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Journal articles on the topic 'Consciousness of the audience'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Wang, Wei. "Study of Audience Emotions in Epic Cinema." Highlights in Art and Design 4, no. 1 (2023): 74–76. http://dx.doi.org/10.54097/hiaad.v4i1.11814.

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The purpose of epic films is not only to tell a good story, but also to let the audience have more and deeper feelings while being entertained. The audience's emotions go deeper and deeper in the process of watching the film, from pleasing the eyes to understanding the characters to triggering empathy, which also fits the three parts of Freud's theory of the structure of consciousness, and in fact is the process of the audience's consciousness going deeper and deeper into the film step by step.

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Ramolete, Amihan Bonifacio, and Sir Anril Pineda Tiatco. "Awakening Philippine Cultural Consciousness in the Youth through Amelia Lapeña-Bonifacio’s Papet Pasyon." Harmonia: Journal of Arts Research and Education 24, no. 1 (2024): 88–104. http://dx.doi.org/10.15294/harmonia.v24i1.46462.

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This article aims to explore how the staging of Papet Pasyon, a children’s play by Amelia Lapeña-Bonifacio, a Philippine National Artist, impart and continues to communicate to the local younger audience an understanding of culture and an appreciation of the art of puppetry. This is then followed by the conceptualization of the actual staging of the play vis-à-vis her vision of a children’s theatre. Afterward, Papet Pasyon is asserted as a pedagogy for younger audiences. Results of the study show (1) how the pre-show conversation prepares the audience for the performance and how it provides an

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Wu, Chunyang, Muhammad Fauzan Abu Bakar, and Boo Ho Voon. "Aesthetics of Hui Folk Dance as Audience Service to Leverage Audience Satisfaction." International Journal of Service Management and Sustainability 7, no. 1 (2022): 125. http://dx.doi.org/10.24191/ijsms.v7i1.17783.

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Hui folk dance has its unique charm as an indispensable part of Chinese folk dance. It reflects the customs and cultural characteristics of the Hui nationality. This article explores the historical formation of Hui folk dance, analyses its formation process in different periods of history, analyses the culture, the body vocabulary of the folk dance, the music, the rhythm of the dance, the influence on the folk dance, and the expression of aesthetic consciousness. Folk dances of the Hui nationality originate from the folk, and they also show their unique living habits, combining dance with the

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Qiu, Weijie. "Development of Women's Image and Women's Consciousness Awakening in Media Perspective." Journal of Education, Humanities and Social Sciences 47 (February 19, 2025): 147–53. https://doi.org/10.54097/cqkx7553.

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The awakening of contemporary women's consciousness has gradually emerged as a mainstream development factor and has influenced the direction, aesthetics, and values of literary and artistic creation. With the advancement of information technology and media communication, Western feminist theories have gradually diffused into China since the 1980s and 1990s, and the women’s consciousness awakening in China has had a profound impact on the creation of Chinese films and literature from its inception to its gradual development under the backdrop of reform and opening up and has undergone empirica

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Jhally, Sut, and Bill Livant. "Watching as Working: the Valorization of Audience Consciousness." Journal of Communication 36, no. 3 (1986): 124–43. http://dx.doi.org/10.1111/j.1460-2466.1986.tb01442.x.

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Castro, Joeven Rosario. "Political Economic Analysis of the Visual Prostitution of Women in Television Situational Comedies of GMA 7." Copenhagen Journal of Asian Studies 27, no. 2 (2009): 40–60. http://dx.doi.org/10.22439/cjas.v27i2.2525.

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Sexualized portrayals of women are staples of two television situational comedies because these reflect the patriarchal society’s gender hierarchy and dichotomy as experienced by the target audience in real life. The researcher found out the audiences’ contrasting perceptions on the vulgarity of jokes. Sexualized portrayals are unwelcome in reality but are considered pleasurable within what the researcher calls as the audiences’ ‘virtual structure’. GMA 7, one of the largest television networks in the Philippines, peddles this vulgarity as a common phenomenon in sitcoms: It commodifies actress

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7

Barber, Karin. "Preliminary notes on audiences in Africa." Africa 67, no. 3 (1997): 347–62. http://dx.doi.org/10.2307/1161179.

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AbstractThere have been audiences, presumably, as long as there has been performance. The perception that what creates an audience is the listeners' intentional orientation towards the speaker is the starting point of a far-reaching development in performance and media studies which focuses on the activity and creativity of the audience. If the audience has an active role in constituting the performance, cultural historians seeking to uncover histories of consciousness in African popular genres cannot afford to ignore it. But audiences are not all the same. Just as much as performances, they a

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8

Ryan, Richard M., and Rebecca Kuczkowski. "The Imaginary Audience, Self-Consciousness, and Public Individuation in Adolescence." Journal of Personality 62, no. 2 (1994): 219–38. http://dx.doi.org/10.1111/j.1467-6494.1994.tb00292.x.

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Pretorius, Deirdre. ""Speak to a community audience": The Staffrider illustrations of Mzwakhe (Muziwakhe Nhlabatsi) 1979-1987." Image & Text, no. 37 (April 26, 2023): 1–37. http://dx.doi.org/10.17159/2617-3255/2023/n37a1.

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The South African literary and arts magazine Staffrider (1978-1993) is known for its Black Consciousness stance and the contribution it made in the struggle against apartheid. From its inception the magazine contained illustrations, photographs, artwork and graphics alongside prose, poetry, plays, essays and reports, and for nearly a decade illustrations signed by 'Mzwakhe' appeared frequently. Mzwakhe, the pen-name of Muziwakhe Nhlabatsi, contributed a sizeable number of illustrations to accompany the writing of several notable South African authors. This article offers a discussion of his il

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Chen, Mingxin. "Study on Female Role Image Construction in A Dream of Splendor and Its Positive Influence on Society Based on Postmodern Feminism and Femininity." SHS Web of Conferences 180 (2023): 01001. http://dx.doi.org/10.1051/shsconf/202318001001.

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In recent years, feminism is increasingly discussed in Chinese social media, which means that people become more aware of and interested in learning about feminist issues in China. In order to satisfy the audience's pursuit of feminist values, more and more TV plays tend to create “Strong Female Lead” themes. This paper will focus on the drama “A Dream of Splendor”, which is also based on the same theme. In order to study the drama's image of female characters and its positive impact on society, the drama's plot and secondary data, such as media and audience reviews of this drama, will be anal

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Todorova, Nadezhda. "The Metamorphoses of Consciousness." Diogenes 30, no. 1 (2022): 174–90. http://dx.doi.org/10.54664/mtmm5292.

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This study addresses the issues of screen synthesis through which a certain type of message is suggested; in this case: the impact of films featuring violence, cruelty, and aggression, as well as the polysemantic nature of the screen message and the transformation in the receptions of adolescents between 13 and 18 years old. The focus is on the motives for choosing topics in the film industry that are related to the interpretations of aggression and crime, mainly among young people. The emotional involvement of the viewer, especially during the period of physical and mental maturation, is a pr

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Ma, Chengjun, and Peng He. "Analysis on Psychology and Characteristics of Audiences of Main Theme Film and Television Works in the New Era." Economic Society and Humanities 1, no. 2 (2024): 42–46. http://dx.doi.org/10.62381/e244207.

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This paper aims to analyze the characteristics of main theme film and television works in the new era and the psychology of its audience, which is used to explore its future development. Through questionnaire surveys and literature reviews, this paper found that the audience of main theme film and television works have distinct psychological tendencies. Firstly, the audience has a strong sense of identification and emotional resonance with these works, which indicates that these works play a positive role in conveying social values and shaping public consciousness. Secondly, the audience pays

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Goodarzi, Arash, and Mohammad Hossein Tamjidi. "Reflexive Documentary; Ternary Challenges of Production Process, Audience and Self-Consciousness." International Journal of Social Science and Humanity 4, no. 4 (2014): 298–302. http://dx.doi.org/10.7763/ijssh.2014.v4.367.

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Kabataikyzy, A. "Media Text: Technology of Influence on the Audience." Bulletin of Science and Practice 10, no. 10 (2024): 474–80. http://dx.doi.org/10.33619/2414-2948/107/61.

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The article focuses on the analysis of media texts as tools for influencing public opinion and behavior. It examines key concepts of media texts, their components, as well as manipulation technologies used to shape audience attitudes and beliefs. The study explores methods of emotional and rational influence employed in media texts, such as fact selection, framing, stereotyping, and context omission. It also addresses the issues of fake news and disinformation, which have become increasingly relevant in the digital age. The conclusion highlights the importance of critical media literacy in suc

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Kendrick, Caterina, Katie MacEntee, and Sarah Flicker. "Exploring Audience Engagement and Critical Narrative Intervention With the Celling Sex Film." Health Promotion Practice 22, no. 2_suppl (2021): 33S—43S. http://dx.doi.org/10.1177/15248399211040492.

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Young women who trade sex experience high rates of stigma that exacerbate existing health inequities. The products of participatory visual methodologies show promising potential for challenging stigma. In total, 15 young women who trade sex created individual brief videos to share their experiences. Following a participatory analysis, the videos were edited into one composite movie to highlight key messages. Eight facilitated screenings (cohosted by participant filmmakers and research team members) were organized with diverse community and health organizations. Audiences were led through a ser

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Micu, Sonia. "Două lacune ale iluzionismului ca teorie a conștiinței." Revista de filosofie 71, no. 3 (2024): 367–82. http://dx.doi.org/10.59277/rf.2024.71.3.06.

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In this paper, I examine illusionism as a theory of consciousness. I scrutinize two elements of this theory: the content of the illusion and the audience of the illusion. I ask what part of phenomenal consciousness is illusory and who is being tricked by this illusion? I show that attempting to answer these questions reveals both its weaknesses and the lack of consensus among supporters of this view. I recommend addressing them in order to strengthen the position of illusionism as a solid theory of consciousness.

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Pakhnin, Mykola. "Criminogenic Influence of Mass Media on Consciousness of Local or Mass Audiences and Varieties of its Negative Consequences." Archives of Criminology and Forensic Sciences 6, no. 2 (2022): 180–87. http://dx.doi.org/10.32353/acfs.6.2022.16.

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Criminogenic influence of mass media on consciousness of local or mass audiences and varieties of its negative consequences. On the analysis basis of various doctrinal criminological positions, normative provisions of current legislation of Ukraine and existing judicial practice, the concept of criminogenic influence of mass media on consciousness of an individually defined person or group of people is determined, various types of its negative consequences are singled out, and on this basis, own generalized conclusions are determined. This article purpose is to define the criminogenic influenc

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Letina, Natalia N., and Yuliya M. Tryaskova. "Facets of the soviet in the memory of media audience." Yaroslavl Pedagogical Bulletin 4, no. 121 (2021): 175–84. http://dx.doi.org/10.20323/1813-145x-2021-4-121-175-184.

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The article is devoted to the problem of the current state of cultural memory about the Soviet experience, Soviet existence in the media space in the context and format of memetics. The authors solve three problems: the definition of key concepts that characterize the problem, including the definition of the concept «soviet meme»; identification and overview content analysis of Runet resources updating cultural memory of the USSR in meme format; systematizing the results of a micro-sociocultural survey aimed at identifying the state of cultural memory of soviet. The soviet meme is positioned a

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Kapkan, M. V., and L. S. Likhacheva. "Social Correspondence as a Manifestation Form of Civic Consciousness (the Case of Pionerskaya Pravda Newspaper, 1925–1929)." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 26, no. 4 (2020): 76–83. http://dx.doi.org/10.15826/izv1.2020.26.4.072.

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The paper analyzes the Soviet experience of forming a cultural model of civic consciousness in mind and behavior of young people through the media in the case of Pionerskaya Pravda newspaper in 1925–1929. Pionerskaya Pravda is treated as a subject of constructing a Soviet model of civic consciousness and as a specialized ideologyoriented communication channel with children’s audience. The paper examines the texts of the questions from the newspaper readers basing on the typology proposed by the paper authors and reveals the primary approved manifestation forms of civic consciousness among chi

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20

NAUMENKO, T. V. "MODERN PROCESSES OF GLOBALIZATION IN THE ASPECT OF MASS INFORMATION IMPACT." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 2, no. 4 (2020): 12–17. http://dx.doi.org/10.36871/ek.up.p.r.2020.04.02.002.

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The concept of mass media has nothing to do with the masses or the amount of information being circu-lated. Mass information is information that circulates at the level of mass consciousness of society, which is a practical consciousness as opposed to a specialized consciousness. She is not only an important means of social adaptation to a mass audience in the environment of existence, but also a major catalyst of the global-ization processes, because the media contributes to the formation of such properties of the mass conscious-ness, as the versatility needed for high-quality formation and f

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Goldingay, Sarah. "Watching the dead speak: the role of the audience, imagination, and belief in late modern spiritualism." Scripta Instituti Donneriani Aboensis 21 (January 1, 2009): 25–43. http://dx.doi.org/10.30674/scripta.67342.

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The performances of everyday experience take place in a variety of other locations, domestic and corporate, urban and rural. Moreover, the role of the audience, and the individuals within it, is not constant across all performances, nor is it fixed within discrete performances: it has an inherent potential for fluidity. This article considers the author's experience of this fluidity as a member of a late-modern audience during two performances of psychic mediumship. It describes them, drawing on narration provided by the author's field notes, and analyses them through theoretical discourses, p

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22

Maliavin, Sergei Gennadevich. "Pragmatic units as a tool for manipulating consciousness in English media texts: the role in spreading anti-Russian sentiment ideology." Philology. Theory & Practice 18, no. 6 (2025): 2444–51. https://doi.org/10.30853/phil20250343.

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The aim of the study is to identify the manipulative potential of evaluative units, specifically pragmatic units, used by English-language mass media to influence audience consciousness with the goal of disseminating anti-Russian sentiment ideology. The article examines the following concepts: "discourse", "anti-Russian sentiment discourse", "pragmatic unit", "speech influence", "manipulation", and "covert manipulation". A classification of pragmatic units is provided. To illustrate their functioning in the context of anti-Russian sentiment statements, examples from English-language media are

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23

Potash, Jordan S. "Archetypal aesthetics: viewing art through states of consciousness." International Journal of Jungian Studies 7, no. 2 (2015): 139–53. http://dx.doi.org/10.1080/19409052.2014.924984.

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A Jungian and archetypal psychology approach to aesthetics includes noticing which archetypes are activated when viewing or engaging with art. Archetypes provide vitality to art and can be accessed by viewers through attention to bodily responses and emotional awareness enhanced by imagination. Connecting these personal experiences to the collective requires framing viewers' responses within comprehensible patterns. Joan Kellogg's theory ‘The Archetypal Stages of the Great Round of Mandala’ offers a system for identifying archetypes as states of consciousness and making them accessible to a wi

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Beals, Sandra. "Modeling Liberation: Audience, Ideology, and Critical Consciousness in S. E. Hinton's The Outsiders." Children's Literature Association Quarterly 43, no. 2 (2018): 183–201. http://dx.doi.org/10.1353/chq.2018.0018.

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Chen, Si, Verly Veto Vemol, and Hasma Biti Ahmad. "Explore the Interaction of Artists, Audience and Social Context in the Digital Communication of Dunhuang Murals." International Journal of Religion 5, no. 10 (2024): 4489–98. http://dx.doi.org/10.61707/j0g5vj39.

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The Belt and Road Initiative, as an innovative continuation of the ancient Silk Road, provides a possibility for the exchange and docking of cultural values of countries around the world. As a cultural name card of China, Dunhuang culture is not only an important source of cultural consciousness and self-confidence, but also the best medium for cultural exchange and dialogue between the East and the West. Digital communication has the advantages of fast speed, wide audience and vivid information presentation, which opens up a new path for the inheritance and protection of Dunhuang culture. The

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Meadows, Michael, Susan Forde, Jacqui Ewart, and Kerrie Foxwell. "A Quiet Revolution: Australian Community Broadcasting Audiences Speak Out." Media International Australia 129, no. 1 (2008): 20–32. http://dx.doi.org/10.1177/1329878x0812900104.

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Around four million listeners in an average week tune into community radio stations around Australia, primarily to hear local news and information — evidence of a failure by mainstream media to meet their diverse needs. This discussion draws from the first qualitative study of the Australian community broadcasting sector to explore the role being played by community radio and television from the perspectives of their audiences. The authors argue that community broadcasting at the level of the local is playing a crucial role in the democratic process by fostering citizen participation in public

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Gou, Yanyang. "Feminist Consciousness and Imagination in Contemporary Chinese Film Criticism." International Journal of Education and Humanities 17, no. 3 (2024): 182–84. https://doi.org/10.54097/jhw8za20.

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This article takes different viewing experiences inspired by ”poor things” in Chinese and western contexts as the starting point, by analyzing the core issue ”body liberation”, as well as taking the western viewing experiences as comparing objects, the article seeks to clarify the significance of the film criticism from three perspectives of the Chinese audience. Building upon this, it further explores historic context to understand the production and circulation of feminist consciousness in contemporary China, then uncovers the new challenge and dilemma that Chinese women are facing.

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G, Dr Jeyashree. "ON DECODING THE TRAJECTORY OF CONSCIOUSNESS IN BLAKE’S POETRY." Journal of English Language and Literature 09, no. 02 (2022): 72–80. http://dx.doi.org/10.54513/joell.2022.9210.

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Poetry is defined as spontaneous overflow of feelings recollected in tranquility by one of the remarkable poets of the romantic age William Wordsworth. Human beings are conditioned by emotions and feelings that come out in varied forms like paintings, sculptures, poetries etc. An artist absorbs elements that prevail around him and effuses in art forms. An artist is adept at reading the nuances of socio economic and political impact of the society and shares his/her thoughts through their artistic products. Unless there is a balance maintained between the emotional and intellectual quotient, an

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Martin, Michael. "Meditations on Blade Runner." Journal of Interdisciplinary Studies 17, no. 1 (2005): 105–22. http://dx.doi.org/10.5840/jis2005171/26.

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The 1982 film, Blade Runner, presents many questions conceming the position and relevance of the human being in the postmodern epoch. The audience is confronted with androids, called replicants, incredibly handsome "beings" whose language rises at times to poetic beauty, while the humans in the film are embarrassing physical and moral examples of the species. With whom will the audience identify or sympathize, the human or the simulacrum? The film further complicates this issue by incorporating traditional Christian symbols and language in relation to the replicants. The film seems to suggest

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Rosinska, Olena. "The Historical Film in Media Reception as a Reflection of Interethnic Interaction Contexts." Media i Społeczeństwo 20, no. 1/Zeszyt 2 (2024): 202–16. https://doi.org/10.5604/01.3001.0054.6904.

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The paper analyses the reactions of Ukrainian and Polish media, including social media, to the historical films “Volyn” (Poland, 2016) and “Dovbush” (Ukraine, 2023). These reactions are quite demonstrative in terms of how they reflect collective consciousness regarding milestone historic events, constructs and symbols of own history, as well as the vision of the historic “other”. The comparison of the media reactions to the two films made in different countries shows similarity in several areas, particularly concerning the distortion of history, stereotypes, and their propaganda. This proves t

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Freeman, Sara. "‘Each in our open-ended way, we are multitudinous’—Les Nombres, by Andrée Chedid." Theatre Research International 23, no. 3 (1998): 249–54. http://dx.doi.org/10.1017/s0307883300020010.

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The Lebanese-French playwright Andrée Chedid begins her play, Le Montreur (1967), with a song sung by ‘une—ou plusieurs—voix’. As the voice becomes voices become voice, the song addresses the audience saying, ‘Ce soir, ce soir, ce soir, amis, / Le Sire Montreur nous dévoilera: / L'unité et la pluralité des choses!’ Like the image of many voices among one voice, the trope of the ‘unity and plurality of things’ is arguably Chedid's vision of human consciousness—a consciousness that is both one and many; a consciousness that is embedded in a relationship with the other, which is figured as a conn

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Bao, Sarula. "The Change of TV Series Targeted Chinese Female Audiences and Its Reflection on the Women’s Movement in China." BCP Social Sciences & Humanities 21 (February 15, 2023): 715–19. http://dx.doi.org/10.54691/bcpssh.v21i.3750.

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Chinese female audiences’ attitudes towards TV dramas have changed. They are no longer inclined to the romantic themes of idol dramas and criticize male characters in previous TV dramas. The current research on television dramas has not carried out special research from the perspective of female audiences. This research will supplement this research perspective and further explore the connection between the changes in female audiences’ consciousness and the Chinese women’s movement. This research will guide television workers to produce works that can better respond to the demands of female au

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A.K. Kurmangali and A.T. Baiturbayeva. "Political science factors of leadership formation." BULLETIN Series of Sociological and Political sciences 70, no. 2 (2020): 40–44. http://dx.doi.org/10.51889/2020-2.1728-8940.06.

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In political management practice, the formation of the image of a politician begins with the development of a preliminary program of action, which is determined by elections. To create such a program, the contingent is carefully studied or (as it is commonly called in political science literature) the “target audience” of a political image. This process occurs using various sociological and socio-psychological technologies for analyzing representations, opinions and other manifestations of mass consciousness, conducting expert surveys, observation focus groups, etc. Using these methods, the so

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Brodovskaya, E. V., A. Yu Dombrovskaya, and V. A. Lukushin. "Targeting Online Network Branding of Russian Universities: Scope of Influence on Public Consciousness." Humanities and Social Sciences. Bulletin of the Financial University 11, no. 6 (2022): 86–93. http://dx.doi.org/10.26794/2226-7867-2021-11-6-86-93.

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The article presents the results of a media study of the effectiveness of targeting Russian universities’ activities in developing an online brand. The empirical analysis we carried out in two stages. At the first stage, we analysed content characteristics (context, topic, focus, impact technologies) of information media — digital representatives of Russian universities in the format of cognitive mapping. At the second stage, we accumulated social and media streams, which form the online brand of universities of the automated tool. As a result of the analysis of the metrics of digital services

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Chen, Jie, Yangting Zhang, Han Cai, Lu Liu, Miyan Liao, and Jiaming Fang. "A Comprehensive Overview of Micro-Influencer Marketing: Decoding the Current Landscape, Impacts, and Trends." Behavioral Sciences 14, no. 3 (2024): 243. http://dx.doi.org/10.3390/bs14030243.

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This research provides a comprehensive overview of micro-influence marketing, analyzing the characteristics of influencers and the mechanisms of their impact. A systematic review was conducted, encompassing 2091 citing articles and references across 74 studies involving 95 research institutions and over 12,000 samples. Employing an interdisciplinary approach that integrates insights from computer science, information science, communication, culture, psychology, sociology, education, business, and management, this study outlines the distinct features of micro-influencers. These features include

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Каменева, Н., and N. Kameneva. "Linguistic Techniques and Methods of Mass Media Influence on the Public Consciousness." Scientific Research and Development. Socio-Humanitarian Research and Technology 7, no. 1 (2018): 67–73. http://dx.doi.org/10.12737/article_5ad9bac171a519.20927468.

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The article considers the linguistic methods and techniques used by the mass media as an effective way of manipulating the public consciousness. Today, the media apply a fairly wide range of methods of influencing the people’s consciousness, and here, first of all, it is necessary to highlight the transformation of the communicative-content side of information, emotional impact and, of course, the language methods of manipulation. The nature and the structural and functional features of the language impact of the media on public consciousness are determined in accordance with the set goals and

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Teslenko, Alexander N. "Pop culture as a weapon of psycho-mental war for youth." Vestnik of Kostroma State University. Series: Pedagogy. Psychology. Sociokinetics 29, no. 2 (2023): 190–95. http://dx.doi.org/10.34216/2073-1426-2023-29-2-190-195.

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The article deals with the phenomenon of the impact of psycho-mental war on youth consciousness by means of pop culture. The means and methods of ideological, information-psychological and cultural influence on the younger generation are analyzed. It is proved that the leading programmer of youth consciousness is pop culture, as a commercial product of mass consumption, designed for a wide consumer and unprepared audience, usually young people. The space of pop music is shown as a kind of lifestyle that goes beyond the boundaries of musical culture and is subject to manipulative and fake techn

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Овчинский, А. С., and К. К. Борзунов. "DESTRUCTIVE INFORMATION IMPACTS ON THE AUDIENCE OF THE ELECTRONIC EDUCATIONAL ENVIRONMENT." ИНФОРМАЦИЯ И БЕЗОПАСНОСТЬ 27, no. 1(-) (2024): 109–16. http://dx.doi.org/10.36622/1682-7813.2024.27.1.008.

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Отмечается, что угрозы информационной безопасности смещаются в область деструктивных воздействий на сознание граждан, активно использующих интернет-коммуникации. Предлагается различать информационные акции, диверсии, дипфейки, провокации, вбросы, инсценировки, которые происходят «здесь и сейчас», и информационно-психологические операции глубинной пролонгированной ментально-когнитивной войны, которая ведется против России годами, десятилетиями и даже веками. Приводятся основные этапы информационно-психологических операций. Акцентируется внимание на разработанной в США программе так называемой «

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ROUSSINOVA, ELENA Anatol'evna. "About dubbing foreign ilms." Journal of Flm Arts and Film Studies 1, no. 1 (2009): 134–42. http://dx.doi.org/10.17816/vgik11134-142.

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In overwhelming majority of cases the most part of distributed foreign movies are dubbed for Russian Federation. However the audience has the expirience of watching dubbed screen versions, while professionals and small part of cinema-goes criticize the quality of dubbing for modern foreign movies. One of the negative reason is baneful influence, destruction of director idea and crippling the film. The aim of dubbing companies is searching for the shit of meaning from one cultural language to another, i.e. realization of the process at intercultural level. By now this phenomenon has been used f

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Stolyarova, Natalya Yurievna, and Alina Vadimovna Osipenkova. "Features of the formation of a system of modern values of a prospective journalist through talk shows: moral and ethical aspect." Uchenyy Sovet (Academic Council), no. 10 (September 28, 2023): 610–15. http://dx.doi.org/10.33920/nik-02-2310-04.

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The authors analyze the influence of talk shows on the formation of a system of moral and ethical values among the youth audience in general and aspiring journalists in particular. The paper considers the impact of talk show programs and manipulative technologies on the target audience and analyzes the role of talk show hosts in shaping the moral consciousness of prospective journalists. The authors show that in the course of considering current issues that resonate in society or events of public interest, a certain opinion is often formed on topical and/or controversial issues of modern reali

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Pluzhenskaya, Lyubov V. "Preservation of advertising discourse as a tool for the formation of civic identity of young people." Vestnik of Kostroma State University. Series: Pedagogy. Psychology. Sociokinetics 29, no. 4 (2024): 5–15. http://dx.doi.org/10.34216/2073-1426-2023-29-4-5-15.

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The increasing conflictogenicity of the information society places the task of forming the civic consciousness of young people in the priority areas of the Strategy for the Development of Education in the Russian Federation until 2025. The article examines the phenomenon of commercial advertising as an institution of socialization of youth, providing not only the formation of consumer attitudes, but also contributing to the interiorization of civic identity by young Russians, mediated by the representation of socially acceptable value attitudes. The conceptual model of the evocative analysis o

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KING, JOHN. "Mystery Science Theater 3000, Media Consciousness, and the Postmodern Allegory of the Captive Audience." Journal of Film and Video 59, no. 4 (2007): 37–53. http://dx.doi.org/10.2307/20688575.

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Akimova, Elena Mikhailovna, and Olga Dmitrievna Gudkova. "Impact of the blogosphere on the formation of spiritual and moral values of the young in the changing information world." Uchenyy Sovet (Academic Council), no. 11 (October 27, 2023): 661–68. http://dx.doi.org/10.33920/nik-02-2311-02.

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The article reveals the growing role of the blogosphere in the formation of spiritual and moral values in the changing information world, the reasons for its effective impact on the worldview of young people, especially regarding the educational platform, as well as the increasing manipulation and destructive influence of blogs on the consciousness of the youth audience.

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Комарницкая, Ю. П. "TYPES AND MOTIVES OF SOCIAL ADVERTISING SLOGANS ON ROAD SAFETY." Modern Science, no. 1 (July 5, 2021): 64–70. http://dx.doi.org/10.53039/2079-4401.2021.3.1.015.

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Социальная реклама – важный инструмент воздействия на аудиторию в целях привлечения внимания общественности к важным социальным проблемам, изменения поведенческой модели общества. Такая реклама должна воздействовать в первую очередь на эмоции, вызывать радость, страх, шок или негодование. Успех рекламного произведения во многом зависит от слогана, поэтому при его создании важно использовать языковые средства, которые повлияют на сознание аудитории. Social advertising is an important tool for influencing the audience in order to attract the public to urgent social problems, change the behaviora

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VALKO, Roman. "THEATER. ANTHROPOLOGICAL DIMENSION." Bulletin of the Lviv University. Series of Arts Studies 243, no. 25 (2024): 151–58. https://doi.org/10.30970/vas.25.2024.151-158.

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The article outlines the ontological conditionality and essence of theatrical performance. In the context of the development and philosophical understanding of art in general, it emphasizes the historically traceable prognostic and diagnostic functions of theater in particular. It highlights the eternal aspiration of the “body-consciousness” toward an all-encompassing comprehension of being and a cathartic penetration into the sacred - the Word The interconnection between art and science in understanding our world is explored. Within this framework, the phenomenon of “altered consciousness” is

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Shamrin, Ya Yu, and V. A. Koshel. "The role of new media in forming the consciousness and worldview of Generation Z." Professional education in the modern world 13, no. 2 (2023): 228–36. http://dx.doi.org/10.20913/2618-7515-2023-2-4.

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Introduction. Introducing into the system of work of traditional media, new information and digital technologies have become the reason for the development of new media. Purpose setting. The evolution of new media in the era of technological progress involves the constant introduction of advanced digitalization technologies. In this regard, it is necessary to study the impact of new media on the minds of young people in order to identify positive and negative factors. Methodology and methods of the study. The factors of influence of information messages on the behavior of an audience of young

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Vashchenko, Ihor, and Eduard Poltavskyi. "THEORY AND PRACTICE OF CONDUCTING SPECIAL INFORMATION OPERATIONS IN THE CONTEXT OF THE RUSSIAN-UKRAINIAN WAR." STATE SECURITY 1, no. 3 (2024): 33–42. http://dx.doi.org/10.33405/2786-8613/2024/1/3/309909.

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The article analyses the role and place of information wars in the modern world political process. The peculiarities of the russian-Ukrainian information warfare are studied. The algorithm of actions during special information operations is considered, where propaganda and psychological work is carried out to directly influence the consciousness and behaviour of any audience in order to achieve political or military goals.

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Данил Аркадьевич, Корецкий. "REFLECTION OF CRIMINAL LAW IN LITERATURE AND ART." NORTH CAUCASUS LEGAL VESTNIK 1, no. 2 (2023): 143–48. http://dx.doi.org/10.22394/2074-7306-2023-1-2-143-148.

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The development of the technical capabilities of the media to expand the audience, combined with an increase in the share of action-packed literature, films and TV series, raised the question of the nature of the impact of this cultural product on public consciousness. What is primary and what is secondary – the fight against crime in fiction or the same process in real life? Despite the seemingly obvious answer, there is no consensus on this issue. The attempts made by individual dissertators to achieve certainty in the above dilemma give interesting results, but such studies are isolated. Th

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Aarons, Debra, and Marc Mierowsky. "How to do things with jokes: Speech acts in standup comedy." European Journal of Humour Research 5, no. 4 (2017): 158. http://dx.doi.org/10.7592/ejhr2017.5.4.aarons.

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How to do things with jokes: Speech acts in standup comedyIn How to Do Things with Words (1962), the philosopher John Austin claimed that we use words to do things in the world, not merely to express a state of affairs. This proposal introduced speech acts, and essentially initiated the study of linguistic pragmatics. Speech acts in everyday communication include persuading, apologizing, criticizing, humiliating, complimenting and a host of other intended behaviours. Austin accentuated the idea of speaker intention, on one hand, and hearer’s response to that intention if successfully conveyed,

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Adona, Fitri, Yusnani Yusnani, and Sri Nita. "Are Padang City Branding Shaping Audience Consciousness: an Semiotics Analysis of Three Padang City Branding." Journal Polingua : Scientific Journal of Linguistics, Literature and Education 7, no. 2 (2019): 43–49. http://dx.doi.org/10.30630/polingua.v7i2.73.

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One form of city marketing that is currently developing is the provision of city image or city branding. Brands can have 6 levels of understanding namely attributes, benefits, cultural values, personality, and users. Cultural values are very different, especially around socially embedded issues such as status, gender, family, ethics, and customs. City branding helps influence "transfer of value" by establishing a relationship between what culture sees as a desired city and a particular product. This research is a study of the city branding of Padang city or a brand that is considered to belong

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