Relevant bibliographies by topics / Contado florentin

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Academic literature on the topic 'Contado florentin'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Contado florentin"

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Lefeuvre, Philippe. "L’abbaye de Montescalari et ses partenaires particuliers (contado florentin, XIe‑XIIe siècles)." Rives méditerranéennes, no. 62 (September 1, 2021): 17–41. http://dx.doi.org/10.4000/rives.8554.

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Ryan, Mary Ellen. "“Our Enemies Are Gathered Together”." Journal of Musicology 36, no. 3 (2019): 295–330. http://dx.doi.org/10.1525/jm.2019.36.3.295.

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The return of the Florentine republic (1527–30) ushered in a tense period of political upheaval. As the city faced an imperial siege and bouts of famine and plague, the government promoted a vibrant spiritual program to combat dangers to its independence. The motet flourished within this environment, but the connections between this repertory and civic life in early sixteenth-century Florence have yet to be fully explored. Since the mid-twentieth century, music historians have examined Florentine manuscript sources of the motet (the Newberry Partbooks and Vallicelliana Partbooks) and have articulated various arguments for the political significance of these collections and the individual pieces they contain. Viewed as a whole, however, the repertory does not typically express partisan support for the Medici or the republic. One underlying thread tying many of these motets together is their function within ritual celebrations, particularly in uniting the community in prayer for collective relief. Philippe Verdelot’s wartime Congregati sunt inimici nostri exemplifies the multiple performance uses of motets in Florentine ritual contexts. Its compositional design and content reveal how Florentines turned to the motet to demonstrate communal solidarity and to seek divine aid in times of crisis.
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Ballester Pardo, Ignacio. "«Florentina»." Anales de Literatura Española, no. 28 (December 15, 2016): 39. http://dx.doi.org/10.14198/aleua.2016.28.02.

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El poema «Florentina» de Rubén Darío canta el erotismo, pero también el desamparo que el poeta expresa, de forma autobiográfica, tras las relaciones (más sexuales que amorosas) durante su época parisina. Mediante imágenes sonoras, sugiere los matices que puede originar una boca en contacto con otra, así como las consecuencias que ello conlleva. Al describir un beso, recupera la tradición clásica y sorprende con un verso final que rompe el preciosismo de la mayor parte de su obra. Desde estos ocho tercetos analizaremos la poética de quien cultiva una flor en tina, haciendo hincapié en las características que lo definen como una de las voces más armoniosas, pero también más certeras. Pese a no ser incluido en Prosas profanas y no protagonizar los cientos de estudios darianos, dicho texto sirve para entender el tránsito poético y vital del nicaragüense universal.
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Alonso, Roberto, Maike Hernández, and Ariel Rodríguez. "Advertisement call of Peltophryne florentinoi (Anura: Bufonidae), an endemic toad from Zapata Swamp, Cuba." Amphibia-Reptilia 31, no. 2 (2010): 265–72. http://dx.doi.org/10.1163/156853810791069083.

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AbstractThe advertisement call of Peltophryne florentinoi, an endemic toad from Zapata Swamp, Matanzas, Cuba, is described in terms of temporal properties and dominant frequency. A comparison with the advertisement calls produced by the other three species of large toads in Cuba (P. peltocephala, P. fustiger and P. taladai) is also provided. Like other large toads from Cuba, P. florentinoi produces advertisement calls with long duration (> 10 s), low dominant frequency (< 1 kHz), and a series of complex pulses that are composed of two to five sub-pulses. All temporal features of the P. florentinoi call are significantly different from P. fustiger calls: number of pulses, pulse duration, and pulse rate separates it from P. peltocephala. P. florentinoi differs from P. taladai in call duration, number of pulses, and pulse rate. The occurrence of different types of complex pulses differed in all species studied. Typically, P. florentinoi pulses contain three sub-pulses, P. taladai four, and P. fustiger and P. peltocephala contain two sub-pulses. The dominant frequency of the advertisement call of P. florentinoi did not differ from the other species' calls. Call duration and pulse rate are the most useful acoustic properties to distinguish P. florentinoi advertisement calls from those of the other three large Cuban toads.
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Orlandi, Angela. "Playing with Luxury: Dolls as Ambassadors for the Florentine Business Community in Sixteenth-Century Spain?" Journal of Early Modern History 22, no. 4 (August 3, 2018): 259–78. http://dx.doi.org/10.1163/15700658-12342576.

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AbstractThrough the analysis of a doll made in Florence and destined for a family of Florentine merchants active in Seville, this paper outlines the patterns of consumption and the concept of luxury to be found amongst members of the Florentine economic elite of the sixteenth century. The doll is evidence for a lifestyle which was the culmination of a typically Renaissance intellectual sophistication and aesthetic sense, but also of the multiplicity of artistic and cultural influences which a merchant with a lengthy trading presence in one of the wealthiest and most important cities of the day came into contact with.
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WILSON, BLAKE. "Heinrich Isaac among the Florentines." Journal of Musicology 23, no. 1 (January 1, 2006): 97–152. http://dx.doi.org/10.1525/jm.2006.23.1.97.

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ABSTRACT In the archives of the old and wealthy patrician family of the ““da Filicaia”” housed in the Florentine Archivio di Stato survives a group of letters written by, among others, one Ambrogio Angeni to the young Antonio da Filicaia, away on family business in northern Europe for extended periods of time during the 1480s and 1490s. The correspondence details the musical activities of these young men's Florentine brigata and reveals a close involvement with Heinrich Isaac and proximity to Lorenzo de' Medici's private musical circles. The letters document a very active traffic in musical scores, both vernacular works composed in Florence by Isaac and others that were mailed north, as well as sacred and secular works composed in France and sent to Florence. More specifically, the letters contain many musical references to new compositions, works by Isaac, preparations for carnival, aesthetic judgments and technical discussions, Lorenzo's patronage, and a very active local composer previously unknown to musicologists. The correspondence dates from 1487––89, while Antonio was residing in Nantes (Brittany), and it provides an unprecedented view of musical life in Florence at a critical period when carnival celebrations were resurgent, northern repertory was being collected and copied, northern composers (like Isaac) were interacting with local composers, and compositional procedures were changing.
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Armellin Secchi, Giovanna. "Cronaca familiare di Vasco Pratolini." Revista de Filología y Lingüística de la Universidad de Costa Rica 22, no. 2 (August 30, 2015): 77. http://dx.doi.org/10.15517/rfl.v22i2.20380.

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El escritor italiano Vasco Pratolini (1913-1991) nació en Florencia en el seno de una familia proletaria. Pratolini, un hombre autodidacta, crece en el medio de la clase culta de Florencia. Cronaca Familiare, considerada su obra maestra, es una novela autobiográfica. En ella, el autor narra sus memorias desde la infancia hasta la madurez junto con su hermano, que al final muere. The Italian writer Vasco Pratolini (1913-1991) is born in Florence from a proletarian family. Pratolini, a self-educated man, grows up by getting into contact with the cultivated milieu of Florence. Family Chronicle, considered his literary masterpiece, is an autobiographic novel in which he goes through memories from childhood up to maturity together with his brother, who later dies.
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McCORMICK, JOHN P. "Contain the Wealthy and Patrol the Magistrates: Restoring Elite Accountability to Popular Government." American Political Science Review 100, no. 2 (May 2006): 147–63. http://dx.doi.org/10.1017/s0003055406062071.

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Modern republics neglect to establish formal institutions that prevent wealthy citizens from exerting excessive political influence and they abandon extra-electoral techniques traditionally employed to keep office-holders accountable. Inspired by Guicciardini's and Machiavelli's reflections on the Roman, Venetian, and Florentine constitutions, this article highlights three forgotten practices that facilitate popular control ofbotheconomic and political elites: magistrate appointment procedures combining lottery and election, offices or assemblies excluding the wealthy from eligibility, and political trials enlisting the entire citizenry in prosecutions and appeals. I present a typology of regimes that evaluates the wealth containment potential of various magistrate selection methods, and propose a hypothetical reform supplying the U.S. Constitution with a “Tribunate” reminiscent of elite-accountability institutions in pre-eighteenth-century popular governments.
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Raso, Tommaso, and Lúcia De Almeida Ferrari. "I soggetti clitici in fiorentino: un’analisi diacronica corpus based." Revista de Italianística, no. 28 (December 19, 2014): 87. http://dx.doi.org/10.11606/issn.2238-8281.v0i28p87-113.

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O artigo trata da questão da suposta perda de clíticos sujeito no vernáculo florentino através de um estudo baseado em corpus. Os trabalhos sobre este assunto (GALLI DE’ PARATESI, 1984; SOBRERO, 1997; BERRUTO, 1997, 2005; BINAZZI, 1997, 1998, 2007; CARDINALETTI & MUNARO, 2009) afirmam que a pressão do italiano padrão, a partir dos anos do segundo pósguerra, contribuiu para a perda, por parte do vernáculo florentino, de muitas de suas características. Contudo, até o presente momento não havia sido feita qualquer investigação de tipo quantitativo e qualitativo sobre o sistema pronominal baseada em dados. A oportunidade para tal tipo de trabalho foi possível graças à publicação remasterizada do Corpus Stammerjohann (1970) e do Corpus per il Confronto Diacronico (SCARANO, 2005), ambos corpora de língua falada espontânea gravados em Florença com cerca de quarenta anos de distância. O trabalho que aqui apresentamos analisou a expressão dos clíticos sujeito de terceira pessoa do singular gl’, l’, la, e em concomitância com o verbo essere (ser) no presente do indicativo. Os resultados obtidos nesta primeira etapa do trabalho apontam para uma redução no uso dos clíticos sujeito no tempo, mas também fazem vislumbrar a retrodatação do período de início de tal perda, devido à idade dos informantes. As análises deverão continuar no futuro com um maior número de dados a fim de poder compreender melhor o fenômeno
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Хуршкайнен (Hurshkainen), Татьяна (Tat'yana) Владимировна (Vladimirovna), Владимир (Vladimir) Иванович (Ivanovich) Терентьев (Terentyev), Наталья (Natal'ya) Николаевна (Nikolaevna) Скрипова (Skripova), Наталья (Natal'ya) Николаевна (Nikolaevna) Никонова (Nikonova), and Алла (Alla) Альбертовна (Al'bertovna) Королева (Korolyova). "CHEMICAL COMPOSITION OF BY-PRODUCTS OF CONIFEROUS RAW MATERIALS PROCESSING." chemistry of plant raw material, no. 1 (March 6, 2019): 233–39. http://dx.doi.org/10.14258/jcprm.2019014264.

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Development of natural biological products – an actual problem of rational and economical use of wood bioresources with which Russia is rich. The coniferous raw material is a source of biologically active extractive compounds possessing immunostimulating, fungicidal, bactericidal activity. Company «Ecovit» makes food and cosmetic production from Pinus Silvestris L., Abies sibirica and Pinus sibirica R. Maur wood greenery. This paper presents results of research of a chemical composition of the by-products formed in coniferous essential oils processing: residue after distillation and florentine water. The extraction of these products is carried out by petroleum ether, diethyl ether, ethyl-acetate consistently and quantitative maintenance of extractive compounds is certain. The qualitative and quantitative analysis of macro- and micro-elements in investigated samples is lead. Chemical structure of extractive compounds is characterized with use of physicochemical meth-ods. In residue after distillation of Abies and Pinus wood greenery carotenoids, natural phenolic com-pounds, carboxylic acids are identified. Ethanol extracts of the fulfilled pine and cedar raw material contain sesqui- and diterpenes, polyprenols, carotenoids, fat acids and phenolic compounds. In Abies ethanol extracts maltol and triterpenoids are identified. The basic components of pine florentine water are monoterpenoids. The received results cause practical application of by-products of coniferous raw material processing for obtaining of biologically active additives, preparations for agriculture, pharmacology, perfumer-cosmetic production.
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Dissertations / Theses on the topic "Contado florentin"

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Lefeuvre, Philippe. "La notabilité rurale dans le contado florentin Valdarno Supérieur et Chianti, aux XIIe et XIIIe siècles." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H015.

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Conçue comme une enquête sur les élites rurales, cette thèse vise à restituer les étapes permettant au notable rural, un idéal-type social, de s'imposer dans un territoire donné. Le contado florentin est un cas paradigmatique. Les mobilités sociales et I'inurbamento des ruraux aisés sont vus comme les facteurs d'affaiblissement de communautés rurales livrées aux appétits citadins. La recherche mobilise le fonds de trois abbayes vallombrosaines, Montescalari, la Vallombreuse (Coltibuono, en se concentrant sur le quart Sud-Est du contado florentin (fonds Diplomatico de l'Archivio di Stato d Flo rence). La reconstitution de trajectoires familiale s'oblige à replacer ces trajectoires dans l' évolution plus large de logiques de la distinction sociale . Les éléments qui fondent la sociabilité rurale se transforment radicalement. Une société organisée à l'échelle locale, et très hiérarchisée dans le cadre seigneurial, fonctionne, jusqu'aux premières décennies du XIIIè siècle, sur l' exploitation de la terre et des hommes et sur la redistribution des bénéfices de la rente foncière entre un grand nombre de familles. Ce sont moins les profits du commerce et de l'artisanat rural qui font évoluer cette situation que l' intégration des patrimoines seigneuriaux aux dynamiques économiques de la ville. Le crédit fonctionne alors au dépens des anciennes solidarités pour devenir un facteur de différenciation sociale. Au même moment, on observe un transformation des cercles à l ' intérieur desquels se conservent et se transmettent les capitaux symboliques et matériels : la famille et ses prolongements; les seigneuries rurales ; les communes rurales et les clientèles de la haute aristocratie
This thesis is an investigation into rural elites. It aims to evidence the process by which rural notables, considered here as a social type, establish their ascendency over a given territory. The Florentine contado is a case in point. Social mobility and the move of the wealthiest inhabitants of the country to the city are shown as primarily responsible for undermining the social cohesion of rural communities, increasingly preyed upon by townsmen. This research is based on three monastic archives, Montescalari, Vallombrosa and Coltibuono, and focuses on the Upper Valdarno valley and the Chianti hills (the archives are held by the Archivio di Stato of Florence, in the Diplomatico). Reconstructing the history and careers of the local notability provides a wider understanding of the way in which social distinction works and evolves over time, transforming rural communities and traditional rural sociability. From the early 12th century up to the first decades of the 13th century, rural communities in the contado were organized on a local and feudal basis, around a significant number of landowning families who exploited the land and the men who worked it, and organized the redistribution of the rent. That pattern changed, not so much because of the rise of city merchants and artisans, but because landlords started to use their lands and feudal power as a means to gain ground in the new urban economy. They neglected older rural solidarities to become providers of credit, which soon worked as an important factor of social differenciation. The social structures (the extended family, fiefdoms, rural towns and the nobility's clientele) which had been the traditional framework for keeping and transmitting capital (both economic and symbolic), were radically transformed in the process
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Huboux, Michèle. "Les Campagnes florentines à la fin du Moyen Âge : principalement d'après les sources littéraires." Paris, EPHE, 2002. http://www.theses.fr/2002EPHE4002.

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"Le décor de cette recherche est le "contado" florentin à la fm du Moyen Âge. La base de notre documentation repose sur les sources "subjectives" que sont par exemple les "ricordanze", complétées par des sources "objectives" telles que les statuts communaux ou les inventaires de biens ayant appartenu à des paysans. Après avoir consacré un premier chapitre à ces deux auteurs essentiels pour nous que sont Giovanni Sercambi et Franco Sacchetti, nous avons entrepris î'étude de l'image du "vilain" dans la narrative toscane. Un troisième chapitre porte sur le paysage rural, façonné par les paysans du "contado" qui semblent souvent se conformer aux conseils des meilleurs agronomes de leur temps, Piero de'Crescenzi et Michelangelo Tanaglia. Il convient alors de voir la preuve de l'importance que prennent alors les campagnes dans la vie des Florentins. Nous leur avons à notre tour consacré un chapitre. Puis dans la dernière partie de notre travail, c'est la société paysanne dans ses aspects privés que nous avons choisi d'étudier. Indubitablement la documentation nous renseigne sur ce qu'à pu être la vie des paysans au quotidien. Il n'empêche que leurs témoignages directs sont absents d'où la difficulté d'une recherche qui ne perçoit les réalités rurales principalement que d'un côté, celui des possédants urbains. "
The background to this research is the Florentine "contado" of the Late Middle Ages. Our primary source are "subjective" ones such as "ricordanze" backed up by such "objective" sources as village statutes and inventories of peasants' goods and chattels. After a first chapter which deals with the two most important authors, to our mind, Giovanni Sercambi and Franco Sacchetti, we have studied the image of the "villein" in Tuscan narratives. A third chapter deals with rural landscape as shaped by the peasants of the "contado" who often seem to follow the advice of the best agronomists of their time, Piero de'Crescenzi and Michelangelo Tanaglia. A further chapter brings out the important role of the countryside in Florentine life. The final part of our study deals with the private aspects of peasant society. There is no doubt that our sources provide information on the everyday life of peasants, but direct accounts are lacking. Hence the major difficulty of a study which can only see rural reality from one point of view, that of the city dwelling landowner
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Books on the topic "Contado florentin"

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Bowd, Stephen D. The Machiavellian Massacre. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198832614.003.0006.

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The Italian Wars dominated the life of Machiavelli (1469–1527) who from 1498 to 1512 served the republic of Florence. As a result of his contact with some of the key figures in the wars, including the French king and Cesare Borgia, and as a consequence of his experiences of establishing Florentine military measures which failed in 1512 with the bloody sack of Prato, Machiavelli wrote extensively on the causes of Italian weakness and offered possible military and political cures. For Machiavelli the harsh necessity of war, including massacres, was a vital part of the process of strengthening Italy just as the sack of Rome at the hands of the French in 390 BC had led the Roman republic on to greatness. In this way, the Machiavellian massacre was quite different from that envisaged by contemporary humanists and it owed very little to the sinful premise of just war theory.
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Book chapters on the topic "Contado florentin"

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La Roncière, Charles M. de. "Présence et prédication des dominicains dans le contado florentin (1280-1350)." In La parole du prédicateur (Ve-XVe siècle), 363–93. Turnhout: Brepols Publishers, 1997. http://dx.doi.org/10.1484/m.cem-eb.4.2017014.

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Leonelli, Lisa. "Ancora su Giulio Pignatti ritrattista. Il mondo dei Grand Tourists e degli eruditi a Firenze." In Studi e saggi, 205–39. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.12.

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Giulio Pignatti or Pignatta (1679-1751), a painter from Modena who specialized in portraiture, arrived in Florence in 1705 and remained there until his death. During the fourty-six years spent in the Tuscan capital, he made contact with the last members of the Medici dynasty and with Grand Tourists as attested by the Portrait of Sir Andrew Fountaine with four friends in the Tribuna of the Uffizi, dated 1715. Pignatti’s oeuvre can now be expanded by another conversation piece commissioned in 1721 by Giuseppe Aversani’s pupils in the University of Pisa on the occasion of the gift of a gold medal, and by the portraits of Ludovico Tempi and Cosimo Del Sera which testifies that Pignatti worked for numerous Florentine noble families. By focusing on these paintings, the paper intends to provide a better understanding of the artist's career and patrons.
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Lefeuvre, Philippe. "Un notaire et son petit monde dans le contado florentin du xiie siècle." In La fabrique des sociétés médiévales méditerranéennes, 269–78. Éditions de la Sorbonne, 2018. http://dx.doi.org/10.4000/books.psorbonne.40468.

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"3. Gangalandi and Sharecropping in the Traditional Florentine Contado." In Europa Sacra, 75–105. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.es-eb.4.00005.

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Reports on the topic "Contado florentin"

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SGC, Servicio Geológico Colombiano. Elaboración de la cartografía geológica de un conjunto de planchas escala 1:100.000 ubicadas en cuatro bloques del Territorio Nacional identificados por el Servicio Geológico Colombiano Grupo 2: Zonas Sur A y Sur B. Contrato 512 de 2013. Geología de la Plancha 413 Florencia. Escala 1:100.000. Producto. Versión 2015. Bogotá: Servicio Geológico Colombiano, September 2015. http://dx.doi.org/10.32685/10.143.2015.299.

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