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1

Skyllstad, Kjell. "Music in conflict management: Fostering interracial understanding through music." European Journal of Intercultural studies 7, no. 2 (1996): 46–56. http://dx.doi.org/10.1080/0952391960070206.

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2

Skyllstad, Kjell. "Music in conflict management – a multicultural approach." International Journal of Music Education os-29, no. 1 (1997): 73–80. http://dx.doi.org/10.1177/025576149702900111.

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In 1989 the Norwegian Concert Agency (NorConcert) initiated a three-year programme of introducing multicultural music teaching in Norwegian primary schools. Eighteen schools in and around the capital took part in a research project to determine the effects of immigrant musicians introducing the music of their countries of origin to fourth-graders. Remarkable results were found, especially with respect to reduced harassment and ethnic tension. multicultural music is now regularly on the school concert agenda. A total of 3000 such concerts have been presented to an audience of more than a quarte
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3

Andersen, Birgitte, Richard Kozul‐Wright, and Zeljka Kozul‐Wright. "Rents, Rights N'Rhythm: Cooperation, Conflict and Capabilities in the Music Industry1." Industry & Innovation 14, no. 5 (2007): 513–40. http://dx.doi.org/10.1080/13662710701524106.

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4

Koschechko, N. "ART-THERAPY RESOURCES IN THE MANAGEMENT OF PEDAGOGICAL CONFLICTS IN UNIVERSITIES OF UKRAINE." Visnyk Taras Shevchenko National University of Kyiv. Pedagogy, no. 1 (11) (2020): 12–18. http://dx.doi.org/10.17721/2415-3699.2020.11.03.

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The article analyses actual ideas on the problem of pedagogical conflict management in universities with the help of art therapy resources. This area of scientific knowledge is designed to help the individual to realize their inner state by creating a visual image, metaphors, symbols, videos (art-therapeutic product). Art therapy is a development in the personality inherent in its creativity, which helps in solving conflicts. Through creative expression, art therapy actualizes personal resources for overcoming pedagogical conflicts and provides an output of accumulated energy (aggression), thu
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Robison, Tiger. "Culturally Responsive Classroom Management in the General Music Class: Building Connections With Families, Part 2." General Music Today 34, no. 1 (2020): 37–39. http://dx.doi.org/10.1177/1048371320909801.

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Culturally responsive teaching and culturally responsive pedagogy are some of the more heartening trends in music education and the increasingly pluralistic classrooms in which we teach. However, it is easy for some teachers to develop anxiety about making connections with families out of fear of conflict, not getting administrative support, or feelings of inexperience. This column, the sixth in a series about classroom management and the second of several about the particular topic of students’ families, contains several techniques for making meaningful connections with students’ families, es
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EVERIST, MARK. "Theatres of litigation: Stage music at the Théâtre de la Renaissance, 1838–1840." Cambridge Opera Journal 16, no. 2 (2004): 133–61. http://dx.doi.org/10.1017/s095458670400182x.

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From 1807 to 1864, Parisian music drama was governed by a system of licences that controlled the repertory of its three main lyric theatres: the Opéra (variously Académie Royale, Nationale and Impériale de Musique), the Théâtre-Italien and the Opéra-Comique. Between 1838 and 1840, the Théâtre de la Renaissance gained a licence to put on stage music, and quickly succeeded in establishing a reputation for energetic management, imaginative programming together with artistically and financially successful performances. It could do this only by exploiting what were effectively newly invented types
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7

Talalienė, Živilė, and Henrika Šečkuvienė. "Expression of Leadership Skills of Music Teacher." Pedagogika 119, no. 3 (2015): 134–46. http://dx.doi.org/10.15823/p.2015.029.

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Leadership in contemporary society is perceived as a process, which contributes to efficient solution of constantly emerging problems in business, pedagogical and social spheres. Over the last period a rapid progress of science and various technologies has been observed and leadership has acquired a significant status in education as well. To make leadership a natural phenomenon at school, there is a need for a harmoniously functioning link: authorities-leaders; teachers - leaders, who should educate a new generation of school learners-leaders. A teacher of music or a leader of music collectiv
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8

Turrini, Alex, Michael O'hare, and Francesca Borgonovi. "The Border Conflict between the Present and the Past: Programming Classical Music and Opera." Journal of Arts Management, Law, and Society 38, no. 1 (2008): 71–88. http://dx.doi.org/10.3200/jaml.38.1.71-88.

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9

Scozzafave, Maria Carolina Santos, Laura Andrian Leal, Mirelle Inácio Soares, and Silvia Helena Henriques. "Psychosocial risks related to the nurse in the psychiatric hospital and management strategies." Revista Brasileira de Enfermagem 72, no. 4 (2019): 834–40. http://dx.doi.org/10.1590/0034-7167-2017-0311.

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ABSTRACT Objective: To characterize the presence of psychosocial risks related to the work of the nurse in a psychiatric hospital and the strategies for managing these risks. Methods: Qualitative, in which 25 nurses from a psychiatric hospital participated using semi-structured interviews from November 2014 to January 2015. Data analysis was performed using the thematic method. Results: The results showed psychosocial risks related to the work of psychiatric nurses, such as: insufficient academic training; lack of preparation and maintenance of equipment; poor relationship with colleagues; sho
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Yoo, Changsok, Yelim Kim, and Jee Hoon Sohn. "Evaluating the Social Cost of Conflict between New Media and Society: The Case of Gaming Disorder in South Korea." Sustainability 13, no. 14 (2021): 8106. http://dx.doi.org/10.3390/su13148106.

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Historically, the introduction of a new media in mass market caused a strong conflict starting from the nineteenth century popular literature, comics, rock music and film. Interestingly, these conflicts have shown similar and repeated patterns, which is now called media panic and moral regulation, and games are following this pattern. In 2019, Gaming disorder (GD) was decided to be included in the International Classification of Diseases (ICD-11), and similar conflicts on games arenow expected. However, the social cost and damage have not been fully addressed until now. Thus, this study focuse
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Hernandez, Diane, Stephen A. Russo, and Barry A. Schneider. "The Psychological Profile of a Rock Band: Using Intellectual and Personality Measures with Musicians." Medical Problems of Performing Artists 24, no. 2 (2009): 71–80. http://dx.doi.org/10.21091/mppa.2009.2016.

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Unique personality and intelligence factors are important components of the makeup of any individual. In addition, emotional factors, such as a person's inherent levels of joy, anger, passion, worry, grief, and dedication, influence their creative expression. The picture becomes more complicated when there are four individual members with different emotional, intelligence, and personality profiles who must collaborate to make one composition of a creative group. The inner workings of a band are intrinsic and may produce inner conflict, affecting not only themselves and family members but also
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Sun, Huan, Shaofeng Wu, Yanning Li, and Guangquan Dai. "Tourist-to-Tourist Interaction at Festivals: A Grounded Theory Approach." Sustainability 11, no. 15 (2019): 4030. http://dx.doi.org/10.3390/su11154030.

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Although neglected in previous studies, tourist-to-tourist interaction (TTI) is a core part of festival experience. It is widely acknowledged that interactions between tourists significantly influence behavioral reactions such as desire to stay, satisfaction, and loyalty, which are important for tourism destination marketing. This study used grounded theory to obtain insights into onsite interactions between tourists and to propose a conceptual model of TTI on the Midi Music Festival in China. The model constitutes the types, drivers, and influence of TTI. Compared with mutual assistance and c
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Романова, I. Romanova, Левина, et al. "Organization of a Favorable Climate in the Team of Nurses to Prevent Conflict Situations." Journal of New Medical Technologies. eJournal 8, no. 1 (2014): 1–7. http://dx.doi.org/10.12737/5687.

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Research purpose was to organize a favorable climate in the team of nurses. 150 nurses, from them surgical department – 50 people, therapeutic department – 50 people and a reception – 50 people participated in this study. The results of the conducted research were: the highest level of conflict is revealed in group of nurses of a reception – 76%, thus low level wasn´t noted by any of respondents. In group of nurses of surgical department, high level of a conflict is noted in 68%, average – 20% and low – 12%. The lowest level is revealed in therapeutic department – 24%, the average lev
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Martini, Tina, and Windy Vinorika Yuli Astuti. "Analisis Strategi Pengelolaan Kualitas Kehidupan Kerja Dalam Meningkatkan Kinerja Karyawan UD. ZIDAN COLLECTION TAYU-PATI." BISNIS : Jurnal Bisnis dan Manajemen Islam 5, no. 1 (2018): 191. http://dx.doi.org/10.21043/bisnis.v5i1.2952.

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This study aims to analyze the strategy of quality management of UD working life. Zidan Collection in improving employee performance and what factors become supporters and obstacles in improving the performance of UD employees. Zidan Collection. This research includes field research and case study with descriptive qualitative approach. Primary data sources are sourced from direct interviews with UD convection leaders and employees. Zidan Collection, while secondary sources are obtained through documents owned by UD. Zidan Collection. Data collection techniques in this study are interviews, obs
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15

Rossi, Paula. "Reimagining organisational conflicts through the metaphor of music." Knowledge Management Research & Practice 18, no. 1 (2019): 120–30. http://dx.doi.org/10.1080/14778238.2019.1701961.

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Simon, Jean Paul. "The production and distribution of digital content in China. An historical account of the role of internet companies and videogames." Digital Policy, Regulation and Governance 23, no. 2 (2021): 190–209. http://dx.doi.org/10.1108/dprg-10-2020-0138.

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Purpose This paper aims to shed some light on the history of the Chinese videogames industry, to document the growth of the leading companies and reveal how they have been morphing into platforms delivering constellations of apps and digital content (audiovisual, films, music, literature, video streaming […]). The paper tracks the development of digital services through the prism of videogames thereby showing how this industry emerged out of the deployment of the internet. Design/methodology/approach The paper provides an overview and a synthesis of what is known about the Chinese game industr
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Kaul, Adam. "Music on the edge: Busking at the Cliffs of Moher and the commodification of a musical landscape." Tourist Studies 14, no. 1 (2013): 30–47. http://dx.doi.org/10.1177/1468797613511684.

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The Cliffs of Moher is one of the most popular tourist sites in all of Ireland, and buskers have been playing traditional music there for generations. The site and traditional music have each become powerful metonyms for Irish identity. In this article, I explore the complex and changing relationship between Irish identity, music, and tourism at the cliffs. In particular, I analyze recent conflicts that have erupted between musicians and the local tourism authorities which opened a €32 million award-winning interpretive center there in 2007.
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18

Шабшаевич, Елена Марковна. "Vasily Sapelnikov vs Imperial Russian Musical Society (1903): New Materials." Музыкальная академия, no. 4(772) (December 21, 2020): 172–83. http://dx.doi.org/10.34690/120.

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В статье рассматривается история конфликта выдающегося пианиста Василия Львовича Сапельникова с руководством Императорского Русского музыкального общества (в лице глав Петербургской и Московской дирекций - Цезаря Антоновича Кюи и Василия Ильича Сафонова) в 1903 году. Инцидент был вызван нарушением договоренности о неучастии Сапельникова в концертах Московского филармонического общества в случае заключения контракта с ИРМО. Посредником в переговорах стало немецкое концертное агентство Вольфа, которое устраивало данный ангажемент. Подробный анализ сложившейся ситуации стал возможен благодаря при
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19

Prianto, Eko, Siswanta Kaban, Solekha Aprianti, and Romie Jhonnerie. "PENGENDALIAN SUMBERDAYA IKAN DI ESTUARIA SUNGAI MUSI." Jurnal Kebijakan Perikanan Indonesia 2, no. 1 (2017): 15. http://dx.doi.org/10.15578/jkpi.2.1.2010.15-25.

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Perairan estuaria Sungai Musi merupakan daerah penangkapan ikan yang potensial di Provinsi Sumatera Selatan, sehingga di wilayah ini terjadi aktifitas penangkapan yang cukup padat. Akibatnya terjadi tekanan yang cukup besar terhadap sumberdaya ikan di kawasan ini. Fungsi ekologi estuaria sebagai spawning ground dan nursery ground mulai mengalami gangguan akibat intensitas penangkapan yang besar. Beberapa alat tangkap ikan yang tidak selektif beroperasi dalam jumlah banyak sehingga menyebabkan penurunan terhadap stok ikan. Akibatnya konflik pemanfaatan ruang sering terjadi antar sesama nelayan
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20

Fouce-Rodríguez, Héctor. "Technologies and media in digital music: From music market crisis to new listening practices." Comunicar 17, no. 34 (2010): 65–72. http://dx.doi.org/10.3916/c34-2010-02-06.

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In the last decade, the music industry has become the paradigm of the transformations that has carried the development of the productive system towards Informational Capitalism. Of the hand of a quick technological innovation, not always produced by companies, new forms of production and consumption of music have been developed. This new environment has dragged the phonographic companies to a crisis of sales that has forced a radical transformation for the sake of survival. One of these business transformations has been the intensification of the management of copyright. This intensification o
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21

Jos, Philip H., Mary Faith Marshall, and Martin Perlmutter. "The Charleston Policy on Cocaine Use During Pregnancy: A Cautionary Tale." Journal of Law, Medicine & Ethics 23, no. 2 (1995): 120–28. http://dx.doi.org/10.1111/j.1748-720x.1995.tb01341.x.

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The conflict between pregnant women freely using cocaine and the well-being of fetuses presents a difficult social problem. Since 1985, at least 200 women, in thirty states, have been criminally prosecuted for using illicit drugs or alcohol during pregnancy. Such policies enjoy considerable public and political support. Nonetheless, treatment programs that include referral to law enforcement officials raise serious ethical and legal issues for hospitals and health care providers. In this paper, we assess the development of one medical university's controversial treatment program for pregnant w
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Sousa, Maria Jucilene Silva Guida de. "Arte-educação em psicologia: a música como ação e mecanismo de compreensão no processo criativo - interventivo frente a conflitos emocionais na educação superior." Arteriais - Revista do Programa de Pós-Gradução em Artes 4, no. 7 (2019): 54. http://dx.doi.org/10.18542/arteriais.v4i7.6929.

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ResumoEste trabalho, Arte-educação em Psicologia: a Música como ação e mecanismo de compreensão no processo criativo-interventivo frente a conflitos emocionais na Educação Superior visa abordar Arte-Educação em Psicologia como estratégia de inovação em Educação Superior, pois acredita-se que, por meio do preparo psicológico do aluno é possível ajudá-lo a enfrentar suas dificuldades de aprendizagem no contexto acadêmico e, consequentemente diminuir o índice de evasão e reprovação na Educação Superior. Duas ferramentas que se complementam neste sentido é a Música, como Ciência e como subárea de
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Epelde-Larrañaga, Amaya, José Antonio Oñederra Ramírez, and Ligia Isabel Estrada-Vidal. "Music as a Resource Against Bullying and Cyberbullying: Intervention in two Centers in Spain." Sustainability 12, no. 5 (2020): 2057. http://dx.doi.org/10.3390/su12052057.

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Aggressive conflicts are quite frequent in schools, and all students take part in them. Bullying and cyberbullying are the most common methods used. The main objective of this work was to prevent and reduce aggressive behaviors among school children. In this study we present the results of an intervention that we have carried out in two education centers, one public and one semi-public, with students between the ages of 11 and 14. This intervention was done using music and was reinforced by a talk about human values. Two hundred adolescents from the autonomous city of Melilla, Spain, took part
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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 66, no. 3-4 (1992): 249–318. http://dx.doi.org/10.1163/13822373-90002001.

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-Jay B. Haviser, Jerald T. Milanich ,First encounters: Spanish explorations in the Caribbean and the United States, 1492-1570. Gainesville FL: Florida Museum of Natural History & University Presses of Florida, 1989. 221 pp., Susan Milbrath (eds)-Marvin Lunenfeld, The Libro de las profecías of Christopher Columbus: an en face edition. Delano C. West & August Kling, translation and commentary. Gainesville FL: University of Florida Press, 1991. x + 274 pp.-Suzannah England, Charles R. Ewen, From Spaniard to Creole: the archaeology of cultural formation at Puerto Real, Haiti. Tuscaloosa AL
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Alsaedi, Hawazen S., Michael Stump, Wenzinger Christopher, Lazarchick John, and Jennifer Jaroscak. "Pediatric Hemophagocytic Lymphohistocytosis (HLH): A Single Institution Experience in the Diagnosis and Management of This Variable Disease." Blood 124, no. 21 (2014): 4982. http://dx.doi.org/10.1182/blood.v124.21.4982.4982.

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Abstract Background: Hemophagocytic Lymphohistocytosis (HLH) is a rare disease that can be fatal if left untreated. We present a single institution series of pediatric patients diagnosed with HLH. Infants and children can present acutely ill with a febrile illness, and a high index of suspicion is required to make the diagnosis. Diagnosing HLH is challenging due to the rare occurrence, variable presentation, and nonspecific findings of this disorder. We report on 17 patients diagnosed with HLH in this series. Methods: This is a single institution review of pediatric cases of HLH diagnosed from
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Taecharungroj, Viriya. "User-generated place brand identity: harnessing the power of content on social media platforms." Journal of Place Management and Development 12, no. 1 (2019): 39–70. http://dx.doi.org/10.1108/jpmd-11-2017-0117.

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PurposeThe purpose of this paper is to use user-generated content (UGC) on social media platforms to infer the possible place brand identities of two famous metropolitan areas in Bangkok, Thailand, namely, Khaosan Road and Yaowarat (Bangkok’s Chinatown), both of which are famous for their street vendors and nightlife. These two places are interesting study sites because of recent identity conflicts among their stakeholders. The method developed in this research can help other places to better understand place brand identities and, as such, effectively plan for and manage those places.Design/me
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Greenberg, Charles S., Caroline Dupre Vaughn, Alice Boylan, et al. "Analyzing the Impact of Implementing a Systems-Based Hematologist into the Healthcare Delivery System at an Academic Medical Center." Blood 126, no. 23 (2015): 4467. http://dx.doi.org/10.1182/blood.v126.23.4467.4467.

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Abstract There remains a clinical shortage of benign hematologists to manage the growing number of patients with non-malignant yet life-threatening and chronic blood diseases. The American Society of Hematology proposed creating System-Based Hematologist (SBH) positions to meet this need. The purpose of this study was to provide quantitative data regarding the impact that a SBH has on health care delivery in both the inpatient and outpatient settings. In 2011, the Department of Medicine successfully negotiated a Medical Directorship position for a SBH for the MUSC Health System. The position f
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Anjali, Anjali, and Manisha Sabharwal. "Perceived Barriers of Young Adults for Participation in Physical Activity." Current Research in Nutrition and Food Science Journal 6, no. 2 (2018): 437–49. http://dx.doi.org/10.12944/crnfsj.6.2.18.

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This study aimed to explore the perceived barriers to physical activity among college students Study Design: Qualitative research design Eight focus group discussions on 67 college students aged 18-24 years (48 females, 19 males) was conducted on College premises. Data were analysed using inductive approach. Participants identified a number of obstacles to physical activity. Perceived barriers emerged from the analysis of the data addressed the different dimensions of the socio-ecological framework. The result indicated that the young adults perceived substantial amount of personal, social and
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Priyawan, Sunu. "EVOLUSI DALAM PEMIKIRAN MANAJEMEN MODERN." DiE: Jurnal Ilmu Ekonomi dan Manajemen 5, no. 2 (2009). http://dx.doi.org/10.30996/die.v5i2.47.

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Modern management make more sence when viewed in the light of its foundations; the search for a harmony of people and organizations undertaken by the modern berhaviorists actually began many years ealier. These efforts were directed at a just adapatation of human needs and aspirations to the requirements and goals of the organizatios. “Harmony” means agreement between the part of design or composition that gives a pleasing unity of effect, whether it be in music, art, or organizational life. This article probes the modern quest to resolve the conflict between the logic of efficiency and th
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Nairn, Angelique. "Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1624.

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In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars,
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Hope, Cathy, and Bethaney Turner. "The Right Stuff? The Original Double Jay as Site for Youth Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.898.

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On 19 January 1975, Australia’s first youth station 2JJ (Double Jay) launched itself onto the nation’s airwaves with a NASA-style countdown and You Only Like Me ‘Cause I’m Good in Bed by Australian band Skyhooks. Refused airtime by the commercial stations because of its explicit sexual content, this song was a clear signifier of the new station’s intent—to occupy a more radical territory on Australian radio. Indeed, Double Jay’s musical entrée into the highly restrictive local broadcasting environment of the time has gone on to symbolise both the station’s role in its early days as an enfant t
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Fairchild, Charles. "'Australian Idol' and the Attention Economy." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2427.

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The elaborate cross-media spectacle, ‘Australian Idol,’ ostensibly lays bare the process of creating a pop star. Yet with so much made visible, much is rendered opaque. Specifically, ‘Idol’ is defined by the use of carefully-tuned strategies of publicity and promotion that create, shape and reshape a series of ‘authentic celebrities’ – pop stars whose emergence is sanctified through a seemingly open process of public ratification. Yet, Idol’s main actor is the music industry itself which uses contestants as vehicles for crafting intimate, long-term relationships with consumers. Through an anal
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REVELL, KEITH D. "Regulating Resort Revelry: Alcohol, Music, and the Entertainment Market in Miami Beach, 1935–1955." Enterprise & Society, April 19, 2021, 1–45. http://dx.doi.org/10.1017/eso.2021.9.

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Miami Beach was the nation’s premier winter resort between the 1930s and the 1950s. The city attracted a diverse crowd of visitors, some interested in a peaceful respite from the frigid north, others drawn by the drinking, dancing, and musical entertainment offered by its many bars and nightclubs. As part of an elaborate effort to sustain the city’s lively symbiotic urban leisure-services economy, the Miami Beach City Council addressed three types of market failures: chaotic competition, interproducer conflicts, and monopolistic business practices. This article demonstrates how these practices
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Leisten, Susanna, and Rachel Cobcroft. "Copy." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2351.

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 Rip, mix, share, and sue. Has ‘copy’ become a dirty word? The invitation to artists, activists, consumers and critics to engage in the debate surrounding the creative processes of ‘copy’ has been insightful, if not inciting sampling/reproduction/reflection itself: It clearly questions whether ‘copy’ deserves the negative connotations that it currently summonses. It has confronted the divide between the original and its replica, and questioned notions of authenticity and the essence of identity. It has found that ‘open source’ is an opportunity to capitalise on creativity,
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Veland, Siri, Irmelin Gram-Hanssen, David Maggs, and Amanda H. Lynch. "Can the sustainable development goals harness the means and the manner of transformation?" Sustainability Science, August 31, 2021. http://dx.doi.org/10.1007/s11625-021-01032-8.

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AbstractThe 17 sustainable development goals and their 169 targets comprise a comprehensive list of prerequisites for human and planetary well-being, but they also implicitly invoke many of the very trade-offs, synergies, and parallelisms that drive global crises. Decision-makers are familiar with these internal conflicts, and there is no shortage of frameworks, blueprints, and roadmaps to accelerate sustainability. However, thus far, inevitable trade-offs among competing priorities for sustainability are not catalyzing the types of transformations called for, indeed, demanded, by the SDGs. Ha
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Konovalov, Anton Iu. "Online Restorative Mediation Practices." Journal of Siberian Federal University. Humanities & Social Sciences, September 2020, 1510–16. http://dx.doi.org/10.17516/1997-1370-0659.

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In 2019–2020, the COVID threat has changed ordinary life in many countries, including Russia. The fear of epidemic has affected people’s condition and caused anxiety. Many people have found themselves isolated, unable to leave their homes and go to work, which further increased tensions. Those minors, who were shifted to distance learning format and forced to stay at home, also felt vulnerable. The specialists of the “helpline” note growing number of calls, including those related to family and child-parental conflicts. The author organized a series of expert webinars, where the features of re
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Moore, Christopher Luke. "Digital Games Distribution: The Presence of the Past and the Future of Obsolescence." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.166.

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A common criticism of the rhythm video games genre — including series like Guitar Hero and Rock Band, is that playing musical simulation games is a waste of time when you could be playing an actual guitar and learning a real skill. A more serious criticism of games cultures draws attention to the degree of e-waste they produce. E-waste or electronic waste includes mobiles phones, computers, televisions and other electronic devices, containing toxic chemicals and metals whose landfill, recycling and salvaging all produce distinct environmental and social problems. The e-waste produced by games
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Mackenzie, Adrian. "The Infrastructural-Political." M/C Journal 6, no. 4 (2003). http://dx.doi.org/10.5204/mcj.2229.

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To analyse critically contemporary communications and network technologies, and to understand how they become more (or less!) political, we need to learn about the forms of attachment, the kinds of 'stickiness', and the 'velcro effects' which block or negate as well as enable contemporary infrastructural politics. In the following tableau, the heuristic fiction comes from psychotherapy (Orbach, 2000). Imagine the cultural/new media/critical researcher as the analyst. The forms of attachment to be analysed include the analyst's own as she/he comes into relation with changing infrastructural reg
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Burns, Alex. "Oblique Strategies for Ambient Journalism." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.230.

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Alfred Hermida recently posited ‘ambient journalism’ as a new framework for para- and professional journalists, who use social networks like Twitter for story sources, and as a news delivery platform. Beginning with this framework, this article explores the following questions: How does Hermida define ‘ambient journalism’ and what is its significance? Are there alternative definitions? What lessons do current platforms provide for the design of future, real-time platforms that ‘ambient journalists’ might use? What lessons does the work of Brian Eno provide–the musician and producer who coined
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Wark, McKenzie. "Toywars." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2179.

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I first came across etoy in Linz, Austria in 1995. They turned up at Ars Electronica with their shaved heads, in their matching orange bomber jackets. They were not invited. The next year they would not have to crash the party. In 1996 they were awarded Arts Electronica’s prestigious Golden Nica for web art, and were on their way to fame and bitterness – the just rewards for their art of self-regard. As founding member Agent.ZAI says: “All of us were extremely greedy – for excitement, for drugs, for success.” (Wishart & Boschler: 16) The etoy story starts on the fringes of the squatters’ m
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Meakins, Felicity, and Kate Douglas. "Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1979.

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Me? "I" am everywhere. The 'self' permeates contemporary culture. Through capitalist individualism and conservative politics, 'self' must be considered first above the needs of the group - "looking after no. 1". In therapeutic, religious and consumerist discourses of self-improvement, self-help or self-actualisation, 'self' is obscured; an entity which needs to be sought and found, changed or accommodated, an entity which one needs to become "in touch with". Within these permutations "self" carries the assumption of its own existence, as either a stable, unchanging entity or as a contextually
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Sturm, Ulrike, Denise Beckton, and Donna Lee Brien. "Curation on Campus: An Exhibition Curatorial Experiment for Creative Industries Students." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1000.

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Introduction The exhibition of an artist’s work is traditionally accepted as representing the final stage of the creative process (Staniszewski). This article asks, however, whether this traditional view can be reassessed so that the curatorial practice of mounting an exhibition becomes, itself, a creative outcome feeding into work that may still be in progress, and that simultaneously operates as a learning and teaching tool. To provide a preliminary examination of the issue, we use a single case study approach, taking an example of practice currently used at an Australian university. In this
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Brabazon, Tara. "Freedom from Choice." M/C Journal 7, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2461.

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 On May 18, 2003, the Australian Minister for Education, Brendon Nelson, appeared on the Channel Nine Sunday programme. The Yoda of political journalism, Laurie Oakes, attacked him personally and professionally. He disclosed to viewers that the Minister for Education, Science and Training had suffered a false start in his education, enrolling in one semester of an economics degree that was never completed. The following year, he commenced a medical qualification and went on to become a practicing doctor. He did not pay fees for any of his University courses. When reminded o
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Ames, Kate. "Kyle Sandilands: Examining the “Performance of Authenticity” in Chat-Based Radio Programming." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.932.

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“Perhaps the only thing more counterfeit than Australian Idol co-host/FM radio jock Kyle Sandilands’s carotene tan is the myth of his significance.” So wrote Helen Razer in 2007 of radio host Kyle Sandilands in a piece entitled Kyle Sandilands, you are a big fake fake. In the years since Razer’s commentary, commentators and radio listeners have continued to question the legitimacy of Sandilands’s performance as a radio host, while his supporters have defended him on the basis that this performance is authentic (Wynn). References to him as “shock jock,” a term frequently associated with talkbac
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Arnold, Bruce, and Margalit Levin. "Ambient Anomie in the Virtualised Landscape? Autonomy, Surveillance and Flows in the 2020 Streetscape." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.221.

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Our thesis is that the city’s ambience is now an unstable dialectic in which we are watchers and watched, mirrored and refracted in a landscape of iPhone auteurs, eTags, CCTV and sousveillance. Embrace ambience! Invoking Benjamin’s spirit, this article does not seek to limit understanding through restriction to a particular theme or theoretical construct (Buck-Morss 253). Instead, it offers snapshots of interactions at the dawn of the postmodern city. That bricolage also engages how people appropriate, manipulate, disrupt and divert urban spaces and strategies of power in their everyday life.
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Hill, Wes. "The Automedial Zaniness of Ryan Trecartin." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1382.

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IntroductionThe American artist Ryan Trecartin makes digital videos that centre on the self-presentations common to video-sharing sites such as YouTube. Named by New Yorker critic Peter Schjeldahl as “the most consequential artist to have emerged since the 1980s” (84), Trecartin’s works are like high-octane domestic dramas told in the first-person, blending carnivalesque and horror sensibilities through multi-layered imagery, fast-paced editing, sprawling mise-en-scène installations and heavy-handed digital effects. Featuring narcissistic young-adult characters (many of whom are played by the
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Dieter, Michael. "Amazon Noir." M/C Journal 10, no. 5 (2007). http://dx.doi.org/10.5204/mcj.2709.

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 There is no diagram that does not also include, besides the points it connects up, certain relatively free or unbounded points, points of creativity, change and resistance, and it is perhaps with these that we ought to begin in order to understand the whole picture. (Deleuze, “Foucault” 37) Monty Cantsin: Why do we use a pervert software robot to exploit our collective consensual mind? Letitia: Because we want the thief to be a digital entity. Monty Cantsin: But isn’t this really blasphemic? Letitia: Yes, but god – in our case a meta-cocktail of authorship and copyright –
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Mole, Tom. "Hypertrophic Celebrity." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2424.

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Critics are always trying to catch up with the phenomena they analyse, and critics of celebrity culture are no different. For most of its history, the celebrity apparatus has had a vested interest in staying invisible. So long as it remained illegible to cultural analysis, it could claim to be simply a transparent medium for exhibiting star quality. The celebrity’s public profile could appear to be the well-earned result of talent and determination, or the seemingly magical crystallization of his or her personality. But recently, some of the mechanics of celebrity culture have gained their own
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Ruch, Adam, and Steve Collins. "Zoning Laws: Facebook and Google+." M/C Journal 14, no. 5 (2011). http://dx.doi.org/10.5204/mcj.411.

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As the single most successful social-networking Website to date, Facebook has caused a shift in both practice and perception of online socialisation, and its relationship to the offline world. While not the first online social networking service, Facebook’s user base dwarfs its nearest competitors. Mark Zuckerberg’s creation boasts more than 750 million users (Facebook). The currently ailing MySpace claimed a ceiling of 100 million users in 2006 (Cashmore). Further, the accuracy of this number has been contested due to a high proportion of fake or inactive accounts. Facebook by contrast, claim
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Bayes, Chantelle. "The Cyborg Flâneur: Reimagining Urban Nature through the Act of Walking." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1444.

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The concept of the “writer flâneur”, as developed by Walter Benjamin, sought to make sense of the seemingly chaotic nineteenth century city. While the flâneur provided a way for new urban structures to be ordered, it was also a transgressive act that involved engaging with urban spaces in new ways. In the contemporary city, where spaces are now heavily controlled and ordered, some members of the city’s socio-ecological community suffer as a result of idealistic notions of who and what belongs in the city, and how we must behave as urban citizens. Many of these ideals emerge from nineteenth cen
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