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Journal articles on the topic 'Conero'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Biondi, E., L. Gubellini, M. Pinzi, and S. Casavecchia. "The vascular flora of Conero Regional Nature Park (Marche, Central Italy)." Flora Mediterranea 22 (December 28, 2012): 67–167. http://dx.doi.org/10.7320/flmedit22.067.

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2

Calligaro, S., G. Sofia, M. Prosdocimi, G. Dalla Fontana, and P. Tarolli. "TERRESTRIAL LASER SCANNER DATA TO SUPPORT COASTAL EROSION ANALYSIS: THE CONERO CASE STUDY." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W3 (January 7, 2014): 125–29. http://dx.doi.org/10.5194/isprsarchives-xl-5-w3-125-2013.

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3

Marini, Mauro, Paola Fornasiero, and Antonio Artegiani. "Variations of Hydrochemical Features in the Coastal Waters of Monte Conero: 1982-1990." Marine Ecology 23, s1 (December 2002): 258–71. http://dx.doi.org/10.1111/j.1439-0485.2002.tb00024.x.

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4

Calcinai, B., G. Bavestrello, G. Cuttone, and C. Cerrano. "Excavating sponges from the Adriatic Sea: description ofCliona adriaticasp. nov. (Demospongiae: Clionaidae) and estimation of its boring activity." Journal of the Marine Biological Association of the United Kingdom 91, no. 2 (October 4, 2010): 339–46. http://dx.doi.org/10.1017/s0025315410001050.

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Boring sponge diversity in the area of the Conero Promontory, the most important rocky emergence on the west coast of the Adriatic Sea (Italy), was assessed. Four species were recorded; one of them,Cliona adriatica, is new and is described here. The new species differs from all the other excavating sponge species, characterized by yellow papillae and lacking or scarcity of microscleres, in the large size of the boring chambers and the presence of numerous styles.Cliona adriaticais present on about 12% of the surface of rocky bottoms in the Conero Promontory area. The impact of this highly destructive species on the carbonatic micritic rock of the promontory was evaluated calculating a relationship between the volume of the boring chambers and the surface of the epilithic portions. Consequently, it was estimated that 1 cm2of epilithic tissue corresponds to 8.5 g of excavated rock. The recorded correlation between the excavated volume and the area of the papillar zone (roughly the area of the substratum affected by the erosion) allows an estimation of the substratum removed by a boring sponge, using only visually oriented, non-destructive, sampling methods.

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5

Betti, Federico, Marzia Bo, Cristina G. Di Camillo, and Giorgio Bavestrello. "Life history of Cornularia cornucopiae (Anthozoa: Octocorallia) on the Conero Promontory (North Adriatic Sea)." Marine Ecology 33, no. 1 (June 13, 2011): 49–55. http://dx.doi.org/10.1111/j.1439-0485.2011.00456.x.

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6

Costa, Mario, Jessica Chicco, Chiara Invernizzi, Simone Teloni, and Pietro Paolo Pierantoni. "Plio–Quaternary Structural Evolution of the Outer Sector of the Marche Apennines South of the Conero Promontory, Italy." Geosciences 11, no. 5 (April 24, 2021): 184. http://dx.doi.org/10.3390/geosciences11050184.

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Some new results and preliminary remarks about the Plio–Quaternary structural and evolutionary characteristics of the outer Marche Apennines south in the Conero promontory are presented in this study. The present analysis is based on several subsurface seismic reflection profiles and well data, kindly provided by ENI S.p.A. and available on the VIDEPI list, together with surface geologic–stratigraphic knowledge of Plio–Quaternary evolution from the literature. Examples of negative vs. positive reactivation of inherited structures in fold and thrust belts are highlighted. Here, we present an example from the external domain of the Marche Apennines, which displays interesting reactivation examples from the subsurface geology explored. The study area shows significant evolutionary differences with respect to the northern sector of the Marche region previously investigated by the same research group. The areal distribution of the main structures changes north and south of the ENE–WSW oriented discontinuity close to the Conero promontory. Based on the old tripartite classification of the Pliocene, the results of this work suggest a strong differential subsidence with extension occurring during the Early Pliocene and principal compressive deformation starting from the Middle Pliocene and decreasing or ceasing during the Quaternary. The main structure in this area is the NNW–SSE Coastal Structure, which is composed of E-vergent shallow thrusts and high-angle deep-seated normal faults underneath. An important right-lateral strike–slip component along this feature is also suggested, which is compatible with the principal NNE–SSW shortening direction. As mentioned, the area is largely characterized by tectonic inversion. Starting from Middle Pliocene, most of the Early Pliocene normal faults became E-vergent thrusts.

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7

Masini, L., G. De Grandis, F. Principi, C. Mengarelli, and D. Ottaviani. "Research and characterization of pathogenic vibrios from bathing water along the Conero Riviera (Central Italy)." Water Research 41, no. 18 (October 2007): 4031–40. http://dx.doi.org/10.1016/j.watres.2007.05.003.

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8

Díaz General, Elizabeth N., Pauline N. Mollema, and Marco Antonellini. "Fracture patterns and fault development in the pelagic limestones of the Monte Conero Anticline (Italy)." Italian Journal of Geosciences 134, no. 3 (October 2015): 495–512. http://dx.doi.org/10.3301/ijg.2014.33.

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9

Natali, Luca, Alessandro Blasetti, and Giuseppe Crocetti. "Detection of Lower Cretaceous fossil impressions of a marine tetrapod on Monte Conero (Central Italy)." Cretaceous Research 93 (January 2019): 143–50. http://dx.doi.org/10.1016/j.cretres.2018.09.014.

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10

Totti, Cecilia, Stefano Accoroni, Federica Cerino, Emellina Cucchiari, and Tiziana Romagnoli. "Ostreopsis ovata bloom along the Conero Riviera (northern Adriatic Sea): Relationships with environmental conditions and substrata." Harmful Algae 9, no. 2 (February 2010): 233–39. http://dx.doi.org/10.1016/j.hal.2009.10.006.

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11

Gorgoni, C., G. F. Laghi, and F. Russo. "Minor elements in basin-margin carbonates near the K-T boundary at M. Te Conero (Ancona, Italy)." Chemical Geology 70, no. 1-2 (August 1988): 115. http://dx.doi.org/10.1016/0009-2541(88)90527-x.

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12

Troiani, Francesco, Salvatore Martino, Gian Marco Marmoni, Marco Menichetti, Davide Torre, Giulia Iacobucci, and Daniela Piacentini. "Integrated Field Surveying and Land Surface Quantitative Analysis to Assess Landslide Proneness in the Conero Promontory Rocky Coast (Italy)." Applied Sciences 10, no. 14 (July 13, 2020): 4793. http://dx.doi.org/10.3390/app10144793.

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Rock slopes involved in extensive landslide processes are often characterized by complex morphodynamics acting at different scales of space and time, responsible for different evolutionary scenarios. Mass Rock Creep (MRC) is a critical process for long-term geomorphological evolution of slopes and can likewise characterize actively retreating coastal cliffs where, in addition, landslides of different typologies and size superimpose in space and time to marine processes. The rocky coast at the Conero promontory (central Adriatic Sea, Italy) offers a rare opportunity for better understanding the predisposing role of the morphostructural setting on coastal slope instability on a long-time scale. In fact, the area presents several landslides of different typologies and size and state of activity, together with a wide set of landforms and structural features effective for better comprehending the evolution mechanisms of slope instability processes. Different investigation methods were implemented; in particular, traditional geomorphological and structural field surveys were combined with land surface quantitative analysis based on a Digital Elevation Model (DEM) with ground-resolution of 2 m. The results obtained demonstrate that MRC involves the entire coastal slope, which can be zoned in two distinct sectors as a function of a different morphostructural setting responsible for highly differentiated landslide processes. Therefore, at the long-time scale, two different morphodynamic styles can be depicted along the coastal slopes that correspond to specific evolutionary scenarios. The first scenario is characterized by MRC-driven, time-dependent slope processes involving the entire slope, whereas the second one includes force-driven slope processes acting at smaller space–time scales. The Conero promontory case study highlights that the relationships between slope shape and structural setting of the deforming areas are crucial for reaching critical volumes to induce generalized slope collapse as the final stage of the MRC process. The results from this study stress the importance of understanding the role of morphostructures as predisposing conditions for generalized slope failures along rocky coasts involved in MRC. The findings discussed here suggest the importance of the assessment of the slope instability at the long time scale for a better comprehension of the present-day slope dynamics and its major implications for landslide monitoring strategies and the hazard mitigation strategies.

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13

Di Camillo, Cristina Gioia, Federico Betti, Marzia Bo, Michela Martinelli, Stefania Puce, and Giorgio Bavestrello. "Contribution to the understanding of seasonal cycle of Aurelia aurita (Cnidaria: Scyphozoa) scyphopolyps in the northern Adriatic Sea." Journal of the Marine Biological Association of the United Kingdom 90, no. 6 (February 12, 2010): 1105–10. http://dx.doi.org/10.1017/s0025315409000848.

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Natural populations of Aurelia aurita scyphopolyps, settled on a wreck in the northern Adriatic Sea, were monitored for 22 months in order to study their seasonal cycle. The trend of Aurelia polyps is strongly dependent on water temperature with a peak of abundance in summer and low densities in winter. The strobilation process occurs only once a year, during the cold season, and the estimated number of released ephyrae is 780,000–2,600,000/m2. The species has been recorded only on the iron wreck while it is completely lacking from the close rocky cliff of Conero Promontory, suggesting that the increase of underwater structures of anthropogenic origin could be related to the increases of jellyfish biomass.

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14

Stroppa, Pierluigi, Chiara Invernizzi, Eleonora Eleonora, and Pietro Paolo Pierantoni. "A space-time journey through the composite Conero Geosite (Marche, Italy): a tool for teaching Earth Sciences at school." Rendiconti Online della Società Geologica Italiana 40 (May 2016): 85–90. http://dx.doi.org/10.3301/rol.2016.76.

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15

Acciarri, Alessio, Carlo Bisci, Gino Cantalamessa, and Giorgio Di Pancrazio. "Anthropogenic influence on recent evolution of shorelines between the Conero Mt. and the Tronto R. mouth (southern Marche, Central Italy)." CATENA 147 (December 2016): 545–55. http://dx.doi.org/10.1016/j.catena.2016.08.018.

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16

Rindi, Fabio, Brigitte Gavio, Pilar Díaz-Tapia, Cristina G. Di Camillo, and Tiziana Romagnoli. "Long-term changes in the benthic macroalgal flora of a coastal area affected by urban impacts (Conero Riviera, Mediterranean Sea)." Biodiversity and Conservation 29, no. 7 (April 7, 2020): 2275–95. http://dx.doi.org/10.1007/s10531-020-01973-z.

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17

Sieczko, Anna. "Popyt na włoskie dania regionalne wśród polskich turystów i mieszkańców Włoch." Turystyka i Rozwój Regionalny, no. 11 (June 5, 2019): 107–16. http://dx.doi.org/10.22630/tirr.2019.11.10.

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Italian cuisine is based on products that are fresh and accessible in the vicinity, with the large amount of fresh vegetables and spices. It is also characterized by simplicity in making, but the process can be time consuming. Dishes are prepared according to old, traditional recipes, which affects the variety of meals and the Italian flavor of food. The aim of the study was to show which regional dishes are in demand among Polish tourists and which are preferred by Italian residents living in the Marche region. The research was based on a survey using a questionnaire form and included a sample of 225 Poles (in year 2018) and 125 Italians (in year 2017). The favourite dish of the Polish respondents was pizza while the Italian ones were vincisgrassi, brodetto and passatelli. Among the wines responders chose Verdicchio di Jesi, Rosso Conero and Rosso Piceno.

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18

Antonelli, Fabrizio, and Lorenzo Lazzarini. "The Use of White Marble in the Central and Upper Adriatic Between Greece and Rome: Hellenistic Stelae from the Necropolis of Ancona (Italy)." Cambridge Archaeological Journal 23, no. 2 (April 22, 2013): 149–62. http://dx.doi.org/10.1017/s0959774313000231.

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Sixteen Hellenistic stelae from the central and upper Adriatic region have been examined minero-petrographically and isotopically in order to determine the provenance of their constituent materials. On stylistic and epigraphic grounds all the stelae date from the third to first century bc and have been related by archaeologists to Greek Delian workshops and/or to local Adriatic ateliers. Laboratory analyses showed a local provenance for the limestone stele (Mount Conero, Ancona), the prevailing use of Parian marble from Lakkoi (10 out of 15 stelae) and the minor exploitation of three other marbles (Lunense from Carrara, Proconnesian from the island of Marmara, and Lesbian from Moria). The results confirm contacts between the Adriatic and central Aegean areas in the Hellenistic period, indicating more than one possible origin for the marble stelae: they may have been imported as finished pieces from the Aegean-Attic region, and/or worked locally — imitating the ‘Greek style’ – from small blocks of marble imported from Greece. In addition, the results provide new evidence for the use of Italic marble from Carrara.

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19

Lodi, Giovanni. "Contro." Dental Cadmos 84, no. 3 (March 2016): 123. http://dx.doi.org/10.1016/s0011-8524(16)30029-0.

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20

Harley, Maria Anna. "Birds in concert: North American birdsong in Bartók's Piano Concerto No. 3." Tempo, no. 189 (June 1994): 8–16. http://dx.doi.org/10.1017/s0040298200003430.

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On 22 April 1944 Béla Bartók wrote to his son, Peter:Spring has now indisputably arrived. A kind of ‘kutyafa’ (dogwood) is in bloom, like acacias flowering at home. The birds have become completely drunk with the spring and are putting on concerts the like of which I've never heard. They start with puty-puty-puty ./../../. and end up with various new bird sounds (clearly from later arrivals). The keeps on creating more and more variants.

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21

Bara, Bruno G. "Contro-editoriale." QUADERNI DI PSICOTERAPIA COGNITIVA, no. 45 (January 2020): 11–12. http://dx.doi.org/10.3280/qpc45-2019oa8984.

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22

Kent, B. "AMTA Coner." IEEE Antennas and Propagation Magazine 48, no. 2 (April 2006): 156. http://dx.doi.org/10.1109/map.2006.1650856.

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23

Schneiderf, Stephen, and Greg Newell. "AMTA Coner." IEEE Antennas and Propagation Magazine 49, no. 1 (February 2007): 232–40. http://dx.doi.org/10.1109/map.2007.371031.

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24

Schneider, Stephen, and Jeff Kemp. "AMTA Coner." IEEE Antennas and Propagation Magazine 49, no. 4 (August 2007): 224. http://dx.doi.org/10.1109/map.2007.4385650.

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25

Ferwerda, Rein. "Contro Gli Etici." Ancient Philosophy 16, no. 2 (1996): 533–36. http://dx.doi.org/10.5840/ancientphil199616258.

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26

Violante, Luciano. "TANGENTOPOLI: GIUDICI CONTRO?" Il Politico 251, no. 2 (March 3, 2020): 158–76. http://dx.doi.org/10.4081/ilpolitico.2019.242.

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I processi per corruzione politica e amministrativa iniziati a Milano nel 1992 hanno segnato la fine del sistema politico stabilitosi dopo la Liberazione. Non sempre consapevolmente, la magistratura ha svolto il ruolo di ostetrica del nuovo sistema nato dalle elezioni del 1994. quel sistema è nato in un clima di sospetto e diffidenza nei confronti della politica e dei leader politici. questi tratti continuano a prevalere e continueranno a prevalere fino a quando non si troverà la forza di ricostruire modalità di condotta civile, politica e istituzionale sul modello dei principi di fiducia e rispetto.

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27

Adaye, Yao Kouakou, Faulet Meuwiah Betty, Dan Chepo Ghislaine, Fagbohoun Jean Bedel, Yao Kouadio, and Kouame Lucien Patrice. "Endogenous knowledge and importance of "conoro", fermented condiment from seeds of Baobab (Adansonia digitata), Kapok (Ceiba pentandra) and Okra (Abelmoschus sp) by Bondoukou department populations (North-Eastern Cote d'Ivoire)." Asian Journal of Agriculture and Rural Development 7, no. 12 (July 2, 2018): 244–61. http://dx.doi.org/10.18488/journal.1005/2017.7.12/1005.12.244.261.

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"Conoro" is a traditional fermented condiments prepared from seeds of Baobab, Kapok and Okra. It is consumed by the North-Eastern Ivoirians. The aim was to report ethno-nutritional knowledge of "conôro" and to understand theirs uses. Data showed that respondents had a high knowledge level of "conôro" (86 to 96.67%). A significant difference is found in ethnic and age groups (p <0.05). Koulango were majority ethnic and people over 65 years old had the high knowledge level of "Conôro" to 96.8-100 % and 85.7-100 % respectively. Conoro’s utilization rates varied between 85.27 to 97.93 %. Sauces seasoning (ICF = 0.92) and addition of "Conôro" to other natural substances (ICF = 0.46) were respectively the most reported food and therapeutic uses. Blood pressure (ICF = 0.19) and abdominal pain after childbirth (ICF = 0.33) represented the most common treated diseases. "Conôro" was made from seeds taken individually or combined. The production processes of "conôro" were studied in different localities. Fermentation took 3 days in all localities. It was sold in dumpling form at 25 to 100 FCFA. The conservation time of "conôro" was from 6 to 12 months.

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28

Hewett, Ivan, Ligeti, Ensemble Modern, Peter Eotvos Miklos Perenyi, and Ueli Wiget. "Cello Concerto; Chamber Concerto; Piano Concerto." Musical Times 135, no. 1818 (August 1994): 515. http://dx.doi.org/10.2307/1003340.

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29

Malatesta, Maria. "L'altro Risorgimento. Nobili contro." SOCIETÀ E STORIA, no. 165 (November 2019): 581–90. http://dx.doi.org/10.3280/ss2019-165011.

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30

Scardovi, Gabriele, and Timothy Tambassi. "Contro l'imperio della necessità." SOCIETÀ DEGLI INDIVIDUI (LA), no. 55 (July 2016): 7–8. http://dx.doi.org/10.3280/las2016-055001.

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31

Betti, Arianna. "1.3. Contro i fatti." Rivista di estetica, no. 49 (April 1, 2012): 55–72. http://dx.doi.org/10.4000/estetica.1671.

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32

Luzi, Mario. "MI SI AVVENTA CONTRO." Forum Italicum: A Journal of Italian Studies 20, no. 1 (March 1986): 111. http://dx.doi.org/10.1177/001458588602000109.

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33

Testa, Carlo. "Rilke contro le avanguardie." Forum Italicum: A Journal of Italian Studies 46, no. 1 (March 2012): 141–63. http://dx.doi.org/10.1177/001458581204600106.

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34

Fiori, Angelo. "Contro la fecondazione eterologa." Medicina e Morale 46, no. 2 (April 30, 1997): 241–66. http://dx.doi.org/10.4081/mem.1997.881.

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Il processo di progressiva accettazione della fecondazione eterologa può indurre gli oppositori ad abbandonare le proprie posizioni prendendo atto della loro sostanziale inutilità ed accettando di fatto il principio secondo cui i prodotti del progresso devono essere disponibili a tutti coloro che desiderano fruirne. Per contro, l’autore ritiene che la fecondazione assistita nel suo insieme, non solo la fecondazione eterologa con i suoi peculiari problemi, comincia a presentare nel suo contesto crepe che ora si tenta di occultare, ma che sono destinate a minare in tempo abbastanza breve certezze finora presentate nei consueti termini del trionfalismo biomedico. Molti sono infatti i problemi, scientifici ed etici, che essa solleva: la natura del trattamento di fecondazione eterologa, i rischi per la madre e per il feto, l’anonimato per il donatore e i rischi di approdo alla selezione eugenetica a seguito dei progressi della genetica molecolare, i diritti dei figli, la crioconservazione degli embrioni soprannumerari e l’ipotesi della “donazione di embrione”. Oggi non è possibile prevedere quale sarà il destino delle pratiche di fecondazione assistita, particolarmente della fecondazione eterologa. Tuttavia, a medio termine l’autore si sente di prevedere il loro declino e la loro futura scomparsa a causa dell’aggrovigliarsi progressivo dei problemi che essa implica. Massimo deve essere l’apprezzamento del desiderio di avere un figlio, sono infatti le leggi biologiche che ispirano con la loro forza questi potenti desideri; ma la fecondazione eterologa da padre anonimo non è la risposta a queste speranze. Altre sono le strade.

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35

Zardi, Andrea. "Contro l’egemonia di genere." Mimesis Journal, no. 9, 2 (December 1, 2020): 91–110. http://dx.doi.org/10.4000/mimesis.2137.

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36

Santini, Carlo. "La violenza nel Tideo di Stazio: contro l’altro o contro se stesso?" Giornale Italiano di Filologia 66 (January 2014): 225–44. http://dx.doi.org/10.1484/j.gif.5.107490.

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37

Liedman, Sven-Eric. "Pseudo-quantities, New Public Management and Human Judgement." Confero Essays on Education Philosophy and Politics 1, no. 1 (October 13, 2012): 45–66. http://dx.doi.org/10.3384/confero.13v1i1a1.

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38

Adlington, Robert, Holloway, Kovacic, Tuckwell, SCO, Bamert, Ligeti, et al. "Violin Concerto; Horn Concerto." Musical Times 136, no. 1825 (March 1995): 163. http://dx.doi.org/10.2307/1004015.

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39

Uspenska, I. O. "Violin concerto principles as a way of musical thinking: semantic discourse." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (July 10, 2020): 169–88. http://dx.doi.org/10.34064/khnum1-56.11.

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Background. The history of concert music, separated from ritual and other non-musical functions, is closely connected with the art of violin. The violin was the leading instrument of the Baroque concert style, the examples of which are still unsurpassed. Despite the large amount of research on the formation and varieties of violin style, the concept of “concert” in combination with the concept of “violin” has not yet been considered separately, which determines the relevance of the topic of this article. The object of the research is a concerto principle of musical thinking in violin music; the purpose of the study is to identify the features of the phenomenon of concert in the system of music genres with the participation of the violin. Research methodology. To highlight the content of the stated topic, the article uses elements of both general and special musicological methods, including: historical genetic, deductive, comparative (general scientific approaches); organological, genre and stylistic analysis (musicological approach). Results. The article is devoted to the characterization of the “concerto principles” concept, which is the basis for the study of concert works for violin. It is noted that such phenomena and concepts as “concerto principles”, “concertіzing”, “concerto” are based on the reflection of the dialogue idea in its projection on the dialectic of musical formation (according to B. Asafiev). The author of the article identifies the main approaches to classifying the types of concerto as a musical genre, pointing out the following oppositions: “composer – performer-soloist”, “performer-soloist – orchestra”, and “structural canon – freedom of construction”. The significance of such attributes of concerto as virtuosity and improvisation inherent in any concert forms, including with the participation of the violin, is highlighted. It is noted that the implementation of the concerto principles, which come from large concert forms by J. S. Bach (according to Yu. Kholopov), is a prerequisite in the practical application of the concerto violin music models that are individually embodied in the work of modern masters, including Kharkiv citizens. In order to characterize the phenomenon of violin concerto principles, it was necessary to dwell on the nature of a whole complex of phenomena defined by B.Asafiev as “the basis and principle of concerto”. Based on the observations made by the founder of intonation theory, we can conclude that there is a common core of any concerto music – the idea of a dialogue that arises between the generating and generated intonational and thematic impulses that potentially contain a key to the dialectic of the musical process in its various structural formulations. The dialogue nature of concerto as a special musical genre also includes such attributes as virtuosity and improvisation. However, their presence in a concerto has various gradations and is not, as a rule, a foreground factor. At the same time, we cannot deny that the virtus aesthetics (lat. – valor, talent) is important within the system of concerto genres represented in music for a certain instrument, in particular, the violin. In this regard, a concerto is always a “competition and agreement” between the soloist and the orchestra accompanying him. As a result, and on this basis, we can say about the formation of the three main types of interaction between the participants in the concert dialogue: dominating solo, dominating orchestra, and parity (according to K. Kuznetsov). It should be noted that the improvisation clarifies the meaning of concerto as a performing genre, which is aimed at the free expression of a musician, unlimited by the existing canons and structural models. The genome of concerto (M. Bondarenko) is realized in a rather wide variety of musical forms and genre subtypes – from the standard model of a concerto for a solo instrument with orchestra, a concert for orchestra, a “concerto without orchestra” (R. Schumann), to any other genre forms containing signs of concerto (K. Bila). In evolutionary terms, the development of the concert dialogue idea went through several stages in which two multidirectional vectors are distinguished – centripetal (the way to concerto as a special kind of symphonic genre) and centrifugal (“dispersal” of concerto as a principle of musical thinking in different intonation systems – mono-, poly- and liberal-genre, according to G. Daunoravichene). The “Genre Explosion” (L. Shapovalova), inherent in Modern music, influenced concerto as a musical genre, where composers and performers can discover for themselves and for listeners the most diverse elements of language and technology, referring to different eras and genre styles. The absence of a unified concert model in modern composer and performing practice is largely due to the set of instruments. The instrumental component of concert genres (namely genres, not a genre) is in modern conditions a key determinant in implementing the principles of concerto, which fully applies to violin music. It was the violin that was one of the main instruments that determined the appearance of a solo concerto in the Baroque music, where the foundations of the entire subsequent development of instrumental genre traditions were laid in the direction from the typical vision to the author’s version – the hypothesis of the world (M. Starcheus), concentrated in the genre “matrix” (E. Nazaikinsky). The unsurpassed examples of a large concerto form, which composers of all subsequent eras have oriented themselves to, are found in the works of J. S. Bach, who was not so much an “inventor” as a “trend-setter”. In concertos by J. S. Bach, the severity and seriousness of thought are combined with a peculiar “neutralization” (Yu. Kholopov) of form elements that create a kind of its internal tonal and harmonic “frame”. At the heart of Bach’s concerto principles, which apply to all other manifestations of this principle, and to modern violin literature, there are two constructive standards – polyphonic (theme and interlude) and homophonic (theme and episode), in which Yu. Kholopov sees not only differences, but also similarities. The author of this article did not set the goal of illustrating these principles on the material of specific works from the creative portfolios of Kharkiv masters. At the same time, the three principles of constructing a large concerto form – alternative, developmental and reprise-repeated (Yu. Kholopov), developed by I. S. Bach, can be traced in a number of examples – from concertos for violin (violins) with orchestra – to concerto miniatures , where the “image” of the instrument is realized through various gradations of concerto as the basis and principle of musical thinking. Conclusions. The semantics of violin concerto is revealed in two meanings, concentrated in the components of this phenomenon. The main one is “concert” as a principle of musical thinking, based on a combination and different types of ratio of dialogicity (genre constant), virtuosity and improvisation (genre attributes). The second component of the phenomenon – “violin” – specifies the first at the level of the genre system, which is multifaceted and includes works of different models, classified on the basis of mono-, poly- and librogenre. The semantic “matrices” of violin concerto find expression in the corresponding genre forms, which was first demonstrated in the music of the late Baroque (J. S. Bach), where they were divided into two most common types of poetics: polyphonic (theme and interlude), homophonic (theme and episode). The article states that on this methodological basis it is necessary to approach the concert violin style in the works of both individual authors and regional schools, in particular, one of the leading in Ukraine – Kharkiv, which is the immediate prospect of further study of the topic.

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Sharma, SN. "Vectors of Crimean-Congo Hemorrhagic Fever (CCHF): Prevention and its Control." Journal of Communicable Diseases 52, no. 03 (September 30, 2020): 22–26. http://dx.doi.org/10.24321/0019.5138.202025.

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Abstract:

CCHF is caused by a tickborne virus (Nairovirus) in the family Bunyaviridae. It was first characterized in the Crimea in 1944 and given the name Crimean hemorrhagic fever. Later, it was recognized in 1969 as the cause of illness in the Congo, thus resulting in the current name of the disease. CCHF is a zoonotic viral disease that is asymptomatic in infected animals, but a serious threat to humans. The virus is mainly transmitted by tick species of the genus Hyalomma. During January 2011, Nosocomial (infections caught in hospitals) outbreak was detected in Gujarat, Ahmedabad. Thereafter, several outbreaks and cases of CCHF were reported in the states of Gujarat and Rajasthan during 2012-15. Cases were documented from six districts of Gujarat (Ahmedabad, Amreli, Patan, Surendranagar, Kutch and Aravalli), 3 districts of Rajasthan (Sirohi, Jodhpur and Jaisalmer) and in state of Uttar Pradesh were also affected. During 2019, 3 cases were reported in Rajasthan & 17 cases reported from Gujarat from the districts of Bhavnagar, Botad, Amreli, Kheda, Jamnagar, Rajkot, Surendranagar, Morbi, Jodhpur. An attempt has been made to describe the vectors of CCHF in India and its prevention and control so as to benefit the program managers working at the grass root level.

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Thomas, Gavin, Heinrich Schiff, Heinz Holliger, Hakan Hardenberger, SWF SO Baden-Baden, Michael Gielen, Saschko Gawriloff, Siegfried Palm, Alfons, and Aloys Kontarsky. "Cello Concerto, Oboe Concerto, Trumpet Concerto, Canto di speranza." Musical Times 135, no. 1812 (February 1994): 108. http://dx.doi.org/10.2307/1002990.

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den Boeft, J., Fulgenzio di Ruspe, and Antonio Isola. "Salmo contro i vandali ariani." Vigiliae Christianae 40, no. 1 (March 1986): 93. http://dx.doi.org/10.2307/1583987.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 3(189) (March 11, 2015): 41. http://dx.doi.org/10.37987/1997-9894.2015.3(189).222498.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 1-2(197-8) (February 27, 2016): 54. http://dx.doi.org/10.37987/1997-9894.2016.1-2(197-8).203427.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 10(206) (December 6, 2016): 51. http://dx.doi.org/10.37987/1997-9894.2016.10(206).207672.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 7-8(203-4) (September 7, 2016): 51. http://dx.doi.org/10.37987/1997-9894.2016.7-8(203-4).205585.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 9(205) (October 20, 2016): 37. http://dx.doi.org/10.37987/1997-9894.2016.9(205).207293.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 1(207) (January 18, 2017): 34. http://dx.doi.org/10.37987/1997-9894.2017.1(207).221929.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 2(208) (March 15, 2017): 45. http://dx.doi.org/10.37987/1997-9894.2017.2(208).221952.

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Motruk, D. "TEST TASKS FOR SELF-CONTRO." Medicine of Ukraine, no. 4(210) (June 9, 2017): 43. http://dx.doi.org/10.37987/1997-9894.2017.4(210).222049.

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