Relevant bibliographies by topics / Concertos (Viola), Arranged – Solo with piano

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Concertos (Viola), Arranged – Solo with piano'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Concertos (Viola), Arranged – Solo with piano"

1

Josephson, Nors S. "Unifying stylistic syntheses in the late compositions (1939–1945) of Béla Bartók." Studia Musicologica 58, no. 2 (2017): 147–73. http://dx.doi.org/10.1556/6.2017.58.2.2.

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Bartók’s later works from the years 1939–1945 present an impressive synthesis of his musical innovations. Beginning with the Divertimento and Sixth String Quartet (both composed in 1939), the Hungarian composer starts with a freely tonal, neo-Classical foundation. Above this initial compositional level he then superimposes Beethovenian formal structures gleaned from the latter’s opp. 53 and 135, in addition to a prominent Stravinsky quotation from The Rite of Spring, part two. In both works Bartók achieves an impressive large-scale cyclical unity, frequently through wholetone scalar integratio
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2

Mykhailova, O. V. "Woman in art: a breath of beauty in the men’s world." Aspects of Historical Musicology 17, no. 17 (2019): 163–80. http://dx.doi.org/10.34064/khnum2-17.11.

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Background. А history of the development of the human community is at the same time a history of the relationship between men and women, their role in society, in formation of mindset, development of science, technology and art. A woman’s path to the recognition of her merits is a struggle for equality and inclusion in all sectors of public life. Originated with particular urgency in the twentieth century, this set of problems gave impetus to the study of the female phenomenon in the sociocultural space. In this context, the disclosure of the direct contribution of talented women to art and th
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3

Milan, Kerry. "The Violinist's Collection, Books 3 & 4 selected and edited by Yfrah Neaman. Kevin Mayhew, 1993. £7.50. - Cadenzas to Mozart's Violin Concertos by Robert Levin. Universal, 1992. £9.95. - Jigs, Reels & Hornpipes selected and arranged by Edward Huws Jones. Boosey & Hawkes, 1992. Violin part, £4.95; piano part, £9.95. - Strings - Ensemble 1 (Wind and Waves, and Dorian Prelude) by Michael Radanovics. Universal, 1991. £7.50. - Quartet Club 1 & 2 by Sheila Nelson. Boosey & Hawkes, 1992. £7.95 each. - Famous Transcriptions for Cello and Piano edited by Adalbert Skocic. Universal, 1991. £7.95. - …wie ein Walzer auf Glas for violoncello solo by Roland Moser. Edition Hug, 1991. £6.20." British Journal of Music Education 10, no. 3 (1993): 281–83. http://dx.doi.org/10.1017/s026505170000190x.

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Connor, Will. "Positively Monstrous!" M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2822.

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Bones are one of the oldest materials used to create musical instruments. Currently, the world’s oldest known instruments are flutes made out of bones (Turk, Turk, and Otte 11). In fact, bones have been used to create or enhance musical instruments in a variety of settings throughout history and in modern day instrument making. Bone bull roarers, jaw bone percussion, clappers, trumpets, drum shells, lyres, or construction parts, such as frets, plectrums, pipes and pipe fittings, embouchure adjustments, or percussive strikes are just a few of the more common uses of bones in musical instrument
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Dissertations / Theses on the topic "Concertos (Viola), Arranged – Solo with piano"

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Parys, Marcin. "Tchaikovsky's Piano Concerto No. 1 In B-Flat Minor, Op. 23: A Newly Arranged Edition of the Orchestral Reduction." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609138/.

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As it stands, only one arrangement of Tchaikovsky's Piano Concerto No. 1, Op. 23 orchestral reduction exists, which is by Tchaikovsky himself. A number of critical editions of the piece exist, but none of them cover the subject of the material within the orchestral reduction. Tchaikovsky wrote the reduction from a compositional rather than a pianistic perspective, thus some passages present awkward technical challenges. The purpose of this dissertation is ultimately to contribute to the repertoire of accompanists by producing a new edition of Tchaikovsky's Piano Concerto No. 1. I created my ar
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2

Duhaime, Ricky Edward. "A Neglected Clarinet Concerto by Ludwig August Lebrun: A Performing Edition with Critical Commentary: A Lecture Recital, Together with Three Other Recitals." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331084/.

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The present study makes available a modern performing edition of an eighteenth-centyry clarinet concerto. Written by the Mannheim oboist and composer Ludwig August Lebrun, the Concerto in B-flat for solo clarinet and orchestra has existed solely as a set of manuscript parts for over 200 years. The following chapters present biographical information on Ludwig August Lebrun as an oboist and composer of the late eighteenth century, the historical background of Lebrun's Concerto in B-flat. a thematic and harmonic analysis of the concerto's three movements, and a summary of the procedures followed
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Books on the topic "Concertos (Viola), Arranged – Solo with piano"

1

Casadesus, Henri Gustave. Konzert c-Moll für Viola und Orchester. C.F. Peters, 1995.

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2

Bach, Johann Sebastian. Konzert Es-Dur, für Viola, Streicher und Basso continuo: Rekonstruktion nach BWV 169, 49, 1053 = Concerto in E-flat major for viola, strings, and basso continuo : reconstructed from BWV 169, 49, 1053. Bärenreiter, 1996.

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3

Bartók, Béla. Viola concerto. Boosey & Hawkes, 1995.

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4

Druckman, Jacob. Viola concerto. Boosey & Hawkes, 1992.

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5

Telemann, Georg Philipp. Concerto in G major for viola and orchestra. G. Schirmer, 1991.

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Park, Maria Hester. Concerto for the piano forte or harpsichord in E-flat major. Vivace Press, 1993.

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7

Kling, Henri. Concerto brillante: Horn and piano. Southern Music, 1987.

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8

Nardini, Pietro. Konzert in e-Moll: Für Violine und Klavier. Thomi-Berg, 1998.

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9

Amadeus, Mozart Wolfgang. Konzert in Es für Horn und Orchester KV 417 =: Concerto in E-flat major for horn and orchestra. Bärenreiter, 1990.

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10

Du Bois, W. E. B. The Souls of Black Folk. Penguin USA, Inc., 2009.

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Book chapters on the topic "Concertos (Viola), Arranged – Solo with piano"

1

Greiving, Tim. "Simple Gifts, 2008–2014." In John Williams. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197620885.003.0017.

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Abstract Chapter 16, “Simple Gifts, 2008–2014,” opens with the election of Barack Obama being “scored” by John Williams—who makes creative use of an old Aaron Copland piece with even older Shaker roots—arguably the moment where his anointing as America’s composer becomes official. An extended sabbatical from film yields a bounty of new concertos, including ones for viola, harp, and oboe; as well as new chamber works and music for both solo guitar and piano. Refreshed, Williams follows Spielberg’s whims from madcap animation (The Adventures of Tintin) to a melancholic picture book about World W
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