Academic literature on the topic 'Congolese (Brazzaville) literature (French)'

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Journal articles on the topic "Congolese (Brazzaville) literature (French)"

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Gehrmann, Susanne. "Remembering colonial violence: Inter/textual strategies of Congolese authors." Tydskrif vir Letterkunde 46, no. 1 (2017): 11–27. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i1.3461.

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This article explores the Congolese remembering of the experienced colonial violence through the medium of literature. Although criticism of colonialism is not a favourite topic of Congolese writers, there exists an important corpus of texts, especially when the literary production of Congo Kinshasa and Congo Brazzaville with their politically distinct though sometimes similar experiences is taken into account. Three main strategies of writing about the topic can be distinguished: a documentary mode, an allegorical mode and a fragmented mode, which often appear in combination. Intertextuality
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NKAYA, KIMBOUALA, Didace MOUHOUELO, and Merveille NGOULOU. "CONGOLESE LANGUAGES VIS-À-VIS FOREIGN LANGUAGES: STATUS, FORMS AND FUNCTIONS." International Journal of Language, Linguistics, Literature and Culture 01, no. 01 (2022): 28–39. http://dx.doi.org/10.59009/ijlllc.2022.0004.

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The existence of African native languages deteriorates vis-à-vis foreign languages such as English, French, Portuguese and Spanish. The former colonies keep using the later as their official languages. The status of the African native languages is either Mother Tongue (MT) or first language (L1), facing that of foreign language (FL) and second language (L2). Unfortunately, the functions of most of these languages are limited to oral communication because their scriptural forms do not exist. This study tries to draw the connections between status and the form, using the Larry (MT or vernacular
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ALLEMBE, Rodrigue Lézin. "A corpus-based analysis of learners’ spelling and morpho-syntactic writing errors and mistakes. Case study of senior secondary schools in Brazzaville (Congo)." International Journal of Education and Humanities 2, no. 4 (2022): 135–46. http://dx.doi.org/10.58557/ijeh.v2i4.103.

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This research work aimed at identifying and analyzing errors and mistakes that Congolese EFL learners commit in their written productions with regard to spelling and morpho-syntax aspects. We carried out the investigation in two senior secondary schools: Réconciliation and Kintélé, located in Brazzaville. To obtain reliable results, we used for data collection the EFL learners’ copies from grade 3 of these two schools of our choice. Besides, we used the descriptive analytical method and Corder’s errors analysis theory (EA) to identify and analyze the types of errors and mistakes made in writin
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Fraiture, Pierre-Philippe. "Modernity and the Belgian Congo." Tydskrif vir Letterkunde 46, no. 1 (2017): 43–57. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i1.3463.

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This article will explore the intellectual context in which French-Belgian colonial writing developed from the turn of the twentieth century to the late 1930s. This period is marked by a gradual shift from evolutionism to cultural relativism. The analysis will first focus on the Tervuren colonial exhibition of 1897 and the progressive emergence of Belgian africanism in the early twentieth century. Secondly, it will account for the ways in which this overall context bore witness to new and somewhat less Eurocentric conditions of possibility. Subsequently, the article will attempt to draw parall
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BERNAULT, FLORENCE. "The Congo. By RANDALL FEGLEY. (World Bibliographical Series, Vol. 162.) Oxford, Santa Barbara and Denver: Clio Press, 1993. Pp. 1 + 168. £30 (ISBN 1-85109-199-8)." Journal of African History 38, no. 1 (1997): 123–77. http://dx.doi.org/10.1017/s0021853796656904.

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Randall Fegley's bibliographical compilation is clearly not among the best of the World Bibliographical Series. The objective of the collection is to present a solid guide of the country to the non-specialist, and compared to other volumes in the series, Fegley's work lacks polish and perspective. The volume is marked by spelling errors. Accents in French names and titles are most often ignored. Important authors' names are misspelled: Gilles Sautter becomes ‘Giles’ in the text and ‘Sautte’ in the index; Jean-Claude Willame becomes ‘Willaure’. Ironically, the listing of the latter's book, Patr
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Reddick, Yvonne. "Tchibamba, Stanley and Conrad: postcolonial intertextuality in Central African fiction." Tydskrif vir Letterkunde 56, no. 2 (2019): 54–66. http://dx.doi.org/10.17159/2309-9070/tvl.v.56i2.5639.

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Paul Lomami Tchibamba (1914–85) is often described as the Congo’s first novelist. Previous research in French and English has depicted Tchibamba’s work as a straightforward example of ‘writing back’ to the colonial canon. However, this article advances scholarship on Tchibamba’s work by demonstrating that his later writing responds not only to Henry Morton Stanley’s account of the imperial subjugation of the Congo, but to Joseph Conrad’s questioning of colonialist narratives of ‘progress’. Drawing on recent theoretical work that examines intertextuality in postcolonial fiction, this article de
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Bizek-Tatara, Renata, and Przemyslaw Szczur. "Une si tendre critique: L’Afrique des écrivains migrants d’origine congolaise en Belgique francophone." Tydskrif vir Letterkunde 58, no. 2 (2021): 61–71. http://dx.doi.org/10.17159/tl.v58i2.10903.

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The article is dedicated to the portrayal of Africa in the writings of the French-speaking Belgian writers of Congolese origins. We analyse subjective representations of Africa, both critical and idealized ones, from which emerges a vision of the continent brimming with contradictions. On the one hand, it is an alluring, vast and fertile land with abundant flora and fauna, as well as clime and landscape dearly missed by migrant writers – the land embodying the concept of “paradise lost” or the notion of a nursing mother identified in the migrant writers’ texts with the idea of homeland. On the
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Siegel, Brian. "Chipimpi, Vulgar Clans, and Lala-Lamba Ethnohistory." History in Africa 35 (January 2008): 439–53. http://dx.doi.org/10.1353/hia.0.0003.

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Common to the matrilineal peoples of eastern central Africa is their clan system, and the reciprocal joking or “funeral friendship,” relations that exist between clans with figuratively complementary names (Cunnison 1959:62-71; Richards 1937; Stefaniszyn 1950). This paper, however, focuses on the southeastern Shaba Pedicle, and the anomalous, one-sided joking between the Vulva and (allegedly pubic) Hair clans of the Lala and Lamba chiefs. I suggest that this joking, like the claim that these clans share a common mythical ancestor, is best explained in terms of nineteenth-century Lala and Lamba
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Mankou, Brice Arsène. "VERQUIN: City of memory and Franco-Congolese friendship." Cahiers du Cedimes, 2024, 16–25. http://dx.doi.org/10.69611/cahiers19-1-01.

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Brazzaville - capital of the AEF, (French Equatorial Africa included four French territories in Central Africa: Middle Congo (today Congo-Brazzaville), Gabon, Oubangui-Chari (today Central Africa) and Chad), Brazzaville was a strategic area and the city from which the first armed forces of Free France departed. It was still in Brazzaville that General de Gaulle launched his manifesto to constitute the defense council of the empire. It was in Brazzaville that the so-called Brazzaville conference was held, under the aegis of General de Gaulle, which made it possible to lay the foundations of the
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Sounda Mbouity, Vanelle Faïda. "CRÉATION LEXICALE PAR GLISSEMENT SÉMANTIQUE EN FRANÇAIS ECRIT EN RÉPUBLIQUE DU CONGO." Cahiers Africains de rhétorique, July 30, 2022, 98–106. http://dx.doi.org/10.55595/vfsme.

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The semantic shift contributes to the creation of new words in French. This process is also observed in the Congolese written press in Brazzaville. This article therefore analyses lexies that have undergone semantic modifications. A threefold approach of differential linguistics, stylistics and semantaxis allows us to identify the different figurative procedures of word-sliding that deserve a description and an analysis. The first is the expression of metonymy. The second is irony and satirical creation. Keywords: French in Congo, semantic shift, metaphor, semantaxis, antonomasia
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Dissertations / Theses on the topic "Congolese (Brazzaville) literature (French)"

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Ravet, Roger. "La vie et demie de Sony Labou Tansi : du rire a l'abjection : ressorts thematiques et effets d'un roman fondateur." Thesis, University of Aberdeen, 2002. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=128368.

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This thesis is an in-depth analysis of <i>La Vie et demie</i>, the first novel of the Congolese writer Sony Labou Tansi, which I consider as a foundational text to the five novels he wrote subsequently.  The novel concerns an imaginary and chaotic country called Katamalanasie which is ruled by the Guide Proventiel, a cruel and sadistic dictator, followed in time by a string of equally barbaric and ruthless tyrants. The thesis explores in close detail the novel’s underlying themes, discusses the literary or mode it belongs to, and maps out the possible effects it has on the reader. My analysis
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Karangira, Alexis. "Le roman zaïrois de langue française Thèse présentée en vue de l'obtention du doctorat en littérature générale et comparée, Université de Paris XII - Val de Marne, Faculté des lettres et sciences humaines, juillet 1997 /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=nmlcAAAAMAAJ.

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Cibalabala, Kalombo Mutshipayi. "L'impact de la tradition dans le roman congolais de langue française (1969-1989): assai d'analyse sociocritique." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211688.

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Cibalabala, Kalombo Mutshipayi. "L'impact de la tradition dans le roman congolais de langue française (1969-1989): essai d'analyse sociocritique." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211688.

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O'Grady, Betty. "The collective voice: the novels of Tchicaya u Tam'si." Thesis, 1992. https://hdl.handle.net/10539/27845.

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A Dissertation Presented to the Department of African Literature University of the Witwatersrand Johannesburg In Fulfilment of the Requirements for the Degree of Doctor of Philosophy<br>This two part study of Tchicaya U Tam'Si's novels reflects the twin objectives of the research project. By showing in the first part the need for critical criteria founded in the socio-historical and linguistic realities of Africa, the hegemony of the Western aesthetic canon with respect to African writing is challenged. In the second part, by applying a contextualised, syncretic critical approach
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Kabongo, Kanyanga Gilbert. "La dualité de l'oeuvre romanesque de Sony Labou Tansi." 2004. http://books.google.com/books?id=yjBlAAAAMAAJ.

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Mukenge, Arthur Ngoie. "L'analyse du thème la colonisation dans les œuvres littéraires Ngemena de Paul Lomami Tchibamba et La Malédiction de Pius Ngandu Nkashama." Thesis, 2009. http://hdl.handle.net/10413/440.

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Critical analysis of the theme “Colonisation” in the literary works of Africa: case of Ngemena by Lomami Tchibamba and La Malédiction by Ngandu Nkashama is the title of this thesis. I intend to do a critical analysis of the “colonialism” in African literature with specific reference to Congo. Some African writers, such as Mongo Beti in Pauvre Christ de Bomba, Benjamin Matip in Afrique! Nous t’ignorons, Ferdinand Oyono in Une Vie de boy and so forth made interesting criticisms of colonisation in the continent. But for their part, in spite of the similarity with the other novels, Ngemena and La
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Mashihi, Thapelo. "Narrating post-colonial crisis: the post-colonial state and the individual in the works of Sony Labou Tansi." Thesis, 2014.

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Thesis (M.A.)--University of the Witwatersrand, 1999.<br>In this study I will examine two texts by the Congolese author Sony Labou Tansi, namely The Seven Solitudes of Lorsa Lopez and Parenthesis of Blood. The aim of the research is to examine how and why the author uses techniques of allegory and magic realism instead of realism in his work. By closely examining the two texts and with the help of comparisons with his other works, I intend to show that the world he is representing is too fabulous to be rendered in a realistic manner. The use of allegory and irony in the text is a strategy that
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Books on the topic "Congolese (Brazzaville) literature (French)"

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Roger, Chemain, ed. De Gérald Félix Tchicaya à Tchicaya U Tam'si: Hommage. L'Harmattan, 2009.

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Tsibinda, Marie-Léontine. Moi, Congo ou les rêveurs de la souveraineté. Bajag-Meri, 2000.

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Marie-Léontine, Tsibinda, Brézault Alain, and Clavreuil Gérard, eds. Conversations congolaises. L'Harmattan, 1989.

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B, Tati-Loutard J., and Makita Philippe, eds. Nouvelle anthologie de la littérature congolaise d'expression française: Textes, 1977-2003 et histoire 1953-2003. Hatier, 2003.

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Noël-Kodia-Ramatta. Dictionnaire des oeuvres littéraires congolaises. Makitec/Éditions Paari, 2010.

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André-Patient, Bokiba, and Yila Antoine, eds. Henri Lopes: Une écriture d'enracinement et d'universalité. L'Harmattan, 2002.

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Toliton, Amour. Verre cassé d'Alain Mabanckou: Analyse et décryptage. Christon Editions, 2013.

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Michel, Devésa Jean, ed. Magie et écriture au Congo. Editions l'Harmattan, 1994.

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Japhet, Delphine. La rumeur au Congo: Du texte au hors-texte. Publications de l'Université de Saint-Etienne, 2012.

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Dago, Lezou Gerard, and N'Da Pierre 1945-, eds. Sony Labou Tansi: Témoin de son temps. Presses universitaires de Limoges, 2003.

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