Relevant bibliographies by topics / Constructions (sculpture)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Constructions (sculpture)'

Author: Grafiati
Published: 11 December 2022
Last updated: 30 July 2025

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Journal articles on the topic "Constructions (sculpture)"

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Dhammaloka, Jambugahapitiye. "Mathematical Background of Traditional Iconometry: Some Observations with reference to Sanskrit <em>Śilpa</em> Texts Written in Sri Lanka." Anveṣaṇā 15, no. 1 (2024): 1–25. http://dx.doi.org/10.4038/anvesana.v15i1.1.

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Mathematics and the science of construction (vāstuśāstra) developed side by side in India for many centuries. Mathematics is an indispensable part of any type of formal construction and sculpture is not an exception. Though sculpture is a visual art form, the science and technology of construction of statues were not alien to Indians even in ancient time. The śilpa literature in Sanskrit attest to the fact that ancient sculpture originated and evolved in a relatively advanced mathematical background and that the inventors of this body of knowledge knew relevant mathematical rules, theorems, an
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Kroiz, Lauren. "Harold Cousins’s Plaiton Sculpture." Nka Journal of Contemporary African Art 2022, no. 51 (2022): 6–20. http://dx.doi.org/10.1215/10757163-10127111.

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In 1971, Harold Cousins published an essay explaining the sculptures that he had begun creating in the mid-1950s, following his relocation in October 1949 from New York to Paris. Cousins described his series named Plaiton, his own neologism combining the English word plate with the French word laiton (brass). This linguistic combination paralleled Cousins’s description of himself as a “sculptor-welder,” a practice that grew from experiments in oxyacetylene welding while studying in Paris with funding from the GI Bill. Providing the first scholarly analysis of sculptor Cousins’s rich career, th
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Liu, Zhe, Pieter Uyttenhove, and Xin Zheng. "Moving Urban Sculptures towards Sustainability: The Urban Sculpture Planning System in China." Sustainability 10, no. 12 (2018): 4802. http://dx.doi.org/10.3390/su10124802.

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Following the continuous development characterized by large-scale constructions, Chinese urban development has shifted to the promotion of refined urban space quality. Urban sculpture, an important part of public arts, has been receiving increased attention in China as an important carrier for highlighting urban characteristics, culture, and history within cultural policies. As a type of cultural capital, it offers innovative methods to address the issues of economic, social, and environmental sustainability, in particular cultural sustainability. Interdisciplinary theories of urban planning a
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Шишин, М. Ю., and Д. Е. Онуфриенко. "The oeuvre of Sanzhi-Tsybik Tsybikov: experience in iconometric research." Iskusstvo Evrazii [The Art of Eurasia], no. 3(30) (September 30, 2023): 246–63. http://dx.doi.org/10.46748/arteuras.2023.03.017.

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Статья посвящена наследию бурятского художника-скульптора, архитектора, религиозного мыслителя Санжи-Цыбик Цыбикова (1877–1934). Рассматриваются основные темы, символы, художественные приемы и техники, используемые мастером в его произведениях, предоставлен анализ некоторых его наиболее значимых работ. Применяется междисциплинарный методологический подход, объединяющий иконометрию, иконологию, формально-стилистический и семантический методы. Показано, что иконометрия, являясь важнейшим композиционно-символическим методом в буддийской скульптуре, открывает возможности нового анализа и интерпрет
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Kean, Hilda. "An Exploration of the Sculptures of Greyfriars Bobby, Edinburgh, Scotland, and the Brown Dog, Battersea, South London, England." Society & Animals 11, no. 4 (2003): 353–73. http://dx.doi.org/10.1163/156853003322796082.

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AbstractThis article analyzes the sculptural depiction of two nonhuman animals, Greyfriars Bobby in Edinburgh, Scotland and the Brown Dog in Battersea, South London, England. It explores the ways in which both these cultural depictions transgress the norm of nineteenth century dog sculpture. It also raises questions about the nature of these constructions and the way in which the memorials became incorporated within particular human political spaces. The article concludes by analyzing the modern "replacement" of the destroyed early twentieth century statue of the Brown Dog and suggests that th
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Tsarinniy, I. V. "CREATIVE PURSUITS IN THE SCULPTURES OF LEV GOLOVNITSKIY." Bulletin of the South Ural State University Series «Social Sciences аnd the Humanities» 23, no. 2 (2023): 82–88. http://dx.doi.org/10.14529/ssh230210.

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The article analyzes the formal stylistic characteristics of the easel works of the National Artist of the Russian Federation, academic, Lev Nikolavich Golovnitskiy (1929–1994). Our study allowed us to identify the variations in the sculptor’s compositional genius reflected in the easel art genre. This field was not subject to political and ideological biases, allowing artists to experiment with form and sculpture. We noted a constant cycle of themes characteristic of Golovnitskiy: vast human and civilian themes, heroic deeds and events of the time. We analyzed easel works stored in Russian mu
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Best, Susan. "Elemental constructions: women artists and sculpture in the expanded field." Australian and New Zealand Journal of Art 1, no. 2 (2000): 147–62. http://dx.doi.org/10.1080/14434318.2000.11432674.

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Khattri, Om. "Art in nature: Shifting trends in Nepali sculpture." Journal of Fine Arts Campus 3, no. 1 (2021): 35–43. http://dx.doi.org/10.3126/jfac.v3i1.42494.

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Art has its environment and meaning, and it can exist free from a pedestal. Different approaches have sprung up with current environmental impacts, including other outdoor sculptures in Nepal as a modern movement. This form of activity has given new meaning to local indigenous values, art, and crafts. The transition started after some naturalistic sculptures, including equestrian statues, were brought from Europe and installed in the open environment. Environmental sculpture is a type of public art that creates or changes the spectators' surroundings. Nepalese sculptors have practiced a new ge
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Costa, Antônio Gilberto. "Stone Materials, Constructions Techniques and Alterations in Historic Buildings: Examples from Minas Gerais, in Brazil and from the Braga and Viseu Districts in Portugal." Key Engineering Materials 548 (April 2013): 336–47. http://dx.doi.org/10.4028/www.scientific.net/kem.548.336.

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The use of stone materials in constructions and in the art of sculpture in Brazil, as well as the related constructions techniques employed, was strongly influenced by Portugal between the mid-sixteenth century and the early nineteenth century. One of those techniques consisted of erecting the whole constructions using stone materials, without the use of mortar, by solely juxtaposing smaller and larger stones. Some remaining buildings and descriptions dating back to the beginning of the twentieth century, involving the use of carved stone in “mineiro” – or Minas Gerais – constructions, known a
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Seure, Marion. "Maçons, Imagiers, Maçons-Imagiers, Quelques exemples normands de polyvalence au xvie siècle." digitAR - Revista Digital de Arqueologia, Arquitectura e Artes, no. 7 (December 28, 2020): 20–33. http://dx.doi.org/10.14195/2182-844x_7_2.

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L’étude des productions de Jean de Rouen, tantôt qualifié d’«ymaginador», tantôt d’«architecto», révèle que sculpture et architecture sont indissociables dans son oeuvre. Pour éclairer la manière dont il a exercé ces deux talents sur les chantiers qu’il a dirigés ou auxquels il a participé, cet article propose un examen des constructions normandes de la première moitié du XVIe siècle les mieux documentées. En effet, les archives étudiées éclaircissent la répartition des rôles entre maçons, tailleurs de pierre ou tailleurs d’images, tout en révélant la polyvalence de certains artistes. Cette po
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Dissertations / Theses on the topic "Constructions (sculpture)"

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Relin, Lois. "La sculpture assemblée en France de 1880-1918 : de la sculpture traditionnelle aux constructions cubistes." Paris 1, 1987. http://www.theses.fr/1987PA010574.

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Relin, Lois. "La Sculpture assemblée en France de 1880-1918 de la sculpture traditionnelle aux constructions cubistes /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376092619.

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Caverly, Brian. "PERPETUAL NOVELTY." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1237.

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Within this thesis is a mapping out of the processes, concepts, and influences, behind the sculptural practice of Brian Caverly. From Complex Adaptive Systems to the world of order of Michel Foucault to the reexamination of the Modernist movement by Yve Alain Bois and Rosalind Krauss, a rhizomatic path of connections and lines form and cross over, weaving together into a swarming mayhem of over population. Out of this chaos and order grow complex installations and constructions that are inherently bound by the system of their making, yet attempt at every turn to escape conformity.
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Valero, Thomas. "Les Cendres et la flamme" : constructions et reconstructions des mémoires jaurésiennes en France, 1914-2019." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30101.

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De son assassinat au centenaire commémorant le grand tribun socialiste, Jaurès n’a cessé de faire l’objet de récupérations et d’une multitude de discours. Les propos et les images de Jaurès oscillent en fonction des situations. Pourtant, ces dernières conservent en elles leur somme de continuités, de ruptures et de recompositions. Jaurès socialiste critiqué par les nationalistes désireux de le voir mort mais qui le récupèrent à l’occasion des élections présidentielles de 2002. La droite d’abord hésitante à se saisir de l’image et des propos d’un « révolutionnaire » va employer son image de gra
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Smal, Eugene. "Automated brick sculpture construction." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019/1621.

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Kuhn, C., and Lange R. W. De. "Haptic modality : an inscribed systemic user "construction" approach to sculpture." Journal for New Generation Sciences, Vol 8, Issue 2: Central University of Technology, Free State, Bloemfontein, 2010. http://hdl.handle.net/11462/560.

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Published Article<br>This paper outlines a haptic "construction" system as means of navigating an interactive design approach to sculpture. A user system applicable to haptic generated form is sought after by way of exploring 'construction' as 3-D modality comprised of an interrelated synthesized system. The paper schematically outlines technological and sensory user 'construction' modalities as elements towards an expanded 'synthesis', 'construction' and 'production' systemic structure as a way forward for haptic sculpting. 'Construction' modalities applied to the case study explore human and
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Jazayeri, Statira. "Sculptural Textiles : Exploring sculptural possibilities in woven textiles through construction and contrasting yarns." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11104.

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Sculptural Textiles is a material investigation exploring sculptural possibilities for machine woven textiles. Two important factors are yarn combinations and textile construction, and how these two together can result in fabrics that can be manipulated by hand into shapes and thus adaptable to various settings. The essence of this project is in the meeting between contrasts such as shiny-dull, elastic-stiff, transparent-opaque, natural and synthetic and how these meetings can create sculptural qualities. The project is aiming to create a range of sculptural textiles as well as being an explor
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Moro, Simonetta. "Re-constructing Babel : the history and creative possibilities of a myth, explored through text and installation." Thesis, University of Central Lancashire, 2003. http://clok.uclan.ac.uk/20904/.

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This thesis and related artwork examines the layers of meaning around the Tower of Babel and how the myth can be visually represented today. This thesis attempts to give new readings to the myth drawing on history, literature, philosophy and architectural writings while using multi-media visual experimentation to highlight the contemporary experience. The Tower of Babel acts as a generator of the creative process and provides a structural framework for the motivation of my creative practice. Throughout the written thesis the relationship between the myth and a possible contemporary reality is
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Johnson, Jeffrey R. "Transmittance device : a study and construction of an architectural installation." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/845989.

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The Transmittance Device was an architectural installation, constructed as an imposition upon a public evergreen hedge row. The premise behind this exploration was to exploit architecture as a sequence of dynamic human experiences, creating an event or incident. The intention was to initiate a human transfer or violation from one side of a presumed boundary or barrier, to the opposite side. The boundary or barrier metaphorically represented the inherent characteristics human's possess, concerning abidement and conformity, within their normalities of regulated habit.The evolution process includ
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Halldórsdóttir, Helga Lára. "CORNERED COMPOSITIONS : EXPLORING the CORNER of a ROOM as a METHOD of GARMENT CONSTRUCTION." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14907.

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This work began as an exploration of the spatial qualities of awkwardness. It eventually evolved into a fixation on the three planes within the corner of a room, representing the safe haven for an awkward individual. The corner has successfully demonstrated the relationship between body, space and garment as a concept. Furthermore, the corner has proved to function as the ultimate tool for creating a sculpture with the integrated body. The motive of this work is to spark interest and to provide an alternative criteria for what can be categorised as a sculpture. This new criteria represents fun
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Books on the topic "Constructions (sculpture)"

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Craig, Maybery-Thomas, ed. Fundamental building technology. 2nd ed. Routledge, 2013.

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Sasayama, Tadayasu. Tadayasu Sasayama exhibition: Slab constructions. Gallery White Art, 1996.

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FeBland, Harriet. Harriet FeBland: Constructions, paintings, drawings, monotypes. Agnes K. Haverly Foundation, 2009.

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Etrog, Sorel. Sorel Etrog: Painted constructions 1952-1960. Buschlen Mowatt Fine Arts Ltd., 2006.

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Geoffrey, Clarke. Geoffrey Clarke: Sculpture, constructions and works on paper 1949-2000. Fine Art Society, 2000.

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Sandback, Fred. Fred Sandback: Diagonal constructions, broken lines : Skulpturen und Zeichnungen. Kestner-Gesellschaft, 1987.

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Sandback, Fred. Fred Sandback: Diagonal constructions - broken lines : Skulpturen und Zeichungen : Kestner-Gesellschaft, Hannover, 20. Februar bis 21. April 1987. The Gallery, 1987.

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Etrog, Sorel. Sorel Etrog painted constructions 1952-60.: Sorel Etrog painted sculpture 1971-73. s.n., 1990.

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Pinacoteca comunale "Cesare Belossi" (Villa Soranzo, Italy), ed. Costruzioni della terra e dell'acqua: Modelli in legno di Michele De Lucchi = Constructions on earth and water : Michele De Lucchi's wooden models. Nomos, 2010.

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Laurens, Henri. Henri Laurens: Le cubisme, constructions et papiers collés, 1915-1919 : Centre Georges Pompidou, Musée national d'art moderne, Salle d'art graphique, 18 décembre 1985-16 février 1986 : [catalogue. Le Centre, 1985.

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Book chapters on the topic "Constructions (sculpture)"

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Corder, Kate. "Plant growth as transient or durational material constructing sculpture through time." In Skulptur und Zeit im 20. und 21. Jahrhundert. Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412506933-012.

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Signorini, Anna Eleanor. "Focus : Jules César et les sculptures dans les tableaux néoclassiques : ostentation d’une absence." In Jules César, construction d’une image de l’Antiquité à nos jours. Presses universitaires de Franche-Comté, 2024. https://doi.org/10.4000/139nv.

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Résumé : L’épopée césarienne est encadrée par des statues : la première d’Alexandre le Grand suscitant son ambition, tandis que la dernière de Pompée témoigne de sa disparition. Cet article explore l’importance accordée à la figure de Jules César dans les tableaux, souvent destinés aux cours princières européennes dans la période autour de la Révolution française. Ces sont des peintures qui évoquent la puissance des « dispositifs sculpturaux » pour articuler des discours politiques variés sur la monumentalité de César, qu’il soit vivant, mort ou statufié dans la mémoire collective.
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Cousquer, Vincent. "Les artisans de l’Œuvre Notre-Dame de Strasbourg, recherches et pratiques : l’exemple de la sculpture et l’évolution de ses principes de restauration." In Archéologie de la construction en Grand Est. Éditions de l’Université de Lorraine, 2021. https://doi.org/10.4000/13nsv.

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Jroundi, Fadwa, Maria Teresa Gonzalez-Muñoz, and Carlos Rodriguez-Navarro. "Protection and Consolidation of Stone Heritage by Bacterial Carbonatogenesis." In Microorganisms in the Deterioration and Preservation of Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69411-1_13.

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AbstractFor millennia, artists and architects around the world used natural stone for the carving of sculptures and the construction of monuments, such as Roman, Greek, and Maya temples, the European cathedrals, and the Taj Mahal, just to name a few. Currently, the survival of these irreplaceable cultural and historical assets is under threat due to their continued degradation caused by various biotic and abiotic weathering processes that affect not only the aesthetic appearance of these structures, but also their durability and survival. The natural precipitation of calcium carbonate minerals
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"CONSTRUCTIONS, CONCRETIONS, READYMADES." In Modern Sculpture. University of California Press, 2022. http://dx.doi.org/10.1525/9780520969827-003.

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Mackenzie, John M. "Statuary and Sculpture." In A Cultural History of the British Empire. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300260786.003.0006.

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This chapter turns to sculptures, statuary, and memorials. In visualising individuals (usually in a heroic or idealised manner), statues encapsulate in a very solid form the ideology of an age. Statues can be interpreted as conscious constructions of the language of power, transforming the city into an imperial text. They also symbolise dominance and exclusion, in other words, the marginalisation of indigenous peoples and minorities. Emblematic of the state's authority, they inevitably became objects of attack when such power waned. Ironically, their significance was only fully recognised at t
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Branson, Susan. "Grand Designs." In Scientific Americans. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501760914.003.0005.

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This chapter illustrates how civic projects articulated national ambitions. The United States needed technologies to develop industry, transport American-made products, and protect the health and homes of urban citizens. But it was the way Americans chose to promote inventions, devices, and civic constructions that put national aspirations into public conversation. Although the Erie Canal was the most prominent public works project in the early nineteenth century, water systems undertaken in American cities between the 1810s and 1850s were the most tangible evidence of civic development. Celeb
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"Sculpture and the Construction Form." In Princ Literary Criticism V3. Routledge, 2013. http://dx.doi.org/10.4324/9781315010854-26.

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Le Normand-Romain, Antoinette. "Rodin: the construction of an image." In Sculpture and the Museum. Routledge, 2017. http://dx.doi.org/10.4324/9781315088259-4.

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Richards, I. A. "Sculpture and the Construction of Form." In Principles of Literary Criticism. Routledge, 2017. http://dx.doi.org/10.4324/9781351223508-19.

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Conference papers on the topic "Constructions (sculpture)"

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Marian, Ana. "Anatomical constructions in the making of the nude moldovan sculpture. Approaches in the realm of realism." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.07.

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In Moldovan sculpture, there are two types of the introduction of anatomical structures in the creation of sculptural nudity: based on realism and stylized ones. The pioneer in the study of sculptural nudity was Alexander Plamadeala. Although his studies at the Imperial Academy of Art, Sculpture and Architecture allowed him to comprehensively approach the depiction of sculptural nude, the sculptor still continued to experiment and seek new ways in the description of nude. “Nude” in Yuri Kanashin’s interpretation is an integral part of thematic compositions and has a separate logic, subordinate
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Marian, Ana. "Anatomical constructions of the creation of a sculptural portrait in the works of Lazar Dubinivsky." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.26.

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Anatomical constructions are the important point in creating a sculptural portrait. The academic school of modelling, as well as modernist tendencies can be tested in the work of Alexandru Plămădeală (1888—1940). A severe anatomical interpretation also characterized the creativity of Lazăr Dubinovschi (1910—1982). Already in a series of works, dedicated to colleagues in the workshop (1968—1979), Lazăr Dubinovschi realized the prevalence of the inner world in the portrait, which contributed to the modeling of the anatomical features of the portrayed people. Claudia Cobizev (1905—1995) went thro
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Chang, Terry K. K., Brian C. H. Ho, and M. M. F. Yuen. "Human Modelling: A Constraint-Based Feature Modelling Approach." In ASME 2002 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/detc2002/dac-34061.

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Constraint-based feature modelling is a promising approach for object modelling. During the feature creation and modification, the relationships between features are well described and maintained. This eliminates the tedious work for constructing a complex feature-based model and provides an efficient method for shape modification. However, most of the feature representation schemes cover only the regular object domain. The application in sculpture object domain has been put aside. In this paper, the constraint-based feature modelling approach for sculpture object such as human body will be in
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Wang, Qifu, Shande Gao, Ji Zhou, and Jun Yu. "A Weighted Algorithm for Sculptured Surface Design." In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0430.

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Abstract A new algorithm for constructing sculptured surfaces is presented in this paper. The basic idea of the algorithm is to control the shape of a surface by changing the weight values of the drive curves and the generator curves. With this algorithm, the shape of the surface can be designed conveniently. So far this algorithm has been practically used in a modeling system developed by the author, and proven to be flexible and efficient.
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Xu, Dianbin. "Construction of College Sculpture Course Online Training System Based on Virtual Reality Technology." In 2022 3rd International Conference on Information Science and Education (ICISE-IE). IEEE, 2022. http://dx.doi.org/10.1109/icise-ie58127.2022.00033.

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Wang, Gou-Jen, and Chung-Chang Wang. "Reconstruction of Sculptured Surface on Reverse Engineering." In ASME 1997 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1997. http://dx.doi.org/10.1115/detc97/cie-4287.

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Abstract In this article, solutions for redundant measured data elimination and surface reconstruction on reverse engineering are presented. In redundant data elimination, we propose a simple algorithm that can efficiently discard those redundant measured points according to the required degree of accuracy. While in the surface reconstruction, we try first convert all eliminated column or row data into spline (B-Spline, Beizer and Cubic-Spline) curves. Methods for two dimensional spline (u, v directions) curve construction are described. Non-meshed two dimensional spline curves are then blende
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Huang, X., and P. Gu. "CAD-Model Based Inspection of Sculptured Surfaces." In ASME 1995 15th International Computers in Engineering Conference and the ASME 1995 9th Annual Engineering Database Symposium collocated with the ASME 1995 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1995. http://dx.doi.org/10.1115/cie1995-0807.

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Abstract Increasing demands on high precision manufacturing of parts with complex surfaces have been observed in the last several years. Although significant progress has been made in precision machining of complex surfaces, precision inspection of such surfaces remains a difficult problem. A critical issue in surface inspection is localization of design coordinate system (DCS) on a measurement machine. As localization has to rely on manufactured surface features that contain imperfections, a matching method is essential in order to achieve an accurate location. This paper presents a CAD-model
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Schwerdtfeger, M., K. Krugener, W. Viol, M. Koch, and E. Castro-Camus. "Measuring a crack: Three-dimensional imaging of sub-wavelength fractures in sculpture and construction materials." In 2013 38th International Conference on Infrared, Millimeter, and Terahertz Waves (IRMMW-THz 2013). IEEE, 2013. http://dx.doi.org/10.1109/irmmw-thz.2013.6665872.

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Freytag, Michael K., Vadim Shapiro, and Igor Tsukanov. "Scan and Solve: Acquiring the Physics of Artifacts." In ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/detc2007-35701.

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Existing physical artifacts including sculpture, mechanical parts, and anatomical structures are commonly acquired by modern surface and volumetric scanning technologies for archival, visualization, and diagnostic purposes. While the native representations for such data are largely sufficient for visualization purposes, more advanced field simulation currently requires extensive manual conversions into simplified surface and volume meshes compatible with the traditional finite element analysis pipeline. These conversions are tedious, error-prone, and require expertise in the mesh construction
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10

Martínez García-Posada, Ángel. "Yielding Actions." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.3.

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In 1992 Gabriel Orozco, the Mexican artist based in New York, conceived the idea of his work Yielding Stone. The experience consisted in the construction of a plasticine sphere, of approximately the same weight as the artist, which was rolled through the streets of a city. The photograph used to present it summarizes the action and the concept: the soft and imperfect ball appears on a sewage grid, the corrugated marks of these bars have been imprinted on the surface. Later, in different trips, the sculpture has rolled through the streets of each city where it has been exposed, changing its sha
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Reports on the topic "Constructions (sculpture)"

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Ikeda, Kanetaka. Construction-sculpture. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2740.

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Head Office, 65 Martin Place - Construction - Margel Hinder working on sculpture in front of Building - 27 October 1964. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-003521.

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