Books on the topic 'Concerta'

Parker, Philip M., and James N. Parker. Concerta: A medical dictionary, bibliography, and annotated research guide to Internet references. San Diego, CA: ICON Health Publications, 2004.

Michael, Steinberg. The concerto: A listener's guide. New York: Oxford University Press, 1998.

Kroeger, Ernest R. The forty programs rendered by M. Alexandre Guilmant at Festival Hall, World's Fair, St. Louis, together with annotations. Richmond, Va: Organ Historical Society, 1985.

Smith, Trine. Koncertlivet i København: 1850-51, 1929 og 1980/81. Copenhagen: Det kongelige danske Musikkonservatorium, 1986.

Marlboro Music School and Festival. Malboro music, 1951-1990. [Marlboro, Vt: Marlboro Music School and Festival, 1990.

The concerto: A research and information guide. New York, NY: Routledge, 2005.

Hagels, Bert. Konzerte in Leipzig 1779/80 bis 1847/48: Eine Statistik. Berlin: Ries & Erler, 2009.

Konzerte in Leipzig 1779/80 bis 1847/48: Eine Statistik. Berlin: Ries & Erler, 2009.

Roeder, Michael Thomas. Das Konzert. Laaber: Laaber-Verlag, 2000.

Roeder, Michael Thomas. A history of the concerto. Portland, Or: Amadeus Press, 1994.

Roeder, Michael Thomas. A history of the concerto. Portland, OR: Amadeus Press, 1994.

Baden-Württembergische Musikhochschultage (2nd 1989 Stuttgart, Germany). Den Opfern der Gewalt: 2. Baden-Württembergische Musikhochschultage, Stuttgart 11.-18. Oktober 1989 : Schirmherrschaft Bundespräsident Richard von Weizsäcker. Edited by Weizsäcker, Richard, Freiherr von, 1920-, Richter Konrad, Schwenk Hartmut, Schröder-Nauenburg Beate, and Staatliche Hochschule für Musik (Freiburg im Breisgau, Germany). Freiburg: Staatliche Musikhochschulen, 1989.

Days, ISCM World Music. ISCM World Music Days 2002 Hong Kong: 11-19/10/2002. Hong Kong: ISCM World Music Days, 2002.

Ken, Bloom. Attending and enjoying concerts: A student guide. Upper Saddle River, N.J: Prentice Hall, 2010.

Contemporánea, Encuentro de Música. Encuentro de Música Contemporánea: Compositores chilenos. [Santiago, Chile: Agrupación Musical Anacrusa, 1985.

Bloom, Ken. Attending and enjoying concerts: A student guide. Upper Saddle River, N.J: Prentice Hall, 2010.

Concerto conversations. Cambridge, Mass: Harvard University Press, 1999.

Smithuijsen, C. B. Stilte!: Het ontstaan van concertetiquette. Amsterdam: Podium, 2001.

ISCM World Music Days. (1991 Zürich, Switzerland). World Music Days, Zurich 1991: Programme = Weltmusiktage, Zürich 1991 : Programm. Edited by Meyer Thomas and International Society for Contemporary Music. Zürich: Swiss Society for Contemporary Music, 1991.

Mozart wind and string concertos. [London]: Ariel Music, BBC Publications, 1986.

Arce, Guillermo, Klaus Bak, Kevin P. Shea, Felix Savoie III, William Benjamin Kibler, Eiji Itoi, Augustus D. Mazzocca, Knut Beitzel, Emilio Calvo, and Benno Ejnisman, eds. Shoulder Concepts 2013: Consensus and Concerns. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-38097-6.

Far from the fashionable crowd: The People's Concert Society and music in London's suburbs. [Newbury, England]: Whimbrel Pub., 2009.

Freise, Judith. Jüdische Musikerinnen und Musiker in Frankfurt, 1933-1942: Musik als Form geistigen Widerstandes : Ausstellungsbegleitheft : eine Ausstellung. Frankfurt am Main: O. Lembeck, 1990.

Moskovskai︠a︡ gosudarstvennai︠a︡ konservatorii︠a︡ im. P.I. Chaĭkovskogo. Kafedra mezhdist︠s︡iplinarnykh spet︠s︡ializat︠s︡iĭ muzykovedov., ed. Akmeologicheskiĭ shpilʹ absoli︠u︡tnoĭ muzyki: Klassiko-romanticheskiĭ fortepiannyĭ kont︠s︡ert. Moskva: Prest, 2007.

Rosenmüller, Annegret. Die Überlieferung der Clavierkonzerte in der Königlichen Privatmusikaliensammlung zu Dresden im letzten Drittel des 18. Jahrhunderts. Eisenach: Verlag der Musikalienhandlung Wagner, 2002.

Kalbhenn, Dorothee. Konzertprogramme: Das Kernprodukt als Chance und Herausforderung für Konzerthäuser. Frankfurt am Main: Peter Lang, 2011.

Birgit, Klein, Freise Judith, and Lustiger Arno, eds. Musik als Form geistigen Widerstandes: Jüdische Musikerinnen und Musiker 1933-1945 ; das Beispiel Frankfurt am Main. Frankfurt am Main: Brandes & Apsel, 2010.

Morton, Arthur. Monday Evening Concerts 1954-1971: The Lawrence Morton years : composers and works played, conductors & performing artists. Los Angeles: Arthur and Herbert Morton for the Lawrence Morton Fund, 1993.

Guida alla musica da concerto: Il repertorio per solista e orchestra. Varese: Zecchini, 2014.

Beethoven's concertos: History, style, performance. New York: W.W. Norton, 1999.

The Russian piano concerto. Bloomington: Indiana University Press, 1994.

European Workshop on Ecological Psychology (4th 1996 Zeist, Netherlands). Studies in ecologocal [sic] psychology: Proceedings of the Fourth European Workshop on Ecological Psychology, Zeist, the Netherlands, July 2-5 1996. Delft: Delft University Press, 1996.

El-Shami, Fawzi Mohammad. Studien zum Fagottkonzert in der ersten Hälfte des 18. Jahrhunderts. Marburg/Lahn: [s.n.], 1988.

Amadeus, Mozart Wolfgang. Clarinet concerto: Oboe concerto ; Bassoon concerto. S.l.]: Deutsche Grammophon, 2012.

Bloom, Kenneth. Attending and enjoying concerts. Boston: Prentice Hall, 2009.

International Musical Festival (22nd 1987 Brno, Czechoslovakia). Romantizm - realizm =: Romanticism - realism. Berno: Mezhdunarodnyĭ muzykalʹnyĭ festivalʹ, 1987.

Napier-Bell, Simon. I'm coming to take you to lunch. New York, N.Y: Wenner Books, 2006.

I'm coming to take you to lunch: [a fantastic tale of boys, booze and how Wham! were sold to China]. London: Ebury, 2005.

Everett, Paul. The Manchester concerto partbooks. New York: Garland, 1989.

Lindeman, Stephan D. Structural novelty and tradition in the early romantic piano concerto. Stuyvesant, NY: Pendragon Press, 1999.

Inventer le concert public a Montpellier: La Société des concerts symphoniques (1890-1903). Lyon: Symetrie, 2014.

1934-, Haq Mahbub ul, and Institute of Social Sciences (New Delhi, India), eds. Human development in South Asia: Concepts, concerns, agenda for action. New Delhi: Institute of Social Sciences, 2001.

Zappa, Dweezil. Zappa Plays Zappa. United States]: Zappa Family Trust, 2007.

You can't always get what you want: My life with the Rolling Stones, the Grateful Dead and other wonderful reprobates. Milsons Point, N.S.W: Random House Australia, 2008.

Lister, Craig. Ye greate concerte of 1874: Dramatic and sacred music from an old folks' concert. St. Louis, Mo: Saint Louis Early Music Ensemble, 1994.

Das Konzert für Orgel und Orchester im 19. und 20. Jahrhundert. Kassel: Bärenreiter, 2001.

Koiwa, Shinji. Das Klavierkonzert um 1830: Studien zur formalen Disposition. Sinzig: Studio Verlag, 2003.

Las Concerta-cesiones en Yucatán.: Conservadurismo y antidemocracia. Mérida, México: Centro de Estudios de la Democracia A.C., 1995.

Publications, ICON Health. Concerta - A Medical Dictionary, Bibliography, and Annotated Research Guide to Internet References. ICON Health Publications, 2004.

1968-, Keefe Simon P., ed. The Cambridge companion to the concerto. Cambridge, UK: Cambridge University Press, 2005.