Relevant bibliographies by topics / Consciousness of the audience

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Consciousness of the audience'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Consciousness of the audience"

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Wang, Wei. "Study of Audience Emotions in Epic Cinema." Highlights in Art and Design 4, no. 1 (2023): 74–76. http://dx.doi.org/10.54097/hiaad.v4i1.11814.

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The purpose of epic films is not only to tell a good story, but also to let the audience have more and deeper feelings while being entertained. The audience's emotions go deeper and deeper in the process of watching the film, from pleasing the eyes to understanding the characters to triggering empathy, which also fits the three parts of Freud's theory of the structure of consciousness, and in fact is the process of the audience's consciousness going deeper and deeper into the film step by step.
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Ramolete, Amihan Bonifacio, and Sir Anril Pineda Tiatco. "Awakening Philippine Cultural Consciousness in the Youth through Amelia Lapeña-Bonifacio’s Papet Pasyon." Harmonia: Journal of Arts Research and Education 24, no. 1 (2024): 88–104. http://dx.doi.org/10.15294/harmonia.v24i1.46462.

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This article aims to explore how the staging of Papet Pasyon, a children’s play by Amelia Lapeña-Bonifacio, a Philippine National Artist, impart and continues to communicate to the local younger audience an understanding of culture and an appreciation of the art of puppetry. This is then followed by the conceptualization of the actual staging of the play vis-à-vis her vision of a children’s theatre. Afterward, Papet Pasyon is asserted as a pedagogy for younger audiences. Results of the study show (1) how the pre-show conversation prepares the audience for the performance and how it provides an
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Wu, Chunyang, Muhammad Fauzan Abu Bakar, and Boo Ho Voon. "Aesthetics of Hui Folk Dance as Audience Service to Leverage Audience Satisfaction." International Journal of Service Management and Sustainability 7, no. 1 (2022): 125. http://dx.doi.org/10.24191/ijsms.v7i1.17783.

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Hui folk dance has its unique charm as an indispensable part of Chinese folk dance. It reflects the customs and cultural characteristics of the Hui nationality. This article explores the historical formation of Hui folk dance, analyses its formation process in different periods of history, analyses the culture, the body vocabulary of the folk dance, the music, the rhythm of the dance, the influence on the folk dance, and the expression of aesthetic consciousness. Folk dances of the Hui nationality originate from the folk, and they also show their unique living habits, combining dance with the
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Qiu, Weijie. "Development of Women's Image and Women's Consciousness Awakening in Media Perspective." Journal of Education, Humanities and Social Sciences 47 (February 19, 2025): 147–53. https://doi.org/10.54097/cqkx7553.

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The awakening of contemporary women's consciousness has gradually emerged as a mainstream development factor and has influenced the direction, aesthetics, and values of literary and artistic creation. With the advancement of information technology and media communication, Western feminist theories have gradually diffused into China since the 1980s and 1990s, and the women’s consciousness awakening in China has had a profound impact on the creation of Chinese films and literature from its inception to its gradual development under the backdrop of reform and opening up and has undergone empirica
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Jhally, Sut, and Bill Livant. "Watching as Working: the Valorization of Audience Consciousness." Journal of Communication 36, no. 3 (1986): 124–43. http://dx.doi.org/10.1111/j.1460-2466.1986.tb01442.x.

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Castro, Joeven Rosario. "Political Economic Analysis of the Visual Prostitution of Women in Television Situational Comedies of GMA 7." Copenhagen Journal of Asian Studies 27, no. 2 (2009): 40–60. http://dx.doi.org/10.22439/cjas.v27i2.2525.

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Sexualized portrayals of women are staples of two television situational comedies because these reflect the patriarchal society’s gender hierarchy and dichotomy as experienced by the target audience in real life. The researcher found out the audiences’ contrasting perceptions on the vulgarity of jokes. Sexualized portrayals are unwelcome in reality but are considered pleasurable within what the researcher calls as the audiences’ ‘virtual structure’. GMA 7, one of the largest television networks in the Philippines, peddles this vulgarity as a common phenomenon in sitcoms: It commodifies actress
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Barber, Karin. "Preliminary notes on audiences in Africa." Africa 67, no. 3 (1997): 347–62. http://dx.doi.org/10.2307/1161179.

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AbstractThere have been audiences, presumably, as long as there has been performance. The perception that what creates an audience is the listeners' intentional orientation towards the speaker is the starting point of a far-reaching development in performance and media studies which focuses on the activity and creativity of the audience. If the audience has an active role in constituting the performance, cultural historians seeking to uncover histories of consciousness in African popular genres cannot afford to ignore it. But audiences are not all the same. Just as much as performances, they a
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Ryan, Richard M., and Rebecca Kuczkowski. "The Imaginary Audience, Self-Consciousness, and Public Individuation in Adolescence." Journal of Personality 62, no. 2 (1994): 219–38. http://dx.doi.org/10.1111/j.1467-6494.1994.tb00292.x.

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Pretorius, Deirdre. ""Speak to a community audience": The Staffrider illustrations of Mzwakhe (Muziwakhe Nhlabatsi) 1979-1987." Image & Text, no. 37 (April 26, 2023): 1–37. http://dx.doi.org/10.17159/2617-3255/2023/n37a1.

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The South African literary and arts magazine Staffrider (1978-1993) is known for its Black Consciousness stance and the contribution it made in the struggle against apartheid. From its inception the magazine contained illustrations, photographs, artwork and graphics alongside prose, poetry, plays, essays and reports, and for nearly a decade illustrations signed by 'Mzwakhe' appeared frequently. Mzwakhe, the pen-name of Muziwakhe Nhlabatsi, contributed a sizeable number of illustrations to accompany the writing of several notable South African authors. This article offers a discussion of his il
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Chen, Mingxin. "Study on Female Role Image Construction in A Dream of Splendor and Its Positive Influence on Society Based on Postmodern Feminism and Femininity." SHS Web of Conferences 180 (2023): 01001. http://dx.doi.org/10.1051/shsconf/202318001001.

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In recent years, feminism is increasingly discussed in Chinese social media, which means that people become more aware of and interested in learning about feminist issues in China. In order to satisfy the audience's pursuit of feminist values, more and more TV plays tend to create “Strong Female Lead” themes. This paper will focus on the drama “A Dream of Splendor”, which is also based on the same theme. In order to study the drama's image of female characters and its positive impact on society, the drama's plot and secondary data, such as media and audience reviews of this drama, will be anal
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Dissertations / Theses on the topic "Consciousness of the audience"

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Lodato, Thomas James. "A treatise on the loop as a desired form: visual feedback and relational new media." Thesis, Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/33880.

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The visual feedback loop has long-been ignored as a form and an aesthetic within new media. Media theories have largely assumed a medium is defined by the material technology, relegating visual feedback to a circumstance of media rather than a unique and well-defined concept. This thesis sets forth a criteria for characterizing the visual feedback loop as a desired form, that is, a distinct set of formal and phenomenological qualities that are independent of a medium. Grounding the criteria are the cinema theories of Gilles Deleuze and Sean Cubitt; these theories propose that the cinematic ima
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Chin, Chuanfei. "Borderline consciousness, phenomenal consciousness, and artificial consciousness : a unified approach." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:9c0c5009-ba8d-4fd7-bc8d-3c27c723d1ea.

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Borderline conscious creatures are neither definitely conscious nor definitely not conscious. In this thesis, I explain what borderline consciousness is and why it poses a significant epistemological challenge to scientists who investigate phenomenal consciousness as a natural kind. When these scientists discover more than one overlapping kind in their samples of conscious creatures, how can they identify the kind to which all and only conscious creatures belong? After assessing three pessimistic responses, I argue that different groups of scientists can legitimately use the concept of phenome
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Cucciarre, Christine Peters. "Audience Matters: Exploring Audience in Undergraduate Creative Writing." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1224415510.

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Sochová, Tereza. "AUDIENCE DEVELOPMENT." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96987.

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The goal of this thesis is a thorough investigation of questions and potential of the marketing strategy called AUDIENCE DEVELOPMENT. The structure of the thesis proceeds from the generally accepted marketing knowledge to the specific possibilities of audience development. It analyses theoretical strategies of audience development as well as concrete instruments used to acquire new customers and also to satisfy and stimulate current customers. A practical proposal of an audience development concept is demonstrated by DISK theater case study. The concrete goal of this thesis is to serve as an
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Powell, Jonathan S. "Consciousness naturalised : an integral approach to consciousness." Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541971.

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Muzio, Isabella. "Consciousness, self-consciousness, and introspective self-knowledge." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1445604/.

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We are, it seems, able to know a wide range of our own thoughts, beliefs, desires and emotions in a special immediate, authoritative way in which we are not able to know the mental states of others, nor indeed a certain range of our own such states. How is this possible What is this special way we have of knowing a certain class of our own mental states What, in fact, is the class of states of which we are able to have such knowledge, and, what is it about this class that enables us to know them in such a distinctive, authoritative way The broad aim of this thesis is to bring out, in answering
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Bieganski, Brian P. "Consciousness Restrained: Does Consciousness Have Any Adaptive Function?" Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1522679432841333.

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Rudolph, Kendra. "Television newsmagazines and the audience: a textual analysis and audience survey." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/RudolphK2004.pdf.

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Vine, Cedric Everard William. "The audience of Matthew : an appraisal of the local audience thesis." Thesis, University of Sheffield, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575743.

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This thesis seeks to establish the inadequacy of readings of the Gospel of Matthew as intended for, and a reflection of, a local audience or community. Despite repeated challenges, the local audience thesis continues to dominate a large proportion of Matthean scholarship, and, as such, the issue of determining the Gospel's audience remains an open question. This thesis posits four main critiques. First, the assumptions which underpin the text- focused process of identifying the Gospel's audience, whether deemed to be local, Jewish, or universal, lack clarity. Literary entities such as the impl
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Crooke, Alan 1952. "Confabulating consciousness." Monash University, Dept. of Philosophy, 2002. http://arrow.monash.edu.au/hdl/1959.1/8532.

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Books on the topic "Consciousness of the audience"

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Owen, Heather. Audience. Film Education, 1990.

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Reichmann, Sebastien. Audience captive. EST-S. Tastet Editeur, 1988.

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Fahy, Thomas. Captive Audience. Taylor & Francis Group Plc, 2004.

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Freshwater, Helen. Theatre & audience. Palgrave Macmillan, 2009.

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Russell, Martin James. Unwelcome audience. Walker, 1986.

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Cavanna, Andrea Eugenio, and Andrea Nani. Consciousness. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-44088-9.

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Heinämaa, Sara, Vili Lähteenmäki, and Pauliina Remes, eds. Consciousness. Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-6082-3.

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Hill, Christopher S. Consciousness. Cambridge University Press, 2009.

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Hill, Christopher S. Consciousness. Cambridge University Press, 2009.

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Oldfield, Paul. Interpretation and Audience. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198717737.003.0003.

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This chapter establishes the interpretative methodology underpinning how medieval urban panegyric can be utilized. It examines the hybrid nature of the sources and the blurred lines between fiction, fact, and hyperbole encountered within many of the sources. It also demonstrates how urban panegyric should not be viewed as detached from the urban world as a result of its authors (who were often ecclesiastics) and their often conservative and formulaic language. Instead it emphasizes how many authors of these texts were embedded within urban culture and how the intertextual borrowings in their t
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Book chapters on the topic "Consciousness of the audience"

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Crimmins, Gail. "The Plays the Thing Wherein I’ll Capture the Consciousness of an Audience." In Theatricalising Narrative Research on Women Casual Academics. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-71562-9_5.

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Tang, Fanyi, and Shengyu Liu. "The Consciousness Printer." In Computational Design and Robotic Fabrication. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-3433-0_39.

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Abstract This research aims to investigate human perception of architectural spaces through EEG signal recognition and develop an innovative interactive-based creative mode. Artificial intelligence algorithms are increasingly used in architectural design, but they are currently limited to imitating and replicating the neural mechanisms of the biological brain. Architectural space extends beyond mere form and style. This paper explores the dynamic connection between architectural space and human cognition by utilizing brain-computer interface (BCI) technology to obtain a direct brainwave signal
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Poujol, Patrice. "Chinese Audiences: Evolution and Change of Media Consciousness." In Online Film Production in China Using Blockchain and Smart Contracts. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02468-0_8.

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Nikolenko, Kateryna. "The Reception of Serhiy Zhadan in Ukraine and in the West." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.26.

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Serhiy Zhadan’s poetry and prose has garnered critical acclaim both in Ukraine and beyond, captivating audiences with its raw emotional intensity, vivid imagery, and a deep sense of social consciousness. His works often delve into themes of personal and collective identity, the struggles of marginalized communities, and the challenges of post-Soviet transformations. The objective of this paper is to examine how Zhadan’s literary voice is perceived both in Ukraine and in the West, and to understand the implications of his work in a transnational context. The study analyzes interviews, critical
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Breuch, Lee-Ann Kastman. "Audience Involved/Audience Initiated." In Involving the Audience. Routledge, 2018. http://dx.doi.org/10.4324/9781351204194-6.

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Savage, Karen, and Dominic Symonds. "Audience." In Economies of Collaboration in Performance. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95210-9_6.

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Gullion, Jessica Smartt. "Audience." In Writing Ethnography. SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-381-0_10.

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Gill, Richard. "Audience." In Mastering. Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20852-0_11.

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Wood, Helen. "Audience." In Audience. Routledge, 2024. http://dx.doi.org/10.4324/9781003414575-2.

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Neebe, Diana, and Jen Roberts. "Audience." In Power Up. Routledge, 2023. http://dx.doi.org/10.4324/9781032674193-7.

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Conference papers on the topic "Consciousness of the audience"

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Raveendran, Sreelakshmi, Kala S, Raghavendra Kenchiah, et al. "Machine Learning-based Consciousness Assessment in Disorders of Consciousness Patients." In 2024 International Conference on Brain Computer Interface & Healthcare Technologies (iCon-BCIHT). IEEE, 2024. https://doi.org/10.1109/icon-bciht63907.2024.10882236.

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Zhou, Jian. "Experience And Interaction - Application Of Audiovisual Synesthesia In Interactive Devices." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001939.

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Background: As material culture improves, people's need for spiritual culture becomes more and more urgent. Art exhibitions are an important way for the public to participate and absorb cultural and spiritual nutrients, and the interactive installation works in the exhibition are a favorable form of creation that can bring the audience closer to the works. However, the diversity of audiences and the varying degrees of professional inculcation have led to some audiences being turned away. This situation extent an obstacle to the dissemination and development of the arts.Aims: The interactive in
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BIAN, YI-DUO. "THE ANALYSIS OF NARRATIVE EXPRESSION FORMS IN CONTEMPORARY CHINESE NOVELS." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35677.

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As an important part of literary form, novels have a wide audience. Novels play an important role in recording and reflecting the changes of history, society and people's spiritual consciousness. The novel has various forms of expression, and its narrative methods and techniques have been fully developed. Through the interpretation of the narrative expression of the novel, we can find that: with the development of the times, the change of social background, the change of people's spiritual ideology, the expression forms and methods of the novel also show diversity. Mining and refining the epit
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ANDREEV, V. V. "THE IDEOLOGIES OF “HUMAN RIGHTS” AND “AXIS OF EVIL” IN THE US FOREIGN POLICY DISCOURSE." In FORTUNES OF NATIONAL CULTURES IN GLOBALIZATION CONTEXT: BETWEEN TRADITION AND THE NEW REALITY. Chelyabinsk State University Publishing House, 2024. https://doi.org/10.47475/9785727120088_305.

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In the course of political and media discourses, communicants use various linguistic units in their speeches and journalistic texts, among which the ideology is widespread. Ideologems reflect special events and phenomena in the political life of society and the state, form the worldview and political picture of the speaker's world, express his attitude to world political processes and domestic and foreign policy implemented by his state. At the same time, ideologems have an impact on public consciousness within a particular state and beyond, helping it to find a target audience among various g
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Sibul, Victoria. "VERBAL AGGRESSION IN THE LANGUAGE OF MEDIA: FUNCTIONAL ANALYSIS OF A HEADER COMPLEX." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s15.19.

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The article considers a multidimensional phenomenon - verbal aggression, which includes social, political, psychological components. Mass media form a culture of relationships, influence behavior and intelligence of any society. They also shape public opinion by manipulating consciousness of the audience with a whole arsenal of linguistic means, one of which is verbal aggression. The paper considers the reasons for the appearance of this phenomenon in the language media, its interpretations, and forms of expression, including the method, intensity, purposefulness. The use of the discredit stra
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Sibul, Victoria. "VERBAL AGGRESSION IN THE LANGUAGE OF MEDIA: FUNCTIONAL ANALYSIS OF A HEADER COMPLEX." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s11.19.

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The article considers a multidimensional phenomenon - verbal aggression, which includes social, political, psychological components. Mass media form a culture of relationships, influence behavior and intelligence of any society. They also shape public opinion by manipulating consciousness of the audience with a whole arsenal of linguistic means, one of which is verbal aggression. The paper considers the reasons for the appearance of this phenomenon in the language media, its interpretations, and forms of expression, including the method, intensity, purposefulness. The use of the discredit stra
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Zhang, Jinmeng, Rui Xu, and Ziqiong Yang. "Research and application of public welfare poster design under the background of perceptual design and digitalization." In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.61.

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Graphic language has become the information age of today's layout design concept and consciousness. The integration of design and digitization constructs the cultural ecological environment of diversified design, which makes the thinking, concept and aesthetic style of design permeate with unique cultural value. Based on the perceptual image elements under visual innovation and the communication effect of modern public welfare posters, combined with the update of media and the application and iteration of digital technology, emotional graphic elements are equipped in the design of public welfa
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Bobelo, Noxolo. "Consonance in Isixhosa Poetry on Nelson Rholihlahla Mandela." In 6th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. https://doi.org/10.62422/978-81-970328-4-4-016.

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This composition examines the use of consonance in some isiXhosa poetry written as tribute to Nelson Rholihlahla Mandela. The aim is to show how stylistic language is used to measure the ability of the researcher to respond to poetic language in the poetry under study. While consonance is not the only form of repetition found in the poetry under study, this discussion concentrates only on this form of repetitive technique. Other techniques like assonance, linking, parallelism, refrain and others, are also instrumental and very crucial in the development and expansion of isiXhosa poetry. Like c
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Sasidharan, Sruthi. "Translating the Dalit Experience: Agency, Editorial Mediation, and Epistemic Violence in Kallen Pokkudan's Autobiographical Narratives." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8400.

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Translation is not merely a simple neutral linguistic act; rather it is conceived as a cultural act with its own equations of power and dominance, centre and margin. Writing happens in a specific linguistic, cultural and political context and the process of translating texts from one cultural system into another is not at all a neutral, innocent, transparent activity. It is rather a political activity. The very act of translation and the politics behind it deserves more attention. Spivak in “The Politics of Translation” speaks about how Englishing the third world eliminates the identity of the
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Rutsinskaya, Irina, and Galina Smirnova. "TEA PARTIES IN RUSSIAN PAINTING IN THE SECOND HALF OF THE NINETEENTH – BEGINNING OF THE TWENTIETH CENTURY: REFLECTIONS OF EVERYDAY LIFE AND SOCIAL HISTORY." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/33.

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"Tea in Russia is not only the drink loved by millions of people but also a national symbol closely and inseparably connected with Russian culture. The dominance of realism in Russian fine art in the second half of the nineteenth – beginning of the twentieth century gave birth to the widespread popularity of genre painting which started playing a very special role in the country. It is not surprising that tea parties became common themes in these works. Over a cup of tea, the characters in the paintings perform everyday activities: chatting, contemplating, indulging in memories, while taking t
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Reports on the topic "Consciousness of the audience"

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Rudyk, Myroslava. JOURNALISM STANDARDS AND BLOGGING: PROFESSIONAL PRINCIPLES OF WORKING WITH INFORMATION IN THE BLOGOSPHERE. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11398.

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The article is devoted to the study of journalistic standards in the blogosphere, i.e. the extent to which bloggers adhere to professional principles in their work with information. The popularity of the blogosphere has spread not only to journalists but also to influential people, as well as amateur bloggers, who have created their own platforms to distribute useful or entertaining content. However, not all bloggers work on a professional basis, which creates many opportunities to spread misinformation and manipulate consciousness. Standard approaches to working with information, which have h
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Hanson, Erica. Thinking Through Consciousness. Portland State University Library, 2013. http://dx.doi.org/10.15760/honors.37.

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Fritz, Zoe, and Sarah Bunn. Prolonged Disorders of Consciousness. Parliamentary Office of Science and Technology, 2022. http://dx.doi.org/10.58248/pn674.

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Medical advances mean that increasing numbers of people survive physical injury, stroke, periods of low oxygenation and severe brain infections. Some, however, are left with substantially reduced consciousness. This paper discusses the medical, ethical and commissioning challenges associated with the care of patients in vegetative and minimally conscious states, and explains the impact of recent legal judgments.
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Orendurff, Dody. Consciousness, neurons, and laughing gas. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.837.

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Miranda, Andre. General Audience Abstract. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1213134.

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Gibson, Alexander. General Audience Abstract. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1213165.

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Parnell, William. Space, Consciousness, and Gender in Colette. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.742.

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Trogub, Illona. Communication Tools Towards a Bioregional Consciousness. Portland State University Library, 2014. http://dx.doi.org/10.15760/honors.89.

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Lee, Seung-Hee, Jane Workman, and Kwangho Jung. Face Consciousness, Gender, and Money Attitudes. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1801.

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Basu, Sayani. Hypnosis: An Altered State of Consciousness. Science Repository, 2021. http://dx.doi.org/10.31487/sr.blog.25.

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