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Relevant bibliographies by topics / Conjuring

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Academic literature on the topic 'Conjuring'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Conjuring"

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Stafford, Barbara Maria. "Conjuring." Art Journal 52, no. 2 (June 1993): 22–30. http://dx.doi.org/10.1080/00043249.1993.10791506.

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Schields, Chelsea. "Conjuring Futures." Historical Reflections/Réflexions Historiques 45, no. 2 (June 1, 2019): 84–104. http://dx.doi.org/10.3167/hrrh.2019.450206.

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This article explores the history of the Foundation for Cultural Cooperation between the Netherlands, Suriname, and the Netherlands Antilles (Sticusa), asking how cultural institutions partook in the process of decolonization. Analyzing the perspectives of Sticusa collaborators and critics in the Caribbean, I argue that cultural actors saw decolonization as an opportunity to reorient cultures toward an emergent world order. In this process, they envisioned a range of horizons, from closer integration with Europe to enhanced affinity with the broader Americas. By the 1970s, however, these horizons narrowed to the attainment of national sovereignty, and Sticusa’s cultural experiment ended as a result.

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Street, Mark. "Conjuring Barbara." Camera Obscura: Feminism, Culture, and Media Studies 36, no. 3 (December 1, 2021): 119–21. http://dx.doi.org/10.1215/02705346-9349413.

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Abstract This personal essay remembers the filmmaker's encounters with Barbara Hammer as teacher, mentor, and friend. It traces the production of So Many Ideas Impossible to Do All (dir. Mark Street and Barbara Hammer, US, 2019), a film that considers Hammer's epistolary relationship with the poet Jane Brakhage.

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DRYBREAD, K. "Conjuring criminals." American Ethnologist 49, no. 1 (February 2022): 104–17. http://dx.doi.org/10.1111/amet.13065.

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Macknik, Stephen L., and Susana Martinez-Conde. "Conjuring Equivocations." Scientific American Mind 27, no. 3 (April 14, 2016): 18–19. http://dx.doi.org/10.1038/scientificamericanmind0516-18.

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White, Geoffrey. "Conjuring Oceania." Contemporary Pacific 22, no. 1 (2010): 108–11. http://dx.doi.org/10.1353/cp.0.0115.

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Handler, Richard. "Conjuring Privilege." American Anthropologist 117, no. 1 (February 9, 2015): 151–52. http://dx.doi.org/10.1111/aman.12179.

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Zeiders, Blaire. "Conjuring History:." Journal of Medieval and Early Modern Studies 49, no. 2 (May 1, 2019): 377–401. http://dx.doi.org/10.1215/10829636-7506570.

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Kurtović, Larisa. "Conjuring "the people"." Focaal 2018, no. 80 (March 1, 2018): 43–62. http://dx.doi.org/10.3167/fcl.2018.800104.

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In June 2013, a breakdown in the routine functioning of state bureaucracy sparked the largest and up to that point most significant wave of protests in postwar Bosnia-Herzegovina, named the Bosnian Babylution. The protest centered on the plight of newborn babies who, because of this particular administrative problem, could no longer be issued key documents, even to travel outside the country for life-saving medical care. These events exposed the profound nature of the representational crisis gripping this postwar, postsocialist, and postintervention state that has emerged at the intersection of ethnic hyper-representation and the lived experience of the collapse of biopolitical care. Yet, as this analysis shows, this crisis has also helped unleash new forms of political desire for revolutionary rupture and reconstitution of the postwar political.

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Pinto, Sarah. "Finding and Conjuring." Medical Anthropology 37, no. 8 (November 17, 2018): 621–29. http://dx.doi.org/10.1080/01459740.2018.1520710.

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Dissertations / Theses on the topic "Conjuring"

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Brown, Sheree Mancini. "Conjuring Olympus: Defining Place for Women." Xavier University / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352667500.

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Halil, Karen. "Conjuring power in Caribbean and African-American literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0001/NQ39535.pdf.

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Wallace, Rick L., and Nakia J. Woodward. "Conjuring Up the Next Generation of Medical Librarians." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/8758.

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Saul, Matthew William. "State reconstruction in international law : conjuring with political independence." Thesis, University of Sheffield, 2008. http://etheses.whiterose.ac.uk/10324/.

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This is a study about large-scale international involvement in the reconstruction of a state without an independently effective domestic government. Specifically how the practice in Cambodia, Haiti, Bosnia and Herzegovina, Sierra Leone, Kosoyo, East Timor, Afghanistan, and Iraq, relates to the right of the target state and its people to political independence. The international involvement, particularly its legal justification, is analysed from the perspective of the right to political independence and the core UN system values of self-determination of peoples and international peace. From this analysis, an opinion is formed on what explains intenlational acceptance of a practice that struggles to remain consistent with the legal structures and political values of the inter-sovereign relations paradigm of the international system. This is argued to rest on the pursuit of democratic reconstruction. The absence of a legal concept of democracy, in the practice analysed, is the basis for the thesis that: when there is not an independently effective domestic government, there is a need for greater international legal regulation and accountability of those - both the domestic and international actors - that exercise the right to political independence for the purpose of state reconstruction. This is to compensate for the lack of assurance that the process reflects the wishes of the state and its people, which is a threat to the core UN system values of self-determination of peoples and international peace.

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Houstoun, William G. P. "Professor Hoffman's modern magic : the rise of Victorian conjuring." Thesis, University of Essex, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694707.

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Geyer, Christopher R. "Primitive echoes the capturing and conjuring of Native American music /." [Bloomington, Ind.] : Indiana University, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3204280.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2005.
Source: Dissertation Abstracts International, Volume: 67-01, Section: A, page: 0288. Adviser: Ruth M. Stone. "Title from dissertation home page (viewed Dec. 12, 2006)."

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Uesugi, Takeshi. "Delayed reactions: 'conjuring' agent orange in twenty-first century Vietnam." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106246.

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The intended effects of Agent Orange—the chemical herbicide the US military used during the Vietnam War to defoliate forests and destroy crops—were 'horrendous'; its unintended side-effects on human health, including cancer and birth defects, were 'abominable'. But what about the side-effects of conjuring up 'Agent Orange' decades after the end of the war in contemporary Vietnam? The story of Agent Orange is a relatively new invocation of old facts that were buried in the exigencies of everyday life in postwar Vietnam. The identity of so-called "Agent Orange victims" born in the wake of the emergence of nationwide movement to seek justice on their behalf remains tenuous due to the lack of a unified institutional support for Agent Orange victims and continuing uncertainty of scientific evidence implicating the chemical as the cause of their diseases and conditions. Based on a thirteen-months fieldwork in Central Vietnam, focusing on A Luoi district of Thua Thien Hue province, this thesis explores how the new discourse of Agent Orange and dioxin affects ordinary people's perception of risk, and their relationship to the environment, family, community, nation-state, and the memory of war in regions contaminated with Agent Orange.
Les effets souhaités de l'Agent Orange –ces herbicides chimiques utilisés par l'armée américaine pendant la guerre du Vietnam – étaient le défoliation des forêts, ainsi que la destruction des récoltes, tous deux des effets terribles. Ses effets secondaires non-souhaités sur la santé humaine, incluant le cancer et des malformations de naissance étaient, quant à eux, abominables. Mais que penser des effets secondaires de l'évocation de l'Agent Orange, des décennies après la fin de la guerre au Vietnam d'aujourd'hui? L'histoire relativement récente de l'Agent Orange fait ressurgir du passé des faits enterrés sous les exigences de la vie quotidienne du Vietnam d'après-guerre. L'identité des soi-disant « victimes de l'Agent Orange », apparue lors de l'émergence d'un mouvement national visant à obtenir justice pour eux, demeure délicate en raison de l'incertitude scientifique causale qui persiste, et à cause du manque de soutien institutionnel unifié pour les victimes de l'Agent Orange. Basée sur treize mois de recherche de terrain dans le centre du Vietnam, au sein du district d'A Luoi de la province de Thua Thien Hue, cette thèse examine la manière dont les nouveaux discours sur l'Agent Orange et la dioxine affectent la perception du risque des personnes ordinaires, leurs relations à l'environnement, à la famille, à la communauté, à l'état-nation, ainsi que leur souvenir de la guerre, dans une région contaminée par l'Agent Orange.

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Karlsson, Amanda. "Andlighetens skräck : En teologisk analys av skräckfilm." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-36372.

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De religiösa institutionernas makt har minskat och människor letar i andra medier för att skapa sig en världsbild och införskaffa sig värden om gott och ont. Ett av dessa medier är film. Film påverkar människors identitetsskapande och konkurrerar i allt högre utsträckning med religiösa institutioner om att förmedla traditioner. I uppsatsen analyseras The Conjuring och The Conjuring 2 ur ett teologiskt perspektiv. Uppsatsen utgår från frågor som berör religionens funktion och gestaltningen av gott och ont. Analysen utgår från Douglas E. Cowans kategorier rörande religionens funktion inom skräckfilm för att göra analysen av religionens funktion i filmerna, samt gestaltningen av kampen mellan gott och ont. Analysen visar att religionens funktion i filmerna tillhör kategorierna rädsla för ändring i den heliga ordningen, rädsla för att dö, dö hemskt och att inte förbli död och rädsla för övernaturlig ondska som är förkroppsligad och internaliserad. Ondskan gestaltas i de okontrollerbara krafter som stör ordningen och förändrar världsbilden. Dessa övernaturliga krafter gestaltas genom andar som är oförmögna att gå vidare. De goda krafterna gestaltas genom de människor som återställer ordningen och frigör andarna. Kampen mellan ont och gott beskrivs vid ett tillfälle som en mobbare som man tillsammans måste stå upp mot. Samtidigt beskrivs det som att människorna hamnar i mitten av kampen och riskerar att där bli besatta av onda andar. Det är om människans själ och kontrollen över människan som de motsatta krafterna kämpar. Det är ett sekulärt samhälle som speglas i filmerna där den institutionella kyrkan är svag men den individuella religiositeten är stark och kan även fungera som ett vapen i kampen mellan gott och ont.

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Michael, D. Pante. "Conjuring a Capital City: The Spatial Evolution of Quezon City, 1939-1986." 京都大学 (Kyoto University), 2017. http://hdl.handle.net/2433/225325.

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Dudley, David. "THE DEVELOPMENT OF 800 DAYS OF SOLITUDE: A CONJURING: A PLAYWRITING THESIS." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2412.

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This thesis document is a presentation of the process and production of my play, 800 Days of Solitude: A Conjuring, which was presented in the Moe Theater Lab March 22 through 25 2018. This play endeavored to tell the story of a young man who was wrongfully imprisoned, and then forced into solitary confinement. Chapter 1 contains a detailed account of the pre-writing process, including early inspirations, impressions of what the play might be, and character bios. Chapter 2 is a narrative account of the writing of 800 Days of Solitude: A Conjuring, along with key inspirations and how I used them to shape the text. Chapter 3 recounts the pre-production process, including production meetings with the director and design team, the process of auditions, and rehearsals. Chapter 4 discusses the production of 800 Days of Solitude: A Conjuring. Chapter 5 is the Conclusion, wherein I reflect on my time before SIU, as well as my time here. I then revisit my goals and weigh in on whether I achieved them. Then I speculate on what the future may bring. This is followed by the Works Cited. Appendix A contains the production script of 800 Days of Solitude: A Conjuring, followed by a gloss of terms. Appendix B contains an early draft of 800 Days of Solitude: A Conjuring.

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Books on the topic "Conjuring"

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Lachapelle, Sofie. Conjuring Science. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975.

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Painter, Charlotte. Conjuring Tibet. San Francisco: Mercury House, 1996.

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Ron, Tiner, ed. Conjuring tricks. London: Letts, 1992.

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Fox, Brandon. Conjuring the flesh. San Francisco: Leyland Publications, 1998.

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Steinmeyer, Jim. The conjuring anthology. Burbank, Calif: Hahne, 2006.

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1873-1940, Fischer Ottokar, and Sharpe S. H, eds. Hofzinser's Card conjuring. 2nd ed. New York: Dover, 1986.

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Hill, Gordon. Card and conjuring tricks. London: Ward Lock, 1989.

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Conjuring. St. Martin's Griffin, 1993.

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Wetmore, Kevin. Conjuring. Auteur Publishing, 2021.

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Wetmore, Kevin. Conjuring. Auteur Publishing, 2021.

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Book chapters on the topic "Conjuring"

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Biber, Katherine. "Conjuring documents." In Law's Documents, 178–94. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003247593-13.

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Lachapelle, Sofie. "Introduction." In Conjuring Science, 1–9. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975_1.

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Lachapelle, Sofie. "Science Meets Magic on Stage." In Conjuring Science, 11–35. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975_2.

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Lachapelle, Sofie. "Amusing and Playful Science at Home." In Conjuring Science, 37–57. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975_3.

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Lachapelle, Sofie. "Confronting Ghosts, Mediums, and Fakirs." In Conjuring Science, 59–88. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975_4.

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Lachapelle, Sofie. "Confidence Men, Psychologists, and the Secrets of Professional Illusion-Makers." In Conjuring Science, 89–108. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975_5.

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Lachapelle, Sofie. "Magic as Special Effects." In Conjuring Science, 109–27. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975_6.

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Lachapelle, Sofie. "Conclusion." In Conjuring Science, 129–36. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137492975_7.

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"Conjuring." In Odd Perceptions, 59–62. Routledge, 2017. http://dx.doi.org/10.4324/9781315516219-10.

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"Conjuring." In Cree Narrative, 78–115. McGill-Queen's University Press, 2002. http://dx.doi.org/10.1515/9780773570191-009.

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Conference papers on the topic "Conjuring"

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Owens, Karl, and Chris Wiesemann. "Conjuring funding for services." In the 35th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1294046.1294113.

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Mathews, J. D. "Conjuring Radar Meteor Head-Echoes." In 2018 2nd URSI Atlantic Radio Science Meeting (AT-RASC). IEEE, 2018. http://dx.doi.org/10.23919/ursi-at-rasc.2018.8471509.

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Cortier, Veronique, Stephanie Delaune, and Graham Steel. "A Formal Theory of Key Conjuring." In 20th IEEE Computer Security Foundations Symposium (CSF'07). IEEE, 2007. http://dx.doi.org/10.1109/csf.2007.5.

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Storni, Cristiano. "The problem of de-sign as conjuring." In the 13th Participatory Design Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2661435.2661436.

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Chaouche, Saloua, Rachid Toumache, and Imane Benameur. "NATURAL RESOURCES FROM CURSE TO A BLESSING : CONJURING THE CURSE." In 44th International Academic Conference, Vienna. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.044.010.

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Sutton, Paul, and Max Dean. "PROSPERO: CONJURING KINAESTHETIC LEARNING IN REAL-TIME THROUGH PARTICIPATORY DISTANCE LEARNING TECHNOLOGIES AND DRAMA." In 13th International Technology, Education and Development Conference. IATED, 2019. http://dx.doi.org/10.21125/inted.2019.1472.

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Hong, Zaneta. "Take a Stand: A Foundation for Today’s Citizen-Designer." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.65.

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These past few years have challenged and altered every one of us. To recollect the innumerable racial and social injustices, the rise of devastating natural disasters from climate change, and the Covid-19 pandemic with the ensuing economic recession is to recognize how much we—as a collective society—have endured and continue to endure in the struggles and hardships issued upon us each day. Nearly every city has taken the brunt of upheavals or revolutions, with episodes continually exploding in local townships and municipalities across the country and around the world. Whether one lives in a booming metropolis or a small town, it is evident that communities that implement creative and empathetic interventions—in response to these events and transformations—can catalyze profound effects to the built environment and the human experience. Students in an urban design studio at Cornell University were asked to take a stand – a stand on their work and position of manifesting ideas from concept development to design intervention, from position to proposition. The studio asked students to answer what is the value of design and what is the role of the designer? Alongside conversations on climate change, social equity and design empathy, how does conjuring the unknown, speculating upon possibilities, and imagining constructed futures all occur without a voice? How can one hold onto their values and position, while engaging others through the intricate, and sometimes elusive, design process?

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López-Villar, Rebeca. "La bruja que existe pero no se ve: la invisibilidad cinematográfica como estrategia generadora de terror, desde Rebeca hasta La bruja de Blair." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8965.

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En un contexto audiovisual caracterizado por el exceso y el abuso figurativo, parece que funcionan mejor aquellas películas terroríficas en las que el elemento monstruoso no se muestra ante los ojos del espectador. La finalidad de este texto será entonces comprobar si, frente a las representaciones cinematográficas normativas, la no-presentación de la figura de la bruja favorece en la contemporaneidad audiovisual a los objetivos de las películas de terror. Consideraremos además los posibles motivos que propician la asiduidad del motivo brujesco femenino (invisible o no) en las producciones cinematográficas de terror, cuestión que parece deberse al hecho de que el horror subraya lo diferente, y la bruja puede ser entendida como ese otro monstruoso y terrible. La asociación de la mujer con la otredad parece ser lo que favorece que la bruja se convierta en el estereotipo terrorífico ideal según las normas del patriarcado. Partiremos del paradigma de la invisibilidad perversa asociada a lo brujesco, la señora de Winter (Rebeca, Alfred Hitchcock, 1940), para reflexionar sobre determinados filmes recientes, como La bruja de Blair (Adam Wingard, 2016). Realizaremos un estudio basado en la confrontación, estableciendo analogías entre estas películas sin brujas palpables y aquellas otras en las que lo brujeril se vuelve exagerado y cargado de estereotipos: Hansel y Gretel: Cazadores de brujas (Tommy Wirkola, 2013), Expediente Warren: The Conjuring (James Wan, 2013), La noche de la bruja (Alex Merkin, 2017), etc. Concluiremos observando si en los casos de estudio analizados encontramos diferencias notables deducidas del modo en que se presenta el monstruo; esto es, si se generan significados distintos en función del grado de visibilidad del elemento brujesco, y si los efectos producidos en el espectador varían.

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