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Books on the topic 'Container metaphors'

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1

Migut, Pawe. How Did Jack Get in the Box? on the Container Metaphor in the Macrocategory of Death. GRIN Verlag GmbH, 2014.

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2

Beowulf. A Brief View of the Figures; and Explication of the Metaphors, Contained in Scripture. By John Brown,. Gale ECCO, Print Editions, 2018.

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3

Gorey, Matthew M. Atomism in the Aeneid. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197518748.001.0001.

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This book examines the role of philosophical metaphor and allegory in the Aeneid, focusing on tendentious allusions to Lucretian atomism. It argues that Virgil, drawing upon a popular strain of anti-atomist and anti-Epicurean arguments in Greek philosophy, deploys atomic imagery as a symbol of cosmic and political disorder. The first chapter of this study investigates the development of metaphors and analogies in philosophical texts ranging from Aristotle to Cicero that equate atomism with cosmological caprice and instability. The following three chapters track how Virgil applies this interpre
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4

Beowulf. Sacred Tropology: Or, a Brief View of the Figures; and Explication of the Metaphors, Contained in Scripture. by John Brown,. Creative Media Partners, LLC, 2018.

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5

Stein, Howard F. Nothing Personal, Just Business. Praeger, 2001. http://dx.doi.org/10.5040/9798400692277.

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Throughout the United States and indeed the world, organizations have become places of darkness, where emotional savagery and brutality are now commonplace and where psychological forms of violence--intimidation, degradation, dehumanization--are the norm. Stein succeeds in portraying this dramatically in his evocative, lucid new book, and in doing so he counters official pronouncements that simply because unemployment is low and productivity high, all is well. Through the use of symbolism and metaphor he gives us access to the interior experience of organizational life today. He employs a form
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6

Gordon, Peter E. Kafka’s Inverse Theology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190461454.003.0002.

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This essay examines Kafka’s novel, The Trial, in light of the interpretive controversy as to whether it contains any religious meaning. Drawing upon Theodor W. Adorno’s notion of an “inverse theology,” the essay sets forth a challenge to the theological interpretation of Kafka’s work most often associated with critics such as Max Brod and Gershom Scholem. The essay argues instead that the distinctive pathos of hopelessness in Kakfa’s novel derives from the way it evacuates religious metaphors and images of their redemptive content.
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7

Lim, Bo H., and Daniel Castelo. Hosea. William B. Eerdmans, 2015. http://dx.doi.org/10.5040/bci-0087.

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In this commentary Old Testament scholar Bo Lim and theologian Daniel Castelo work together to help the church recover, read, and proclaim the prophetic book of Hosea in a way that is both faithful to its message and relevant to our contemporary context. Though the book of Hosea is rich with imagery and metaphor that can be difficult to interpret, Lim and Castelo show that, with its focus on corporate and structural sin, Hosea contains a critically important message for today’s church.
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8

Straus, Joseph. Autism and Postwar Serialism as Neurodiverse Forms of Cultural Modernism. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.44.

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From their shared beginnings in the mid-1940s on the East Coast of the United States, people classified as autistic and musical works identified as serial or twelve-tone have been described and stigmatized in strikingly similar ways. Both are understood as excessively isolated or alone, with each entity self-contained and self-enclosed. Both are understood as uncommunicative, or communicating in atypical ways, with an excess of private meanings and self-references, and as demonstrating an unproductive preference for routines and rituals. Similar descriptive metaphors have accreted around each,
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9

Subramaniam, Banu, ed. New Cartographies of Variation. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038655.003.0011.

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This concluding chapter summarizes the major points posited so far in this book, and contains the author's personal reflections on the need for new cartographies of study in the presence of these naturecultural paradigms. It emphasizes the need to replace insular and narrowly focused areas of study with communal histories and communal storytelling. Naturecultural visions show us that individual disciplines are each imbued with cultural norms and histories while being blind to those influences. Hence, the chapter also returns to the metaphor of ghosts in representing the silenced eugenic histor
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10

Tarassenko, Joanna. The Spirit of Polyphony. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780567713933.

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This book re-examines how Bonhoeffer employs musical patterns of thought and language to a theological end. It outlines how the significance of Bonhoeffer’s musico-theology has not been sufficiently recognised, and sets the stage for a rigorous re-examination. It becomes clear that through the lens of his musical metaphor of polyphony, Bonhoeffer demonstrates how his account of Christian formation contains a latent pneumatology. Tarassenko demonstrates that incorporation of this pneumatology is key in deepening one’s understanding of Bonhoeffer. It allows the relationship between Christology a
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11

Becker, Sandra, Megen de Bruin-Molé, and Sara Polak, eds. Embodying Contagion: The Viropolitics of Horror and Desire in Contemporary Discourse. University of Wales Press, 2021. http://dx.doi.org/10.16922/contagion.

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From Outbreak to The Walking Dead, apocalyptic narratives of infection, contagion and global pandemic are an inescapable part of twenty-first-century popular culture. Yet these fears and fantasies are too virulent to be simply quarantined within fictional texts. The vocabulary and metaphors of outbreak narratives have permeated how news media, policymakers and the general public view the real world and the people within it. In an age where fact and fiction seem increasingly difficult to separate, contagious bodies (and the discourses that contain them) continually blur established boundaries b
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12

Birch, Jonathan. Kin Selection and Group Selection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733058.003.0004.

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In group-structured populations in which some other assumptions are satisfied, kin and group selectionist methods provide formally equivalent conditions for change. However, this only shows an equivalence between two statistical methodologies, and this is compatible with there being a real, causal distinction between kin and group selection processes. This chapter pursues a Hamilton-inspired, population-centred approach to drawing that distinction, on which the differences between kin and group selection are differences of degree in the structural properties of populations. The relevant proper
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13

Fay, Jessica. ‘My second Self when I am gone’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816201.003.0004.

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This chapter traces the cumulative influence of Wordsworth’s reading of a series of topographical and antiquarian studies on the poetry and prose he produced between 1807 and 1810. These sources contain extensive details about medieval monastic life in the north of England and describe how powerful coenobitic communities shaped the cultural and geographical landscapes they inhabited. The chapter shows how knowledge of the civic operation of the monastic world influenced Wordsworth’s thinking about primogeniture, living legacy, memorialization, and familial and democratic representation. It exp
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14

Barrett, Chris. Milton’s Paradise Lost and the Atlas of Violence. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816874.003.0004.

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Like Faerie Queene and Poly-Olbion, Milton’s Paradise Lost interrogates the essential meaning-making structures of poetry, using the enabling, distortive logics of cartography to think the work of representation. This chapter considers the ways the map’s origin as product of the military arms race haunts Milton’s epic, and how the poem probes the map’s tendency to disrupt the figurative structures on which poetry relies. Space, consciously framed for discursive consideration, defies the poem’s dominant use of simile and analogy, and the disruptions posed by the landscapes in Paradise Lost dest
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15

Proops, Ian. The Fiery Test of Critique. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199656042.001.0001.

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The book aims to provide a comprehensive study of the ‘Transcendental Dialectic’ of Kant’s first Critique. It argues that Kant conceives of ‘critique’ as a kind of winnowing exercise, aimed to separate the wheat of good metaphysics from the chaff of bad. However, he uses a less familiar metaphor to make this point, namely, that of ‘the fiery test of critique’. This turns out to be, not a medieval ordeal (a trial by fire), but rather a metallurgical assay: so-called ‘cupellation’—a procedure in which ore samples are tested for their precious-metal content. The upshot is that critique has a posi
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16

Warsh, Molly A. American Baroque. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469638973.001.0001.

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Patterns of pearl cultivation and circulation reveal vernacular practices that shaped emerging imperial ideas about value and wealth in the early modern world. Pearls’ variability and subjective beauty posed a profound challenge to the imperial impulse to order and control, underscoring the complexity of governing subjects and objects in the early modern world. Qualitative, evaluative language would play a prominent role in crown officials’ attempts to contain and channel this complexity. The book’s title reflects the evolving significance of the term barrueca (which became “baroque” in Englis
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