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Pérez, i. Brufau Roger. "Conceptual Metaphor Theory and Sartre's Philosophy." Doctoral thesis, Universitat Autònoma de Barcelona, 2010. http://hdl.handle.net/10803/4854.
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Aquesta tesi se centra en la Teoria de la Metàfora Conceptual i la filosofia experiencialista de George Lakoff and Mark Johnson i en la filosofia existencialista de Jean-Paul Sartre.En el primer capítol estudiem les obres de Lakoff i Johnson sobre la Metàfora (1980, 1999) i també fem una revisió crítica de les més importants reformulacions, ampliacions i crítiques que ha rebut la teoria.
En el segon capítol fem una comparació entre experiencialisme i existencialisme a través del concepte d'imaginació un element clau en ambdues teories.
En el tercer i darrer capítol examinem les metàfores centrals que podem descobrir en el llibre més important de l'existencialisme: L'être et le Néant de Jean-Paul Sartre (1943a). Com si es tractés d'un nou capítol de Lakoff & Johnson (1999) centrarem la nostra atenció en aquest importantíssim llibre de Sartre per tal de descobrir quines metàfores sostenen el seu sistema. L'anàlisi es basarà en la teoria de la Metàfora Conceptual (tal com es presenta a Lakoff & Johnson 1999) i en la idea clau en aquest mateix llibre que la metàfora és una habilitat essencial que ens permet construir sistemes filosòfics.
Finalment, un apartat de conclusions tancarà la tesi per tal de recollir les principals propostes que han estat defensades al llarg del treball.
This dissertation deals with Conceptual Metaphor Theory and Experientialist philosophy by George Lakoff and Mark Johnson and Existentialist philosophy by Jean-Paul Sartre.
In the first chapter we study Lakoff and Johnson's works on Metaphor (1980, 1999) and we also do a critical review of the most important revisions, extensions and criticisms related to the theory.
In the second chapter we do a comparison between experientialism and existentialism by means of the concept of imagination a key component of both theories.
In the third and last chapter we examine the central metaphors that we can discover in the most important book of existentialism: Jean-Paul Sartre's (1943a) L'être et el Néant. As though it were another chapter in Lakoff & Johnson (1999) we will pay attention to this very important book of Sartre's in order to discover which metaphors sustain his system. The analysis will be based on Lakoff & Johnson's Conceptual Metaphor Theory and Lakoff & Johnson's (1999) key idea that metaphor is an essential skill that allows us to build philosophical systems.
Finally, a part of Conclusions will close the dissertation in order to summarize the key proposals defended throughout the work.
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Thomas, Beth A. "Complicating Metaphor: Exploring Writing About Artistic Practice Through Lacanian Psychoanalytic Theory and Conceptual Metaphor Theory." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1264986315.
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Daoud, Atef Tag El-din Agami. "Applying conceptual metaphor theory to figurative language teaching." Thesis, University of Brighton, 2010. https://research.brighton.ac.uk/en/studentTheses/af8ced29-ad1f-40d9-a691-e747b6ec70b2.
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Lavanty, Brittany. "Describing Emotions: Major Depressive Disorder and Conceptual Metaphor Theory." Case Western Reserve University School of Graduate Studies / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=case1428942943.
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Custer, Matthew Park. "Isomorphic aspects of conceptual metaphor in music analysis." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4602.
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Metaphor is an important tool for describing musical structure and interpretation. Recent research suggests that metaphor goes beyond a linguistic device; we use conceptual metaphor frameworks and cross-domain mapping based upon our embodied experiences to understand our world around us. I review the linguistic origins of metaphor theory and show how the purview of metaphor theory has recently extended into cognitive domains through a case study, primarily using the work of metaphor scholar Zoltán Kövecses. I then review how two prominent music theorists--Michael Spitzer and Lawrence Zbikowski--have developed current theories of metaphor to refine their approach to music analysis. These sources provide an effective backdrop into my case study of isomorphic conceptual underpinnings of metaphors used in two prominent analytical essays in music theory, Donald F. Tovey's, "Tonality" and David Lewin's "Music Theory, Phenomenology, and Modes of Perception." Finally I utilize conceptual metaphor and cross-domain mapping to support my analysis of the tonal role of C♯/D♭ in Beethoven String Quartet No. 7 in F Major, op. 59, no. 1, first movement, and hexatonic cycles in Schubert Piano Trio in E♭ Major, D. 929, first movement. My analyses aim to elucidate the isomorphic aspects of evocative and useful metaphors in music analysis that help us engage with music in a deeper, nuanced manner.
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Sebastian, Prem. "Exploring the boundaries of embodied cognition and conceptual metaphor theory." Phd thesis, Australian Catholic University, 2021. https://acuresearchbank.acu.edu.au/download/05a90c02d0e0eb2876f2e99ba189ec7dab4e9a2371c40e0ac2c9a5f38c970780/2437742/Sebastian_2021_Exploring_the_boundaries_of_embodied_cognition_%5BREDACTED%5D.pdf.
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Embodied cognition is an approach to cognition which suggests that our bodies and their actions play a fundamental role in the processing of information including perception, planning, feeling, and even decision making. While research includes some strong theoretical work, there is a tendency in this literature to focus on novel effects and there is limited rigorous and systematic programs of inquiry. The current thesis endeavours to address this weakness of the literature by examining the boundaries and limitations of an established effect. This is achieved in this thesis by a meta-analysis, and two empirical studies designed to replicate and extend research on the embodied fishiness-suspicion conceptual metaphor. The results of the meta-analysis indicated that gustatory metaphor consistent embodied effects typically demonstrate moderate to large effect sizes in the predicted (i.e., metaphor consistent) direction. The findings from a broad range of bias tests suggest that these effects are generally robust to publication bias. The results of the first empirical study replicated the previous finding that incidental exposure to a fishy smell elicited suspicion related behaviour in line with the metaphor “something smells fishy”. Consistent with the original experiments, exposure to a fishy smell undermined cooperation (i.e., Public Goods game; Lee & Schwarz, 2012), and improved performance in cognitive decision making (i.e., Wason Rule Discovery Task; Lee et al., 2015). In addition to the replication predictions, it was predicted that certain traits (i.e., distrust) would interact with the embodied effects (i.e., fishy smell) on the various outcome variables (i.e., Public Goods Game/social trust), unexpectedly it was found was that the embodied effects were sufficient to override the traits that were measured. The final study examined the effect of using visual fishiness cues instead of olfactory ones in the fishiness-suspicion paradigm. I predicted that I would find results consistent with the previous research (i.e., Lee et al., 2015; Lee & Schwarz, 2012), and my first empirical study. However, the results failed to support my hypotheses. The discussion focusses on the implications of these findings, and suggestions for future research.
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Stöver, Hanna. "Metaphor and relevance theory : a new hybrid model." Thesis, University of Bedfordshire, 2010. http://hdl.handle.net/10547/145619.
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This thesis proposes a comprehensive cognitive account of metaphor understanding that combines aspects of Relevance Theory (e.g. Sperber & Wilson 1986/95; Carston 2002) and Cognitive Linguistics, in particular ideas from Conceptual Metaphor Theory (e.g. Lakoff & Johnson 1980; Lakoff 1987; Johnson 1991) and Situated Conceptualization (e.g. Barsalou 1999; 2005). While Relevance Theory accounts for propositional aspects of metaphor understanding, the model proposed here additionally accounts for nonpropositional effects which intuitively make metaphor feel ‗special‘ compared to literal expressions. This is achieved by (a) assuming a further, more basic processing level of imagistic-experiential representations involving mental simulation patterns (Barsalou 1999; 2005) alongside relevance-theoretic inferential processing and (b) assuming processing of the literal meaning of a metaphorical expression at a metarepresentational level, as proposed by Carston (2010). The approach takes Tendahl‘s ‗Hybrid Theory of Metaphor‘ (2006), which also combines cognitive-linguistic with relevance-theoretic ideas, as a starting point. Like Tendahl, it incorporates the notion of conceptual metaphors (Lakoff & Johnson 1980), albeit in a modified form, thus accounting for metaphor in thought. Wilson (2009) suggests that some metaphors originate in language (as previously assumed by Relevance Theory) and others originate in thought (as previously assumed within Cognitive Linguistics). The model proposed here can account for both. Unlike Tendahl, it assumes a modular mental architecture (Sperber 1994), which ensures that the different levels of processing are kept apart. This is because each module handles only its own domain-specific input, here consisting of either propositional or imagistic-experiential representations. The propositional level, which remains the dominant processing route in utterance 3 understanding, as in Relevance Theory, receives some input from the imagistic-experiential level. This is mediated at a metarepresentational level, which turns the imagistic-experiential representations into propositional material to be processed at the inferential level in the understanding of literal expressions. In metaphor understanding, however, the literal meaning is not processed as meaning-constitutive content. As a result, the imagistic-experiential aspects of the literal meaning in question are not processed as propositional input. Rather, they are held at the metarepresentational level and experienced as strong impressions of the kind that only metaphors can communicate.
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Benchetrit, Louise Kate. "Conceptualising the coronavirus pandemic: a corpus linguistic study of metaphors in Italian, British and French coronavirus press discourse." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/22912/.
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As the number of coronavirus cases increased globally, governments started to introduce restrictive measures which many individuals had never experienced before. Heads of state started to use expressions referring to ‘war’, encouraging citizens to help the ‘fight’ against the ‘invisible enemy’. In the cognitive linguist approach, metaphors are believed to involve the ‘thinking’ as well as the ‘talking’ (or writing) of one thing in terms of another. That is, similarities (or correspondences) are perceived between two different ‘domains’ such as ‘covid-19’ and ‘war’. Therefore, ‘fighting the disease’ can be ‘translated’ into ‘reducing infection, illness and death’.
This dissertation aims to identify metaphorical expressions, and the associated conceptual mappings, in the coronavirus media discourse of three countries – Italy, France, and the United Kingdom – over the period of the ‘first wave’. If metaphorical expressions can highlight how we ‘think’ about an event, it is interesting to investigate if all three countries are ‘thinking’ about the novel coronavirus in the same terms. In order to tackle this question, this dissertation has five chapters. First, the cognitive linguistic approach to metaphors is discussed, focusing on Conceptual Metaphor Theory (CMT). In chapter two we turn to the corpus linguistic approach and its application to metaphor research. On the basis of this theoretical background, chapter three introduces the methodology employed for this study. Chapter four presents the main results for English, French and Italian. In particular, this study found that the coronavirus is conceptualised as WAR, SUBSTANCE IN MOVEMENT, SUBSTANCE IN A CONTAINER, and OBSTACLE in all three language corpora, while WATER, FAMILY and POSSESSION are unique to the French, Italian and English samples, respectively. Finally, chapter five discusses the findings and the limitations of this study, closing with possible directions for future research.
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Johansson, Anna. "Conceptual Metaphors in Lyrics by Leonard Cohen." Thesis, Umeå universitet, Institutionen för språkstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-125400.
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The purpose of this study is to find and analyse conceptual metaphors in the lyrics, A Thousand Kissed Deep, Here It Is, and Boogie Street from the album Ten New Songs (2001) by Leonard Cohen using Conceptual Metaphor Theory (CMT). In order to detected the conceptual metaphors, the source and target domains were identified. Conceptual metaphors were found by mapping source domains onto target domains and viewing the lexical expressions in the lyrics. The result and analysis of the findings in this study show that linguistic expressions of LOVE, LIFE and DEATH are conceptually present in the lyrics.
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Hafner, Táboas Amalia. "Dibújame internet: una exploración, desde el análisis de metáforas, de las definiciones de los maestros sobre internet." Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/667612.
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Esta tesis aborda las representaciones de los maestros sobre internet mediante la identificación y análisis de las metáforas construidas para definirlo. Prestamos especial atención a la presencia de emociones en las metáforas -verbales y visuales- elicitadas en el marco de esta investigación. Argumentamos a favor del tratamiento de las metáforas como un recurso de gran utilidad para comprender cómo se piensa -y cómo se siente- sobre las tecnologías digitales, qué expectativas se depositan en ellas y qué acciones se habilitan con ellas. Esta investigación es un aporte teórico y metodológico al ámbito de la investigación y formación en educación mediática.This thesis addresses the teachers’ representations of the internet through the identification and analysis of the metaphors they use to define it. This research pays special attention to the emotions present in the elicited metaphors -verbal and visual-. The analysis advocates for the use of metaphors as very useful resources to understand how people think -and feel- about digital technologies, the expectations they raise and the actions they enable. This research aims at contributing, theoretically and methodologically, to the field of media education.
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Törmä, Kajsa. "Refugees in British Media Coverage : A Study of Dehumanizing Conceptual Metaphors." Thesis, Umeå universitet, Institutionen för språkstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-136691.
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This study exemplifies, analyses and discusses the conceptual metaphors refugees are water and refugees are animals in British media discourse. In order to do this, examples of linguistic tokens of the metaphors were collected from four of the biggest newspapers in Britain; Daily Mail, The Sun, The Guardian and The Daily Telegraph. Linguistic tokens of the metaphors were found in all of the newspapers. The tokens of refugees are animals often appeared within quotation marks, whereas the refugees are water tokens appeared mostly unmarked, implying that refugees are water is more conventionalized than refugees are animals. The analysis of the tokens showed how different aspects of refugees are either highlighted or hidden when it is conceptualized in terms of water or animals. In the process of highlighting/hiding certain aspects of refugees, the refugees are dehumanized.
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Fischer, Carolin. "The Flood of Refugees in our Heads: Metaphorical Framing of Refugees in German Newspaper Discourse." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1563357692101357.
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Meloche, Joseph. "A conceptual study on perceptions of information seeking activity." Access electronically, 2006. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20070104.144337/index.html.
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JIANG, Yicun. "What is “meta-” for? : a Peircean critique of the cognitive theory of metaphor." Digital Commons @ Lingnan University, 2017. https://commons.ln.edu.hk/eng_etd/14.
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My thesis aims to anatomize the cognitive theory of metaphor and suggests a Peircean semiotic perspective on metaphor study. As metaphorical essentialists, Lakoff/Johnson tend to universalize a limited number of conceptual metaphors and, by doing this, they overlook the dynamic relation between metaphorical tenor and vehicle. Such notion of metaphor is not compatible with the polysemous nature of the sign. The diversity and multivalency of metaphorical vehicle, in particular, cast serious doubts on the hypothesis of “conceptual metaphors” which, being meta-metaphorical constructs, can tell us nothing but a dry and empty formula “A is B”. Consequently, Lakoff/Johnson’s notion of conceptual metaphor is very much a Chomskyan postulation. Also problematic is the expedient experientialism or embodied philosophy they have put forward as a middle course between objectivism and subjectivism. What is missing from their framework is a structural space for dynamic interpretation on the part of metaphor users. In contrast, cognitive linguists may find in Peirce’s theory of the sign a sound solution to their theoretical impasse. As a logician, Peirce sees metaphor as the realization of iconic reasoning at the language level. His exposition on iconicity and iconic reasoning has laid a solid foundation upon which may be erected a fresh epistemology of metaphor fit for the contemporary study of language and mind. Broadly speaking, metaphor in Peirce can be examined from roughly two perspectives. Macroscopically, metaphor is an icon in general as opposed to index and symbol, whereas, microscopically, it is a subdivided hypoicon on the third level as opposed to image and diagram. Besides, Peirce also emphasized the subjective nature of metaphor. Semioticians after Peirce have further developed his theory on metaphor. For example, through his concept of “arbitrary iconicity”, Ersu Ding stresses the arbitrary nature of metaphorization and tries to shift our attention away from Lakoff/Johnson’s abstract epistemological Gestalt to the specific cultural contexts in which metaphors occur. Umberto Eco, on the other hand, sees interpretation of signs as an open-ended process that involves knowledge of all kinds. Encyclopedic knowledge thus serves as unlimited source for metaphorical association. For Eco, the meaning of a metaphor should be interpreted in the cultural framework based on a specific cultural community. Both Ding’s and Eco’s ideas are in line with Peirce’s theoretical framework where the meaning of a metaphor depends on an interpreter in a particular socio-historical context. They all realize that we should go beyond the ontology of metaphorical expressions to acquire a dynamic perspective on metaphor interpretation. To overcome the need for presupposing an omnipotent subject capable of knowing the metaphor-in-itself, we turn to Habermas’s theory of communicative action in which the meaning of metaphor is intersubjectively established through negotiation and communication. Moreover, we should not overlook the dynamic tension between metaphor and ideology. Aphoristically, we can say that nothing is a metaphor unless it is interpreted as a metaphor, and we need to reconnect metaphors with the specific cultural and ideological contexts in which they appear.
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Borrelli, Sara E. "The kaleidoscopic midwife : a conceptual metaphor illustrating first-time mothers' perspectives of a good midwife : a grounded theory study." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/31006/.
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Background: The literature review reveals information about what makes a good midwife from several perspectives. However, there is a dearth of knowledge around women’s perceptions of a good midwife in different birthplaces. Aim. The aim of the study was to explore and explain first-time mothers’ expectations and experiences of a good midwife during childbirth in the context of different places of birth. Methods: A qualitative grounded theory methodology was undertaken. Fourteen first-time mothers planning to birth in different settings in England (Home, Freestanding Midwifery Unit, Obstetric Unit) were recruited. Data were collected through two semi-structured interviews for each participant (before and after birth). Data analysis included the processes of coding and conceptualising data, with constant comparison between data, literature and memos. Ethical approval was gained. Informed consent was obtained from participants and women were free to decline participation or to withdraw at any time. Confidentiality was guaranteed. Findings: The model named ‘The kaleidoscopic midwife: a conceptual metaphor illustrating first-time mothers’ perspectives of a good midwife’ was developed. The model is dynamic and woman-centred, operationalised as the midwife’s characteristics that should adapt to each woman’s individual needs in the context of each specific labour, irrespective of the birth setting. Four pillars of care are encompassed in the care provided by a good midwife in the labour continuum: promoting individuality; supporting embodied limbo; helping to go with the flow; providing information and guidance. As a kaleidoscopic figure, a good midwife should be multi-coloured and ever changing in the light of the woman’s individual needs, expectations and labour journey (e.g. stage of labour and events occurring during childbirth), in order to create an environment that enables her to move forward despite the uncertainty and the expectations-experiences gap. The following elements are harmonised by the kaleidoscopic midwife: relationship-mediated being; knowledgeable doing; physical presence; immediately available presence. Conclusion: The model presented has relevance to contemporary debates about quality of care and place of birth and can be used by midwives to pursue excellence in caring for labouring mothers. Independently from the place of birth, when the woman is cared for by a midwife demonstrating the above characteristics, she is more likely to have an optimum experience of birth.
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Rashid, Daniel. "Metaforer inom personlig utveckling : En metaforanalys av berömda inspirationsföreläsare." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-44498.
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Personal development is a rapidly growing industry. Nearly half of the world’s population has met with a psychiatrist, psychologist or psychotherapist, which indicates that what these people say has an enormous impact on our society. In my study I will scrutinize the view of the world which is presented by four of the world’s most successful gurus in the industry of personal development: Steve Jobs, David Goggins, Denzel Washington and Tony Robbins. This will be done by analyzing their use of metaphors as well as the potential consequences these might have for the listeners. I have analyzed the metaphors in accordance with Lakoff and Johnson’s conceptual metaphor theory (CMT) and compared the results with each other. My results show that all of these gurus use the metaphor LIFE IS A JOURNEY, which can generate motivation. They also see motivation as fluent, that is, as something which comes and goes. This can also be considered to have motivating effects. Another interesting finding is that our results are described as consequences of our decisions, which the psychologist Julian Rotter calls internal locus of control. This has been shown to increase performance and responsibility.
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Eriksson, Ingrid. "Retaining or losing the conceptual metaphor : A study on institutional translation of metaphors in political discourse from English into Swedish and Spanish." Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-171437.
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The translation of metaphors has been analyzed and discussed for several decades, but there are not many multilingual studies that examine how metaphors are translated. The present study takes a cognitive approach to metaphor and investigates how translators at the European Commission handle metaphorical expressions and the underlying conceptual metaphors in political discourse. The source text is the English language version of the policy document A European Agenda on Migration, and the Swedish and Spanish language versions of it are included as target texts. The study identifies the conceptual metaphors that conceptualize migration and other topics that are closely related to the European migrant and refugee crisis of 2015 and the translation procedures that are used. A total of six translation procedures were found in the target texts, and the most used procedure in the Spanish target text was to retain both the conceptual metaphor and the metaphorical expression, whereas the most used procedure in the Swedish target text was to replace the metaphorical expression with a completely different one and thereby using a different conceptual metaphor. The parallel analysis of all three language versions also revealed that non-metaphorical expressions in the source text were occasionally replaced with metaphorical expressions in the target texts, which proves that adding a conceptual metaphor is one of many translation procedures. The most frequently used source domains in the source text, i.e. water, enemy and applied force, were transferred to both target texts. Some source domains were eventually lost, but a couple of new ones, such as disease and weight, were added instead.
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Olofsson, Malin. "En kognitiv semantisk analys av partikelverbet gå upp: : Conceptual Metaphor Theory (CMT) kontra Principled Polysemy Approach to Meaning Analysis (PPAMA)." Thesis, Örebro University, Department of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1881.
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This essay examines the differences and similarities, weaknesses and strengths of the two Cognitive Semantic theories Conceptual Metaphor Theory and Principled Polysemy Approach to Meaning Analysis. To illustrate the two theories, the Swedish verb-particle construction "gå upp" is examined and analyzed accordingly. The results showed differences in the number of polysemous meaning found. The methodological evaluation showed that the differences in the underlying ideas concerning meaning-construction behind these two theories make them incompatible.
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Shopin, Pavlo. "From injury to silence : metaphors for language in the work of Herta Muller." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/267470.
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Herta Müller represents physical suffering and repression in her works, often reflecting on the regime of Nicolae Ceaușescu, and her constant interest in language and reflexivity towards writing have led her to develop sophisticated metaphors that she uses to illuminate language and its functioning under such subjugation. With reference to her fiction and non-fiction, I demonstrate how she uses concrete ideas to understand linguistic phenomena. She evokes injury, destruction, force, life, space, touch, silence, and other bodily experiences to make sense of language in the condition of suffering from social oppression. Drawing on conceptual metaphor theory within the framework of cognitive literary studies, I argue that Müller both relies on and estranges the ways in which people speak and think about language. Language is imagined differently depending on the circumstances and in close relationship with various sensory experiences. The complexity of the relationship between language and thought problematises the process of metaphor building and makes it difficult to identify its key aspects across different contexts and sensory modalities. Müller’s tropes are easy to experience, but difficult to analyse. The idea of language does not exist as a stable concept and is regularly reimagined in her texts; but its meaning is not arbitrary and depends on bodily experience. While Müller evokes such experience to understand language in the condition of suffering, she can also use linguistic concepts to elucidate more abstract ideas. Language can be regarded as an abstract or concrete phenomenon depending on the relevant bodily, linguistic, and cultural contexts. This project contributes to the study of Müller’s poetics as well as to the literary critical interpretation of embodied cognition, and develops the use of conceptual metaphor theory for literary analysis. It also seeks to develop understanding of the role of bodily experience in the metaphorical conceptualisation of language.
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Abrão, Jorge Antonio de Moraes. "A Metáfora no Processo de Interação On-Line: uma abordagem semiótica e cognitiva." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27152/tde-14032019-165020/.
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Partindo da ideia de ciberespaço como lugar de interação social, neste trabalho, propomos uma reflexão sobre os processos de produção de significados presentes nas redes sociais. Com esse intuito, buscamos, a partir de uma abordagem inter ou multidisciplinar, entender o papel das metáforas na construção de significados, e como estes podem ser manipulados em um processo interpretativo. Consideramos que se por um lado, na semiótica peirceana, a metáfora pode ser vista como um como um mecanismo responsável pelo crescimento semiótico, devido à transferência de predicados entre símbolos. E, por outro, na Teoria da Metáfora Conceptual, a metáfora é tida como fator indispensável do pensamento e comportamento humano, influenciando como percebemos e compreendemos o mundo e as coisas. É, então, necessário aproximar as duas visões, de modo a promover um maior entendimento desse fenômeno. Assim, apresentamos, primeiramente, alguns pontos principais do que entendemos como signo metafórico, passando para uma síntese da teoria cognitivista para expor aquilo que consideramos como alguns lugares de convergência e relação entre as perspectivas. Em seguida, procuramos estabelecer um debate sobre a interação nas redes sociais na atualidade utilizando as premissas básicas do Interacionismo Simbólico como propostos pelo pensador americano Herbert Blumer. Baseados nesse tripé teórico, voltamos nossa atenção como um mesmo acontecimento é significado e ressignificado nas redes sociais a fim de entender o funcionamento desses processosStarting from the idea of cyberspace as a place of social interaction, in this work, we propose a reflection on the processes of production of meanings present in social networks. With this aim, we seek, from an inter/multidisciplinary approach, to understand the role of metaphors in the construction of meanings, and how they can be manipulated in an interpretative process. We consider that if, on the one hand, in Peircean semiotics, the metaphor can be seen as one as a mechanism responsible for the semiotic growth, due to the transfer of predicates between symbols. On the other hand, in the Theory of Conceptual Metaphor, the metaphor is understood as an indispensable factor of human thought and behavior, influencing how we perceive and understand the world and things. It is then necessary to approach the two visions, in order to promote a greater understanding of this phenomenon. Thus, we present, first, some main points of what we understand as the metaphorical sign, moving to a synthesis of cognitive theory to expose what we consider as some places of convergence and relationship between perspectives. Next, we try to establish a debate about the interaction in social networks in the present time using the basic premises of the Symbolic Interactionism as proposed by the American thinker Herbert Blumer. Based on this theoretical tripod, we turn our attention to one event. and how it was signified and re-signified in the social networks, aiming to understand the functioning of these processes.
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Kostetskaya, Anastasia G. "The Water of Life and the Life of Water: the Metaphor of World Liquescence in Russian Symbolist Poetry, Art and Film." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1367511847.
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Bitinienė, Neringa. "The conceptual metaphors in political discourse and their translation from english into the lithuanian language in Hillary Rodham Clinton’s autobiography “Living history”." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070816_161837-07811.
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The present research investigates political conceptual metaphors and their translation in Hillary Rodham Clinton autobiography “Living History” (2003). It sets out to explore conceptual metaphors in political discourse. As the study of political discourse covers a broad range of subject matters, herewith politicians’ memoirs, this book has been taken as source material. The analysis of a rather framed corpus allows to view and contrast distinguished conceptual metaphors in the source language and their rendering in the target language. The concept of politics has been taken as a source domain, in what have followed all possible classifications established. My investigation aims at already accepted conceptual metaphors (POLITICS IS WAR; POLITICS IS A JOURNEY, etc.) and less explored conceptual metaphors inherent in the above mentioned book and their translation into Lithuanian (POLITICS IS MEDICINE, POLITICS IS HUNTING, etc.).Magistrinio darbo tema „Konceptualiosios metaforos politiniame diskurse ir jų vertimas iš anglų kalbos į lietuvių. Darbo tikslas yra nustatyti kaip konceptualiosios metaforos yra verčiamos iš anglų kalbos į lietuvių kalbą Hillary Rodham Clinton autobiografijoje „Gyvoji istorija“ (2003). Darbas susideda iš dviejų pagrindinių dalių: teorinės ir praktinės. Pirmoje dalyje aptariamos kognityviosios kalbotyros atsiradimo prielaidos ir konceptualiosios metaforos teorija, analizuojamos metaforinės kalbos ypatybes politiniame diskurse. Tai pat joje pateikiama išsamesnė metaforos vertimo teorijos apžvalga. Antroji dalis yra empirinė, kurioje konceptualiosios metaforos ir jų vertimas nagrinėjamas freimų teorijos požiūriu. Darbas grindžiamas G. Lakoff‘o ir M. Johnson‘o kognityviniu konceptualiosios metaforos požiūriu, kuri konceptualiosios metaforos pagrindu laiko žmogaus mintis, kalbą, elgesį. Buvo surinkti ir palyginti 740 pavyzdžių (lingvistinių manifestacijų) bei jų vertimų į lietuvių kalbą. Remiantis lingvistinių elementų sistemiškumu bei teminiu kryptingumu buvo išskirtos devynios konceptualiosios metaforos, kurių tikslo sritis yra politika: POLITIKA YRA KARAS, POLITIKA YRA SPORTAS, POLITIKA YRA KELIONĖ, POLITIKA YRA VERSLAS, POLITIKA YRA MEDICINA, POLITIKA YRA TEATRAS, POLITIKA YRA ARCHITEKTŪRA, POLITIKA YRA MEDŽIOKLĖ ir POLITIKA YRA ŽAIDIMAS. Vertimų analizė atlikta remiantis trimis vertimo modeliais. Ši analizė leidžia teigti, kad lingvistinės manifestacijos verčiant iš anglų... [toliau žr. visą tekstą]
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Khan, Mohammad Miraz Hossain. "See how far we’ve come : A corpus study of the source metaphor JOURNEY." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-34984.
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The present study is based on conceptual metaphor theory (CMT), which Lakoff and Johnson introduced in 1980. Data were taken from the Corpus of Contemporary American English (COCA), and three phrases (a long road, bumpy road and fork in the road) were investigated, in order to see how far the conceptual metaphor theory can be corroborated using authentic data. Journey was taken as the source domain of the three phrases. After analysis it was found that altogether 79% were metaphorical tokens, 18% were literal uses and 3% ‘other’ uses of the three phrases. In the metaphorical tokens of the three phrases six conceptual metaphors were identified and the most common conceptual metaphor was LONG-TERM PURPOSEFUL (LABOURIOUS) ACTIVITIES ARE JOURNEYS which made up 63% of all metaphorical tokens. The conceptual metaphor RECOVERING FROM PHYSICAL ILLNESS (OR GRIEF) OR PHYSICAL (OR MENTAL) SUFFERING IS A JOURNEY was only found in metaphorical tokens of the phrase a long road. The study shows that CMT can be used to explain the majority of the tokens in the corpus. However, one conceptual metaphor often mentioned in previous accounts, LOVE IS A JOURNEY, turned out to be quite rare.Studien baseras på Lakoff och Johnsons teori om konceptuella metaforer som introducerades 1980. Materialet är hämtat från Corpus of Contemporary American English (COCA), där tre fraser undersöktes (a long road, bumpy road, fork in the road), för att se i vilken mån teorin om konceptualla metaforer kan beläggas i autentiskt material. Journey (dvs. resa)var källdomänen för de tre fraserna. Analysen visade att totalt 79 % av de undersökta fraserna var metaforiska, i 18 % användes fraserna i bokstavlig mening, och 3 % klassificerades som ”annat”. Sex konceptuella metaforer identifierades; den vanligaste visade sig vara LÅNGSIKTIGA MÅLINRIKTADE (ARBETSKRÄVANDE) AKTIVITETER ÄR RESOR vilket utgjorde 63 % av alla token. Den konceptuella metaforen ATT TILLFRISKNA FRÅN FYSISK SJUKDOM (ELLER SORG) ELLER FYSISKT (ELLER MENTALT) LIDANDE ÄR EN RESA påträffades bara i frasen a long road. Studien visar att teorin om konceptuella metaforer kan användas för att förklara majoriteten av träffarna i korpusen. Det visade sig emellertid att en konceptuell metafor som ofta nämns i tidigare beskrivningar, KÄRLEKEN ÄR EN RESA, var ovanlig i materialet.
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Pierozan, Samanta Kélly Menoncin. "A metaforicidade dos phrasal verbs constituídos por up e down: uma investigação sob a ótica da semântica cognitiva." Universidade do Vale do Rio dos Sinos, 2015. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4960.
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O objetivo geral deste trabalho é investigar a metaforicidade dos Phrasal Verbs (PVs) tendo-se como pilar teorias da semântica cognitiva, principalmente a Teoria da Metáfora Conceptual (TMC), desenvolvida por Lakoff e Johnson (1980). Além da TMC, no que diz respeito ao significado dos advérbios ou preposições constituintes dos PVs – os quais podem ser chamados de partículas –, consideram-se também as contribuições de Rudzka-Ostyn (2003), a qual utiliza esquemas imagéticos para representar os PVs, e de Lindner (1981), que parte da Gramática Cognitiva (LANGACKER, 1987) para analisá-los. Tendo como foco os PVs up e down, como metodologia, utiliza-se o ferramental da Linguística de Corpus, extraindo-se os PVs do Corpus of Contemporary American English (COCA). Após realizar a seleção dos Phrasal Verbs para análise, relaciona-se o significado dos PVs selecionados com os sentidos e esquemas imagéticos propostos por Rudzka-Ostyn (2003); verificam-se como como esses sentidos expressam os esquemas imagéticos propostos; identificam-se as metáforas conceptuais, em especial aquelas do tipo orientacional, conforme Lakoff e Johnson (1980); e verifica-se o mapeamento metafórico das concordâncias analisadas. Os resultados apontam que os PVs, na sua maioria, são metafóricos, e que essa metaforicidade tem forte relação com a semântica das partículas que constituem a construção verbo-partícula. Além disso, espera-se com a presente pesquisa agregar à proposta de caráter pedagógico de Rudzka-Ostyn (2003), contribuindo para o ensino e aprendizagem de PVs.
The main purpose of this study is to investigate the metaphor properties of Phrasal Verbs (PVs), based on cognitive semantic theories, especially the Conceptual Metaphor Theory, developed by Lakoff and Johnson (1980). In addition, concerning the meaning of adverbs or prepositions that constitute PVs – which can be called particles –, contributions made by Rudzka-Ostyn (2003), who uses image schemas to represent PVs, and Lindner (1981), who takes into consideration Cognitive Grammar (LANGACKER, 1987) to analyze them, are considered. The up and down particles are the focus of this investigation. Regarding methodology, Corpus Linguistics is used, and the PVs are extracted from the Corpus of Contemporary American English (COCA). After selecting them, the relation between the PVs and Rudzka-Ostyn’s image schemas is verified, as well as how their senses express the image schemas proposed by Rudzka-Ostyn (2003); conceptual metaphors, especially the orientational ones, are identified, in accordance with Lakoff and Johnson (1980); and the mapping between conceptual domains is verified. The results point that the PVs are mostly methaphoric, and that its metaphor properties are strongly related to the meaning of the particles that constitute each verb-particle construction. In addition, it is hoped this research adds to the pedagogical proposal of Rudzka-Ostyn (2003), contributing to the teaching and learning of PVs.
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Rosa, Leila Isabelita Pereira de Oliveira. "Neologia semântica na década de 90: um estudo sobre a metáfora em um corpus jornalístico." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-19112009-154133/.
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Esta Dissertação tem por objetivo estudar as metáforas geradas em um corpus jornalístico da década de 90, constituído no âmbito do Projeto Observatório de Neologismos do Português Brasileiro Contemporâneo (TermNeo). Para isso, selecionamos, dentre as unidades lexicais neológicas de cunho semântico, as formações metafóricas que compõem nosso estudo. Este visa a fazer uma análise interpretativa da metáfora vista sob o viés da lingüística cognitiva. Assim, levamos em conta, para nossa análise, que a metáfora é uma atividade cognoscitiva e está presente nos diversos discursos produzidos nas atividades humanas, bem como permeia todo o nosso cotidiano. Trata-se de uma atividade cognoscitiva cuja evidência se dá pela linguagem natural da qual nos servimos para nos comunicarmos e, também, produzirmos conhecimento. Nossa análise tem como embasamento a Teoria da Integração Conceptual proposta por Fauconnier em seus postulados que datam de 1997 e que está sendo ampliada e aprimorada em parceria com Turner e seus colaboradores. Para o autor, a metáfora constitui um fenômeno conceptual, bem como um instrumento de projeção mental. Esta teoria baseia-se na Teoria dos Espaços Mentais de autoria de Fauconnier que objetiva explicar como é que falantes e ouvintes registram correspondências conceptuais e, também, constroem novas inferências durante o discurso. Os autores defendem que o processo de instauração da metáfora se dá a partir de relações entre espaços mentais. Aplicamos a referida teoria nas formações metafóricas presentes no corpus escolhido e verificamos que se trata de uma teoria de suma importância para os estudos acerca da metáfora. O resultado de nossa análise comprova que a metáfora é um fenômeno conceptual e um instrumento de projeção mental.This dissertation intends to study the metaphors generated in journalistic corpus in the 90s, which is part of the Projeto Observatório de Neologismos do Português Brasileiro Contemporâneo (TermNeo). Thus, we have selected among the neologic lexical units of semantic tenor, the metaphoric formations that compound our study. This aims to do an interpreting analysis of the metaphor under the optics of cognitive linguistics. In this manner, we have taken into account to our analysis that the metaphor is a cognoscitive activity and is present in the various discoureses produced in human activities, as well as it permeates our everyday. It is about a cognoscitive activity which evidence is seen in the natural language we use to communicate and, as well, produce knowledge. Our analysis has that Conceptual Integration Theory as its basis offered by Fauconnier in his postulates from 1997 and is being amplified and improved in association with Turner and his collaborators. To the author, the metaphor constitutes a conceptual phenomenon, as well as a mental projection instrument. This theory is bases in the Mental Spaces Theory of Fauconnier that seeks to explain how speakers and listeners register conceptual correspondence and, also, build new inferences during the speech. The authors defend that the process of instauration of the metaphor starts in the relations between mental spaces. We have applied the cited theory in metaphoric formations present in the chosen corpus and verified that it is of extreme importance for metaphor studies. The result of our analysis confirms that the metaphor is a conceptual phenomenon and a mental projection instrument.
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Josefsson, Emil. "A journey through our surroundings : A study of organizational metaphors in Metasaga." Thesis, Stockholms universitet, Engelska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-53410.
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According to recent cognitive science, our perceptive senses help develop human cognition, and the process of organizing our inner representations of the world around us. As a result, conceptual metaphors are deemed to be essential to our understanding of abstract entities; how we perceive an organization depends for instance on what metaphor is used to describe it. Thus, conceptual metaphor theory has been given a lot of attention in the past thirty years. The Metasaga philosophy was established on the Shetland Islands in 2008. The idea is for participants to explore the environment and create reflective questions involving metaphors which can be used for reflective purposes in connection to work, school, businesses or other organizations. In this paper, linguistic metaphors involving organizations in 228 reflective questions were studied. The linguistic metaphors were sorted according to which organization conceptual metaphor they appeared to belong to. A broad category called Organization Is Physical Structure was set up, and the name was taken from Joseph Grady’s list of primary metaphors in Lakoff and Johnson (1999 pp. 50-55) Four sub-categories of organization metaphors were subsequently established: Organization Is An Artificial Structure, Organizational Help Is Support, Organization Is A Plant and Organization Is A Living Creature. Almost 55 % of the reflective questions involving organization shared the common theme of a description of an organization as some kind of artificial structure. Thus, it seems likely that we often think of organizational arrangement as some kind of concrete structure and also that we use different metaphors depending on how the organization is structured.
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Berggren, Jessica. "Embodiment in Proverbs: Representation of the eye(s) in English, Swedish, and Japanese." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22850.
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This study will examine the representation and embodiment of the body part eye(s), in proverbs. The research is cross-linguistic as the proverbs analysed are in the languages English, Swedish, and Japanese. Information about the origins of proverbs, their expansion across the globe, their use in order to embellish everyday communication in all different types of languages, even those belonging to cultures not similar to the Western norm, will be discussed with references to sources based in the area of Paremiology. The study will also investigate cultural markers found in the proverbs and how the metaphoric interpretations of eye(s) are displayed through our bodily experiences. In order to analyse the representation of eye(s) in the proverbs, through metaphoric concepts, this study will employ Lakoff and Johnson’s conceptual metaphor theory. Categories which will accompany the conceptual metaphors are based on one of the Oxford English Dictionary’s definitions of ‘eye’. Thereafter, an analysis is conducted regarding eyes(s) in the example proverbs. The results of the analysis showed that there are quite a few similarities in all three languages. However, the western languages differ from the Japanese language in regards to how the proverbs are worded. Further, cultural markers could only be found in one example in the Japanese proverbs.
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Stotsky, Lauren. "The Enduring Hold of the Bible on Modern Literature: Exploring the Fall Narrative as a Conceptual Metaphor for American Literature in John Steinbeck’s East of Eden." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/581.
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There is no greater work of literature, perhaps, than the Bible. The Bible has shaped and influenced more literature, art, and culture than any other work in our time. The effects of the Bible’s words are still woven into modern literature today, illustrating that the Bible’s themes, allegories, parables, fables, metaphors, and characters are things that we humans are unable to depart far from even many decades later. One of the very first stories in the Bible, found at the beginning in Genesis, tells of Adam and Eve. Adam and Eve’s depiction as the first kind of our species and the story of their creation to their Fall is one transformative story that humans seem destined to repeat. This cycle of falling is rampant in American literature, from the nineteenth century to the twenty-first century, appearing in works by prominent authors such as R. W. B. Lewis, Leo Marx, and John Steinbeck. Steinbeck’s novel East of Eden wrestles heavily with both biblical themes and metaphors and acts as a biblical framework for the Fall narrative and the book of Genesis. This thesis seeks to examine the Fall as a conceptual metaphor for American literature and thinking through John Steinbeck’s East of Eden and attempts to explain why literature, and humans, keep endlessly returning to the Fall.
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Brannon, Katrina. "Une approche cognitive de la langue émotionnelle dans l’œuvre de John Keats." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL133.
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Cette thèse présente une analyse linguistique d’une sélection de poèmes de John Keats, et plus précisément celle de l’expression et de la verbalisation de l’émotion à travers le langage dans les vingt-six poèmes qui composent le corpus poétique et qui constituent le point de départ de cette recherche. L’approche linguistique privilégiée est une approche cognitive, basée sur les théories de la linguistique cognitive, de la grammaire cognitive, et de la poétique cognitive. La théorie de la métaphore et de la métonymie conceptuelles joue également un rôle important dans les analyses poétiques et grammaticales présentées dans cette thèse. L’émotion est conçue comme embodied (incarnée). Son étude s’appuie sur les travaux des cognitivistes, sur la philosophie et sur les recherches en neurobiologie. L’objectif de cette thèse est d’examiner les manières dont l’émotion s’exprime au sein de la poésie keatsienne par une interrogation approfondie de la langue elle-même, en partant donc du principe que les éléments lexicaux et grammaticaux – et leur signification – qui composent les poèmes s’avèrent essentiels pour bien rendre compte de la traduction poétique de l’expérience émotionnelleThis thesis presents a linguistic analysis of a selection of poems by John Keats: specifically, the expression and verbalization of emotion by way of language the twenty-six poems that compose the poetic corpus upon which this research is founded. The linguistic approach taken is a cognitive approach, based on the theories of cognitive linguistics, cognitive grammar, and cognitive poetics. Conceptual Metaphor and Metonymy Theory also play an important role in the poetic and grammatical analyses. The approach concerning emotion is an embodied one, based in language, philosophy, and with support from neurobiological research. The goal of this thesis is to examine the ways in which emotion is expressed within Keatsian poetry by a close interrogation of the language itself, thus holding the view that the lexical and grammatical elements—and their semantics—that compose the verses and poems themselves are essential to the salience of the poetic rendering of emotional experience
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Coonan, Emma Marya. "Senses of theory : conceptual metaphors and manoeuvres in 20th-century literary criticism." Thesis, University of York, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431650.
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Mark, Paulina. "Konversion enligt Lukas och Johannes : En jämförelse av konversionsnarrativens funktion i Lukas-Apostlagärningarna och Johannes." Thesis, Enskilda Högskolan Stockholm, Teologiska högskolan Stockholm, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ths:diva-1110.
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The aim of this study is to examine what kind of ingroup conversion prototypes the authors of Luke-Acts and the Gospel of John express through conversion narratives and conceptual metaphors. By analysing the works of the authors I find a range of expressions conceptualising the act or process of conversion to faith in Jesus. These expressions contribute to forming an comprehensive conversion narrative, which has part in forming and setting boundaries for the ingroup of believers towards the outgroup(s) of non-believers. The ingroup conversion prototype for Luke-Acts shows norms of outgroup love, merciful and generous actions as well as good works and inclusion led by the Holy Spirit. The ingroup conversion prototype in John sets up norms of transformation through baptism, ingroup love and a breaking with the darkness of the world. The aim is further on to examine how these prototypes correspond to the models of conversion presented by Lewis R. Rambo. The results show that Luke-Acts view of conversion corresponds both to the model of traditional transition and intensification. The Gospel of John, on the other hand, fits only in the model of traditional transition.
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Cavalcanti, Bianor Scelza. "The "Equalizer" Administration: Managerial Strategies in the Public Sector." Diss., Virginia Tech, 2004. http://hdl.handle.net/10919/26644.
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The purpose of this dissertation is to understand the managerial â actionâ of public administrators in the management of their organizations within the brazilian context.
It seeks to understand the relationships between managers and formal management mechanisms by exploring the complementary nature of the effective managerial action in the face of structural deficiencies and flaws, considering the possibility of overcoming the structuralism-subjectivism dichotomy present in the construction of the Theory of Organizations.
Initially, the study provides a review of the literature on organizational design. It highlights the â goodness of fitâ proposition on strategic choice issues concerning the main organizational variables design and organizational goal attainment. It also calls special attention to the emerging interest of designing theorists on interpretivist aproachs to the matter, such that of Karl Weick.
A review of the the administrative reforms in Brazil is made from the perspective of the main stream organizational design conceptual framework. It highlights the complex dynamics of a constant search for differenciation and flexibilization subject to patherns of advances and reversals, due to the centrality, streng and pervasiveness of the bureaucratic model. It is concluded that in no single given moment, a public manager and his team, may count on a formal organizational design wich attends the â congruencyâ criteria, devised by organizational design conceptual frameworks, to explain organizational results in different environmental sets. Although this conclusion may explain failure at the public sector, it can not provide understanding on the many instances of significative success attained by government operations in spite of inadequate formal administrative structures. This point calls for a better understanding from the interpretivist aproach, on how public administrators, strongly associated with good organizational results, engage into transformative action, in order to superate administrative structures flaws and disfuncional cultural patherns of conduct, structurally present and constantly reproduced, in vigorous develloping countries, such as Brazil.
The dissertation transcribes the testimony of four outstanding public administrators, doing a deep incursion in the managerial real world of public administration, as subjectivelly defined by them and transformed by their engagement into action.Through the thematic version of the Oral History methodology, full segments of the complete enterviews are
cathegorized into the thirty two managerial strategies captured wich are presented on a recathegorized manner under eight main strategies: (1) Interchanging Frames of Reference; (2) Exploring the Formal Limits; (3) Playing the Bureaucracy Game; (4) Inducing the Inclusion of Others (5)Promoting Internal Cohesion; (6) Creating Shields against Transgressions; (7) Overcoming Internal Restrictions; (8) Letting the Structures Blossom. Each one of these eight blocks of strategies presented, deserves further reflexive interpretation by the author, on the light of the interpretivist aproach to organizational design.
A final effort is made, now on theory building, for improuving understanding on the matter. In order to find a significant meaning underlining all the strategies extracted from the â practical constiounessâ of the enterviweers as revealed in their report, the author resort to a methafor. This methafor helps to: (1) better describe and understand a not adequately treated phenomenon, namely, good results under inadequate structural social and organizational conditions; (2) reveal the logic and the meaning underlining all the strategies adopted to generate results under these unfaithfull conditions; (3) name, accordingly to the nature of the managerial transformative social action envolved, an open ended class of managerial interventions of a pragmatic sort driven by an ethics of results much common to good managers, that is, the concept of â managerial equalizationâ ; and (4) give back to public administrators, represented by the enterviwees, to be incorporated in their â discursive counciousnessâ , something the most effective and experienced public managers already have as tacit knowledge built in their â practical counsciousnessâ , and so, help the education and development of new talents.Ph. D.
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Pettersson, Ulf. "Textmedierade virtuella världar : Narration, perception och kognition." Doctoral thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-29606.
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This thesis synthezises theories from intermedia studies, semiotics, Gestalt psychology, cognitive linguistics, cognitive psychology, cognitive poetics, reader response criticism, narratology and possible worlds-theories adjusted to literary studies. The aim is to provide a transdisciplinary explanatory model of the transaction between text and reader during the reading process resulting in the reader experiencing a mental, virtual world. Departing from Mitchells statement that all media are mixed media, this thesis points to Peirce’s tricotomies of different types of signs and to the relation between representamen (sign), object and interpretant, which states that the interpretant can be developed into a more complex sign, for example from a symbolic to an iconic sign. This is explained in cognitive science by the fact that our perceptions are multimodal. We can easily connect sounds and symbolic signs to images. Our brain is highly active in finding structures and patterns, matching them with structures already stored in memory. Cognitive semantics holds that such structures and schematic mental images form the basis for our understanding of concepts. In cognitive linguistics Lakoff and Johnsons theories of conceptual metaphors show that our bodily experiences are fundamental in thought and language, and that abstract thought is concretized by a metaphorical system grounded in our bodily, spatial experiences. Cognitive science has shown that we build situation models based on what the text describes. These mental models are simultaneously influenced by the reader’s personal world knowledge and earlier experiences. Reader response-theorists emphasize the number of gaps that a text leaves to the reader to fill in, using scripts. Eye tracking research reveals that people use mental imaging both when they are re-describing a previously seen picture and when their re-description is based purely on verbal information about a picture. Mental spaces are small conceptual packets constructed as we think and talk. A story is built up by a large number of such spaces and the viewpoint and focus changes constantly. There are numerous possible combinations and relations of mental spaces. For the reader it is important to separate them as well as to connect them. Mental spaces can also be blended. In their integration network model Fauconnier and Turner describe four types of blending, where the structures of the input spaces are blended in different ways. A similar act of separation and fusion is needed dealing with different diegetic levels and focalizations, the question of who tells and who sees in the text. Ryan uses possible worlds-theories from modal logic to describe fictional worlds as both possible and parallel worlds. While fictional worlds are comparable to possible worlds if seen as mental constructions created within our actual world, they must also be treated as parallel worlds, with their own actual, reference world from which their own logic stems. As readers we must recenter ourselves into this fictional world to be able to deal with states of affairs that are logically impossible in our own actual world. The principle of minimal departure states that during our recentering, we only make the adjustments necessary due to explicit statements in the text.
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Tzu-hui, Chen, and 陳姿慧. "Translating Metaphors in Economic and Financial Texts: A Study of the Use of the Conceptual Metaphor Theory." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/50239094748019918532.
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碩士國立彰化師範大學
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This thesis applied conceptual metaphor theory to tackle the problem of metaphor translation, especially about the translation of metaphorical expressions in economic and financial texts. The theory of conceptual metaphor was proposed by Lakoff and Johnson in 1980. They considered metaphors to be is a cross-domain cognitive phenomenon. A metaphorical expression is the linguistic representation－the product of the cross-domain operation. Metaphors have a function in the cognitive aspect. As far as communication is concerned, metaphors serve as a bridge through which the idea of the abstract concept can be delivered to other people. This cognitive approach opens a new window into metaphor translation. When the source domain and the target domain of the underlying conceptual metaphor of a metaphorical expression are the same (same mapping condition), literal translation method could apply. However, when the source domain or target domain of the underlying conceptual metaphor of a metaphorical expression are different (different mapping condition), non-literal translation method should apply. The concepts in the field of Economics and Finance are usually abstract. The authors use more or less metaphorical expressions to delineate their ideas. How to translate such expressions is the focus of this study. Thirty economic and financial commentaries were collected from the website of Project Syndicate as the research materials for an investigation into the translation methods of metaphorical expressions. The research result showed that for most of the metaphorical expressions, the translation methods were in accordance with the metaphor translation framework. However, a few expressions were not translated in that way. The reasons why a non-literal translation is applied in the same mapping condition could be translator’s personal preference or the public’s preference for a explicit translation. Besides, the reasons why a literal translation is applied in the different mapping condition could be that the translation was widespread in the professional community or the concept of it has been known to the public.
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Li, Wen-Hong, and 李文宏. "A study on Li Po’s Gufeng: the application of Conceptual Metaphor Theory in literary interpretation." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/75725075003344813321.
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LIN, TSENG-WEN, and 林增文. "The application on Ci Poetry of Conceptual Metaphor Theory : Take Su Shi's and Liu Yong's Ci Poems as examples." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/t9p63s.
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Guendel, Karen E. "The organic metaphor of the digesting mind from English romanticism to American modernism: a cognitivist approach." Thesis, 2015. https://hdl.handle.net/2144/14020.
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Recent scholarship demonstrates that the metaphor of taste, which represents aesthetic discernment as gustatory sensation, foregrounds ideologically laden questions of individual and cultural identity across a wide swath of literary history. But critics have yet to discover that taste is but one component of a much broader network of metaphors that figure the mind as a human body that eats and digests the world of objects and ideas. Using two approaches to metaphor from cognitive science, Lakoff and Johnson’s Conceptual Metaphor Theory and Fauconnier and Turner’s theory of "conceptual blending," I relate metaphors like reading-is-eating, ideas-are-food, and contemplation-is-digestion within a metaphor system that I call "the digesting mind." Applying this insight to organic aesthetics, I argue that poets expand organicism's metaphorical basis beyond the familiar poem-as-plant by introducing a mind that consumes plantlike poems. Coleridge, Wordsworth, Emerson, Whitman, and William Carlos Williams link writers and readers in an ideational economy figured as nutritional exchange. As each poet negotiates questions of creativity and literary influence, his biological, philosophical, political, and aesthetic beliefs converge in metaphors of the digesting mind.
After introducing my approach in chapter one, I examine the digesting mind's importance in the evolution of organic aesthetics from English romanticism to American modernism. In chapter two, the digesting mind destabilizes Coleridge's influential distinction between mechanism and organicism by revealing, in Biographia Literaria, his anxiety that a diet of mechanistic literature will reduce the organic mind to a machine. Chapter three reads Wordsworth's Prelude in similar terms, as an allegory representing mental development as nutritional growth, in which the imagination requires an organic diet of poetry and nature. In chapter four, Whitman’s Leaves of Grass Americanizes the digesting mind with an Emersonian aesthetic that locates power in the poet’s present transformation of the literary past into future mental nourishment. In chapter five, Williams adapts Emerson's digesting mind with a pragmatic aesthetics of experience. By representing his Objectivist poems as fruit, as in "This is Just to Say," Williams relocates the organic ideals of vitality and unity from the poem, as aesthetic object, to the audience's felt experience of reading-as-eating.2017-11-04T00:00:00Z
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Naicker, Suren. "A cognitive linguistic analysis of conceptual metaphors in Hindu religious discourse with reference to Swami Vivekananda’s complete works." Thesis, 2016. http://hdl.handle.net/10500/22281.
Full textAbstract:
This thesis investigates the use of metaphorical language in The Complete Works of Swami Vivekananda. Vivekananda is one of the most influential modern-day Hindu scholars, and his interpretation of the ancient Hindu scriptural lore is very significant. Vivekananda’s influence was part of the motivation for choosing his Complete Works as the empirical
domain for the current study. Vivekananda’s Complete Works were mined using AntConc, for water-related terms which seemed to have a predilection for metaphoricity. Which terms to search for specifically was determined after a manual reading of a sample from the Complete Works. The data was then tagged, using a convention inspired by the well-known
MIPVU procedure for metaphor identification. Thereafter, a representative sample of the data was chosen, and the metaphors were mapped and analysed thematically.
This study had as its main aim to investigate whether Hindu religious discourse uses metaphors to explain abstract religious concepts, and if so, whether this happens in the same way as in Judaeo-Christian traditions. Furthermore, following Jäkel (2002), a set of sub-hypotheses pertaining to ubiquity, domains, models, unidirectionality, invariance,
necessity, creativity and focussing is assessed.
Key findings in this study include a general confirmation of the above-mentioned hypotheses, with the exception of ‘invariance’, which proved to be somewhat contentious. The data allowed for the postulation of underlying conceptual metaphors, which differed somewhat from the metaphors used in traditional Judaeo-Christian philosophy.Linguistics and Modern Languages
D. Litt. et Phil. (Linguistics)
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Amorim, Maria de Fátima Pereira. "Emotions in space: the effects of emotional stimulus type on spatial processing." Master's thesis, 2016. http://hdl.handle.net/1822/42624.
Full textAbstract:
Dissertação de mestrado integrado em PsicologiaThe expression “I am feeling down” conveys affective information (sadness) through a spatial term (“down”). This emotion/space relation is conceptualized in previous studies as positive emotions being associated with superior/right locations and negative emotions with inferior/left locations. In this study we use a spatial target detection task, in which the participants are first presented to either a vocalization, face or word and then have to detect a spatial target, in the vertical or horizontal axis. Our results support the existence of an association between emotion and space that is dependent of axis, stimulus type and emotion and that facilitates the discrimination of superior targets when presented after negative stimuli.
A expressão “sinto-me em baixo” transmite informação afetiva (tristeza) através de um termo espacial (baixo). Esta associação emoção/espaço é conceptualizada em estudos anteriores como emoções positivas serem associadas a localizações superiores/ à direita e emoções negativas serem associadas a localizações inferiores/à esquerda. Neste estudo usámos uma tarefa de deteção espacial, na qual os participantes são primeiro expostos a uma vocalização, expressão facial ou palavra, e depois tem de detetar um alvo espacial, ou no áxis vertical ou horizontal. Os nossos resultados apoiam a existência de uma associação entre emoção e espaço dependente de áxis, tipo de estímulo e emoção, e que facilita a descriminação de alvos inferiores quando apresentados após estímulos negativos.
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Rowlatt, Linnéa Shekinah. "The Impact of Climate Change on Late Medieval English Culture." Thesis, 2010. http://hdl.handle.net/1807/25909.
Full textAbstract:
This MA thesis scrutinizes metaphors used by the late medieval English in order to explore the cultural response to climate anomalies of varying severity prefacing the Little Ice Age. The thesis indicates that changes in these cultural expressions marked a transformation in late medieval English writers' conceptions of the natural world and their relationship to it. The central hypothesis is that repeated, long-term unreliable and uncertain weather conditions, and the resulting material insecurities and losses, stimulated a fundamental cultural response which reconfigured the metaphors used for the natural world. Although the representation of nature is inescapably an act of imagination, metaphors and metonymies for nature will be identified in the medieval creative literature, as well as the proto-scientific study of weather, and, in the context of the socioeconomic metabolism model, be brought under the light of conceptual metaphor analysis for elucidation.
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Pizarro, Isabel Alexandra Alves da Nóbrega. "A estruturação metafórica na concetualização de "Hora" na poesia de Fernando Pessoa ortónimo." Master's thesis, 2015. http://hdl.handle.net/1822/41505.
Full textAbstract:
Dissertação de mestrado em Ciências da LinguagemA presente dissertação tem como principal objetivo a análise da estrutura da metáfora poética de acordo com os instrumentos de análise propostos por Lakoff & Johnson (1980), Lakoff & Turner (1989) e Lakoff & Feldman (2006), na Teoria da Metáfora Concetual, desenvolvida no âmbito sa Linguística Cognitiva, em articulação com outras Ciências Cognitivas, tais como a Psicologia, a Antropologia, a Neurobiologia e a Inteligência Artificial. Para o efeito, constituímos como corpus trinta e dois poemas ortónimos, do poeta português Fernando Pessoa (1888-1935), escritos entre 1910 e 1935, nos quais a metonímia concetual de tempo “hora” é o ponto de partida para metáforas concetuais de “hora”, que apresentam como principal domínio fonte a mente do Eu poético, concetualizada em termos de contentor metafórico de emoções que são, por sua vez, concetualizadas em termos de objetos, espaços e atributos humanos, que projetam a respetiva estrutura inferencial no domínio concetual alvo “hora”. No presente trabalho, mostramos que o domínio fonte das metáforas concetuais de “hora” se enraíza no universo mental do poeta, cuja configuração é determinada pela sua experiência de vida, no sentido mais abrangente do termo, e pelo valor emocional que lhe atribuiu, o que confirma, tal como defende a Teoria Neural da Metáfora, a existência de uma correlação a nível neural entre a experiência sensoriomotora e a avaliação subjetiva da mesma, que explica a ligação entre conceitos diferentes, como são os de “hora” e “objeto”, de “hora” e “pessoa” e de “hora” e “emoção”. Da avaliação da multiplicidade de experiências do Eu poético nasceu a concetualização de “hora” apresentada nas análises dos poemas que constam dos dois capítulos em que as separámos: o capítulo 3.1, que integra as análises em que “hora” é espacializada/materializada e o capítulo 3.2, no qual “hora” é antropomorfizada.
In this paper, we analyse literary metaphors according to the explanatory tools proposed by the Theory of Conceptual Metaphor, within the realm of Cognitive Linguistics. For that purpose, we choose as literary corpus thirty-two excerpts from poems by the Portuguese poet Fernando Pessoa (1888-1935), written between 1910 and 1935, in which the time conceptual metonymy “hour” is the starting point for conceptual metaphors of time in which the source domain is the mind of the poetic self, conceptualized in terms of metaphorical container of emotions that are, in turn, conceptualized as objects, spaces and human beings, according to the poet’s life experience. Keywords: Theory of Conceptual Metaphor, conceptual metonymy, image-schemas, time, space, objects, emotions.
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Štěpánová, Pavla. "Metaforičnost partnerských pojmenování." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-321462.
Full textAbstract:
Diploma thesis Figurativeness of denominations in a partnership based on a questionnare survey deals with a discourse of figurative denominations in partnerhips. Firstly, the position of partnership denominations within the field of onomastics is defined and a general language characteristics of these denomations is presented. Further on, the main ideas from cognitive linguistics are presented, especially the conceptual metaphor theory which has been the basis for an analysis and interpretation of partnership denominations. These have been divided into several semantical groups in the context of which the partnership denominations are being analysed.
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Pevná, Lucie. "Koncept čtyř ročních období v českém jazyce." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310778.
Full textAbstract:
The diploma thesis explores the four seasons from the view point of the linguistic picture of the world theory. The etholinguistic approach is applied in the thesis - attention is paid to the Czech-specific perception of reality especially focused on the weather and the changes of the nature in the course of the four seasons. Human perception of the change is based upon the senses - the sense of hearing, the sense of smell, and touch and the eyesight. Each season is unique. The seasons can be differentiated by their season specific stereotypes, season prototypes, and connotations. On the linguistic pictures of each season collocations are built, from which new lexical items originate, describing the season as such. Due to anthropocentrism we perceive individual astronomical and meteorological issues as personified items to which we ascribe human behaviour and human qualities. The motto of the thesis says: "I will not do the spring sowing next year. " The motto denotes the interaction of two conceptual schemata (the scheme of a cycle and the scheme of a journey) realizing the fact that the natural cycle corresponds in our mental representation with the phases of human life. The difference between the concepts is that man always reaches the terminal point of his journey unlike the nature constantly...