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Dissertations / Theses on the topic 'Constructions (sculpture)'

Author: Grafiati

Published: 11 December 2022

Last updated: 30 July 2025

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1

Relin, Lois. "La sculpture assemblée en France de 1880-1918 : de la sculpture traditionnelle aux constructions cubistes." Paris 1, 1987. http://www.theses.fr/1987PA010574.

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2

Relin, Lois. "La Sculpture assemblée en France de 1880-1918 de la sculpture traditionnelle aux constructions cubistes /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376092619.

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3

Caverly, Brian. "PERPETUAL NOVELTY." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1237.

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Within this thesis is a mapping out of the processes, concepts, and influences, behind the sculptural practice of Brian Caverly. From Complex Adaptive Systems to the world of order of Michel Foucault to the reexamination of the Modernist movement by Yve Alain Bois and Rosalind Krauss, a rhizomatic path of connections and lines form and cross over, weaving together into a swarming mayhem of over population. Out of this chaos and order grow complex installations and constructions that are inherently bound by the system of their making, yet attempt at every turn to escape conformity.

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4

Valero, Thomas. "Les Cendres et la flamme" : constructions et reconstructions des mémoires jaurésiennes en France, 1914-2019." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30101.

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De son assassinat au centenaire commémorant le grand tribun socialiste, Jaurès n’a cessé de faire l’objet de récupérations et d’une multitude de discours. Les propos et les images de Jaurès oscillent en fonction des situations. Pourtant, ces dernières conservent en elles leur somme de continuités, de ruptures et de recompositions. Jaurès socialiste critiqué par les nationalistes désireux de le voir mort mais qui le récupèrent à l’occasion des élections présidentielles de 2002. La droite d’abord hésitante à se saisir de l’image et des propos d’un « révolutionnaire » va employer son image de gra

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5

Smal, Eugene. "Automated brick sculpture construction." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019/1621.

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6

Kuhn, C., and Lange R. W. De. "Haptic modality : an inscribed systemic user "construction" approach to sculpture." Journal for New Generation Sciences, Vol 8, Issue 2: Central University of Technology, Free State, Bloemfontein, 2010. http://hdl.handle.net/11462/560.

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Published Article<br>This paper outlines a haptic "construction" system as means of navigating an interactive design approach to sculpture. A user system applicable to haptic generated form is sought after by way of exploring 'construction' as 3-D modality comprised of an interrelated synthesized system. The paper schematically outlines technological and sensory user 'construction' modalities as elements towards an expanded 'synthesis', 'construction' and 'production' systemic structure as a way forward for haptic sculpting. 'Construction' modalities applied to the case study explore human and

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7

Jazayeri, Statira. "Sculptural Textiles : Exploring sculptural possibilities in woven textiles through construction and contrasting yarns." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11104.

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Sculptural Textiles is a material investigation exploring sculptural possibilities for machine woven textiles. Two important factors are yarn combinations and textile construction, and how these two together can result in fabrics that can be manipulated by hand into shapes and thus adaptable to various settings. The essence of this project is in the meeting between contrasts such as shiny-dull, elastic-stiff, transparent-opaque, natural and synthetic and how these meetings can create sculptural qualities. The project is aiming to create a range of sculptural textiles as well as being an explor

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8

Moro, Simonetta. "Re-constructing Babel : the history and creative possibilities of a myth, explored through text and installation." Thesis, University of Central Lancashire, 2003. http://clok.uclan.ac.uk/20904/.

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This thesis and related artwork examines the layers of meaning around the Tower of Babel and how the myth can be visually represented today. This thesis attempts to give new readings to the myth drawing on history, literature, philosophy and architectural writings while using multi-media visual experimentation to highlight the contemporary experience. The Tower of Babel acts as a generator of the creative process and provides a structural framework for the motivation of my creative practice. Throughout the written thesis the relationship between the myth and a possible contemporary reality is

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9

Johnson, Jeffrey R. "Transmittance device : a study and construction of an architectural installation." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/845989.

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The Transmittance Device was an architectural installation, constructed as an imposition upon a public evergreen hedge row. The premise behind this exploration was to exploit architecture as a sequence of dynamic human experiences, creating an event or incident. The intention was to initiate a human transfer or violation from one side of a presumed boundary or barrier, to the opposite side. The boundary or barrier metaphorically represented the inherent characteristics human's possess, concerning abidement and conformity, within their normalities of regulated habit.The evolution process includ

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10

Halldórsdóttir, Helga Lára. "CORNERED COMPOSITIONS : EXPLORING the CORNER of a ROOM as a METHOD of GARMENT CONSTRUCTION." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14907.

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This work began as an exploration of the spatial qualities of awkwardness. It eventually evolved into a fixation on the three planes within the corner of a room, representing the safe haven for an awkward individual. The corner has successfully demonstrated the relationship between body, space and garment as a concept. Furthermore, the corner has proved to function as the ultimate tool for creating a sculpture with the integrated body. The motive of this work is to spark interest and to provide an alternative criteria for what can be categorised as a sculpture. This new criteria represents fun

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11

Morel, David. "Tailleurs de pierre, sculpteurs et maîtres d'oeuvre dans le Massif Central." Clermont-Ferrand 2, 2009. http://www.theses.fr/2009CLF20008.

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Cette étude se propose de dégager les caractéristiques du chantier de construction, dans son organisation et dans ses enjeux, en se référant aux évolutions architecturales perceptibles dans le diocèce de Clermont entre la fin du XIe siècle et le XVe siècle. L'impact des contextes est clarifié et mesuré, mais l'analyse porte avant tout un regard technique plaçant les réalités monumentales comme supports principaux de réflexion. Les différents niveaux d'informations sont recherchés dans le bâti même à travers la diversité des témoignages disponibles et une large réflexion est proposée autour de

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12

Powell, Jennifer Anne. "Constructing national identities through exhibition practices in post-war London : Anglo-French exchanges and contemporary sculpture on display, c.1945-1966." Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503470.

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This thesis explores exhibition practices in London between 1945 and 1966 through displays of contemporary sculpture related to Britain and France. The analysis of a selection of government funded, private and commercial galleries and organisations reveals how processes of selection, display, catalogue writing and reviews shaped, and were paradoxically shaped by, slippery constructions of national identities. The post-war period witnessed economic and social hardships but it was also a time for regeneration in which the visual arts in Britain and France were afforded important roles. Anglo-Fre

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13

Fraley, Chad David. "Design and Construction of the Audrey II Puppet Series for the Play Little Shop of Horrors." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2030.

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This project's objective was to design and build 4 stages of the Audrey II puppet for the East Tennessee State University production of Little Shop of Horrors (Ashman, 1982). The puppets were to be created with consideration for the production space, budget, and operator ease, along with audience impact. This paper will present the design and construction in a step by step-bystep fashion using illustrations and photographic examples. Each puppet in the series was originally conceived using references to living plants and animals combined with an artistic vision of the designer. The puppets wer

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14

Hong, Euyoung. "Constructing an invisible territory : an investigation of the production of the sculptural in relation to urban development since the 1980s." Thesis, Goldsmiths College (University of London), 2013. http://research.gold.ac.uk/9609/.

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In the current field of art, sculpture is broadly defined to include various concepts of minimalism, conceptualism and performance. This definition is in the process of change. Despite its expansion, sculpture – or what I call the sculptural – is less focused in its simple relationship with the site or the environment. This thesis aims to expand on and experiment with the current understanding of sculpture, moving towards a new concept of the sculptural. To achieve this, it focuses on the concept of space and its role in the production of the sculptural from a multidimensional perspective, whe

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Peagler, Arriyan L. "Design guidelines for incorporating landforms and sculptural elements into residential treatment centers for at-risk youth." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397794.

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A wide range of individuals, from counselors to psychiatrists, have recognized the value of residential treatment centers for at-risk youth. Many residential treatment centers foster therapeutic interventions indoors. Typically, however, there have been few initiatives taken to enhance the outdoor landscapes of these facilities. In particular, potential supplements to therapeutic practices such as landforms and sculpture have been overlooked. This creative project explores how outdoor settings can be enhanced with landforms to provide at-risk youth with alternative venues to address aggressive

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16

Masteller, Kimberly Adora. "Temple Construction, Iconography, and Royal Identity In the Eastern Kalacuri Dynasty." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494172899685935.

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17

Mélot, Géraldine. "Les églises romanes du XIIe siècle en Franche-Comté." Besançon, 2007. http://www.theses.fr/2007BESA1029.

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Cette étude recense les églises romanes du XIIe siècle en Franche-Comté, région dont les frontières actuelles correspondent sensiblement aux limites de l'ancien comté de Bourgogne et à celles du diocèse de cette époque. Sur les 51 édifices inventoriés beaucoup sont partiellement conservés et une étude monographique rédigée sous forme de notice a été consacrée à 25 églises en raison de leur état de conservation. Les notices comportent une courte étude historique, une critique d'authenticité et une brève analyse architecturale visant à signaler les principales spécificités du bâtiment. Ce travai

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18

Toy, Randy Scott. "CORRELATIONS." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd_retro/7.

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I explore visual and process-based systems to solidify the allusive nature of conceptual ideas. Impermanence, time and interdependence are reoccurring themes that stem from an interest in Eastern philosophy. Oscillating from representation to abstract minimalism, printmaking to sculpture, each element in a work is tailored to the concept. The minimalist appearance suggests simplicity, however elaborate planning and systematic execution are at the heart of my practice. Systems create great constraint, yet provide great freedom.

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19

Pernuit, Claire. "Une relecture de la cathédrale de Sens : (1130-1550)." Thesis, Dijon, 2015. http://www.theses.fr/2015DIJOL016.

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Cette thèse s’inscrit dans le prolongement d’un premier travail, mené dans le cadre du Master I, puis du Master II, sur l’iconographie des vitraux du XIIIe siècle de la cathédrale sénonaise. Suite à cette première étude, un constat s’est imposé : malgré l’étendue des travaux antérieurs, l’analyse de l’édifice du « premier maître », pour reprendre l’expression de Jacques Henriet, c’est-à-dire l’analyse du projet du XIIe siècle, l’étude de la chronologie du chantier, mais également des nombreuses modifications subies par la cathédrale métropolitaine au Moyen Âge, et plus particulièrement aux XII

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20

Cussinet, Marie-France. "L'architecture théâtrale en province (1870-1914)." Clermont-Ferrand 2, 1995. http://www.theses.fr/1996CLF20088.

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L'architecture théâtrale relève d'un programme spécifique progressivement mis au point, et qui fait l'objet de publications théoriques au 18e lorsque la salle de spectacle devient un momument urbain autonome. Au 19e, le théâtre, bâtiment emblématique, est présent dans toute ville. Les édifices construits entre 1870 et 1914 en province présentent d'indéniables airs de parenté basés sur un répertoire de bâtiments exemplaires. Cette recherche tente d'établir s'il existe des critères communs et constants entre ces théâtres, et s'ils dérivent d'un modèle unique. Une 1ère approche comparitive a perm

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21

Jeudy, Fabienne. "L'architecture religieuse en Haute-Saône à l'époque gothique : (de la fin du XIIe siècle au début du XIVe siècle)." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1020.

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L’art gothique apparu en Île-de-France vers 1135 atteignit le département de la Haute-Saône, partie nord du comté de Bourgogne relevant de l’Empire germanique aux XIIe et XIIIe siècles, à partir des années 1160. Les cisterciens jouèrent un rôle déterminant dans l’introduction de ce nouvel art de bâtir dans la région. À la fin du XIIe siècle, ce mode de construction demeura d’ailleurs l’apanage de leurs abbatiales. Les formules gothiques ne se généralisèrent en effet dans l’ensemble des édifices religieux qu’à l’aube du XIIIe siècle. Ce moment précis marque le point de départ de ce mémoire de d

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22

Martin, Timothy Michael. "Codes of Interaction." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/849.

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The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my

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23

Sukač, Richard. "Dobudování VUT - Fakulta výtvarných umění." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-226585.

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The thesis deals with the new building of the Faculty of Fine Arts in Veveří street, Brno. The area discussed is situated on the border between Brno-střed and Brno-Žabovesky. It is delineated by Veveří, Šumavská, and Bulínova streets. The design concerns a complex of two universities, which comes from the new draft of local plan of Brno. This plan copes with a draft of an underground tram track. The design also follows the building programme which has been created for an architectural competition in Akademické square in Brno. Both the Faculty of Fine Arts and the Institute of Forensic Engineer

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24

TAYLOR, SHAWN. "SPEED AND RESOLUTION IN THE AGE OF TECHNOLOGICAL REPRODUCIBILITY." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3888.

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The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, a You

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25

"A builder sculpture: designing with construction." 2002. http://library.cuhk.edu.hk/record=b5891323.

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Kwong Chi Ho.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2001-2002, design report."<br>INTRODUCTION<br>SYNOPSIS --- p.5<br>DESIGN THINKING --- p.6<br>STRATEGIES --- p.8<br>PROJECT<br>MISSION STATEMENT --- p.10<br>SITE STUDY --- p.12<br>CONSTRUCTION IDEA --- p.16<br>ARCHITECTURAL OPPORTUNITIES --- p.18<br>PROGRAM REQUIREMENT --- p.20<br>TRANSFORMATION PROCESS --- p.21<br>FINAL DESIGN --- p.28<br>RESEARCH<br>RESEARCH BRIEF --- p.34<br>RESEARCH STRUCTURE --- p.36<br>CONSTRAINT RESEARCH --- p.38<br>TRANSFORMATION RESEARCH --- p.44<b

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26

CHOU, SHULING, and 周淑玲. "Sculpture Concept from Linear to Space Construction: Chou, Shu-Ling’s Sculpture Work of Art." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/neh56c.

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碩士<br>國立臺灣藝術大學<br>雕塑學系<br>105<br>Abstract sculpture is a transformed and expressive mode. It expresses not only the external form but also the spirit of the connotation which is released by visual imagination. The author has had the experiment over years with the spirit of visual perspective to confirm the possibilities of conversion from linear sketch to space construction sculpture. There’re many problems waiting to be resolved. I found the experiment can be reference to the history or theory to explore how the visual imagination plays important part in the role of the unlimited creative pos

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27

Brenner, Joni. "The construction of likeness in some contemporary high portrait painting." Thesis, 2016. http://hdl.handle.net/10539/20922.

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A Dissertation Submitted to the Faculty of Arts. University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the Degree of Master of Arts in Fine Arts. Johannesburg 1996<br>Likeness is a central issue to the tradition of portrait painting. This dissertation examines the notion of likeness in some contemporary high portrait painting. Likeness is viewed as constructed socially through the complex relations between artist, sitter and viewer. Faced with the problematic notions of realism and naturalism and their philosophical ramifications, the dissertation

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28

Kuo, Ming Hsun, and 郭明熏. "A Study on the Pixel Art Applications: Brick Sculptures Construction and Feature-Aware Animation." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/nc386y.

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碩士<br>國立清華大學<br>資訊工程學系<br>104<br>Pixel art is a modern digital art in which high resolution images are abstracted into low resolution pixelated outputs using concise outlines and reduced color palettes. In this work, we conduct research on two applications of Pixel art. In the first part, we present a novel computational framework to automatically construct brick sculptures from pixel art. LEGO®, a popular brick-based toy construction system, provides an affordable and convenient way of fabricating geometric shapes. In contrast to previous efforts that focus on 3D models, pixel art contains ri

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29

Proctor, Anne E. "Vincenzo Danti and the Medici court : constructing professional identity in late Renaissance Florence." Thesis, 2013. http://hdl.handle.net/2152/25889.

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Vincenzo Danti (1530-1576), Perugian by birth and training, relocated to Florence in 1557 to work for the Medici court. While there, Danti completed visual and textual works oriented to the interests of Duke Cosimo I de’ Medici (1519-1574) and his son, Prince Francesco (1541-1587). Danti also participated in the literary and arts academies that were associated with the ducal program of establishing Florentine cultural supremacy. Danti’s multi-disciplinary activities during his tenure at the Medici court demonstrate his hopes to secure long-term patronage and to become the primary sculptor to t

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30

Peroutková, Jana. "Architektonická skulptura chrámu Matky Boží před Týnem na Starém městě pražském v lucemburském období." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-337635.

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This thesis looks into the analysis of iconography of the northern lateral portal of the Church of Our Lady before Týn. For this purpose this thesis summarizes the most important historiographical, Artististic Science and source literature related to this relic. Based on researched iconographic analysis this thesis aids to propose all possible solutions iconographic programme which could have been intended for this thesis. Based on the evaluation of literature, sources and on the formal analysis principal the objective of this thesis is to specify significantly problematic dating range (approx

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