Relevant bibliographies by topics / Congolese literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Congolese literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Congolese literature"

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Jeusette, Julien, and Silvia Riva. "Contemporary Congolese Literature as World Literature." Journal of World Literature 6, no. 2 (June 22, 2021): 123–32. http://dx.doi.org/10.1163/24056480-00602001.

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Riva, Silvia. "Congolese Literature as Part of Planetary Literature." Journal of World Literature 6, no. 2 (June 22, 2021): 216–44. http://dx.doi.org/10.1163/24056480-00602006.

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Abstract Historically and economically, the Congo has been considered one of the most internationalized states of Africa. The idea that African cultural plurality was minimized during the colonial era has to be reconsidered because textual negotiations and exchanges (cosmopolitan and vernacular, written and oral) have been frequent during and after colonization, mostly in urban areas. Through multilingual examples, this paper aims to question the co-construction of linguistic and literary pluralism in Congo and to advocate for the necessity of a transdisciplinary and collaborative approach, to understand the common life of African vernacular and cosmopolitan languages. I show that world literature models based on Pierre Bourdieu’s notion of negotiation between center and periphery thus have to be replaced by a concept of multilingual global history. Finally, I propose the notion of “planetary literature” as a new way of understanding the interconnection between literatures taking care of the world.
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Kongolo, Antoine Tshitungu, and Catherine Labio. "Colonial Memories in Belgian and Congolese Literature." Yale French Studies, no. 102 (2002): 79. http://dx.doi.org/10.2307/3090594.

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Smith, Pamela J. Olubunmi, Henri Lopes, and Andrea Leskes. "Tribaliks: Contemporary Congolese Stories." World Literature Today 62, no. 4 (1988): 713. http://dx.doi.org/10.2307/40144743.

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Gehrmann, Susanne. "Remembering colonial violence: Inter/textual strategies of Congolese authors." Tydskrif vir Letterkunde 46, no. 1 (November 8, 2017): 11–27. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i1.3461.

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This article explores the Congolese remembering of the experienced colonial violence through the medium of literature. Although criticism of colonialism is not a favourite topic of Congolese writers, there exists an important corpus of texts, especially when the literary production of Congo Kinshasa and Congo Brazzaville with their politically distinct though sometimes similar experiences is taken into account. Three main strategies of writing about the topic can be distinguished: a documentary mode, an allegorical mode and a fragmented mode, which often appear in combination. Intertextuality with the colonial archive as well as oral African narrations is a recurrent feature of these texts. The short stories of Lomami Tchibamba, of the first generation of Congolese authors writing in French, are analysed as examples for a dominantly allegorical narration. Mythical creatures taken from the context of oral literature become symbols for the process of alterity and power relations during colonialism, while the construction of a heroic figure of African resistance provides a counter-narrative to colonial texts of conquest. Thomas Mpoyi-Buatu’s novel La reproduction (1986) provides an example of fragmented writing that reflects the traumatic experience of violence in both Congolese memory of colonialism and Congolese suffering of the present violent dictatorial regime. The body of the protagonist and narrator becomes the literal site of remembering.
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Kapanga, Kasongo M. "Legitimizing the invented Congolese space: The gaze from within in early Congolese fiction." Tydskrif vir Letterkunde 46, no. 1 (November 8, 2017): 28–42. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i1.3462.

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Postcolonial discourses describe colonization as a process of invention to impose the will of a conquering West on “backward” societies. The will to power conjugated with the need for raw materials served as the main catalysts. They put side by side a hegemonic intruder bent on duplicating itself, and a powerless and compliant native unable to react to the blitz of transformations. Hence, the master/slave or father/child relationships that describe the colonial framework. The task is to interrogate these generally accepted assumptions and binary oppositions. Although marginalized, the Congolese native was unwilling to become an object for the colonizer’s gaze. In fact, the inability to expel the “invader” did not prevent the creation of legitimacies out of what was precipitously brought in. This mechanism of transformation is perceptible in Paul Lomami Tchibamba’s novel Ngando (1948), the object of this study. Ngando’s imagined colonial city stands out as a site of contrasts and contradictions. However, the duplicated model shows the “transformability” of the new space into “normalcy” by a subversive native.
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Garnier, Xavier. "Writings of the Subsoil in the Contemporary Congolese Novel." Journal of World Literature 6, no. 2 (June 22, 2021): 133–47. http://dx.doi.org/10.1163/24056480-00602002.

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Abstract The expression “geological scandal,” used at the end of the nineteenth century by the Belgian geologist Jules Cornet to describe the mineral wealth of the eastern Congo, has become even more relevant today if we think of the misfortunes that affect the region. Global predation in this part of central Africa is naturally at the heart of the literary preoccupations of many Congolese writers, who invent narrative forms that are able to account for what is being played out beneath the earth’s surface, in the bowels of the earth. In this paper, I wish to highlight the literature of the mine that begins in the colonial era of the Congolese novel and develops considerably in contemporary times. Through the reading of a few major Congolese novels, this article analyzes how the Congo’s subsoil is the vector of globalization.
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Yewah, Emmanuel. "Congolese Playwrights as Cultural Revisionists." Theatre Research International 21, no. 3 (1996): 219–28. http://dx.doi.org/10.1017/s0307883300015339.

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The Central African sub-region has a well developed literary history. Although such countries as Cameroon and Zaire have been the region's literary vanguard, the Congo presents a rather fascinating case study given its size, population and its incredible contribution to national and African literature. Roger Chemain insightfully notes: ‘De toute l'Afrique dite “francophone”, le Congo compte le plus fort pourcentage d'écrivains par rapport à l'ensemble de la population au point qu'il peut prétendre à être l'un des “poles” culturels de cette partie de l'Afrique, au même titre que le Sénégal ou le Cameroun, pourtant beaucoup plus peuplés.’ Indeed, the Congo has produced some of the continent's most innovative and daring political writings. In the theatre, a number of playwrights have attempted to take issue with post-colonial dictatorships and cultural assumptions inherited from African traditions and colonialism.
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Akabassi, Ghislain Comlan, Elie Antoine Padonou, Achille Ephrem Assogbajo, and Noël Zirihi Guede. "Economic value, endogenous knowledge and distribution of Picralima nitida (Stapf) T. Durand and H. Durand in Africa." AAS Open Research 3 (July 6, 2020): 29. http://dx.doi.org/10.12688/aasopenres.13087.1.

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Background: Picralima nitida (Apocynaceae) is an important African medicinal plant species. It is frequently used in traditional medicine and pharmaceutical industries for manufacture of drugs against infectious diseases, malaria, diabetes and cancer. Despite its important, the species can be rare, especially in the Dahomey Gap (in contrast to the Guineo-Congolese region). There is also a controversy on its distribution. To ensure the sustainable use of the species, this study evaluated the economic value, endogenous knowledge and effect of climate gradient on the distribution of the species in Africa. Methods: Ethnobotanical surveys were conducted in the Dahomey Gap with 120 informants randomly interviewed. A literature review of scientific papers and books was used to provide information on the uses, distribution and threats of the species in the Guineo-Congolese region. Results: The results revealed that P. nitida products were more expensive in the Dahomey Gap than the Guineo-Congolese region. All parts of the species were collected and used for 34 treatments. The species had low density and distribution in Dahomey Gap compared to the Guineo-Congolese region. Conclusions: P. nitida is used across its distribution areas with important economic values. Adapted management strategies are needed for the sustainable use and conservation of the species.
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Akabassi, Ghislain Comlan, Elie Antoine Padonou, Achille Ephrem Assogbajo, and Noël Zirihi Guede. "Economic value, endogenous knowledge and distribution of Picralima nitida (Stapf) T. Durand and H. Durand in Africa." AAS Open Research 3 (October 15, 2020): 29. http://dx.doi.org/10.12688/aasopenres.13087.2.

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Background: Picralima nitida (Apocynaceae) is an important African medicinal plant species. It is frequently used in traditional medicine and pharmaceutical industries for manufacture of drugs against infectious diseases, malaria, diabetes and cancer. Despite its important, the species can be rare, especially in the Dahomey Gap (in contrast to the Guineo-Congolese region). There is also a controversy on its distribution. Without knowing the drivers of plant species rarity it is impossible to address the issue of the controversy of its distribution and unsustainable use as well as safeguarding endogenous knowledge of its uses. Methods: Ethnobotanical surveys were conducted in the Dahomey Gap with 120 informants randomly interviewed. A literature review of scientific papers and books was used to provide information on the uses, distribution and threats of the species in the Guineo-Congolese region. Results: The results revealed that P. nitida products were more expensive in the Dahomey Gap than the Guineo-Congolese region. All parts of the species were collected and used for 34 treatments. The species had low density and distribution in Dahomey Gap compared to the Guineo-Congolese region. Conclusions: P. nitida is used across its distribution areas with important economic values. Adapted management strategies are needed for the sustainable use and conservation of the species..
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Dissertations / Theses on the topic "Congolese literature"

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Karangira, Alexis. "Le roman zaïrois de langue française Thèse présentée en vue de l'obtention du doctorat en littérature générale et comparée, Université de Paris XII - Val de Marne, Faculté des lettres et sciences humaines, juillet 1997 /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=nmlcAAAAMAAJ.

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Barboza, Jacqueline Fernanda Kaczorowski. "Militância anticolonial e representação literária: Nós, os do Makulusu, de José Luandino Vieira e Un fusil dans la main, un poème dans la poche, de Emmanuel Dongala." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-06032018-130319/.

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Se o exercício comparativo desta pesquisa iniciou seu percurso recorrendo a breves elementos comuns e numerosas diferenças entre os romances Nós, os do Makulusu, de José Luandino Vieira, e Un fusil dans la main, un poème dans la poche, de Emmanuel Dongala, o desenvolvimento analítico permitiu construir um diálogo profícuo entre as obras valendo-se dos conceitos de oposição e contradição, didática e dialética. À sua maneira, cada uma das duas narrativas materializa questões que parecem apontar para diferenças significativas também na constituição dos sistemas literários vizinhos a que pertencem. Neste sentido, ao dar enfoque às complexas relações que articulam a produção literária às dinâmicas sociais de seus contextos, empreendeu-se um esforço de reflexão acerca das tensões e contradições que marcaram os processos históricos das colonizações portuguesa e francesa em Angola e Congo-Brazzaville partindo das particularidades de composição verificadas em cada um dos textos literários. Através desse processo, buscou-se explicitar como as contingências agem de modo complexo e intrincado, de forma a influenciar dialeticamente as possibilidades de representação e as escolhas formais dos autores.
If the comparative exercise of this research began its course using brief common elements and numerous differences between the novels Nós, os do Makulusu, by José Luandino Vieira, and Un fusil dans la main, un poème dans la poche by Emmanuel Dongala, the analytical development allowed to construct a fruitful dialogue between the texts using the concepts of opposition and contradiction, didacticism and dialectic. In its own way, each one of these two narratives materializes issues that seem to point to meaningful differences also on the nature of the neighboring literary systems in which they belong. In this sense, by giving focus to the intricate relations that articulate the literary production to the social dynamics of its contexts, an endeavour of reflection was undertook about the tensions and contradictions which branded the historical processes of the Portuguese and French colonizations in Angola and Congo-Brazzaville starting from the peculiarities of composition verified in each of the literary texts. Through this process, it was sought to make explicit how the contingencies act in complex and intricate ways, in order to dialectically influence the possibilities of representation and the formal choices of the authors.
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Cibalabala, Kalombo Mutshipayi. "L'impact de la tradition dans le roman congolais de langue française (1969-1989): essai d'analyse sociocritique." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211688.

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Cibalabala, Kalombo Mutshipayi. "L'impact de la tradition dans le roman congolais de langue française (1969-1989): assai d'analyse sociocritique." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211688.

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Gahungu, Céline. "Élan et devenir. Sony Labou Tansi (1967-1975) : naissance d’un écrivain et d’une écriture." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040081.

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Les recherches consacrées à Sony Labou Tansi et les publications d’inédits témoignent de la richesse d’une œuvre dont les facettes sont multiples. Un pan de cet univers demeure toutefois méconnu : les premiers pas de l’écrivain. L’accès à ses manuscrits et tapuscrits conservés en partie à la Bibliothèque francophone de Limoges – d’autres sont consultables à l’ITEM – ouvre la voie à des analyses renouvelées. Composés de 1967 à 1975, ces textes, pour la grande majorité inédits de son vivant, dressent le portrait d’un auteur congolais en formation, se lançant dans l’aventure de l’écriture. Celle-ci consiste alors à construire son identité d’auteur, fabriquer un univers et professionnaliser son écriture destinée à investir les maisons d’édition françaises. Dans une première partie, ce travail démontre qu’en rédigeant ses textes, Sony Labou Tansi forge son identité auctoriale. Il se conçoit sous les traits d’une bombe, les manuscrits devenant des laboratoires où s’exerce son audace. Devenir écrivain revêt une dimension institutionnelle, à laquelle s’intéresse notre deuxième partie. À rebours de l’imaginaire anarchiste de la bombe, la création littéraire est considérée comme un métier : il faut donc en accepter les codes et élaborer une stratégie d’émergence afin d’être publié. Une troisième partie analyse les métamorphoses de son univers en gésine. Les refus des maisons d’édition ainsi que la tension entre le fantasme d’une création conçue comme une révolte et le désir d’être adoubé l’institution littéraire ne le conduisent nullement à renoncer à ses ambitions. Le maître mot de ces années d’apprentissage est devenir et c’est ainsi que Sony Labou Tansi réinvente son univers, qui est le lieu de transformations incessantes. Sa trajectoire est doublement significative : la bataille de la création et de la publication est le lot de tout novice, mais paraît bien plus complexe pour une génération d’auteurs africains confrontée à un univers éditorial francophone en mutation
The searches on Sony Labou Tansi’s works and the publications of his manuscripts testify of the wealth of his texts. A piece of it remains however unknown : the first steps of the writer. The access to its manuscripts and typescripts partially kept at the Francophone Library of Limoges – others are available for consultation in the Institute of Modern Texts and Manuscripts – open the way to renewed analyses. Written between 1967 and 1975, these texts, for the great majority unpublished in his lifetime, paint the portrait of a Congolese writer in training, dashing into the adventure of the writing. This one consists then in building his author’s identity, in making a universe and in professionalizing his writing intended to invest the French edition. In a first part, this work demonstrates that by drafting his texts, Sony Labou Tansi forges his auctorial identity. He conceives himself under the features of a bomb, the manuscripts becoming bold laboratories. Becoming a writer includes an institutional dimension, in which is interested our second part. Despite the anarchistic imagination of the bomb, the creative writing is considered as a job : it is thus necessary to accept its codes and to develop a strategy of emergence to be published. Our third part analyzes the metamorphoses of this universe under construction. The refusals of publishing houses as well as the tension between the fantasy of a creation conceived as a revolt and the desire to be recognized by the literary institution do not affect his will. The key word of these years of learning is to become and so Sony Labou Tansi reinvents its universe, which is the place of ceaseless transformations. His trajectory is doubly interesting : the battle of the creation and of the publication concerns every young writer, but seems more complex for a generation of African authors confronted with a changing editorial universe
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Kabongo, Kanyanga Gilbert. "La dualité de l'oeuvre romanesque de Sony Labou Tansi." 2004. http://books.google.com/books?id=yjBlAAAAMAAJ.

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Mukenge, Arthur Ngoie. "L'analyse du thème la colonisation dans les œuvres littéraires Ngemena de Paul Lomami Tchibamba et La Malédiction de Pius Ngandu Nkashama." Thesis, 2009. http://hdl.handle.net/10413/440.

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Critical analysis of the theme “Colonisation” in the literary works of Africa: case of Ngemena by Lomami Tchibamba and La Malédiction by Ngandu Nkashama is the title of this thesis. I intend to do a critical analysis of the “colonialism” in African literature with specific reference to Congo. Some African writers, such as Mongo Beti in Pauvre Christ de Bomba, Benjamin Matip in Afrique! Nous t’ignorons, Ferdinand Oyono in Une Vie de boy and so forth made interesting criticisms of colonisation in the continent. But for their part, in spite of the similarity with the other novels, Ngemena and La Malédiction are directly focused on central Africa especially on the country of Congo. The authors mentioned above describe in their novels the effects of colonisation on religious, political and social aspects; meanwhile, in Ngemena, Lomami Tchibamba speaks about the critical periods of his country, Congo: the occupation as well as its effects. This book covers almost the period from 1908 to 1960, which was a very troubled time. But in La Malédiction, Ngandu Nkashama speaks about the deep exploitation of indigenous population in the hard labour in mines. Normally, the two novels Ngemena and La Malédiction complete each other by their relation of facts. Nevertheless, we can say that colonization and negritude are themes well exploited by researchers and authors alike in the second part of the 20th century. In fact, many authors wrote about colonization and their criticisms were rich as well as strong. But sometimes, some of them expressed their opinion in an emotional way so that the content became far from the truth. It is why, Wilberforce Umezinwa in La religion dans la littérature africaine says, in order to render the history most interesting, the narrators are prone to exaggeration: The prose and poetry do not speak generally kindly about the relationship between Africans and Europeans; but these works are filled with a bad mood against Europe, the continent of the missionaries, slave drivers, and colonialists. The relationship Between Europe and Africa is a song of Blues, a song on human distresses (Umezinwa, 1975: 13) (Own translation). Then, the African writer has an essential role in the society: to tell the history with neither bad mood nor exaggeration but with humour, as indicated by Lilyan Kesteloot. In Négritude et situation coloniale, she underlines that African authors write very emotionally when they explain the notion of Colonisation and Négritude. Sartre quoted by the same Lilyan Kesteloot mentioned that this fact is “racism anti-racism” (Kesteloot, 1968: 35, 43). Especially in Ngemena, from time to time, the author goes over the top and makes an exaggeration. In its introduction, Ngemena takes the form of an admonitory part and is written with burning eloquence. It is likely that Lomami Tchibamba had serious hopes of persuading the readers, the Congolese people, of the multiple and hard realities during the colonization period, then implicitly he pushes people to a form of vengeance. But instead of this, the main goal remains: Lomami Tshibamba always keeps his principal theme and responds to many preoccupations such as : -Who is the colonizer? -Why did he come to the country? -How did he convince the indigenous people so that he got in? -What were the circumstances of his entering? By its part in La Malédiction, Ngandu Nkashama tells the atrocity committed by the colonisation in the remote province of Kasai (Bakwanga), particularly, in the diamond mines. The novels such as Citadelle d’espoir by Ngandu Nkashama, Bel Immonde by Valentin Yves Mudimbe, Cité 15 by Charles Djungu Simba, and some articles like “L’affaire Lumumba ou la palabre sur l’indépendance au Congo” of Jean Omasombo Tshonda in Congo Meuse are steeped in the colonial and postcolonial history of Congo and this study, of course, will emphasize many aspects of the colonisation: political, sociological, religious and psychological. To analyse the correlation between the two periods of crucial time in Congo will be the most interesting aspect of this work. Therefore, the novels: Le Vieux nègre et la médaille and Une Vie de Boy of Ferdinand Oyono, La Vie et demie of Sony Labou Tansi, La Ville cruelle of Mongo Beti will be helpful to this framework in illuminating the way of social and religious aspects. Thus, an analysis and interpretation of theses novels constitute a support of large dimension to my study. Furthermore, Ngemena is a book published in 1981 and La Malédiction in 1981 (the same year); the stories seem ancient but keep their originality because of the exploited theme. It is a true historical legacy. In this way, Ngemena and La Malédiction could be considered as “vademecum” and must be read by whoever wants to know and understand the entire topic of colonization in Congo. Their contents confer to them the value of “true teaching books” of the ancient colonial structures. In short, their stories enlighten the long past colonial history; they have a profound didactic value.
Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2009.
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O'Grady, Betty. "The collective voice: the novels of Tchicaya u Tam'si." Thesis, 1992. https://hdl.handle.net/10539/27845.

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A Dissertation Presented to the Department of African Literature University of the Witwatersrand Johannesburg In Fulfilment of the Requirements for the Degree of Doctor of Philosophy
This two part study of Tchicaya U Tam'Si's novels reflects the twin objectives of the research project. By showing in the first part the need for critical criteria founded in the socio-historical and linguistic realities of Africa, the hegemony of the Western aesthetic canon with respect to African writing is challenged. In the second part, by applying a contextualised, syncretic critical approach to U Tam'Si's prose works, important features not only of his narrative but also of his poetic discourse are illuminated. This movement from broad questions of theory to focus on a specific body of writing makes it possible to identify elements that may be considered characteristic of African writing in general while at the same time contributing to a better understanding of a particular writer's creative expression. (Abbreviation abstract)
Andrew Chakane 2019
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Mashihi, Thapelo. "Narrating post-colonial crisis: the post-colonial state and the individual in the works of Sony Labou Tansi." Thesis, 2014.

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Thesis (M.A.)--University of the Witwatersrand, 1999.
In this study I will examine two texts by the Congolese author Sony Labou Tansi, namely The Seven Solitudes of Lorsa Lopez and Parenthesis of Blood. The aim of the research is to examine how and why the author uses techniques of allegory and magic realism instead of realism in his work. By closely examining the two texts and with the help of comparisons with his other works, I intend to show that the world he is representing is too fabulous to be rendered in a realistic manner. The use of allegory and irony in the text is a strategy that helps the author to challenge the oppression and despair in his society. The issue of gender is also important in both texts, therefore, I will examine how Labou Tansi portrays women in his works. I will do this by comparing his presentation of women to other female characters found in African canonical works by male writers.
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Books on the topic "Congolese literature"

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Littératures congolaises de la RDC: 1482-2007 : histoire et anthologie. Paris: L'Harmattan, 2007.

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Malibato, Babudaa. Anthologie: Textes choisies d'auteurs zaïrois. Kinshasa: Editions E.C.A., 1988.

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Confidences et révélations littéraires: Henri Lopes, Sony Labou Tansi, Matondo Kubu Turé, Alain Mabanckou, Ghislaine Sathoud et Henri Djombo. Paris: L'Harmattan, 2012.

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Daniel Biyaoula et le récit de l'exil. Paris: CIREF, 2000.

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Roger, Chemain, ed. De Gérald Félix Tchicaya à Tchicaya U Tam'si: Hommage. Paris: L'Harmattan, 2009.

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Tsibinda, Marie-Léontine. Moi, Congo ou les rêveurs de la souveraineté. Jouy-Le-Moutier: Bajag-Meri, 2000.

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Kankolongo, Alphonse Mbuyamba. Guide de littérature zaïroise de langue française (1974-1992). [Kinshasa]: Editions universitaires africaines, 1993.

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Yaek'olingo, André Wufela. Un siècle de francophonie au Congo-Kinshasa: Dictionnaire bio-bibliographique d'un millier de congolais auteurs d'ouvrages en langue française, de 1910 à 2010. Kinshasa, RDC: Éditions "Présence du chercheur", 2012.

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Ranaivoson, Dominique, and Yoka Lye Mudaba. Chroniques du Congo. Saint-Maur-des-Fossés: Éditions Sépia, 2012.

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La quête du bonheur dans l'œuvre romanesque de Mudimbe. Paris: Publibook, 2012.

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Book chapters on the topic "Congolese literature"

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Bergeyck, Jac. "From a Congolese Perspective." In The Congo in Flemish Literature, 127–34. Universitaire Pers Leuven, 2020. http://dx.doi.org/10.2307/j.ctvt9k2f4.22.

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