Relevant bibliographies by topics / Conservation (art)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Conservation (art)'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Conservation (art)"

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Coddington, James, and Maryan Ainsworth. "Conservation and Art History." Art Journal 54, no. 2 (1995): 16. http://dx.doi.org/10.2307/777457.

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Watt, David. "Conservation: Art and Science." Journal of Architectural Conservation 3, no. 2 (January 1997): 5–6. http://dx.doi.org/10.1080/13556207.1997.10785185.

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Nevin, Austin, Paraskevi Pouli, Savas Georgiou, and Costas Fotakis. "Laser conservation of art." Nature Materials 6, no. 5 (May 2007): 320–22. http://dx.doi.org/10.1038/nmat1895.

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Baglioni, Piero, Emiliano Carretti, and David Chelazzi. "Nanomaterials in art conservation." Nature Nanotechnology 10, no. 4 (April 2015): 287–90. http://dx.doi.org/10.1038/nnano.2015.38.

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Nicholls, Henry. "The art of conservation." Nature 472, no. 7343 (April 20, 2011): 287–89. http://dx.doi.org/10.1038/472287a.

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Asmus, John F. "Light for Art Conservation." Interdisciplinary Science Reviews 12, no. 2 (June 1987): 171–79. http://dx.doi.org/10.1179/isr.1987.12.2.171.

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Coddington, James, and Maryan Ainsworth. "Conservation and Art History." Art Journal 54, no. 2 (June 1995): 16–17. http://dx.doi.org/10.1080/00043249.1995.10791687.

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Dawes, Daniel. "Lasers and the Fine Art of Art Conservation." Optics and Photonics News 15, no. 9 (September 1, 2004): 16. http://dx.doi.org/10.1364/opn.15.9.000016.

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Fukunaga, Kaori, Yuichi Ogawa, Shin'ichiro Hayashi, and Iwao Hosako. "Terahertz spectroscopy for art conservation." IEICE Electronics Express 4, no. 8 (2007): 258–63. http://dx.doi.org/10.1587/elex.4.258.

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Murphy, William J., and Susan E. Griest. "The Art of Hearing Conservation." International Journal of Audiology 53, sup2 (February 25, 2014): S2—S4. http://dx.doi.org/10.3109/14992027.2013.858188.

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Dissertations / Theses on the topic "Conservation (art)"

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Dandridge, Debra Elaine. "Lichen: the challenge for rock art conservation." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4695.

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This study investigates the effects that lichens have on rock surfaces in which ancient rock art (petroglyphs and pictographs) may be found. The study area includes four sites in the United States: one quartzite site in southwest Minnesota, two sandstone sites in Wyoming, and one volcanic site in Central New Mexico. One additional granitic site studied is located northeast Queensland, Australia. The questions driving the pursuit of this dissertation research are: 1. How does the chemistry of the rock change with weathering and how deep is the profile? 2. Do lichens cause differential chemical changes? 3. How does the chemistry of the unaltered rock influence these changes? 4. Do lichens strip the patina or “desert varnish” from the rock surfaces? The results of this research confirm from elemental chemical analyses that geochemical changes do take place in the presence of lichens. The combined mechanical and chemical processes contribute to the degradation and greater erodability of all the rock surfaces studied. Chemically, we have demonstrated that cements that hold grains of rocks together can be dissoluble by lichen byproducts in the presence of an aqueous environment whether the rocks are sandstone or granite. This information regarding the mechanical and geochemical processes at work in natural environments has significant practical benefit for the management, conservation, and preservation of rock art sites everywhere.
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Kokla, Vassiliki. "Image-based analysis of inks for art conservation." Thesis, University of Westminster, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433711.

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Bisulca, Christina. "Case Studies in Conservation Science." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/332904.

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The research presented in this dissertation covers three separate topics of conservation as defined by the National Science Foundation: 1) Materials Stabilization, Strengthening, Monitoring, and Repair; 2. Understanding Material Degradation and Aging; and 3) Materials and Structural Characterization of Cultural Heritage Objects (the `technical study'). The first topic is addressed through a study to assess the consolidant tetraethoxysilane for the stabilization of alum treated wood. Falling under materials degradation studies is a study published in American Museum Novitates to understand how environmental conditions affect the aging of fossil resins from five different deposits. Two separate studies are included in technical study of cultural heritage objects which comprises the third research area of materials characterization. The first is a survey of red dyes used in Chinese paintings from the Ming Dynasty to the Early Republic (1364-1911). The second is a study of the pigments, dyes and binders used in Hawaiian barkcloth (kapa) from the 19th century.
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Nurmi, Kaela L. "Challenges Surrounding the Conservation and Replication of Eva Hesse’s Sculpture." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/709.

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The sculpture of German-born American artist, Eva Hesse (1936-1970), presents many conservation challenges. Hesse’s experimentations with latex and fiberglass created stunningly innovative works of art in the late 1960s bringing these unorthodox materials into the world of fine art; but now these materials are creating major conservation problems. Her artwork is an extreme example of the conservation challenges of contemporary art. This thesis examines the challenges surrounding the conservation and replication of Eva Hesse’s large-scale latex and fiberglass sculptures. The latex and fiberglass materials that captivated Hesse are compromising the structural integrity of her large-scale sculptures today. Hesse’s art forces conservators to establish conservation practices specific to modern and contemporary art. Although replication pushes conservators to re-examine their usual practices and violates the standard notion of minimal intervention, the replication of Hesse’s sculptural works is necessary to represent her artistic vision.
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McBride, Patrick. "How conservation has changed from 1975 to 2005." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/13456/.

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The aim of this thesis is to examine the nature of the changes that took place within paper conservation, a section of the practice/occupation of material conservation, in the United Kingdom during the period from 1975 to 2005. In the 1970s, conservation emerged as a distinct practice within the museum sector from two sources: semi-skilled cleaners and movers of art objects, and the traditional restorers of cultural objects. From then until the end of the century, it continued to grow and mature. The nature of this growth and the changes that took place within it will be modelled with the objective of enabling future changes within conservation to be evaluated. The evaluation of conservation in this manner will determine its definition as an industry. The changes will be assessed by highlighting their effect on one section of conservation practice, namely paper conservation. This practice concentrates on the conservation of cultural material created using paper, including such categories of artefacts as watercolours, fine art prints, drawings, ephemera, archival materials, books and all paper-based sculpture. During the period between 1970 and 2000, paper conservation developed from being a fledgling practice to becoming an accepted standard within the museum sector. In becoming so, it placed great emphasis on professionalism. This provided paper conservation with a template for change, a process through which it could develop and grow. Paper conservation embraced this process as a means of providing a set of standards to which it could adhere, but also as a means of garnering greater acceptability for its approach within the wider museum sector. Issues relating to the development of a profession and professionalism will be further explored as part of the literature review. Organisational change was also considered to have a relevance to the development of paper conservation, and this, too, will be explored within the literature review. Steps to professionalise conservation and subsequent changes in the wider museum sector were seen to have had the most impact on the structure of conservation. They may also have had relevance for the practice itself. Paper conservation was successful in having its occupational aims accepted throughout the museum sector, and this has further implications for those interested in researching by occupations of the professionalisation process. An understanding of the nature of this change, and how paper conservation reached its goal of acceptance for its values, is indispensable for those involved in decision-making within conservation today, and in the future. The thesis is based on an analysis of documents from the period directly relating to change within the field of conservation. It also includes interviews with personnel who were practising conservators, the providers of conservation education, and officers of the different agencies representing conservation. Research questions were formed from this analysis, and multiple case studies were undertaken to analyse these questions.
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Laforet, Anne. "La conservation du Net art au musée : les stratégies à l'oeuvre." Avignon, 2009. http://www.theses.fr/2009AVIG1070.

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La conservation du net art nécessite de construire une approche spécifique pour le regarder qui prend en compte la dimension matérielle de l'œuvre. La conservation ne se préoccupe pas uniquement d'esthétique, ni de l'expérience du public, mais a besoin de connaître l'aspect matériel des œuvres pour que le processus de conservation ait lieu. La thèse présente un panorama de la création par et pour Internet. Elle décrit des œuvres choisies pour leur exemplarité concernant leurs problèmes de conservation. Elle présente une vue d'ensemble des institutions qui, en Europe et en Amérique du Nord, ont mis en place des stratégies de conservation spécifiques. Ce dernier point a pris la forme d'analyses de cas à partir d'une grille issue d'observations, de lectures et d'entretiens. Cette étude traite aussi des relations entre la conservation et les autres fonctions du musée, notamment de leur interdépendance tout au long du cycle de vie de l'œuvre. Chaque œuvre implique un traitement qui lui soit propre. Cela pose la notion de la notation, la façon de décrire l'œuvre afin de la reproduire, et ce même lorsque son environnement technologique sera obsolète. Les manières de pallier cette obsolescence sont donc explorées : émulation, migration, partition, ré-interprétation, auto-archivage, archivage automatique, qui peuvent être combinées. L'approche matérielle du net art se traduit par une interrogation de ses différents niveaux de lecture : au niveau du code qui compose l'œuvre, des fichiers, de ce qui se passe à l'écran, de l'interaction entre l'œuvre et l'internaute. Les notions de performativité du code et d'activation sont utiles dans cette réflexion. Les acteurs du marché de l'art et les historiens et critiques d'art participent autant que le musée à l'attribution de la valeur des œuvres, et donc à la conservation, et ils s'influencent les uns les autres. Tous ces éléments permettent de composer une cartographie pluridisciplinaire de la question de la thèse
The preservation of net art requires the construction of a specific approach to look at internet artwork, one that takes into account its material dimension. It is central as preservation does not only deal with aesthetics, nor the way the audience experiences artworks. This research presents an overview of works created by and for the Internet. The choice of the artworks is dictated by preservation issues only. It is also an overview of the institutions (based in Europe and in North America) that have developped specific preservation strategies. It consists in case analysises, which stem from observations, readings, and interviews. This thesis looks into the interaction between preservation and the other functions of the museum (collection, exhibition, research). Preservation cannot be tackled independantly, because it deals with the artwork's life cycle within the museum. Every artwork has to be treated in its own way. The issue of notation also arises, as it's necessary to find ways to describe artworks, especially as their technological environments will eventually be obsolete. This research explores the ways to compensate for obsolescence : emulation, migration, score, re-interpretation, self-archiving, automatic archiving, etc (which can be also combined). The attention to net art work as a material socio-technical object means to find a way to look at those works : the code which composes the artwork, its different files and the way they are organized, what happens on the screen, the interactions between the artwork and the audience. The notions of code performativity and activation are thus useful. Preservation makes sense only when value is attributed to what is preserved. Two categories of actors outside the museum take part in this process : the art market and art critics and historians. Both influence and get influenced by the museum. All these elements allow the composition of a pluridisciplinar cartography on the topic of net art preservation
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Waentig, Friederike. "Plastics in art a study from the conservation point of view." Petersberg Imhof, 2002. http://d-nb.info/989014312/04.

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Jouniot, Sylvie. "La conservation des meubles corporels, oeuvres d'arts en droit français." Paris 2, 1993. http://www.theses.fr/1993PA020120.

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L'objectif de la these est de rechercher, a travers les diverses legislations applicables aux oeuvres d'art mobilieres, l'existence d'un statut de l'oeuvre d'art en droit francais. L'etude commence donc par definir l'oeuvre d'art mobiliere. Une premiere partie etudie les regles de conservation de l'oeuvre dans son integrite d'origine (titre ii) et dans l'emplacement d'origine (titre i). Une seconde partie presente le probleme de la lutte contre les transferts illicites d'oeuvres d'art. La fin de l'etude projette des reflexions de l'auteur en vue d'une amelioration du regime actuel de conservation des oeuvres d'art mobilieres en france.
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Maor, Yonah. "Delamination of oil paints from acrylic grounds." Thesis, Kingston, Ont. : [s.n.], 2008. http://hdl.handle.net/1974/1487.

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Jongens, Nicoline. "Declaring urban conservation areas: the Art Deco townscape of Vredehoek, Cape Town." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/27344.

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The research question posed in this study asks what qualities, characteristics and cultural significance need to be embodied within an urban environment that make the area worthy of conservation-oriented protection through laws and policies. The research question was explored through an assessment of the townscape of Vredehoek, an informally(1) proposed conservation area in Cape Town where there is a relatively high concentration of Art Deco buildings. The selection of Vredehoek as a laboratory within which to ask this question is due to the presence of contested opinions amongst various stakeholders and heritage-claimants about the cultural significance embodied within the built fabric of this place. This study aimed to identify what elements of the built environment of Vredehoek are of special interest, what qualities and characteristics these elements of special interest embody, to understand and articulate the values that inform these qualities, and to identify to whom these elements are valuable and why. Criteria were established with which to determine whether the identified qualities and values are special enough that when synthesised, the resultant significance of the place warrants protection through heritage area designation. The criteria developed with which to assess and evaluate proposed urban conservation areas, including Vredehoek, require that such environments need to embody cultural significance and characteristics informed by an urban history reflected in its authentic manifestations developed over time through continuity of use with a high townscape quality established primarily through the aesthetic unity of its component parts. Through historical research, the studying, mapping and analysis of the area's urban morphology, built environment and natural landscape, and the identification and evaluation of values held by heritage-claimants and views held by those critical of Vredehoek's proposed designation, evidence regarding the conservation-worthiness of Vredehoek has been assembled and assessed within the framework of criteria developed to evaluate heritage area designation. It has been found that the environment of Vredehoek does not embody high townscape quality nor does a strong aesthetic unity of its components exist. Furthermore, the area is not a richly layered environment reflecting continuity of use, the existence of cultural significance within the place is limited to a relatively small part of the townscape - a collection of Art Deco buildings demonstrating a moderate degree of architectural merit. Thus the environment of Vredehoek does not meet the criteria required for heritage area conservation.
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Books on the topic "Conservation (art)"

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Xarrié, Mireia. Glossary of art conservation II. Barcelona: Balaam, 2006.

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Rosenfeld, Andrée. Rock art conservation in Australia. 2nd ed. Canberra: Australian Govt. Pub. Service, 1988.

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Xarrié, Mireia. Glossary of art conservation III. Barcelona: Balaam, 2006.

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McGrath, Robert L. Art and the American conservation movement. Boston: U.S. Dept. of the Interior, National Park Service, Northeast Museum Services Center, 2001.

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1953-, Reedy Chandra L., ed. Statistical analysis in art conservation research. Marina del Rey, Calif., USA: Getty Conservation Institute, 1988.

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Hoveman, Alice R. Conservation wise guide. Juneau: Alaska State Museum, 2001.

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McGuinne, Niamh. Irish conservation directory. [Dublin, Ireland]: The Association, 1998.

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Corr, Susan. Irish conservation directory. Edited by Mc Parland Maighread. Dublin: Irish Professional Conservators' and Restorers' Association, 1988.

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Cellulose nitrate in conservation. Marina del Rey, Calif., USA: Getty Conservation Institute, 1988.

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Art, conservation and authenticities: Material, concept, context. London: Archetype Publications, 2009.

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Book chapters on the topic "Conservation (art)"

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Ramsay, Barbara A., and John K. Jacobs. "Art Conservation and Restoration." In Fine Art and High Finance, 263–86. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch11.

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Gänsicke, Susanne. "Conservation of Egyptian Objects." In A Companion to Ancient Egyptian Art, 522–43. Chichester, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch27.

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Bescher, E. P., and J. D. Mackenzie. "Sol–Gel Materials for Art Conservation." In Handbook of Sol-Gel Science and Technology, 1–15. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-19454-7_153-1.

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Bescher, Eric P., and John D. Mackenzie. "Sol-Gel Materials for Art Conservation." In Handbook of Sol-Gel Science and Technology, 2843–57. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-32101-1_153.

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Loubser, Johannes H. N. "Rock Art Sites: Management and Conservation." In Encyclopedia of Global Archaeology, 1–6. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-51726-1_2158-2.

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Loubser, Johannes H. N. "Rock Art Sites: Management and Conservation." In Encyclopedia of Global Archaeology, 6357–62. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2158.

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Loubser, Johannes H. N. "Rock Art Sites: Management and Conservation." In Encyclopedia of Global Archaeology, 9272–76. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2158.

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Tiano, Piero, Lucia Biagiotti, and Susanna Bracci. "Biodegradability of Products Used in Monuments’ Conservation." In Of Microbes and Art, 169–81. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/978-1-4615-4239-1_12.

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Cooke, Jennifer. "The Technical Study of Art." In Millard Meiss, American Art History, and Conservation, 138–81. New York: Routledge, 2021. | Originally published in Italy in 2015 by Ledizioni as Millard Meiss: tra connoisseurship, iconologia e Kulturgeschichte.: Routledge, 2020. http://dx.doi.org/10.4324/9780367138356-5.

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Ormsby, Bronwyn, Rachel Scott, Helen Brett, Judith Lee, and Rebecca Hellen. "CHAPTER 15. Hockney, Hume and Chandra: Surface, Change and Conservation." In Science and Art, 316–37. Cambridge: Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781788016384-00316.

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Conference papers on the topic "Conservation (art)"

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Asmus, John F. "Laser conservation paleontology." In Lasers in Metrology and Art Conservation, edited by Renzo Salimbeni. SPIE, 2001. http://dx.doi.org/10.1117/12.445645.

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"PROBABILITY ANALYSIS IN ART CONSERVATION." In International Conference on Computer Vision Theory and Applications. SciTePress - Science and and Technology Publications, 2006. http://dx.doi.org/10.5220/0001368005080514.

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Fotakis, C., D. Anglos, S. Couris, S. Georgiou, V. Zafiropulos, and I. Zergioti. "Laser technology in art conservation." In Resonance ionization spectroscopy 1996: Eighth international symposium. AIP, 1997. http://dx.doi.org/10.1063/1.52181.

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Fotakis, C., D. Anglos, C. Balas, S. Couris, and V. Zafiropulos. "Laser Based Diagnostics in Art Conservation." In Proceedings of European Meeting on Lasers and Electro-Optics. IEEE, 1996. http://dx.doi.org/10.1109/cleoe.1996.562380.

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Fukunaga, K., I. Hosako, Y. Ogawa, and S. Hayashi. "THz spectroscopy for art conservation science." In 2007 Joint 32nd International Conference on Infrared and Millimeter Waves and the 15th International Conference on Terahertz Electronics (IRMMW-THz). IEEE, 2007. http://dx.doi.org/10.1109/icimw.2007.4516678.

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Abraham, Margaret H., Stefanie Scheerer, Odile Madden, and Fran Adar. "Laser-induced chemical changes in art materials." In Lasers in Metrology and Art Conservation, edited by Renzo Salimbeni. SPIE, 2001. http://dx.doi.org/10.1117/12.445646.

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Miks, Antonin, and Jiri Novak. "Application of multistep algorithms for deformation measurement." In Lasers in Metrology and Art Conservation, edited by Wolfgang Osten, Werner P. O. Jueptner, and Malgorzata Kujawinska. SPIE, 2001. http://dx.doi.org/10.1117/12.445563.

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Carlsson, Torgny E. "Ultrashort-pulse interferometric sensors for optical shape and deformation measurement." In Lasers in Metrology and Art Conservation, edited by Wolfgang Osten, Werner P. O. Jueptner, and Malgorzata Kujawinska. SPIE, 2001. http://dx.doi.org/10.1117/12.445537.

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Baba, Mitsuru, and Kozo Ohtani. "Determining 3D shapes of hybrid surfaces by laser rangefinder." In Lasers in Metrology and Art Conservation, edited by Wolfgang Osten, Werner P. O. Jueptner, and Malgorzata Kujawinska. SPIE, 2001. http://dx.doi.org/10.1117/12.445538.

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Fujita, Hiroo. "High-resolution dimensional measurement apparatus using optical scale with different grating pitches." In Lasers in Metrology and Art Conservation, edited by Wolfgang Osten, Werner P. O. Jueptner, and Malgorzata Kujawinska. SPIE, 2001. http://dx.doi.org/10.1117/12.445539.

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Reports on the topic "Conservation (art)"

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Brown, Douglas M., and Robert J. Baxter. Enforcement Actions Under the Resource Conservation and Recovery Act. Fort Belvoir, VA: Defense Technical Information Center, September 1994. http://dx.doi.org/10.21236/ada292966.

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Haagenstad, Mark P. Transuranic Waste Resource Conservation and Recovery Act (RCRA) Compliance. Office of Scientific and Technical Information (OSTI), April 2017. http://dx.doi.org/10.2172/1356102.

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Author, Not Given. Recovery Act. Development of a Model Energy Conservation Training Program. Office of Scientific and Technical Information (OSTI), July 2012. http://dx.doi.org/10.2172/1191175.

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Beagles, D. S. Hanford Facility Resource Conservation and Recovery Act Permit General Inspection Plan. Office of Scientific and Technical Information (OSTI), February 1995. http://dx.doi.org/10.2172/57252.

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Beagles, D. B. Hanford Facility resource conservation and recovery act permit general inspection plan. Office of Scientific and Technical Information (OSTI), December 1995. http://dx.doi.org/10.2172/204662.

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Kendrick, C. M. RCRA (Resource Conservation and Recovery Act) waste minimization progress during CY 1985. Office of Scientific and Technical Information (OSTI), December 1990. http://dx.doi.org/10.2172/6128155.

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Petersons, Oskars, M. Vangel, and K. L. Stricklett. An analysis of efficiency testing under the energy policy and conservation act :. Gaithersburg, MD: National Bureau of Standards, 1999. http://dx.doi.org/10.6028/nist.tn.1427.

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D., Muller, Epprecht M., and Sunderlin W.D. Where are the poor and where are the trees?: targeting of poverty reduction and forest conservation in Vietnam. Center for International Forestry Research (CIFOR), 2006. http://dx.doi.org/10.17528/cifor/002026.

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Kessel, C. E., F. M. Poli, K. Ghantous, N. Gorelenkov, M. S. Tillack, F. Najmabadi, X. R. Wang, et al. The ARIES Advanced And Conservative Tokamak (ACT) Power Plant Study. Office of Scientific and Technical Information (OSTI), March 2014. http://dx.doi.org/10.2172/1127358.

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Crane, P. J. Final draft Resource Conservation and Recovery Act interim status assessment of thirteen facilities. Office of Scientific and Technical Information (OSTI), April 1989. http://dx.doi.org/10.2172/6131233.

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You might also be interested in the extended bibliographies on the topic 'Conservation (art)' for particular source types:
Journal articles Dissertations / Theses Books
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