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Books on the topic 'Constituting the object of experience'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Fulton, Hamish. An object cannot compete with an experience. Sainsbury Centre for Visual Arts, 2001.

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2

Center, IBM Object-oriented Technology, ed. Developing object-oriented software: An experience-based approach. Prentice Hall PTR, 1997.

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3

Art Gallery of Western Australia., ed. Impluse and form: Object makers and the Australian experience. Art Gallery of Western Australia, 1985.

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4

Carabellese, Pantaleo. Il problema teologico come filosofia. Edizioni Scientifiche Italiane, 1994.

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5

Clair, Michael St. Human relationships and the experience of God: Object relations and religion. Paulist Press, 1994.

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6

Solomon. How to make the most of a flying saucer experience. Top Hat Press, 1998.

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7

Karg, Hans Hartmut. Erfahrungspädagogik: Über die Grundlagen einer europäischen und angloamerikanischen Bildungsidee. Haag ₊ Herchen, 1985.

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8

Franklin, Merrell-Wolff, and Merrell-Wolff Franklin, eds. Franklin Merrell-Wolff's experience and philosophy: A personal record of transformation and a discussion of transcendental consciousness : containing his Philosophy of consciousness without an object, and his Pathways through to space. State University of New York Press, 1994.

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9

Braber, Helleke, Jeroen Dera, Jos Joosten, and Maarten Steenmeijer, eds. Branding Books Across the Ages. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723916.

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For many, literature and marketing are considered opposite phenomena. This book discusses cases in which the two are closely connected. It argues that literature is subject to the same mechanisms as other commercial products: our experience of literary texts is prefigured by brands, trademarks that identify a product and differentiate it from its competitors. From the early modern period onwards, literary authors and their texts are constantly ‘branded’ and have been both the object and the trailblazer of a complex marketing process. The authors of this volume analyze this branding process thr

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10

Murphy, Jill, and Laura Rascaroli, eds. Theorizing Film Through Contemporary Art. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989467.

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As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space. How to read these reformulations of the cinematic medium - and their critique of what it is and has been? In Theorizing Cinema Through Contemporary Art: Expanding Cinema, leading film theorists consider artworks that incorporate, restage, and re-present cinema's configuration of the key categories of space, experience, presence/absence, production a

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11

Marusenko, Nataliya. Educational language policy in the modern world. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1946228.

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The monograph is devoted to the analysis of world experience in the field of language learning and teaching in those countries that represent the "growth points" of an unevenly developing global system. The study of languages, first, second and foreign, occupies a significant part of the curricula of educational institutions in any country and consumes a considerable part of material, intellectual and human resources. Much less often, the object of study is the relationship between the study of languages and concepts such as national identity, national unity, nation-building and territorial in

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12

Lefebvre, Martin, and Marc Furstenau. Special Effects on the Screen. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730.

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Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, and the development of computerized visual effects, film theorists and historians have been reconsidering the traditional accounts of cinematic representation, recognising the important role of special effects. Understood as a constituent part of the cinema, special effects are a major technical but

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13

Elsaesser, Thomas. Film History as Media Archaeology. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462980570.

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Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the 'death of cinema' debate, Film History as Media Archaeology presents a robust argument for the cinema's current status as a new epistemological object, of interest to philosophers, while also examining the presence of moving images in the museum and art spaces as a challenge for art history. The current study is the fruit of some twenty years of research and writing at the interface of film history, media theory and media archaeology by one of the acknowledged pioneers of the 'new film his

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14

Zahavi, Dan. Introspection and reflection. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199684830.003.0002.

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Rejecting the proposal that the aim of phenomenology is to provide refined descriptions of inner experiences, the chapter first discusses Husserl’s distinction between phenomenology and psychology. It next considers his employment of reflection, contrasts his position with that of Bergson, and outlines how Husserl operates with different concepts of reflection, and how a central task of phenomenological analysis is to account for the constitution of the object of consciousness. Phenomenological reflection does not only target experiential structures. It also investigates the object of experien

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15

Mallgrave, Harry Francis. From Object to Experience. Bloomsbury Publishing Plc, 2018. http://dx.doi.org/10.5040/9781350059559.

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16

Barwich, Ann-Sophie. Measuring the World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779636.003.0017.

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How much does stimulus input shape perception? The common-sense view is that our perceptions are representations of objects and their features and that the stimulus structures the perceptual object. The problem for this view concerns perceptual biases as responsible for distortions and the subjectivity of perceptual experience. These biases are increasingly studied as constitutive factors of brain processes in recent neuroscience. In neural network models the brain is said to cope with the plethora of sensory information by predicting stimulus regularities on the basis of previous experiences.

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17

Cordez, Philippe, Susanne Thürigen, Romana Kaske, and Julia Saviello. Object Fantasies: Experience and Creation. de Gruyter GmbH, Walter, 2018.

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18

Object Fantasies: Experience and Creation. de Gruyter GmbH, Walter, 2018.

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19

Gordon Matta-Clark: Experience Becomes the Object. Polígrafa, Ediciones, S. A., 2016.

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20

Technology, Ibm Object-Oriented, and IBM. Developing Object-Oriented Software: An Experience-Based Approach. Prentice Hall, 1996.

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21

Technology, Ibm Object-Oriented, and IBM. Developing Object-Oriented Software: An Experience-Based Approach. Prentice Hall, 1996.

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22

Objects of Experience: Transforming Visitor-Object Encounters in Museums. Taylor & Francis Group, 2013.

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23

Wood, Elizabeth, and Kiersten F. Latham. Objects of Experience: Transforming Visitor-Object Encounters in Museums. Taylor & Francis Group, 2016.

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24

Wood, Elizabeth, and Kiersten F. Latham. Objects of Experience: Transforming Visitor-Object Encounters in Museums. Taylor & Francis Group, 2016.

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25

Wood, Elizabeth, and Kiersten F. Latham. Objects of Experience: Transforming Visitor-Object Encounters in Museums. Taylor & Francis Group, 2013.

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26

From Object to Experience: The New Culture of Architectural Design. Bloomsbury Visual Arts, 2018.

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27

Mallgrave, Harry Francis. From Object to Experience: The New Culture of Architectural Design. Bloomsbury Publishing USA, 2018.

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28

Mallgrave, Harry Francis. From Object to Experience: The New Culture of Architectural Design. Bloomsbury Publishing Plc, 2018.

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29

Mallgrave, Harry Francis. From Object to Experience: The New Culture of Architectural Design. Bloomsbury Publishing USA, 2018.

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30

Clair, Michael St. Human Relationships and the Experience of God: Object Relations and Religion. Wipf & Stock Publishers, 2004.

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31

Mariña, Jacqueline. Selfhood and Relationality. Edited by Joel D. S. Rasmussen, Judith Wolfe, and Johannes Zachhuber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198718406.013.15.

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This chapter explores Kant’s ground-breaking revision to Descartes’ model of the mind (the self as substance) and its reception in the nineteenth century. For Kant consciousness is not a substance, but an ongoing activity having a double constitution, or two moments: first, the original activity of consciousness (original apperception), and second, the reflected self, the ‘I think’ as object of reflection. Both are essential to the possibility of an awareness of a unified experience. Such an awareness is achieved only insofar as the self is capable of reflecting on its activity of thinking. As

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32

Pugh, John, and Wilf Lalonde. Smalltalk V: Practice and Experience/Book and Disk. Prentice Hall, 1994.

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33

Pugh, John, and Wilf Lalonde. Smalltalk V: Practice and Experience/Book and Disk. Prentice Hall, 1994.

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34

Levine, Joseph. Phenomenal Experience. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198800088.003.0013.

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This paper presents a sketch of a theory of phenomenal consciousness, one that builds on the notion of a “way of appearing,” and draws out various consequences and problems for the view. I unabashedly endorse a version of the Cartesian Theater, while assessing the prospects for making such a view work. As I treat phenomenal consciousness as a relation between a subject and what it is she is conscious of, I face a difficulty in making sense of hallucination, since the object of awareness is missing. I distinguish my position from direct realists who endorse disjunctivism, and end on a somewhat

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35

Iseminger, Gary. Aesthetic Experience. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0005.

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This article surveys attempts by aestheticians writing in the Anglo-American analytic tradition during the last half of the twentieth century to clarify, defend, and use the idea of a distinctively aesthetic state of mind. Their ambitions typically include most or all of the following: giving an account of what distinguishes the aesthetic state of mind from other states of mind that are like it in some ways, such as sensual pleasure or drug-induced experience, or from those connected with other realms of human concern, such as the religious, the cognitive, the practical, and the moral; giving

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36

Levine, Joseph. Experience and Representation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198800088.003.0005.

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Here I criticize the most popular version of Representationalism, what I call “Externalist Representationalism.” On this view, the phenomenal character of a conscious state is identified with, or supervenes on, its wide representational content. I argue that this position is implausible because of the unpalatable epistemic consequences that follow from it. In particular, on Externalist Representationalism, what it is like for someone is a function of which property of external object they are currently representing, so it’s possible to be wrong about one’s qualitative experience in a way that

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37

de Beauvoir, Simone. My Experience as a Writer. Translated by J. Debbie Mann. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036347.003.0020.

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Jean-Paul Sartre spoke to you about literature in general. He told you what all writers have in common; for them it is a question of communicating “the lived sense of being-in-the-world” by giving as a product an object which is a singular universal: their oeuvre....

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38

Vartanian, Oshin. Internal Orientation in Aesthetic Experience. Edited by Kalina Christoff and Kieran C. R. Fox. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190464745.013.17.

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There is considerable evidence to suggest that aesthetic experiences engage a distributed set of structures in the brain, and likely emerge from the interactions of multiple neural systems. In addition, aside from an external (i.e., object-focused) orientation, aesthetic experiences also involve an internal (i.e., person-focused) orientation. This internal orientation appears to have two dissociable neural components: one component involves the processing of visceral feeling states (i.e., interoception) and primarily engages the insula, whereas the other involves the processing of self-referen

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39

Brogaard, Berit. The Representational View of Experience. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495251.003.0004.

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In chapter 3, the author presents two arguments for the view that visual experience is representational. The first shows that phenomenal ‘look’ and ‘seem’ reflect phenomenal, representational properties of visual perception. It follows that experience is representational. This conclusion is consistent with some versions of naive realism, but considerably stronger than the minimal content view that takes content to be a description of what it is like for the subject to have the experience. The second argument establishes that the perceptual relation that obtains between experience and its objec

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40

Nature of Reflection after Organizational Experience by Managers across Developmental Levels: A Study Using Excerpts from Subject-Object Interviews. [publisher not identified], 2021.

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41

Turner, Judy E. Transitional objects and maternal role: a qualitative study of the mother's experience of her relationship to her child's special object. 1988.

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42

Arad, Hemda. Integrating Relational Psychoanalysis and EMDR: Embodied Experience and Clinical Practice. Taylor & Francis Group, 2017.

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43

Arad, Hemda. Integrating Relational Psychoanalysis and EMDR: Embodied Experience and Clinical Practice. Taylor & Francis Group, 2017.

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44

Arad, Hemda. Integrating Relational Psychoanalysis and EMDR: Embodied Experience and Clinical Practice. Taylor & Francis Group, 2017.

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45

Integrating Relational Psychoanalysis and EMDR: Embodied Experience and Clinical Practice. Taylor & Francis Group, 2017.

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46

Nisenbaum, Karin. Why Is There a Realm of Experience at All? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190680640.003.0006.

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This chapter shows that both Schelling’s Philosophical Investigations into the Essence of Human Freedom and his Ages of the World fragments are motivated by an attempt to explain the relation between subject and object that characterizes all states of human consciousness. Fichte’s notion of the self-positing subject issues in the view that there is a single fundamental entity (the “absolute I”), which is constituted by two forms of activity, real and ideal activity; and, on Fichte’s view, the relation between real and ideal activity is the relation between subject and object that characterizes

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47

Acquisto, Joseph. Thought as Experience in Bataille, Cioran, and Rosset. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765111505.

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Examines how postwar French writers constitute the thinking subject and reshape its relation to the external social world. Joseph Acquisto analyzes the writings of three thinkers during and shortly after the Second World War who address the question of what it means to think, and what it means to constitute oneself as a thinking subject – at a time that seems to come "after everything"; with the ruins of attacked cities echoing the remains of a philosophical tradition that was confident in its establishment of human beings as rational, of reason leading to progress, and of both the self and th

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48

Lambert, Erin. The Resurrection of the Body and the Life Everlasting. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661649.003.0002.

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Chapter 1 explores the central role that the promise of universal resurrection and its enactment in the liturgy played in the constitution of the late medieval Christian community of faith. Together, it argues, raised voices and the promise of the resurrection of the dead created the ideal of a universal Christian community that was to remain forever united and that was bound together by a shared experience of ritual. The chapter presents a case study of the ways in which resurrection pervaded the aural, visual, and material culture of Nuremberg, particularly in the commemoration of the dead w

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49

Turner, Judy E. Transitional objects and maternal role, a qualitative study of the mother's experience of her relationship to her child and the child's special object. 1988.

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50

Ram-Prasad, Chakravarthi. The Body in Contemplation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823629.003.0004.

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This chapter follows the process by which a highly detailed account of the human being as bodily being emerges through a series of contemplative practices described in the fifth century by Buddhaghosa in The Path of Purification, a Theravada Buddhist manual. In the first three practices studied, meditation practices are described that disrupt intuitions about the stability of subject and objects, intuitions held to lead to entanglement in suffering. The monk seeking disentanglement comes to be attentive of the way that an apparent sense of isolation of human from environment and of separation

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