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1

Werrett, Simon. "William Congreve's rational rockets." Notes and Records of the Royal Society 63, no. 1 (January 5, 2009): 35–56. http://dx.doi.org/10.1098/rsnr.2008.0039.

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This article examines the early development of military rockets devised by the English inventor and Royal Society Fellow William Congreve in the first decade of the nineteenth century. Congreve's efforts to imitate Indian war rockets used against the British in Mysore are set within a number of local and global contexts that saw increasing attempts by Europeans to imitate eastern pyrotechnics while applying economic and scientific principles to reform pyrotechnic production. Congreve viewed his rockets as ‘rational’, operated via an experimental system that dispensed with the need for any skilled labour, save Congreve's own inventive capacities. But when rockets were put to the test, naval officers, artisans and other inventors all disputed this claim, and this article shows how their various skills proved indispensable in making the rocket work. Congreve responded by erasing both distant Indian and local British contributions to the rocket system. The career of Congreve rockets thus demonstrates how local processes of disciplinary reform around 1800, entailing rational management based on scientific and economic principles, were intimately connected with orientalizing tendencies in Britain, which sought to portray distant cultures of the East as backward and static, justifying imperial domination.
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Escalettes, J. P., and Ph Jung. "Congreve and toulouse." Acta Astronautica 19, no. 6-7 (June 1989): 631–48. http://dx.doi.org/10.1016/0094-5765(89)90132-x.

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Useche Sandoval, Tonatiuh. "« L'Occident » par Richard Congreve." Cahiers philosophiques 137, no. 2 (2014): 90. http://dx.doi.org/10.3917/caph.137.0090.

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4

Weber, H. "Disguise and the Audience in Congreve." Modern Language Quarterly 46, no. 4 (January 1, 1985): 368–89. http://dx.doi.org/10.1215/00182702-46-4-368.

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5

Watkins, Stephen. "The Double Dealer by William Congreve." Restoration: Studies in English Literary Culture, 1660-1700 43, no. 1 (2019): 120–23. http://dx.doi.org/10.1353/rst.2019.0004.

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6

Canfield, J. Douglas, and Julie Stone Peters. "Congreve, the Drama, and the Printed Word." Eighteenth-Century Studies 25, no. 2 (1991): 227. http://dx.doi.org/10.2307/2738821.

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7

Ezell, Margaret J. M., and Julie Stone Peters. "Congreve, the Drama, and the Printed Word." Theatre Journal 44, no. 1 (March 1992): 133. http://dx.doi.org/10.2307/3208541.

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8

Barnard, John. "Review Article: The Works of William Congreve." Seventeenth Century 27, no. 2 (June 1, 2012): 225–29. http://dx.doi.org/10.7227/tsc.27.2.5.

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9

Davis, Vivian. "Dramatizing the Sexual Contract: Congreve and Centlivre." SEL Studies in English Literature 1500-1900 51, no. 3 (2011): 519–43. http://dx.doi.org/10.1353/sel.2011.0030.

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10

Degott, Pierre. "De Congreve à Haendel: les métamorphoses de Sémélé." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 39, no. 1 (1994): 215–25. http://dx.doi.org/10.3406/xvii.1994.1942.

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11

Roberts, Deborah H., and Michael J. Sidnell. "Sources of Dramatic Theory 1: Plato to Congreve." Classical World 86, no. 1 (1992): 63. http://dx.doi.org/10.2307/4351237.

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12

Shay, Robert, John Eccles, Jeremiah Clarke, Richard Leveridge, Daniel Purcell, Peter Anthony Motteux, John Frederick Lampe, William Boyce, and Moses Mendez. "The Judgment of Paris: A Masque by William Congreve." Notes 51, no. 3 (March 1995): 1126. http://dx.doi.org/10.2307/899340.

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13

Hopkins, D. "D. F. MCKENZIE (ed.), The Works of William Congreve." Notes and Queries 58, no. 4 (October 19, 2011): 619–22. http://dx.doi.org/10.1093/notesj/gjr189.

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Vander Motten, Jean-Pierre. "Julie Stone Peters, Congreve, the Drama, and the Printed Word." Documenta 11, no. 1 (March 13, 2019): 51–56. http://dx.doi.org/10.21825/doc.v11i1.10213.

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15

MCKENZIE, D. F. "WILLIAM CONGREVE IN DUTCH (1695) AND HIS TRAVELS ABROAD (1700)." Library s6-21, no. 1 (March 1, 1999): 67–70. http://dx.doi.org/10.1093/library/s6-21.1.67.

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16

McKenzie, D. "Richard van Bleeck's painting of William Congreve as contemplative (1715)." Review of English Studies 51, no. 201 (February 1, 2000): 41–61. http://dx.doi.org/10.1093/res/51.201.41.

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17

McKenzie, D. "Note. Mea Culpa: Voltaire's retraction of his comments critical of Congreve." Review of English Studies 49, no. 196 (November 1, 1998): 461–65. http://dx.doi.org/10.1093/res/49.196.461.

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18

McKenzie, D. "Bibliographical note. William Congreve in Dutch (1695) and his travels abroad (1700)." Library 21, no. 1 (March 1, 1999): 67–70. http://dx.doi.org/10.1093/library/21.1.67.

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19

Mandon Hunter, Nathalie. "« Join in the triumph » : rire et rhétorique dans le théâtre de William Congreve." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 65, no. 1 (2008): 111–30. http://dx.doi.org/10.3406/xvii.2008.2373.

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20

Norberg, Peter. "Congreve and Akenside: Two Poetic Allusions in Melville's “Fragments from a Writing Desk”." Leviathan 10, no. 3 (October 2008): 71–80. http://dx.doi.org/10.1111/j.1750-1849.2008.01311.x.

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21

Kaplan, Deborah. "Representing the Nation: Restoration Comedies on the Early Twentieth-Century London Stage." Theatre Survey 36, no. 2 (November 1995): 37–61. http://dx.doi.org/10.1017/s0040557400001198.

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The first third of the twentieth century was the most important period in the performance history of Restoration comedies—with the exception of the years 1660–1710, when they were originally written and performed. Sixteen of the plays were presented in early twentieth-century London, six in at least two different productions. Post-Carolean works by William Congreve, George Farquhar, and John Vanbrugh held the stage through the war years, but, beginning in 1920, earlier comedies by John Dryden, William Wycherley, and George Villiers entered the repertoire of performed plays. This represents a limited selection of Restoration playwrights and plays, to be sure, but this relatively small cluster of productions takes on large significance when we situate it in the context of the comedies' entire performance careers.
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22

Love, Harold, Robert Markley, and Jacqueline Pearson. "Two-Edg'd Weapons: Style and Ideology in the Comedies of Etherege, Wycherley, and Congreve." Modern Language Review 85, no. 4 (October 1990): 920. http://dx.doi.org/10.2307/3732669.

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23

van Keuren, David K., and Frank H. Winter. "The First Golden Age of Rocketry: Congreve and Hale Rockets of the Nineteenth Century." Technology and Culture 33, no. 4 (October 1992): 836. http://dx.doi.org/10.2307/3106617.

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McCloskey, S. "Two-Edg'd Weapons: Style and Ideology in the Comedies of Etherege, Wycherley, and Congreve." Modern Language Quarterly 50, no. 2 (January 1, 1989): 191–93. http://dx.doi.org/10.1215/00267929-50-2-191.

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25

Evans, James E. "Evelina, the Rustic Girls of Congreve and Abington, and Surrogation in the 1770s." Eighteenth Century 52, no. 2 (2011): 157–71. http://dx.doi.org/10.1353/ecy.2011.0010.

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Harrison, K. C. "William Congreve:9745Laurence Bartlett. William Congreve: An Annotated Bibliography 1978‐1994. Lanham, Maryland and London: The Scarecrow Press 1996. xii + 109 pp £27.55 Scarecrow Author Bibliographies Series No. 97 UK distributors: Shelwing Ltd, Folkestone." Reference Reviews 11, no. 1 (January 1997): 34. http://dx.doi.org/10.1108/rr.1997.11.1.34.45.

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27

WILSON, MATTHEW. "BRITISH COMTISM AND MODERNIST DESIGN." Modern Intellectual History 17, no. 4 (October 11, 2018): 1009–40. http://dx.doi.org/10.1017/s1479244318000434.

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Scholars of political thought, sociology, and the arts have yet to fully explore the impact of positivism on modernist design theory and practice. This paper offers an intellectual history of the works of three generations of positivist sociologists who built on each other's works. They are Auguste Comte and Richard Congreve, Frederic Harrison and Charles Booth, and Patrick Geddes and Victor Branford. These actors developed different types of sociological survey, established a network of urban interventions, and proposed a series of planning programs and manifestos. It will be argued that their intention was to systematically reconcile international and domestic issues to realize a modern eutopia. Following this analysis, it will be shown that a similar language and practice appeared in the work of a diverse range of such modernist designers as Patrick Abercrombie, Sybella Gurney Branford, Louis Sullivan, H. P. Berlage, and Le Corbusier, among others.
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28

Bourdeau, Michel. "Matthew Wilson Richard Congreve, Positivist Politics, the Victorian Press, and the British Empire Cham, Palgrave Macmillan, 2021." Cahiers philosophiques N° 166, no. 3 (May 31, 2022): 139–44. http://dx.doi.org/10.3917/caph1.166.0141.

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29

Rogers, P. "The Works of William Congreve. Ed. by D. F. MCKENZIE. Prepared for publication by C. Y. FERDINAND." Library 14, no. 3 (September 1, 2013): 353–55. http://dx.doi.org/10.1093/library/14.3.353.

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30

Werrett, Simon. "Technology on the Spot: The Trials of the Congreve Rocket in India in the Early Nineteenth Century." Technology and Culture 53, no. 3 (2012): 598–624. http://dx.doi.org/10.1353/tech.2012.0090.

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31

Lamsdell, James C., and Curtis R. Congreve. "Phylogenetic paleoecology: macroecology within an evolutionary framework." Paleobiology 47, no. 2 (March 2021): 171–77. http://dx.doi.org/10.1017/pab.2020.61.

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The burgeoning field of phylogenetic paleoecology (Lamsdell et al. 2017) represents a synthesis of the related but differently focused fields of macroecology (Brown 1995) and macroevolution (Stanley 1975). Through a combination of the data and methods of both disciplines, phylogenetic paleoecology leverages phylogenetic theory and quantitative paleoecology to explain the temporal and spatial variation in species diversity, distribution, and disparity. Phylogenetic paleoecology is ideally situated to elucidate many fundamental issues in evolutionary biology, including the generation of new phenotypes and occupation of previously unexploited environments; the nature of relationships among character change, ecology, and evolutionary rates; determinants of the geographic distribution of species and clades; and the underlying phylogenetic signal of ecological selectivity in extinctions and radiations. This is because phylogenetic paleoecology explicitly recognizes and incorporates the quasi-independent nature of evolutionary and ecological data as expressed in the dual biological hierarchies (Eldredge and Salthe 1984; Congreve et al. 2018; Fig. 1), incorporating both as covarying factors rather than focusing on one and treating the other as error within the dataset.
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32

Probyn, Clive T. "Congreve, the Drama, and the Printed Word. By Julie Stone Peters. California: Stanford University Press. Pp. 286. $32.50." Theatre Research International 18, no. 1 (1993): 68–69. http://dx.doi.org/10.1017/s0307883300017685.

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33

Ward, P. M., and G. A. Jones. "“Hell Hath no Fury like an Academic Scorned”: A Reply to Pugh (with Apologies to Congreve and to Women)." Environment and Planning A: Economy and Space 29, no. 1 (January 1997): 169–78. http://dx.doi.org/10.1068/a290169.

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In our response to Pugh's critique of our work which he rather grandiosely describes as ‘Cambridge studies’, we take major issue with his arguments on three principal fronts. First, he is very selective in his review of our publications, and in seeking to defend the position of the World Bank, UNDP, and UNCHS, he fails to acknowledge an extensive debate in which we have already engaged with senior analysts from those institutions. Moreover, his reading of what we do and do not say about World Bank leadership in the housing and land management policy fields is partial and erroneous. Second, his critique that our methodology lacks a strong theoretical and empirical grounding is at best distorted and at worst quite wrong. The methodology has been widely used and applauded, and if it has been criticized in the past it is for being too empirical and overly focused upon household interviews and surveys. He also ignores the context in which several of the methods he criticizes were published: namely in a collection of essays on Methodology for Land and Housing Market Analysis, the express purpose of which was to contrast different approaches. Third, he mistakenly assumes that because we do not cite certain authors we are ignorant of their work, and further, that our analysis fails to privilege neoclassical land economics. This latter point at least is true, but not because we are ignorant of the approach, but because the theoretical aims of our work required that we experiment with other methods.
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34

Fawcett, Julia H. "Performance review: The Way of the World by William Congreve; and The Fantastic Follies of Mrs Rich by Mary Pix." Eighteenth-Century Fiction 31, no. 1 (October 2018): 231–33. http://dx.doi.org/10.3138/ecf.31.1.231.

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35

Love, Harold. "Congreve, the Drama, and the Printed Word. By Julie Stone Peters. Stanford: Stanford University Press, 1990. pp. xvi + 286. $32.50." Theatre Survey 33, no. 2 (November 1992): 222–24. http://dx.doi.org/10.1017/s0040557400002441.

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36

Eisler, Riane. "Contracting or Expanding Consciousness: Foundations for Partnership and Peace." Interdisciplinary Journal of Partnership Studies 5, no. 3 (December 11, 2018): 5. http://dx.doi.org/10.24926/ijps.v5i3.1600.

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The Congreso Futuro (Futures Congress), sponsored by the President of Chile, was established in 2011 “as a bridge that connects ideas, people and views that change the world with our society.” The 2018 Futures Congress included 40 panels featuring 130 presenters. Riane Eisler gave two plenary speeches, both featuring a Consciousness focus. In the Master’s Closing of Congress Speech delivered on January 20, 2018 at the Salón Honor – Congreso Nacional (Honor Hall of the former National Congress) in Santiago, she summarized the partnership/domination paradigm as a model for understanding our history and our current societies. She concluded by describing four societal cornerstones (family relations, gender relations, economics, and language and narrative) that support domination or partnership systems.
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Mora, María José. "The Diverse Topography of Restoration Comedy." Restoration and Eighteenth-Century Theatre Research 33, no. 1-2 (December 1, 2021): 61–82. http://dx.doi.org/10.5325/rectr.33.1-2.0061.

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Abstract The choice of setting is an important element in dramatic works, one that is often aligned with the definition of character or genre. Restoration comedy has traditionally been associated with London settings, particularly with the fashionable new areas of court and town, frequented by the higher classes: St James's Park, the Mulberry Garden, the Mall, or Covent Garden. Such an assumption, however, rests largely on a view of the comic production of Restoration England which used to foreground the work of a small group of canonical playwrights like Etherege, Wycherley, and Congreve. To revise this notion, the kind of quantitative analysis facilitated by the cataloguing work of the Restoration Comedy Project can prove very useful. This article discusses the difficulties faced in the process of determining the scene of the plays and builds on the data already collected for the period 1660–1682 to trace the topography of Restoration comedy. A review of this information yields a more diverse landscape than is usually taken for granted. Only half of the plays are set in London and barely half of those lay scenes in the genteel areas of the town. Moreover, an examination of the Covent Garden comedies shows that, after the Great Fire, this district is not represented as the exclusive preserve of the gentry, but as the home of a substantial number of citizen characters too.
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Thomas, David. "Alexander Lindsay and Howard Erskine-Hill William Congreve: the Critical HeritageLondon: Routledge, 1989, 494 p. £60 (hbk). ISBN 0-415-02535-4." New Theatre Quarterly 6, no. 24 (November 1990): 395. http://dx.doi.org/10.1017/s0266464x0000498x.

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Barbosa, Etienne Baldez Louzada, and Juarez José Tuchinski dos Anjos. "Questão de materialidade: a carteira escolar no congresso da instrução pública do Rio de Janeiro (1883)." Revista Educação e Emancipação 13, no. 3 (December 9, 2020): 113. http://dx.doi.org/10.18764/2358-4319.v13n3p113-136.

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O artigo em tela volta-se para o Congresso da Instrução Pública, planejado para ocorrer no Rio de Janeiro, capital do Império, no ano de 1883. Toma como objeto de análise as discussões relacionadas à carteira escolar, e à sua materialidade, presentes nas Atas e Pareceres do congresso, publicadas apesar de o congresso efetivamente não ter sido realizado por falta de verbas. Valendo-se da metodologia da pesquisa histórica, o artigo persegue um duplo objetivo: 1) compreender o movimento de organização de tal congresso naquele período; 2) identificar que modelos de carteira foram debatidos e indicados como os mais adequados para serem utilizados nas escolas.Palavras-chave: Carteiras escolares. Congresso da instrução. Cultura material escolar.Materiality issue: the school desk at the congress of public instruction of Rio de Janeiro (1883)ABSTRACTThe article in question turns to the Congress of Public Instruction, which was planned to take place in Rio de Janeiro, capital of the Empire, in 1883. It takes as object of analysis the discussions related to the school desk and its materiality present in the Congressional Proceedings and Reports, which were published despite the fact that the Congress was not actually held due to lack of funds. Using the methodology of historical research, the article pursues a double objective: 1) to understand the movement of organizing such a congress in that period; 2) identify which desk models were discussed and indicated as the most suitable for use in schools.Keywords: School desks. Congress of instruction. School material culture.Cuestión de materialidad: el pupitre escolar en el congreso de instrucción pública de Río de Janeiro (1883)RESUMENEl artículo en cuestión se refiere al Congreso de Instrucción Pública, que estaba previsto que tuviera lugar en Río de Janeiro, capital del Imperio, en 1883. Toma como objeto de análisis las discusiones relacionadas con el pupitre escolar y su materialidad presentes en las Actas y Pareceres del congreso, las cuales fueron publicadas a pesar de que el Congreso no se realizó efectivamente por falta de fondos. Utilizando la metodología de investigación histórica, el artículo persigue un doble objetivo: 1) comprender el movimiento de organizar tal congreso en ese período; 2) identificar qué modelos de pupitre se discutieron e indicaron como los más adecuados para su uso en las escuelas.Palabras clave: Pupitres escolares. Congreso de instrucción. Cultura material da la escuela.
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De Lucas Martín, Javier. "Palabras previas. Actas Congreso 70 aniversario DUDH en CEFD | Foreword. Conference Proceedings Congress 70th anniversary DUDH in CEFD." Cuadernos Electrónicos de Filosofía del Derecho, no. 39 (May 14, 2019): 1. http://dx.doi.org/10.7203/cefd.39.15036.

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41

Kim , Dongwook. "A Study of `Wit` in Comedy of Manners During the English Restoration Age - Emphasis on William Congreve`s The Way of the World -." Journal of Humanities 65 (May 30, 2017): 95–134. http://dx.doi.org/10.31310/hum.065.04.

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42

Sánchez Carlessi, Héctor, Katia Mejía Sáenz, and Carlos Reyes Romero. "Primer Congreso Nacional de Investigación Universitaria: Experiencia de éxito." Tradición, segunda época, no. 19 (December 31, 2019): 9–16. http://dx.doi.org/10.31381/tradicion.v0i19.2607.

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ResumenEl artículo expone los resultados encontrados a partir de la convocatoria del I Congreso Nacional de Investigación Universitaria, realizado los días 4, 5 y 6 de octubre del 2019, organizado por la Universidad Ricardo Palma a través de su Vicerrectorado de Investigación, en el marco del quincuagésimo aniversario de la universidad. La convocatoria contó con el auspicio y apoyo económico del Concytec-Fondecyt y congregó a 640 profesores investigadores universitarios, entre articipantes y expositores, quienes laboran en diversas universidades del país y presentaron conferencias magistrales, ponencias libres, mesas institucionales, mesas redondas y posters.En términos cuantitativos se tuvo la presencia de 10 conferencistas magistrales extranjeros, 15 conferencistas magistrales nacionales, 60 ponencias de temas libres, 12 mesas institucionales, una mesa redonda y 33 posters, que hacen un total de 148 trabajos de investigación expuestos.Los temas o áreas más importantes fueron epistemología e investigación, gestión de la investigación, metodología de la investigación, procesamiento de datos en la investigación, el informe en la investigación, investigación y empresa, así como bioquímica, biotecnología, tecnología e innovación tecnológica, ciencias biomédicas, neurociencias, ecología y sostenibilidad, psicología, ciencias sociales y humanidades.Los resultados de este primer encuentro nacional están contenidos en 4 publicaciones: el Boletín 1, el Libro de Resúmenes de Conferencias y Ponencias, el Programa Analítico del Congreso y la Memoria, esta última deberá contener los artículos científicos presentados mediante ponencias, conferencias, mesas redondas y posters. Palabras Clave: Congreso Nacional de Investigación, investigación universitaria, método, área de conocimiento. AbstractThe article presents the results found from the call for the I National Congress of University Research, held on 4, 5 and 6 October 2019. It was organized by the Ricardo Palma University through its Vice-rectorate of Research, in the framework of the fiftieth anniversary of the university. The call was sponsored and financially supported by Concytec- Fondecyt and brought together 640 university research professors, among participants and lecturers, who work in various universities in the country and presented keynote speeches, free lectures, institutional tables, round tables and posters. In quantitative terms, there were 10 foreign lecturers, 15 national lecturers, 60 presentations on free topics, 12 institutional tables, a round table and 33 posters, making a total of 148 research projects presented.The most important topics or areas were epistemology and research, research management, research methodology, data processing in research, research report, research and business, as well as biochemistry, biotechnology, technology and technological innovation, biomedical sciences, neurosciences, ecology and sustainability, psychology, social sciences and humanities.The results of this first national meeting are contained in four publications: Newsletter 01, the Book of Abstracts of Conferences and Lectures, the Analytical Programme of the Congress and the Memoir, the latter should contain the scientific articles presented through lectures, round tables and posters. Keywords: National Research Congress, university research, method, area of knowledge.
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GARCÍA APARICIO, Rodrigo, and Raquel NOGAL SANTAMARÍA. "PRESENTACIÓN. MODAS, MODOS, MANERAS." Signa: Revista de la Asociación Española de Semiótica 29 (April 8, 2020): 167. http://dx.doi.org/10.5944/signa.vol29.2020.27194.

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Resumen: La presente compilación reúne una breve selección de lostextos presentados en el XVII Congreso Internacional de la AsociaciónEspañola de Semiótica y el I Congreso Ibérico de Semiótica que tuvo lugarentre el 23 y 25 de noviembre de 2017 en la Universidade Nova de Lisboa.En dicho encuentro se dieron cita investigadores de distintos países con elobjetivo de reflexionar sobre el concepto de moda desde el punto de vistasemiótico. Abstract: This compilation gathers a brief selection of the texts presentedat the XVVII International Congress of the Spanish Association ofSemiotics (AES) and the I Iberian Congress of Semiotics (AIS) that tookplace from 23rd to 25th of November, 2017 at the Universidade Nova deLisboa. In this meeting, researchers from different countries met to reflecton the concept of fashion from the semiotic point of view.
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Rodrííguez, Rogelio Hernáández. "Conflicto y colaboracióón entre poderes. La experiencia reciente de los gobiernos divididos en Mééxico." Mexican Studies/Estudios Mexicanos 21, no. 1 (2005): 183–211. http://dx.doi.org/10.1525/msem.2005.21.1.183.

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This essay examinesthe institutional changes undergone by the executive and legislative branches of government in Mexico since 1997 when PRI lost its dominance in congress. It considers the nature of divided government and its potential for conflict as well as the constitutional power of both branches during the period of PRI hegemony. It demonstrates that congress always possessed the right to balance and even control the executive branch while the latter had little power to dominate the former. The traditional subordination of the legislative branch to the executive derived from the political uniformity established by PRI during its period of dominance. Once that uniformity ended, the executive faced a plural congress that it could not control. To demonstrate that reality, the author evaluated the relations between the two branches of government since 1997 and concludes that the friction between the two branches results from the executive's political inability to negotiate with a new autonomous legislature. El ensayo analiza los cambios institucionales que han experimentado los poderes ejecutivo y legislativo en Mééxico desde que la alternancia ocurrióó en el Congreso federal en 1997. Por un lado, revisa el tema de los gobiernos divididos y su potencial riesgo de conflicto y, por otro, analiza las atribuciones constitucionales de ambos poderes durante el periodo de hegemoníía del PRI. Plantea que el Congreso siempre estuvo dotado de facultades para equilibrar y aun para controlar al ejecutivo mientras que ééste cuenta con muy pocas para someter al Congreso. La tradicional subordinacióón del legislativo se debióó a la uniformidad políítica que establecióó el control del PRI y una vez que éésta ha desaparecido, el ejecutivo encuentra a un Congreso plural al que no puede imponer medidas. Para comprobarlo, el autor revisa las relaciones de ambos poderes desde 1997 y concluye que las fricciones entre poderes se han debido a una sensible falta de habilidad políítica para negociar con un Nuevo Congreso autóónomo.
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45

Obed Doku, Dr Samuel. "Dignity Overpowers Conspiracy of Race Politics and Mercantilism in Thomas Southerne’s Oronooko." SMART MOVES JOURNAL IJELLH 4, no. 11 (February 28, 2016): 15. http://dx.doi.org/10.24113/ijellh.v4i11.1764.

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John Dryden describes Thomas Southerne as “pure” in reference to the purity of his language, and Alexander Pope delineates Southerne in his “Epistle to Augustus” as an “elderly dramatist skilled in expressing ‘the passions’” and cites him along with Johnson, Shakespeare, Beaumont and Fletcher, Wycherley, and Rowe as great English playwrights” (qtd. in Kaufman 10). However, not many critics are that generous to Southerne, the only playwright courageous enough to bring a black face on to the English theater in 1695, except Shakespeare who did it with Othello in 1603. The best position critics rank Southerne, author of ten plays, is as the sixth best playwright in English Restoration Theatre. Probably, because of the parasite formula that was in vogue in the 17th century when Southerne wrote Oronooko and which he profoundly capitalized on to write his most famous play, he is not particularly regarded as one of the ingenious playwrights of his era. At best, many critics regard Southerne’s talent as falling short of the mercurial abilities of Dryden, Etheridge, Wycherley, Congreve, and Otway. Some critics, however, are of the view that although Southerne was not fashionably original, his creativity in his ability to refashion and reconfigure the original works he preyed on to make them refreshing and entertaining, should render him as one of the best during the apogee moments of the Restoration era. In this piece, I argue that the antimony of racial politics and the salience of mercantilism in Southerne’s Oronooko dignify women and minorities, even as it simultaneously agitated and mollified the nerves of dealers and supporters of the slave trade.
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46

Hamilton, Alexander. "Full Vindication of the Measures of the Congress (1774) / Defensa plena de las medidas del Congreso (1774)." Araucaria, no. 40 (2018): 11–40. http://dx.doi.org/10.12795/araucaria.2018.i40.01.

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Amoretti Hurtado, María. "¿Por qué Grecia, toda Grecia? (Un ensayo de enfoque intercultural sobre dos formaciones identitarias)." Revista de Filología y Lingüística de la Universidad de Costa Rica 24, no. 1 (August 31, 2015): 61. http://dx.doi.org/10.15517/rfl.v24i1.20426.

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Luego de participar en el Primer Congreso de Neohelenistas de Iberoamérica, la autora presenta sus investigaciones sobre el cuento griego moderno y sobre los estudios neohelénicos en Latinoamérica.After participating in the First Ibero-American Neohellenian Congress, the author presents her research on modern Greek short story and on Neohellenian studies in Latin America.
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48

Castaño Rios, Carlos Eduardo. "nacimiento de la Red Colombiana de Editores y Revistas Contables." Contaduría Universidad de Antioquia, no. 67 (August 31, 2016): 11–15. http://dx.doi.org/10.17533/udea.rc.325303.

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Esta edición número 67 de la revista Contaduría Universidad de Antioquia tiene como eje central de su producción académica algunos de los trabajos que fueron sustentados en el XIV Congreso Internacional de Costos y II Congreso Nacional de Costos y Gestión que se desarrolló en la ciudad de Medellín del 9 al 11 de septiembre de 2015. Para su organización, el Departamento de Ciencias Contables de la Universidad de Antioquia, el Instituto Internacional de Costos y la Red Colombiana de Costos y Gestión (RECOGES) unieron esfuerzos y lograron culminar con éxito un congreso de orden internacional, que congregó a expertos de países como Brasil, Argentina, Colombia, México, Uruguay, Paraguay, Chile, Francia, Venezuela y Portugal, para escuchar y debatir durante tres días sobre el presente y el futuro de los costos y la gestión en el mundo.
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Casasbuenas, María José. "Dilemas contemporáneos de lo visual." Prototypo 2, no. 1 (September 14, 2018): 17–22. http://dx.doi.org/10.15765/ptt.v2i1.3031.

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Los dilemas contemporáneos de lo visual fue la temática que convocó el X Congreso Internacional de Semiótica visual realizado en la ciudad de Buenos Aires, evento que congrego más de 400 investigadoras/es y académicas/os sobre el tema, entre ellas figuras centrales en el campo de la semiótica a nivel internacional como lo son Eliseo Verón y Jean Marie Klinkenber.
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50

Bouzy, Christian. "Reseña: Tibor MONOSTORI, Saavedra Fajardo y el mito de la ingeniosa diplomacia. Cien documentos nuevos, una vida reconsiderada, Traducción de María del Carmen de Bernardo Martínez, Madrid, Guillermo Escolar, “Euroamericana”, 2021." JANUS. Estudios sobre el Siglo de Oro, no. 10 (June 25, 2021): 432–57. http://dx.doi.org/10.51472/jeso20211022.

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RESUMEN: Reseña del libro de Tibor Monostori que relata los años 1640-1646 de la vida de Saavedra Fajardo como diplomático en el Congreso de Münster antes de concluirse la Paz de Westfalia. ABSTRACT: Review of the book of Tibor Monostori that recounts the years 1640-1646 of the life of Saavedra Fajardo as a diplomat in the Congress of Münster before concluding the Peace of Westfalia.
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