Grief, as a process that occurs over time, is usually represented sequentially and verbally as in the writings of Elisabeth Kubler-Ross. This project depicts the stages of grief by representing them both sequentially and simultaneously from a first person point of view by means of a visual medium, (i.e., videotape) in order to emotionally and personally involve the viewer in the process.The creative project is comprised of four video tapes each differing in length.
APA, Harvard, Vancouver, ISO, and other styles
40

Devrome, Kelly. "The Oneiric Veil in contemporary Australian art." Thesis, University of Ballarat, 2012. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.

Full text
Abstract:
The Oneiric Veil in Contemporary Australian Art researches the use of the veil in modernist art and its generative capacity to visually evoke an oneiric space. The oneiric veil is a lens through which current conceptual approaches and practices in contemporary visual art can be understood. More precisely, the oneiric veil delineates an intermediary space present in current visual culture. Therefore, the research surveys the veil sign and applications of it employed by artists from an extended historical period to demonstrate connections that link the veil to the oneiric through traditional pra
APA, Harvard, Vancouver, ISO, and other styles
41

López, Aguayo Josefina. "Instalaciones artísticas de interacción: el espacio de la metáfora." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/384322.

Full text
Abstract:
Con origen en la experimentación y surgidas a principios del siglo XX, las instalaciones artísticas interactivas devienen una nueva forma de expresión. Recientemente, gracias a los avances en robótica, inteligencia artificial y neurociencia, tales instalaciones alcanzan un nivel de alta sofisticación en la relación humano-máquina. Para estos espacios 'inteligentes' uso el término: Instalaciones Artísticas de interacción performática (IAI-P). Lo novedoso de estos entornos ha hecho que no hayan estudios que los analicen desde la perspectiva del agente. Con el objetivo de explorar este problema,
APA, Harvard, Vancouver, ISO, and other styles
42

Hartigan, Patrick Art College of Fine Arts UNSW. "Within words, without words." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43083.

Full text
Abstract:
This paper centres in and around words. I have incorporated words into my recent work in a variety of ways including drawing, Letraset, sound and fiction writing. The philosophical questions which arise through any use of language and the various ways of adopting these questions and words within a 'visual art' context is considered in a number of ways. These include The Voyager Interstellar Space Mission which was humankind's first attempt to communicate with other hypothesized populations, conceptual word-incorporating artists, writers of fiction and philosophers within whose work can readily
APA, Harvard, Vancouver, ISO, and other styles
43

Doyle, Kaitlin Cavanaugh. "EXQUISITE MIND, EUPHORIC KNOWING: SOUND, LANGUAGE, AND CONSCIOUSNESS IN EXPERIMENTAL MUSIC AND CONCEPTUAL ART AFTER 1960." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case152293207480721.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Saladino, Anthony Terrence. "An analysis of the practices of conceptual art with implications for music education." Scholarly Commons, 1989. https://scholarlycommons.pacific.edu/uop_etds/3175.

Full text
Abstract:
Purpose: The purpose of this dissertation is to investigate the hypothesis that the practices of conceptual art have implications for music education. Procedure for the Study: After an introduction in which conceptual art is described and defined as a modern experiential art form, the study includes: 1. presentation of historical antecedents for conceptual art; 2. description of the development of conceptual art and its various practices, chronologically; 3. comparison and contrast of five extant theories of art with conceptual art in order to demonstrate conceptual art's apparent inexplicabil
APA, Harvard, Vancouver, ISO, and other styles
45

Bowles, John Parish. "Bodies of work : autobiography and identity in Adrian Piper's conceptual and performance art." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Coll_Diss_01.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Morawetz, Sara. "Measuring by Measuring Against: A Consideration of Scientific Methods in Conceptual Art Practices." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/28214.

Full text
Abstract:
The entanglement of conceptual art practices, analytical philosophy and scientific enterprise is a unique provocation — exploring ideas of transference between the visual, the theoretical and the abstract. In this thesis, conducted in the dual modes of empirical (practice-led) and critical research, I aim to unpack these interrelationships — advocating for the recognition of a common, underlying methodological basis that cuts across disciplinary boundaries and activates disparate conceptual concerns. Traversing the historical lineage of conceptual praxis, I present Duchamp’s proto-experimental
APA, Harvard, Vancouver, ISO, and other styles
47

Lacy, Stephen W. "The sandbox line." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1045636.

Full text
Abstract:
This Creative Project documents and explains the significance of the exhibition space known as the Sandbox and its members. The goal was to bring together a cohesive body of work that commemorated the people and events related to the Sandbox gallery. This was accomplished by using a variety of materials and tools including video tape, slides, bronze, paint, silk-screens, and super 8 film, to name a few.<br>Department of Art
APA, Harvard, Vancouver, ISO, and other styles
48

Pereira, Medina Fernanda. "L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud." Electronic Thesis or Diss., Rennes 2, 2017. http://www.theses.fr/2017REN20034.

Full text
Abstract:
La thèse prétend discuter des analogies intimes révélées entre le travail de l’art conceptuel tel qu’il est conçu par Joseph Kosuth, comme un processus de production de sens, et le travail analytique tel qu’il est élaboré par Sigmund Freud. Elle travaille donc à partir de l’interface entre l’art et la psychanalyse comme deux expériences de production de signification. Elle interroge le sens à partir des particularités inhérentes à chacun des discours et des pratiques concernés, mais aussi à partir de ce qui semble les réunir, à savoir : les mécanismes impliqués dans la production de sens au se
APA, Harvard, Vancouver, ISO, and other styles
49

Crippa, Elena. "When art schools went conceptual : the development of discursive pedagogies and practices in British art higher education in the 1960s." Thesis, Birkbeck (University of London), 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694640.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Langille, Nicole. "Of Measure and Material." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Conceptual art' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography