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Journal articles on the topic 'Conservation (art)'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Coddington, James, and Maryan Ainsworth. "Conservation and Art History." Art Journal 54, no. 2 (1995): 16. http://dx.doi.org/10.2307/777457.

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2

Watt, David. "Conservation: Art and Science." Journal of Architectural Conservation 3, no. 2 (January 1997): 5–6. http://dx.doi.org/10.1080/13556207.1997.10785185.

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3

Nevin, Austin, Paraskevi Pouli, Savas Georgiou, and Costas Fotakis. "Laser conservation of art." Nature Materials 6, no. 5 (May 2007): 320–22. http://dx.doi.org/10.1038/nmat1895.

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4

Baglioni, Piero, Emiliano Carretti, and David Chelazzi. "Nanomaterials in art conservation." Nature Nanotechnology 10, no. 4 (April 2015): 287–90. http://dx.doi.org/10.1038/nnano.2015.38.

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5

Nicholls, Henry. "The art of conservation." Nature 472, no. 7343 (April 20, 2011): 287–89. http://dx.doi.org/10.1038/472287a.

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6

Asmus, John F. "Light for Art Conservation." Interdisciplinary Science Reviews 12, no. 2 (June 1987): 171–79. http://dx.doi.org/10.1179/isr.1987.12.2.171.

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7

Coddington, James, and Maryan Ainsworth. "Conservation and Art History." Art Journal 54, no. 2 (June 1995): 16–17. http://dx.doi.org/10.1080/00043249.1995.10791687.

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8

Dawes, Daniel. "Lasers and the Fine Art of Art Conservation." Optics and Photonics News 15, no. 9 (September 1, 2004): 16. http://dx.doi.org/10.1364/opn.15.9.000016.

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9

Fukunaga, Kaori, Yuichi Ogawa, Shin'ichiro Hayashi, and Iwao Hosako. "Terahertz spectroscopy for art conservation." IEICE Electronics Express 4, no. 8 (2007): 258–63. http://dx.doi.org/10.1587/elex.4.258.

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10

Murphy, William J., and Susan E. Griest. "The Art of Hearing Conservation." International Journal of Audiology 53, sup2 (February 25, 2014): S2—S4. http://dx.doi.org/10.3109/14992027.2013.858188.

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11

Giovanni Brunetti, Brunetto, Antonio Sgamellotti, and Andrew J. Clark. "Advanced Techniques in Art Conservation." Accounts of Chemical Research 43, no. 6 (June 15, 2010): 693–94. http://dx.doi.org/10.1021/ar100072f.

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12

Asmus, John E. "More light for art conservation." IEEE Circuits and Devices Magazine 2, no. 2 (March 1986): 6–15. http://dx.doi.org/10.1109/mcd.1986.6311800.

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13

Larocca, Alberto. "Rock art conservation in Morocco." Public Archaeology 3, no. 2 (January 2003): 67–76. http://dx.doi.org/10.1179/pua.2003.3.2.67.

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14

Dreyfuss-Deseigne, Rémy. "Nanocellulose Films in Art Conservation." Journal of Paper Conservation 18, no. 1 (January 2, 2017): 18–29. http://dx.doi.org/10.1080/18680860.2017.1334422.

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15

Guidetti, Paolo, and Fiorenza Micheli. "Ancient art serving marine conservation." Frontiers in Ecology and the Environment 9, no. 7 (September 2011): 374–75. http://dx.doi.org/10.1890/11.wb.019.

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16

Deacon, Janette. "Rock Art Conservation and Tourism." Journal of Archaeological Method and Theory 13, no. 4 (November 30, 2006): 376–96. http://dx.doi.org/10.1007/s10816-006-9024-y.

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17

Muller, Norman. "Slowing the Clock: Art Conservation at the Art Museum." Record of the Art Museum, Princeton University 59, no. 1/2 (2000): 2. http://dx.doi.org/10.2307/3774798.

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18

Vilanova, Cristina, and Manuel Porcar. "Art‐omics: multi‐omics meet archaeology and art conservation." Microbial Biotechnology 13, no. 2 (August 27, 2019): 435–41. http://dx.doi.org/10.1111/1751-7915.13480.

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19

Bruquetas Galán, Rocío. "A Changing Art. Nineteenth-Century Painting Practice and Conservation." Ge-conservacion 13 (June 29, 2018): 100–101. http://dx.doi.org/10.37558/gec.v13i0.587.

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A Changing Art. Nineteenth-Century Painting Practice and Conservation Ed. Por Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe y Polly Satlmarsh) Londres: Archetype (en asociación con The British Association of Paintings Conservator-Restorers, BAPCR), 2017. ISBN: 9781909492547 Dimensiones: 246 x 175 mmPáginas: 144Ilustraciones en color

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20

Turner, Mark, Stephen Dowsland, Aron Mazel, and Myra Giesen. "Rock art CARE." Journal of Cultural Heritage Management and Sustainable Development 8, no. 4 (November 19, 2018): 420–33. http://dx.doi.org/10.1108/jchmsd-09-2017-0064.

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Purpose Crowdsourcing heritage information has enormous potential to help gather data needed to make decisions over the deployment of resources and heritage conservation funding. Taking advantage of the rapid proliferation of mobile devices, such as phones and tablets, packed with sensors to record data about the real world, and the global growth of mobile app stores, reaching potential crowdsourcing volunteers is easier than ever before. The purpose of this paper is to describe the design of a mobile application known as Rock Art CARE (condition assessment risk evaluation) to crowdsource heritage conservation data, in the context of rock art conservation. Design/methodology/approach As with conservation efforts of any kind, accurate information is vital to make informed triage decisions over where to route effort, resources and funding. The Rock Art CARE application is a cross-platform mobile application for crowdsourcing information about rock art carvings, where the collated data are stored in a central location for access by different stakeholders. Findings The paper goes on to detail the web portal with its application programming interface and database schema, and how the collected data are passed on to policy and decision makers to aid in the identification and conservation of the carvings most at risk. Originality/value The paper presents a method of harnessing common technology to forge a link between the mobile devices of the general public and key stakeholders responsible for the preservation of the UK’s rock art.

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21

Galbally, Ann, Angela Kerry, and Robyn Sloggett. "Art conservation and art fraud: dissecting the thin blue line." Studies in Conservation 45, sup1 (January 1, 2000): 73–76. http://dx.doi.org/10.1179/sic.2000.45.supplement-1.73.

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22

Stoner, Joyce Hill. "Art Matters: Netherlands Technical Studies in Art." Journal of the American Institute for Conservation 43, no. 2 (2004): 185. http://dx.doi.org/10.2307/4129653.

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23

Ramírez Barat, Blanca. "Gels in the Conservation of Art." Ge-conservacion 13 (June 29, 2018): 98–99. http://dx.doi.org/10.37558/gec.v13i0.584.

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Gels in the Conservation of Art Lora Angelova, Bronwyn Ormsby, Joyce H. Townsend, Richard Wolbers (eds) London: Archetype Publications Ltd, 2017 ISBN: 9781909492509 Dimensiones:297 x 210. Páginas: 406 Ilustraciones en color

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24

Serjeant, Denis. "Conservation problems in international art exhibitions." International Journal of Museum Management and Curatorship 4, no. 1 (March 1985): 77–78. http://dx.doi.org/10.1080/09647778509514954.

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25

Perugini, Flavia, Flor Mayoral, and Daniel Godoy. "Surgery, conservation, art: An unusual collaboration." Studies in Conservation 61, sup2 (June 2016): 315–18. http://dx.doi.org/10.1080/00393630.2016.1191004.

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26

Costa, António Ribeiro da. "CHRISTIAN SACRED ART: A CONSERVATION CHALLENGE." Studies in Conservation 51, no. 3 (January 2006): 7–11. http://dx.doi.org/10.1179/sic.2006.51.3.7.

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27

Taliaferro, Charles. "The Art of Creation and Conservation." New Blackfriars 67, no. 793-794 (July 1986): 315–23. http://dx.doi.org/10.1111/j.1741-2005.1986.tb06550.x.

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28

Wheelwright, Nathaniel T. "State-of-the-Art Conservation Literature." Conservation Biology 17, no. 5 (October 2003): 1469–71. http://dx.doi.org/10.1046/j.1523-1739.2003.01760.x.

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29

Maitland, Crystal. "Gels in the conservation of art." Journal of the American Institute for Conservation 57, no. 4 (September 19, 2018): 229–30. http://dx.doi.org/10.1080/01971360.2018.1516500.

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30

J.A. van, Dongen. "Breast conservation — State of the art." European Journal of Cancer 29 (January 1993): S6. http://dx.doi.org/10.1016/0959-8049(93)90641-r.

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31

Murcia-Mascarós, Sonia. "Glass science in art and conservation." Journal of Cultural Heritage 9 (December 2008): e1-e4. http://dx.doi.org/10.1016/j.culher.2008.10.001.

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32

Serjeant, D. "Conservation problems in international art exhibitions." Museum Management and Curatorship 4, no. 1 (March 1985): 77–78. http://dx.doi.org/10.1016/0260-4779(85)90057-3.

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33

Odlyha, M., J. J. Boon, O. van den Brink, and M. Bacci. "Environmental research for art conservation (ERA)." Journal of thermal analysis 49, no. 3 (August 1997): 1571–84. http://dx.doi.org/10.1007/bf01983717.

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34

Wright, W. D. "A mobile spectrophotometer for art conservation." Color Research & Application 6, no. 2 (July 20, 2009): 70–74. http://dx.doi.org/10.1002/col.5080060206.

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35

Carretti, Emiliano, Luigi Dei, Azzurra Macherelli, and Richard G. Weiss. "Rheoreversible Polymeric Organogels: The Art of Science for Art Conservation." Langmuir 20, no. 20 (September 2004): 8414–18. http://dx.doi.org/10.1021/la0495175.

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36

Aguiar-Ricardo, Ana, Teresa Casimiro, Micaela Sousa, Maria João Melo, and Paula Maria Tomaz. "Supercritical carbon dioxide: the art of technology in art conservation." Conservar Património 6 (2007): 3–9. http://dx.doi.org/10.14568/cp6_1.

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37

Teeter, Emily. "Egyptian Art." Art Institute of Chicago Museum Studies 20, no. 1 (1994): 14. http://dx.doi.org/10.2307/4112949.

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38

Pedley, John Griffiths. "Greek Art." Art Institute of Chicago Museum Studies 20, no. 1 (1994): 32. http://dx.doi.org/10.2307/4112950.

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39

de Puma, Richard. "Etruscan Art." Art Institute of Chicago Museum Studies 20, no. 1 (1994): 54. http://dx.doi.org/10.2307/4112951.

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40

III, Cornelius C. Vermeule. "Roman Art." Art Institute of Chicago Museum Studies 20, no. 1 (1994): 62. http://dx.doi.org/10.2307/4112952.

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41

Rhyne, Charles S. "Clean Art?" Journal of the American Institute for Conservation 45, no. 3 (January 2006): 165–70. http://dx.doi.org/10.1179/019713606806112504.

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42

Barbosa, Ana Mae Tavares Bastos. "Art education in a museum of contemporary art." Museum International 41, no. 1 (March 1989): 45–49. http://dx.doi.org/10.1111/j.1468-0033.1989.tb00757.x.

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43

Hodge, Sam, Ijsbrand Hummelen, and Dionne Sille. "Modern Art: Who Cares?" Studies in Conservation 46, no. 3 (2001): 222. http://dx.doi.org/10.2307/1506813.

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44

French, Ann. "TEXTILE OR ART? THE CONSERVATION, DISPLAY AND STORAGE OF MODERN TEXTILE ART." Studies in Conservation 49, sup2 (September 1, 2004): 34–38. http://dx.doi.org/10.1179/sic.2004.49.s2.008.

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45

McGrath, Mary. "Material Matters: The Conservation of Modern Art." Circa, no. 109 (2004): 50. http://dx.doi.org/10.2307/25564183.

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46

White, Jonathan, Raj Achuthan, Philip Turton, and Mark Lansdown. "Breast Conservation Surgery: State of the Art." International Journal of Breast Cancer 2011 (2011): 1–10. http://dx.doi.org/10.4061/2011/107981.

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Breast conservation surgery is available to the vast majority of women with breast cancer. The combination of neoadjuvant therapies and oncoplastic surgical techniques allows even large tumours to be managed with a breast-conserving approach. The relationship between breast size and the volume of tissue to be excised determines the need for volume displacement or replacement. Such an approach can also be used in the management of carefully selected cases of multifocal or multicentric breast cancer. The role of novel techniques, such as endoscopic breast surgery and radiofrequency ablation, is yet to be precisely defined.

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47

Joyce, Megan. "Constructing Nature: Art, Conservation, and Applied Zooarchaeology." Journal of Ethnobiology 32, no. 2 (September 2012): 246–64. http://dx.doi.org/10.2993/0278-0771-32.2.246.

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48

Asmus, John F. "Non-divestment laser applications in art conservation." Journal of Cultural Heritage 4 (January 2003): 289–93. http://dx.doi.org/10.1016/s1296-2074(02)01210-4.

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49

Irgang, Harriet, and Hafthor Yngvason. "Conservation and Maintenance of Contemporary Public Art." Journal of the American Institute for Conservation 43, no. 2 (2004): 193. http://dx.doi.org/10.2307/4129657.

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50

Dawson, T. L. "Examination, conservation and restoration of painted art." Coloration Technology 123, no. 5 (October 2007): 281–92. http://dx.doi.org/10.1111/j.1478-4408.2007.00096.x.

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