Academic literature on the topic 'Contemporaey'

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Journal articles on the topic "Contemporaey"

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Oguibe, Olu, and Nicole Guez. "L'Art Africain Contemporain/Contemporary African Art: Guide." African Arts 30, no. 1 (1997): 91. http://dx.doi.org/10.2307/3337485.

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Butini, Riccardo. "Tuñón Arquitectos. Museo d’Arte Contemporanea Helga De Alvear, Cáceres, Spagna." Firenze Architettura 27, no. 1-2 (2024): 42–53. http://dx.doi.org/10.36253/fia-15069.

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Ancorato al tessuto storico di Cáceres, dove le antiche mura dividono in due la città, il Museo d’arte contemporanea Helga de Alvear, una ‘fragile’ struttura di cemento bianco emerge dalla solida architettura storica ad alimentare un dialogo tra antico e contemporaneo, che si affida ai principi di radicamento e di astrazione insieme, riconoscendoli quali ideali sostegni del processo compositivo.
 Located in the historic fabric of Cáceres, where the ancient walls divide the city in two, the Helga de Alvear Museum of Contemporary Art, a ‘fragile’ white concrete structure, emerges from the s
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Guirard de Camproger, Diane. "Le cheval blessé ou malade dans la nouvelle française au tournant du siècle (1830-1970)." Bulletin de la Société Française d'Histoire de la Médecine et des Sciences Vétérinaires 20, no. 1 (2021): 107–14. https://doi.org/10.3406/bhsv.2021.1376.

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Based on different cases of horses suffering in French contemporary short stories (19th to 20th centuries), this article intends to diagnose from what pain or sicknesses the fiction horses are suffering the most. Analysing the narrative functions of the sick horse in literature will lead us to apprehend better the writer’s intentions, as well as the writing itself. What are the consequences of the use of a horse character – as well as his misfortunes – on the text construction ? We will see how the horse, even fictional, still only exists in literature to serve a purpose, until its death. This
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Draskóczy, Eszter. "Reminiscenze dantesche nelle opere d'arte contemporanee ungheresi. Considerazioni sulla mostra "I nostri inferni e quello di Dante"." Tenzone, no. 22 (December 7, 2023): 115–38. https://doi.org/10.26034/fr.tenzone.2023.4104.

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Il presente contributo mira a offrire un commento alle opere d'arte di quattro artisti ungheresi contemporanei – Ilona Lovas, József Szurcsik, József Baksai e József Gaál – esibite alla mostra dal titolo I nostri inferni e quello di Dante (Roma, Accademia d’Ungheria in Roma, 23 settembre -5 novembre 2021; poi installata a Budapest, Pesti Vigadó, 22 febbraio - 24 aprile 2022, con il titolo ungherese Kinek a pokla ma Dante Pokla, 'Di chi è oggi l'inferno di Dante?'). Tali opere non sono considerate illustrazioni della Commedia dantesca, ma senza dubbio riecheggiano lo spirito dell’Inferno di Ali
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Klinkhammer, Lutz. "Has "Il Novecento" Superseded "Storia Contemporanea"? Some Thoughts on Italian Contemporary History." Soudobé dějiny 15, no. 2 (2008): 357–76. http://dx.doi.org/10.51134/sod.2008.025.

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Tahir, Gustia. "Arabic Language and Contemporer Civilization (Capturing Arabic Language Roles in Contemporary Era)." Jurnal al-Hikmah 23, no. 1 (2021): 30–39. http://dx.doi.org/10.24252/al-hikmah.v23i1.21446.

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Arabic language has no doubt been regarded an international language that is often used in official meetings. Besides English, Arabic can be used as the official language in international forums. Arabic is a language that has a uniqueness in terms of grammar and linguistics, therefore this language is studied in many countries around the world. Arabic has an important role in current contemporary world, especially as a medium of political, economic and cultural interaction. This paper portrays the role of Arabic in the contemporary era, especially its roles in in the development of civilizatio
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Sokolewicz, Wojciech. "Democracy, Rule of Law, and Constitutionality in Post-Communist Society of Eastern Europe." "Droit Polonais Contemporain / Polish Contemporary Law" 86 (December 31, 1990): 5–22. https://doi.org/10.5281/zenodo.4063708.

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Kosikowski, Cezary. "Les orientations des changements en droit financier polonais." "Droit Polonais Contemporain / Polish Contemporary Law" 86 (December 31, 1990): 23–37. https://doi.org/10.5281/zenodo.4063734.

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Matey, Maria. "Labour Law and Unemployment in Poland." "Droit Polonais Contemporain / Polish Contemporary Law" 86 (December 31, 1990): 39–52. https://doi.org/10.5281/zenodo.4063775.

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Włodyka, Stanisław. "Reform of the Polish Administration of Justice." "Droit Polonais Contemporain / Polish Contemporary Law" 86 (December 31, 1990): 53–65. https://doi.org/10.5281/zenodo.4063829.

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Dissertations / Theses on the topic "Contemporaey"

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Masiero, Valentina <1989&gt. "Contemporary Love - panoramica sull'arte erotica giapponese contemporanea." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7535.

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L'elaborato si propone di presentare l'arte erotica giapponese contemporanea con l'intento di tracciarne un profilo tecnico e tematico. La ricerca contestualizza lo sviluppo dell'arte erotica a partire dagli shunga di periodo Edo fino i giorni nostri per comprenderne le sfumature, i collegamenti e la simbologia ricorrente, cercando di esplicitare i motivi di tali eventuali riprese, senza tralasciare la componente sociale. L'approfondimento si situa all'interno degli studi artistici e cerca di estrapolare dal calderone della definizione “arte erotica” varie tipologie di produzioni nei sottoinsi
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Ourrad, Samia. "Contre-culture et marginalité dans le roman contemporain : le signe d’un déclin littéraire ?" Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20022.

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L’introduction de la marginalité et de la contre-culture dans le roman contemporain révèle une certaine crise dans la conception même du statut de la littérature à la fin du XXe siècle et à l’aube du XXIe siècle. On proclame souvent la mort de la littérature et du roman, mais aussi la crise de la fiction, de la narration, du sujet. On remarque ainsi des interférences croissantes dans la littérature contemporaine entre les « mauvais genres » et les genres nobles, entre la Littérature et la « sous-littérature ». Cette idée de fin ne va-t-elle pas de pair également avec la croyance aiguë que le m
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Spinelli, Manuela. "Le personnage de l’inetto dans la littérature italienne de la fin du XXe siècle." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100166/document.

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L’objectif de cette étude est d’analyser l’inetto contemporain dans le roman italien, à savoir un personnage inapte, aboulique et velléitaire dont l’existence s’entremêle à la littérature italienne depuis désormais plus de cent ans. Notre hypothèse est que le sentiment de mal-être qui l’accompagne peut être lu comme une contestation de la société. Nous nous concentrons sur les dernières vingt années du XXe siècle qui voient une réactualisation de ce personnage né à la fin du XIXe siècle. La première partie trace une possible généalogie du personnage. C’est un détour nécessaire, l’inetto étant
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Rambaud, Mathias. "Les représentations chrétiennes dans le roman français contemporain de 1991 à nos jours." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30018.

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La réappropriation de l’eschatologie judéo-chrétienne par les doctrinaires politiques du XIXe siècle est un topos de l’histoire des idées ; le soubassement religieux de l’idéologie démocratique du XXe siècle, quoique moins éclatant, est tout aussi réel. Quant à l’art, ouvrant dans un monde ultra-territorialisé le champ de l’extraterritorialité par excellence, il constitue peut-être la dernière altérité du discours rationnel positiviste. La théorie spéculative de l’Art a montré en quoi la littérature se rapproche plus d’un logos que d’une tekhnè, et l’écrivain de la figure du messager plutôt qu
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Parcollet, Remi. "La photographie de vue d'exposition." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040222.

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L'Exposition a fait l'objet de nombreuses analyses et pourtant son rapport à la photographie est rarement évoqué. Considérée comme un procédé, elle développe de nombreux liens avec celui de la Photographie. Toutes les deux consistent à "montrer". Au-delà de leurs analogies, la Photographie et l'Exposition sont interdépendantes. L'étude de l'Exposition passe désormais inévitablement par la photographie. Les artistes et les commissaires utilisent aujourd'hui la photographie non pas comme une finalité mais comme un outil permettant de penser la mise en espace. Une photographie de vue d'exposition
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Bassene, Reine. "L'art contemporain africain : enjeux et perspectives face à l'émergence du marché de l'art globalisé." Thesis, Nice, 2013. http://www.theses.fr/2013NICE2046/document.

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L’art contemporain africain a fait son entrée dans le système globalisé, d’abord par les manifestations artistiques, ensuite dans les maisons de vente. Depuis les années post-indépendances, une nouvelle vision de l’art contemporain africain a émergé avec l’avènement des discours postcoloniaux. Ces idées inédites ont entraîné une lecture différente de l’esthétique contemporaine africaine avec l’appui de certains commissaires d’exposition. Parallèlement, une vision de l’artiste « authentique » subsiste dans les manifestations et donne de l’artiste africain une image qui peut paraître quelques fo
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POLA, FRANCESCA. "MITICO PLASTICO MAGICO. Italia e Germania 1918-1925. Episodi e figure di un dialogo artistico." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/218.

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La ricerca ha individuato come elemento specifico d'interesse la ricostruzione storico-critica delle relazioni artistiche tra Italia e Germania, nel periodo compreso tra il 1918 e il 1925, nel corso del quale sono stati riscontrati gli episodi più rilevanti e i momenti originanti di sviluppi significativi per gli artisti, i galleristi e gli intellettuali coinvolti in queste relazioni. La ricostruzione storica delle vicende espositive, bibliografiche, documentarie, che hanno costituito il tessuto attraverso il quale si sono sviluppati e intrecciati i percorsi dei due ambiti culturali, è stata
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POLA, FRANCESCA. "MITICO PLASTICO MAGICO. Italia e Germania 1918-1925. Episodi e figure di un dialogo artistico." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/218.

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La ricerca ha individuato come elemento specifico d'interesse la ricostruzione storico-critica delle relazioni artistiche tra Italia e Germania, nel periodo compreso tra il 1918 e il 1925, nel corso del quale sono stati riscontrati gli episodi più rilevanti e i momenti originanti di sviluppi significativi per gli artisti, i galleristi e gli intellettuali coinvolti in queste relazioni. La ricostruzione storica delle vicende espositive, bibliografiche, documentarie, che hanno costituito il tessuto attraverso il quale si sono sviluppati e intrecciati i percorsi dei due ambiti culturali, è stata
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Hugues, Henri. "1914-2014, un siècle d’anthropophagie féminine dans l’art brésilien : pertinence et actualité ?" Thesis, Antilles-Guyane, 2014. http://www.theses.fr/2014AGUY0766/document.

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Au début du vingtième siècle, une rupture radicale et fondatrice de modernité artistique eut lieu au Brésil. Cette modernité se démarque de celle d’Europe par la prise de conscience des distances géographiques, culturelles et politiques vis à vis de l’Europe et surtout de l’ancienne puissance coloniale, le Portugal, par la recherche de son identité à travers la multiplicité des métissages du Nouveau Monde, ses mythes et son histoire réelle décolonisée. L’avant-garde brésilienne émerge autour de 1928, à travers les Manifestes anthropophages d’Oswald de Andrade (1890-1954) qui est donc le fondat
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Riss, Sabine. "Ravage et carnage des subjectivités contemporaines : postures radicales et métapsychologie du chaos." Thesis, Université Côte d'Azur (ComUE), 2019. http://www.theses.fr/2019AZUR2013.

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Notre travail s'élaborera autour d’une hypothèse centrale : L’écho inédit trouvé par la trame narrative et scopique proposée par Daech s'explique par son adéquation avec les affres des subjectivités contemporaines. Il s’agit donc d’étudier les conditions de cette rencontre, qui capte le sujet errant dans les eaux troubles de l’archaïque, avec une offre de mort distillée par le dévoiement d’un pseudo-islam de cruauté semblant apporter l’illusion d’une réponse. Car, d’emblée, chez les jeunes sujets que nous recevons, la « greffe » fantasmatique prend, telle une rencontre passionnelle entre un su
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Books on the topic "Contemporaey"

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Morozzi, Cristina. Mobili italiani contemporanei =: Contemporary Italian furniture. Edizioni L'archivolto, 1996.

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Claudia, Cavallo. Primitivo contemporaneo lagunare: Lagoon's primitive contemporary. Anteferma, 2020.

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Saladino, Antonio. Antonio Saladino: Reperti contemporanei = contemporary artifacts. Silvana editoriale, 2018.

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Bresciani, Ana María, Caterina Benvegnù, Silvia Ferri de Lazara, Mario Gorni, and Giulia D'Amaro Valle. Cos'è il contemporaneo?: What is the contemporary? CLEUP, 2008.

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Gallery, Hemus, ed. Contemporary Bulgarian art =: L'Art bulgare contemporain, 1985. Hemus, 1985.

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Muteba, Luntumbue Toma, Poinas Claire, and Musée royal de l'Afrique centrale., eds. ExitCongoMuseum: Hedendaagse kunst = art contemporain = contemporary art. Koninklijk Museum voor Midden-Afrika, 2001.

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Kohl, Reinhold. Marmo: Scultori & sculture contemporanei = contemporary sculptors & sculptures. Silvana, 2014.

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Guez, Nicole. L' art africain contemporain =: Contemporary African art : guide. 9th ed. Association dialogue entre les cultures, 1992.

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Milano, Christie's. Arte moderna e contemporanea: Modern and contemporary art. Christie's, 2001.

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Milano, Christie's. Arte moderna e contemporanea: Modern and contemporary art. Christie's, 2002.

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Book chapters on the topic "Contemporaey"

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Ballaster, Ros, Margaret Beetham, Elizabeth Frazer, and Sandra Hebron. "Contemporary magazines, contemporary readers." In Women’s Worlds. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21391-7_6.

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Choong, Felix. "Contemporary Runway, Contemporary Costume." In Insubordinate Costume. Focal Press, 2024. http://dx.doi.org/10.4324/9781003341000-6.

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Osborne, Roy, and Dennis Wm. Stevenson. "Contemporary." In The Cycad Botanists. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-79082-9_7.

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Wee, C. J. W. L. "Contemporary theatre, the contemporary, and historicity." In The Routledge Companion to Theatre and Politics. Routledge, 2019. http://dx.doi.org/10.4324/9780203731055-8.

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Husquinet, Jean-Pierre. "Contemporary Totemism." In Explorations in Art and Technology. Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0197-0_20.

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Mackey, Hollie J. "Contemporary Decolonolization." In The Wiley Handbook of Educational Policy. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119218456.ch12.

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Husquinet, Jean-Pierre. "Contemporary Totemism." In Springer Series on Cultural Computing. Springer London, 2018. http://dx.doi.org/10.1007/978-1-4471-7367-0_20.

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Churton, Mel, and Anne Brown. "Contemporary Theory." In Theory and Method. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-02163-2_4.

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Churton, Mel, and Anne Brown. "Contemporary Debates." In Theory and Method. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-02163-2_5.

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Avery, Simon, and Nicolas Tredell. "Contemporary Reviews." In Thomas Hardy. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-02168-7_2.

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Conference papers on the topic "Contemporaey"

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Lisle, David A., and Lyle D. McGinnis. "Contemporary stress fields, ancient lithospheric blocks, and contemporary earthquakes." In 1985 SEG Technical Program Expanded Abstracts. SEG, 1985. http://dx.doi.org/10.1190/1.1892747.

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Akuru, U. B., and M. J. Kamper. "Contemporary wind generators." In 2014 International Conference on the Industrial and Commercial Use of Energy (ICUE). IEEE, 2014. http://dx.doi.org/10.1109/icue.2014.6904205.

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Aubrecht II, Gordon J. "Teaching contemporary physics." In AIP Conference Proceedings Volume 173. AIP, 1988. http://dx.doi.org/10.1063/1.37537.

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Ekhaguere, G. O. S. "Contemporary Stochastic Analysis." In International Conference on Contemporary Problems in Stochastic Analysis and its Applications. WORLD SCIENTIFIC, 1991. http://dx.doi.org/10.1142/9789814538756.

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Barnas, Janusz. "CONTEMPORARY TIMBER BUILDINGS." In 18th International Multidisciplinary Scientific GeoConference SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgem2018v/6.4/s09.043.

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Mantziaras, Panos. "The contemporary picturesque." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2007. http://dx.doi.org/10.5821/ctv.7469.

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O'Neil, L. Jean, and Michael F. Passmore. "A Contemporary Fable." In Wetlands Engineering and River Restoration Conference 1998. American Society of Civil Engineers, 1998. http://dx.doi.org/10.1061/40382(1998)134.

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Sugimoto, Natsuki, and Minako McCarthy. "Magnificent Contemporary Hepburn." In Breaking Boundaries. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.13523.

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Vaida, Daria Nikolaevna. "Contemporary Religious Architecture." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-530599.

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Vallières, Michel, and Da Hsuan Feng. "Symposium on Contemporary Physics." In Symposium on Contemporary Physics. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814535359.

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Reports on the topic "Contemporaey"

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Margolis, Leo, and Nicole Eckerson. Contemporary Utilitarianism. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1674.

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Creamer, Elizabeth. Contemporary Mixed Methods Research. Instats Inc., 2023. http://dx.doi.org/10.61700/s0sqns3fhs62h469.

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This 3-day seminar offers a comprehensive understanding of mixed methods research, focusing on its integration and theoretical approach. Participants will acquire skills such as crafting a mixed methods purpose statement, creating diverse visual displays that combine data from various sources, and designing a procedural diagram that shows the integration points in the research process. The seminar is based on the seminar leader's two textbooks on mixed methods, and each day ends with a chance to win a complimentary copy of one of these books. An official Instats certificate of completion will
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Creamer, Elizabeth. Contemporary Mixed Methods Research. Instats Inc., 2023. http://dx.doi.org/10.61700/ellubimu8hji0469.

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This 3-day seminar offers a comprehensive understanding of mixed methods research, focusing on its integration and theoretical approach. Participants will acquire skills such as crafting a mixed methods purpose statement, creating diverse visual displays that combine data from various sources, and designing a procedural diagram that shows the integration points in the research process. The seminar is based on the seminar leader's two textbooks on mixed methods, and each day ends with a chance to win a complimentary copy of one of these books. An official Instats certificate of completion will
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Linn, II, and William D. Officer Development: A Contemporary Roadmap. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada485357.

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Lindbeck, Assar. Pensions and Contemporary Socioeconomic Change. National Bureau of Economic Research, 2000. http://dx.doi.org/10.3386/w7770.

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Wirtz, James. Strategy in the Contemporary World. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada384204.

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Pfeffer, G. J. Weather and Overlord: Contemporary Lessons. Defense Technical Information Center, 1985. http://dx.doi.org/10.21236/ada159211.

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Pal, Nikhil, Jehangir Din, and Peter O'Kane. Contemporary Management of Stent Failure. Radcliffe Cardiology, 2019. http://dx.doi.org/10.15420/rc.2019.m028.

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Jayasimha, Sudhindra, and Anthony Devasia. Contemporary diagnosis of genitourinary tuberculosis. BJUI Knowledge, 2021. http://dx.doi.org/10.18591/bjuik.0555.

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Schluckebier, Kai. Intersections in contemporary traffic planning. Goethe-Universität, Institut für Humangeographie, 2021. http://dx.doi.org/10.21248/gups.58866.

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In Germany, traffic planning still follows the tradition of modernist urban planning theory from the beginning of the 1930s and car-oriented city planning during the post-war period in West Germany. From a methodological perspective, the prevailing narrative is that traffic can be abstracted and modelled under laboratory conditions (in vitro) as a spatial movement process of individual neutral particles. The use of these laboratory experiments in traffic planning cannot be understood as a neutral application of experimental results, assumed to be true, in a variety of spatial contexts. Rather,
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