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Journal articles on the topic 'Constituting the object of experience'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Grubor, Nebojsa. "Aesthetic attitude, aesthetic experiences and aesthetic emotions: Analysis from the perspective of Ingarden′s aesthetics." Theoria, Beograd 65, no. 2 (2022): 99–109. http://dx.doi.org/10.2298/theo2202099g.

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The text discusses three basic aesthetic concepts: the concept of aesthetic attitude, aesthetic experience and aesthetic emotions, as well as their mutual relationship. The basis of the analysis is the Maria Reicher?s determination of the structure of the aesthetic experience and Roman Ingarden?s theory of aesthetic experience. The paper shows how dynamically and mutually conditioned two basic elements - representation and feeling - constitute an aesthetic experience. The aesthetic experiences begins with the original emotion. The original emotion reveals the aesthetic qualities of the object,

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2

Colman, Athena V. "Lacan’s Anamorphic Object." Janus Head 12, no. 2 (2011): 49–66. http://dx.doi.org/10.5840/jh201112228.

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Much of the current research on the constitution of subjectivity has been grounded on attempts to conceptualize the body without collapsing into reductive materialism or, to the contrary, theorizing a completely historical subject in the hope of doing ontological and ethical justice to formative specificity. With the rationalism-empiricism struggle put to bed by Kant’s transcendental turn and tucked in tightly by Hegel’s dialectic, the twentieth century was greeted with a maelstrom of world wars and efficient technology which produced the greatest number of corpses in the shortest time in worl

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3

Xu, Yi Xin, and Jun Wei Yang. "Design and Fabrication of Dynamic Thematic Maps Based on Flash." Applied Mechanics and Materials 580-583 (July 2014): 2778–81. http://dx.doi.org/10.4028/www.scientific.net/amm.580-583.2778.

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This paper exemplified by the dynamic thematic map under different data sources has explained scientifically the dynamic data storage in session objects, thematic map making by aid of the development's function of an object-oriented environment, a real-time map displaying. Experience has proved that the measure in flash platform which editing the geographical map, designing the map elements, doing movie clips, constituting them together,importing sound,etc, is very effective and more flexible.

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Cooper, Steven H. "The Limit of Intimacy and the Intimacy of Limit: Play and its Relation to the Bad Object." Journal of the American Psychoanalytic Association 70, no. 2 (2022): 241–61. http://dx.doi.org/10.1177/00030651221097722.

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Attachment to the bad object has remained a durable, undertheorized clinical problem. With an extended clinical example, the experience of limit, in both patient and analyst, is examined as part of a dense undercurrent in the relationship, including transference, that gives rise to shifts in understanding the attachment to an unsatisfying internal object. Importantly, the patient’s and the analyst’s experiences of limit are “in play” during the process of changes in the patient’s attachment to the bad object. The relation of patient and analyst to the patient’s internal objects, including bad

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5

Flores, Roberto. "Narration and the experience of history." Semiotica 2017, no. 219 (2017): 511–28. http://dx.doi.org/10.1515/sem-2017-0068.

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AbstractFor a long time, history has been conceived as a textual fact, whether as positive knowledge of the past, reported in chronicles and original sources, or through acknowledgment of its textual basis, assumed as historiography, as narrative history. In either case, the text appears as the source and goal of knowledge, and has assumed the nature of an immutable monument, an invariable object of reference and information. These texts are limited to constituting a regulatory storehouse of knowledge, a mere object of appropriation. In contrast, we can consider history not just as knowledge e

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6

Öner, Senem. "Foucault’s analysis of subjectivity and the question of philosophizing with words or things." International Journal of Human Sciences 13, no. 1 (2016): 479. http://dx.doi.org/10.14687/ijhs.v13i1.3493.

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<p>This article examines how Foucault analyzes subjectivity within the frame of his approach concerning power and discourse, and the concepts of archaeology and problematization as all discursive and non-discursive practices that constitute the subject and subjective experience. The article investigates the philosophical and political implications occurring as a result of Foucault’s rejection of the idea of natural, ahistorical, founding and constituting subject at the outset and his emphasis on the history of the constitution of subjectivity, i. e. the very historicity and historical si

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7

Budz, Andrii. "MAX SCHELER’S PHENOMENOLOGY OF EXPERIENCE OF VALUES AND THE FUNCTIONING OF WORLDVIEW." Scientific Journal of Polonia University 67, no. 6 (2025): 180–89. https://doi.org/10.23856/6724.

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The concept of the phenomenology of the experience of values in the views of Max Scheler in its connection with the functioning of the worldview is investigated in the article. It is established that values are based on the phenomenology of the experience of values. On the basis of the phenomenological axiology of Max Scheler, it is shown that the phenomenology of the experience of values is a reliable criterion for structuring and constituting values in the worldview. The phenomenology of the experience of values is also the foundation of the involvement of objects in the system of worldview

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8

Cavallaro, Marco. "Towards a Phenomenological Analysis of Fictional Emotions." Phainomenon 29, no. 1 (2019): 57–81. http://dx.doi.org/10.2478/phainomenon-2019-0004.

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Abstract What are fictional emotions and what has phenomenology to say about them? This paper argues that the experience of fictional emotions entails a splitting of the subject between a real and a phantasy ego. The real ego is the ego that imagines something; the phantasy ego is the ego that is necessarily co-posited by any experience of imagining something. Fictional emotions are phantasy emotions of the phantasy ego. The intentional structure of fictional emotions, the nature of their fictional object, as well as the process of constituting the phantasy ego in representificational acts of

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Krokos, Jan. "THE THREE DIMENSIONS OF INTENTIONALITY." Studia Philosophiae Christianae 56, S1 (2020): 107–21. http://dx.doi.org/10.21697/spch.2020.56.s1.07.

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The issue of intentionality was posed anew in philosophy by Franz Brentano. However, it was Brentano himself who indicated that the source of intentionality-related problems dates back to Classical Antiquity and the Middle Ages. The search for the original traces of this issue in the history of philosophy has led me to conclude that intentionality as an inalienable characteristic of consciousness is characterized by three-dimensionality, which is expressed in theoria, praxis and poiesis. Contemporary research focuses primarily on cognitive intentionality, examining in particular either the ver

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10

McQuire, Scott. "One map to rule them all? Google Maps as digital technical object." Communication and the Public 4, no. 2 (2019): 150–65. http://dx.doi.org/10.1177/2057047319850192.

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Since its launch in 2005, Google Maps has been at the forefront of redefining how mapping and positionality function in the context of a globalizing digital economy. It has become a key socio-technical ‘artefact’ helping to reconfigure the nexus between technology and spatial experience in the 21st century. In this essay, I will trace Google’s evolving strategy in the mapping space. I will argue that the evolution of Google Maps exemplifies way in which a contemporary digital platform ‘succeeds’ by becoming embedded as a foundational resource for a variety of other uses and services. At one le

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Plebanek, O. V. "Human Sciences: Another Experience of Substantiating Socio-Humanitarian Knowledge." Discourse 9, no. 3 (2023): 5–17. http://dx.doi.org/10.32603/2412-8562-2023-9-3-5-17.

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Introduction. The article raises the problem of methodological foundations of sociohumanitarian knowledge. The opinion that has been established since the constitution of the social and humanitarian sciences that there are fundamental differences in the methodology of natural science and socio-humanitarian knowledge has become perceived as an axiom. This situation did not contribute to the creation of an adequate theory capable of sufficiently implementing the explanatory and predictive functions of science in this area.Methodology and sources. Obstacles to the creation of an adequate methodol

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Hoeppner, Till. "On the Original Content of Kant’s Categories: Metametaphysics, the Analysis of the Understanding in the Synthesis of Experience, and the Discovery of the Metaphysical Concepts of an Object in General." Revue roumaine de philosophie 68, no. 2 (2024): 319–54. https://doi.org/10.59277/rrp.2024.68.2.05.

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In the Critique of Pure Reason, Kant develops a metametaphysical view concerning the domain and source of a distinctively metaphysical cognition of objects of experience, which is given in terms of an analysis of our representational capacity for thought, namely, the understanding, regarding its sub-capacities and their constitutive abilities and acts. In the Analytic of Concepts, more precisely, in the Metaphysical and Subjective Deductions of the Categories, Kant develops an elaborate account of the content and formation of those metaphysical concepts of an object in general through which th

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13

Verbivska, H. O. "AESTHETICAL EXPERIENCE AS PATHOLOGICAL DISCOURSES OF ABJECTION AND MELANCHOLIA IN THE BEKSINSKI' ART." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 55–59. http://dx.doi.org/10.17721/ucs.2020.1(6).12.

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This article tackles the issue of aesthetic experience from the pathologized everyday discourse viewpoint in the system of relations between I and symbolic order, where transgressed and close to symbolic death I is predominant. The stage, in which I, crossing the symbolic borders, stay readable, appears to be the process of continuous constituting the aesthetic experience and its transforming into the primordial a priori structure of everyday discourse. The problem lies deeply in the preserving of evanescent borders which are said to exist in the cultural palpability and simultaneously to be e

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Alperson, Philip. "Extension, Variability, and Normativity: Deniz Peters on Musical Experience." Empirical Musicology Review 10, no. 1-2 (2015): 16. http://dx.doi.org/10.18061/emr.v10i1-2.4575.

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In his essay, &ldquo;Musical Empathy, Emotional Co-Constitution, and the &lsquo;Musical Other,&rsquo;&rdquo; Deniz Peters aims to present a non-reductive account of musical empathy in musical experience that takes seriously the contributions of bodily experience through what he terms &ldquo;emotional co-constitution.&rdquo;&nbsp; I set Peters&rsquo; view in the context of what I call the Structural Object Model of musical experience and elaborate on some of the challenges Peters&rsquo; essay raises for both theoretical and empirical research on musical exper

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15

Miranda Justo, José M. "Os Faróis dos Automóveis." Philosophica: International Journal for the History of Philosophy 10, no. 19 (2002): 27–41. http://dx.doi.org/10.5840/philosophica20021019/203.

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«The head-lights of your car are there not to show you the way but rather to make you be seen...» The non-empirical, foundational relevance of such a proposition is used as an instructive analogon for the following discussion. It seems theoretically inconsistent to assume that we have aesthetical objects on one hand and on the other, in parallel with those objects or after them, discoursive occurrences legitimating those objects. In Order to give a brief outline of the intimate relation between aesthetical experience and human language this paper argues (1.) that language is not primarily a me

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Theodorou, Panos. "A Solution to the ‘paradoxical’ Relation between Lifeworld and Science in Husserl." Phänomenologische Forschungen 2010, no. 1 (2010): 143–66. http://dx.doi.org/10.28937/1000107835.

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In this paper I deal with the problem of how Husserl can coherently claim that life-world is both (1) the founding presupposition of science and (2) a whole that has science as its part. The approach suggested here is based on Husserl’s ideas regarding multi-layered transcendental intentional constitution of correlative noemata. In our intentional correlations we experience objectities in their appropriate horizons of co-givenness. Both the objectities and their horizons are multi-layered structures containing a core of primordial, perceptual, pre-thematic givenness and a series of historicall

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17

Charrington, Harry. "Not a locked box: the everyday art of the Aalto atelier." Architectural Research Quarterly 14, no. 3 (2010): 255–66. http://dx.doi.org/10.1017/s1359135510001016.

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The schism between our admiration of the artefacts of the great architectural practices of the twentieth century, and our lack of knowledge as to how those achievements were manifest, is one of the most enduring characteristics of modern architecture. Modern architectural practice and its sustaining historiography has typically focused on the image of the designed object at the expense of the skills and conditions that shaped it; a focus on reputation rather than comprehension. Indeed those constituting contingencies of design are more often seen as obstructing the architectural vision and tru

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18

Riddell, Alistair. "Data Culture Generation: After Content, Process as Aesthetic." Leonardo 34, no. 4 (2001): 337–43. http://dx.doi.org/10.1162/00240940152549294.

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The concepts of process and data, inherent in the technology of contemporary music, are contributing to a new musical practice and aesthetic. The role of technology in musical production has cast music into data (a tangible entity, commodity or product) and thus made data a kind of cultural object itself in certain contexts (LPs, CDs, MP3 files). This condition suggests that a rethinking/transformation of contemporary audio arts based on process is taking place. Increasingly, sound may be only one of several simultaneous and expressive components constituting a cultural experience. Here proces

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19

VASSILEV, CHRISTIAN. "THE PHENOMENON OF MUSICAL IDENTIFICATION. A VIEW FROM HEIDEGGER’S EARLY PHENOMENOLOGY." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 11, no. 2 (2022): 584–606. http://dx.doi.org/10.21638/2226-5260-2022-11-2-584-606.

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The starting point of the following article are statements by various prominent musical performers of the 20th century who have testified to the life-experience of musical identification, i.e. the experience of unity and oneness with music. The purpose of the article is to explore the phenomenological implications of this experience on the basis of Martin Heidegger’s early phenomenological work. The article compares Heidegger’s early view of phenomenal givenness with that of Edmund Husserl. While Husserl sees phenomenal givenness as constituted by (transcendental) consciousness, Heidegger find

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20

Draskic-Vicanovic, Iva. "Aesthetics as analysis of mind experience." Filozofija i drustvo 26, no. 3 (2015): 617–28. http://dx.doi.org/10.2298/fid1503617d.

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The paper presents an at tempt to shed light on causes and circum stances which brought about foundation of aesthetics in 18th century as discipline which analyzes mind experience. Author recognizes key importance of 17th century epistemology for constitution of modern aesthetics, principally idea of subjectivity, subject-object relation problem and new method - philosophical introspection. Special place in modern aesthetics, according to author, deserves aesthetic theory of Francis Hutcheson who defines beauty as phenomenal quality of subjective experience of human mind.

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Arbuz-Spatari, Olimpiada. "Art - Subject - Object in Artistic and Plastic Creativity of Pupils and Students in Artistic Education." Review of Artistic Education 18, no. 1 (2019): 233–40. http://dx.doi.org/10.2478/rae-2019-0025.

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Abstract The modernization of higher education in the field of plastic arts methodology, the improvement and development of the educational methodology, as well as the professional rise of the teachers are the key issues in raising the level of creativity of the future plastic art teachers in the context of the new requirements of artistic training. The volume of creative knowledge and skills varies from one person to another; it is our permanent intention to know and understand creativity, to demonstrate the laws of artistic and plastic creativity, to create a logical theory through which per

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22

Baronian, Marie-Aude. "Screenic fashion: horizontality, minimal materiality and manual operation." Journal of Visual Culture 19, no. 3 (2020): 378–90. http://dx.doi.org/10.1177/1470412920966012.

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Focusing on a one-minute ‘fashion film’ by the Dutch fashion designer Alexander van Slobbe for the retrospective exhibition on his work in Utrecht’s Centraal Museum in 2010, this article investigates the interconnectedness of film and fashion through their mutual concern with the processes of crafting and dressing. A close reading of Van Slobbe’s film highlights a current return to a minimal design aesthetic in both fashion and film that shows fashion as a process or as a ‘manual’ operation. This film goes beyond the portrait of a fashion designer, becoming a meditation on the material practic

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23

Weber, Ina Marie. "Der normierte Mensch. Eine Betrachtung hinsichtlich des Verhältnisses von Normalität und Objektivität aus dem Blickpunkt der husserlschen Phänomenologie / The Normalized Man. Reflexions on the Relationship between Normality and Objectivity from the Point of View of Husserlian Phenomenology." Gestalt Theory 39, no. 2-3 (2017): 263–79. http://dx.doi.org/10.1515/gth-2017-0019.

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Summary The human being as a constituted objectivity is a fragile ‘figure’ who lives in through their individual and shared experience. As a constituted objectivity, it influences our experiences, actions and the constitution of our community. Nevertheless, it appears to us, who actually constitute it, as a completely independent and immutable object, as a mere fact our experience has to comply with, and as a normative representation of the human being. This paper inquires - from a phenomenological point of view - about the structure that underlies the norm at work in our experience, as well a

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Tuzova, Tamara. "Kasdienė refleksija ir filosofo refleksijos radikalumas." Problemos 66, no. 1 (2014): 127–47. http://dx.doi.org/10.15388/problemos.2004.66.7250.

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The object of the investigation is the specificity of philosophical and everyday reflections, their interrelations. The author makes an attempt to reveal the invariant constitutive characteristics of the structure of the reflective space of philosophy, to define the sense of specific radicalism of philosophical reflection. The radicalism as effort and way to extend presence of us in one's own experience and as self-aware transformation of own experience which presuppose the unity of the factual and the due as possible (and necessary) for man is revealed. The variant of the “metaphysics of pres

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MENDL, Sebastián Eduardo. "El camino hacia una nueva antropología clínica: afectividad y corporalidad en la obra de erwin straus." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 26, no. 2 (2020): 189–98. http://dx.doi.org/10.18065/2020v26n2.6.

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From a hermeneutic reading of the phenomenological anthropology of Erwin Straus, current work seeks to explain the original meaning of affectivity and corporality, as constituting modalities of the relation between human existence and its world. On the first term, through a critical-historical reconsideration of certain propositions of scientific psychology and their philosophical foundations, the aim is to go back to the origin of human condition, deformed by interpretations founded on suppositions a priori, uncovering it. Precisely, opposite to current naturalistic psychology, fades off the

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Zhukov, Dmitry K. "K. Stanislavsky’s System and Husserl’s Phenomenology: the “Life World” in the Footlight." Bulletin of Liberal Arts University 12, no. 4 (2024): 138–48. https://doi.org/10.35853/vestnik.gu.2024.12-4.12.

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The actor’s situation on a stage, being “unnatural”– as K. Stanislavsky noted – which, in E. Husserl’s terms, necessitates the actor’s capacity to “bracket” the naivety inherent in the “natural attitude”. This case allows us to see in Stanislavsky’s “System” the analysis of the ways of constituting stage images as “phenomena”, from a phenomenological perspective. The first part of the article demonstrates how an actor trained in the Stanislavski school transforms an object, by analogy with the method of “purification” of immediate experiences in Husserl’s project to achieve “absolute” experien

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Zirk-Sadowski, Marek. "Obligation and Value in the Phenomenological Philosophy of Law (Edmund Husserl’s Works)." Acta Universitatis Lodziensis. Folia Iuridica 100 (March 29, 2023): 35–55. http://dx.doi.org/10.18778/0208-6069.100.04.

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Basing upon the two fundamental works of Edmund Husserl (Logische Untersuchungen and Idee) the author presents Husserl’s concepts of obligation and value according to the phenomenological reduction and the theory of the constitution of objects. Within the context of reduction the conclusions are: as according to Husserl the substance of normative sentences in valuation, the problems of obligation may be reduced to problems of valuation. The sense (Sinn) proves to be fundamental, prior to the existence. If anything should come to being in the ontological meaning it must become a moment of inten

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Wysocki, Adam. "Rozwój duchowy z perspektywy zagadnienia świadomości. Zarys problematyki." Filozofia Chrześcijańska 16 (December 15, 2019): 123–38. http://dx.doi.org/10.14746/fc.2019.16.7.

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The article focuses on the issue of spiritual development from the perspective of consciousness. The question of spiritual development exists in close connection with the concept of spirituality. The issue of consciousness can be reduced to three elements that make up a single act of consciousness: an empirical subject, complementing the object, and a non-act self-awareness, i.e. a non-empirical or proper subject. Self-awareness plays a key role in spiritual development in the fi eld of consciousness. The development of self-awareness should strive to reveal non-act self-awareness, but it has

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Coco, Marinella, Federica Di Pasquale, and Antonello Pellicano. "Knowledge over Time of Action Codes for Perceived Objects: An Exploratory Study on Developmental Children." Brain Sciences 14, no. 9 (2024): 854. http://dx.doi.org/10.3390/brainsci14090854.

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Over the past 20 years, there has been a growing interest in the processing of tool objects, and in the spatial S-R correspondence effects obtained with pictures of manipulable objects. Beyond the original affordance activation account, a location coding account has been proposed for such behavioral effects, which states that the location of the visually salient portion of an object speeds up spatially aligned motor responses and slows down misaligned ones. Furthermore, an additional action coding account has been proposed, according to which it is the direction of the action of the perceived

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Курьянович, Анна Владимировна, and Синхуа Ван. "Cultural code of a modern regional city: An experience of discourse description (based on street art objects in Tomsk)." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 3(41) (September 20, 2024): 117–37. http://dx.doi.org/10.23951/2312-7899-2024-3-117-137.

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Рассматривается функциональный потенциал объектов современного стрит-арта как средства ретрансляции социально значимых ценностных смыслов, что представляется актуальным для изучения своеобразия национальной картины мира в рамках таких областей гуманитаристики, как лингвосемиотика, лингвокультурология, лингвистическая антропология, лингвоконцептология, филологическая урбанистика. Цель работы ‒ исследовать арт-объекты, присутствующие в городском пространстве в качестве урботекстов ‒ поликодовых произведений искусства, с точки зрения участия в создании культурного кода города и средства формирова

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Lobato, Rafael Henrique Pimentel, and Ladyana Dos Santos Lobato. "O EXÍLIO NAS PRODUÇÕES CINEMATOGRÁFICAS BRASILEIRAS: UMA ANÁLISE DO FILME DIÁRIO DE UMA BUSCA, DE FLÁVIA CASTRO." Narrares Journal 2, no. 1 (2024): 143. http://dx.doi.org/10.18542/narraresj.v2i1.16558.

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This work analyzes aspects relating to the experience of exile experienced by political activists persecuted during the Military Dictatorship, which occurred in Brazil, from 1964 to 1985,and the reflections of this experience in Brazilian cinematographic productions. To do this, we took as our object of study the film Diary of a Quest, released in Brazil in 2010, directed and starring Flávia Castro, daughter of Celso Castro, a militant found dead inside the apartment of a former Nazi officer in 1984. In this way, we work with Cinema and Dictatorship and their relationship with the concepts of

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Pańpuch, Zbigniew. "The Body-Organism Difference as a Bridge between Particular Sciences and Philosophy in Understanding Human Person." Roczniki Kulturoznawcze 13, no. 1 (2022): 41–51. http://dx.doi.org/10.18290/rkult22131.3.

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The article copes with a plurality of sciences in general and focuses in the human-related sciences, which present different cognitive results. There is difficult to co-ordinate them because of the difference in methods, aims and formal objects of sciences, whereas the material object of various sciences - the real man exists as the only subject, with a definite and clearly determined substance. In a consequence, they produce different concepts of man. Is it possible to co-ordinate or to reconcile these various information about human being, especially these from particular sciences with the p

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Meer, Rudolf. "Transzendentalphilosophie als kritische Bestimmung des Standpunkts. Eine wissenschaftstheoretische Annäherung." Kantian journal 40, no. 1 (2021): 7–50. http://dx.doi.org/10.5922/0207-6918-2021-1-1.

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Both the categories and principles of understanding as well as the ideas and principles of reason build transcendental elements to conceive transcendental philosophy as a philosophical system. Accordingly, in addition to the “Transcendental Analytic”, Kant develops in the “Transcendental Dialectic” an expanded concept of the transcendental. The transcendental ideas do not denote object-constitutive principles but, in a weaker sense, conditions of the possibility of experience. The relation between Division One and Division Two of the “Doctrine of Elements” can be demonstrated exemplarily with

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Macrì, Saverio. "Individuation, Art and Interactivity Starting with Gilbert Simondon." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 15, no. 1 (2022): 161–71. http://dx.doi.org/10.36253/aisthesis-13203.

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The aim of the article is to show the fruitfulness of Gilbert Simondon’s theory of individuation as a tool for analysing the aesthetic-artistic experience made possible by new technologies. Interactivity is the category to qualify those works based on computer systems whose form is determined by the intervention of the user or by signals coming from the environment. The reflection under the profile of aesthetics has long since begun to reckon with Simondon’s thought, developing his analyses on the mode of existence of technical objects. Here we intend rather to show how the concepts and expres

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Gavendová, Oľga. "Náboženská skúsenosť a viera v živote človeka podľa Romana Guardiniho." Verba Theologica 22, no. 1 (2023): 112–26. http://dx.doi.org/10.54937/vt.2023.22.1.112-126.

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The study examines the role of religious experience and faith in a human life. It draws primarily upon the thought of Romano Guardini. The aim is to find the reason why, despite the secularization efforts in recent decades, we observe a return to spirituality and to religious experience. The starting point is the human being and its constitutive openness to something transcendent, to the sacrum, which enables him to live a religious experience. Then the study pays attention to the sources, subject and object of religious experience. The last section deals with the status and importance of reve

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Takács, Ádám. "Intentionality and objectification: Husserl and Simmel on the cognitive and social conditions of experience." Filozofija i drustvo 25, no. 2 (2014): 42–55. http://dx.doi.org/10.2298/fid1402042t.

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Husserl?s transcendental turn can be best regarded as a turn in his phenomenological models of intentionality. While in the Logical Investigations, he maintains a conception according to which intentionality is a structure of cognitive directedness in which objectification plays a formative role, in his later works the intentional relation is considered as a structure of consciousness founded on a sphere of purely subjective interiority. This paper 42 argues that if Husserl had extended the scope of his early phenomenological research to the problems of object formation in the domain of histor

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O.P, REV FR Joseph T. Ekong,. "A Contrastive Analysis of Descartes’ Methodic Doubt and Husserl’s Transcendental Phenomenology." Journal of Advances in Education and Philosophy 6, no. 9 (2022): 455–62. http://dx.doi.org/10.36348/jaep.2022.v06i09.003.

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This work is expository, analytic, critical and evaluative in its methodology. Admittedly, both thinkers were dualists. But, where Descartes turned out to be a dualist in the stronger sense, Husserl had brought the Ego closer to the objects it perceives, constituting them through intentionality. More specifically, through h the intertwinement between the intentional act and the intentional object. The goal of Descartes’ method was to arrive at an inconcussum quid, at something which cannot be subjected to doubt: his own existence as a thinking substance, in addition to the proof(s) of the exis

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Ramalho, N. D., I. Lopes, T. Rocha, et al. "The Reductions in Phenomenology - A Comparison Across Main Authors." European Psychiatry 67, S1 (2024): S661. http://dx.doi.org/10.1192/j.eurpsy.2024.1372.

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IntroductionPhenomenology is one of the fundamental tools in the clinical practice of psychiatrists, constituting one of the touchstones regarding the diagnostic framework in which clinicians navigate.For Husserl, Phenomenology provided access to the structure of pure consciousness, experience and existence. These are conditions of possibility for the object of Psychiatry, ontologically prior to it. Thus, clarification of the object and method of Phenomenology is preliminary to understanding the object of Psychiatry.Phenomenology, being a direct tributary of Philosophy, evolves dialectically,

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Shtefan, Anna. "Objects generated by a computer program (artificial intelligence) without direct human intervention: the world’s first experience of legal protection." Theory and Practice of Intellectual Property, no. 1-2 (March 27, 2025): 75–85. https://doi.org/10.33731/1-22023.277227.

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On January 1, 2023, the new Law of Ukraine on Copyright and Related Rights came into force. Art. 33 of the Law provides for the sui generis right to objects generated by a computer program without direct human participation. Thus, Ukraine is the first country in the world to directly protect such objects through a specially developed legal regime.The sui generis right to objects generated by a computer program without direct human participation is essentially a regime of full-fledged property copyright that differs only in the shorter term of validity. The analysis of the provisions of Art. 33

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Stanghellini, G. "Abnormal time experience, bizarre delusions and verbal-acoustic hallucinations in schizophrenia." European Psychiatry 33, S1 (2016): S32. http://dx.doi.org/10.1016/j.eurpsy.2016.01.860.

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The integrity of time consciousness is the condition of possibility of the identity through time of an object of perception as well as of the person who perceives it. I will present our findings about abnormal time experience (ATE) in people with schizophrenia. These data may support the following hypothesis: if the continuity of temporal experience disintegrates (of which ATE are experiential manifestations), overarching meaningful units are no longer available, thereby creating temporal gaps, e.g., in one's stream of consciousness. In some cases, thoughts that are no longer experienced as em

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Remijn, Gerard B., Tatsuya Yoshizawa, and Hiroaki Yano. "Streaming, Bouncing, and Rotation: The Polka Dance Stimulus." i-Perception 9, no. 4 (2018): 204166951877725. http://dx.doi.org/10.1177/2041669518777259.

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When the objects in a typical stream-bounce stimulus are made to rotate on a circular trajectory, not two but four percepts can be observed: streaming, bouncing, clockwise rotation, and counterclockwise rotation, often with spontaneous reversals between them. When streaming or bouncing is perceived, the objects seem to move on individual, opposite trajectories. When rotation is perceived, however, the objects seem to move in unison on the same circular trajectory, as if constituting the edges of a virtual pane that pivots around its axis. We called this stimulus the Polka Dance stimulus. Exper

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Nagaratha, Annappa. "Cybercrime Regulation through Laws and Strategies: A Glimpse into the Indian Experience." International Journal of Digital Law 1, no. 1 (2020): 53–64. http://dx.doi.org/10.47975/digital.law.vol.1.n.1.p.53-64.

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Cybercrimes in India is increasing at an alarming rate. Though various legal provisions under the conventional criminal laws including form the Indian Penal Code, could be used to regulate the cybercrimes, yet the changing nature of these crimes necessitated adoption of a new law framework. Thus, the Indian Information Technology Act was enacted in 2000 but seldom could regulate cybercrimes since it focused on promoting and facilitating e-commerce and e-governance. This Act underwent amendment in 2008 to accommodate provisions essential to regulate cybercrimes as well as protect data and priva

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Nagarathna, Annappa. "Cybercrime Regulation through Laws and Strategies: A Glimpse into the Indian Experience." International Journal of Digital Law 1, no. 1 (2020): 53–64. http://dx.doi.org/10.47975/ijdl/1nagarathna.

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Cybercrimes in India is increasing at an alarming rate. Though various legal provisions under the conventional criminal laws including form the Indian Penal Code, could be used to regulate the cybercrimes, yet the changing nature of these crimes necessitated adoption of a new law framework. Thus, the Indian Information Technology Act was enacted in 2000 but seldom could regulate cybercrimes since it focused on promoting and facilitating e-commerce and e-governance. This Act underwent amendment in 2008 to accommodate provisions essential to regulate cybercrimes as well as protect data and priva

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Petrov, Aleksei A. "Law enforcement practice as an object of constitutional judicial assessment in the Russian Federation: Background, experience, problems." Vestnik of Saint Petersburg University. Law 14, no. 3 (2023): 668–85. http://dx.doi.org/10.21638/spbu14.2023.307.

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Turning to law enforcement practice has been and remains an important component of the activities of the Russian Constitutional Court. At the first stage of the history of the Russian judicial constitutional control — during the period of the Constitution (Basic Law) of the Russian Federation — Russia of 1978 and the RSFSR Law of July 12, 1991 No. 1599-I “On the Constitutional Court of the RSFSR” — consideration of cases on checking the constitutionality of law enforcement practice was separate authority of the Constitutional Court. In these conditions, law enforcement practice was the direct

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JÁUREGUI, Claudia. "Pushing the boundaries: Kant and the indirectcontribution of aesthetic ideas to the broadening ofknowledge." Estudos Kantianos [EK] 12, no. 1 (2024): 135. http://dx.doi.org/10.36311/2318-0501/2024.v12n1.p135.

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In this work, we intend to demonstrate that the aesthetic ideas, which Kant speaks about in the context of the analysis of the characteristics of beautiful art that he carries out in the Critique of the Faculty of Judgment, collaborate, in some way, in the flexibility of the limits that our capacity to know presents. Although these ideas are intuitive representations that do not have a cognitive function, they nevertheless give rise, in our opinion, to indirect cognitive effects that expand our knowledge in a double sense: on the one hand, they make sensible, in some way, the ideas of the reas

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Zottoli, Davide. "Intentionality and Inner Awareness." Phenomenology & Mind 22 (2022): 68. http://dx.doi.org/10.17454/pam-2205.

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The contemporary discussion on the subjective character of conscious experience is characterized by a stark contrast between higher-order intentionalism, according to which any state of awareness depends on the instantiation of intentional properties by mental states, and anti-intentionalism, according to which the inner awareness constitutive of subjective experience is fundamentally different from ordinary instances of external or introspective awareness, in that one’s experience is not given to the subject as an ordinary intentional object. The purpose of this paper is to outline the most f

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Boyd, Brenton. "A Queer Visitation." liquid blackness 6, no. 2 (2022): 16–35. http://dx.doi.org/10.1215/26923874-9930273.

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Abstract This article meditates on black unbelonging as the haunting impasse reached when attempting to wrest a phenomenological account of black life amid perpetual black death. It seeks to expose the calculated dislocation of black modes of being, embodiment, and sensation from hegemonic categories of experience that serve to capture, to surveil, and to leave Blacks in a state of “constitutive discomfort.” Rather than merely signifying non-ontology, alienation, or racialization, black unbelonging further allegorizes self-possession and originary constitution as haunting the interpellative pr

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Khandu, Lekey, Kinley Kinley, Yonten Choki Norbu, et al. "Population size estimation of transgender women and men in Bhutan." PLOS ONE 17, no. 10 (2022): e0271853. http://dx.doi.org/10.1371/journal.pone.0271853.

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Introduction Transgender persons experience health disparities and are marginalized in many societies worldwide. Even their numbers are unknown in many countries. We conducted the first effort to estimate the population size of transgender women (TGW) and transgender men (TGM) in Bhutan from November 2019 to January 2020. Methods Community-based surveys of TGW and TGM integrated several methods to estimate the size of hidden populations, including key informant mapping, wisdom-of-the-crowd, the service multiplier, and the unique object multiplier. Results of the several methods were synthesize

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Gáti, Daniella. "Poems as Specters: Revenant Longing for Roots in Jean Toomer’s Cane." aspeers: emerging voices in american studies 7 (2014): 17–39. http://dx.doi.org/10.54465/aspeers.07-03.

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This article investigates the subliminal anxiety concerning African American identity and origin developed by the poems in Jean Toomer’s Cane. Drawing on Jacques Derrida’s concept of the specter, I argue that these poems act as specters in that they enact and embody the South as a harmonious African American land of origin while simultaneously negating the possibility of its present or past existence. In doing so, the poems reframe African American longing for a point of origin into a haunting, anxious but impossible desire. Predicated on absence, the longed-for South (re)emerges as a sensual

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Mittelberg, Irene. "Peirce’s universal categories: On their potential for gesture theory and multimodal analysis." Semiotica 2019, no. 228 (2019): 193–222. http://dx.doi.org/10.1515/sem-2018-0090.

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AbstractThis paper presents an account of how Peirce’s Universal Categories (UCs) of perception and experience may, as heuristic principles, inform gesture theory and multimodal analysis. Peirce’s UCs – Firstness (possibility), Secondness (actuality), and Thirdness (law, habit) – constitute the core of his phenomenology and thus also the foundation of his triadic semiotics. I argue that compared to the basic sign-object relations icon, index, symbol mainly used in previous gesture research, the more fundamental UCs allow one to discern additional facets of how coverbal gestures act as signs. T

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