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Journal articles on the topic 'Contemporary aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Novakovic, Marko. "Renewal of aisthesis in contemporary aesthetics." Theoria, Beograd 62, no. 2 (2019): 17–34. http://dx.doi.org/10.2298/theo1902017n.

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The main subject of this work is the new aesthetics of atmospheres promoted in the last decades of 20th century by Gernot B?hme. Aesthetics of the atmospheres is a consequence of revival of aesthesis in contemporary aesthetics. The concept of atmospheres changes the model of perception from mechanical-cognitivistic to pathic and existential: perception is not grasping the sensitive qualities of things, but bodily sensing ourselves in the presence of atmospheres filling space or environment. Traditional concept of aisthesis and aesthetics as a science of sensitive knowledge provides a model for

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2

Greiman, Jennifer. "Democratic Aesthetics, Aesthetic Democracy." American Literary History 35, no. 1 (2023): 400–410. http://dx.doi.org/10.1093/alh/ajac234.

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Abstract This essay reviews four new books, each of which assesses the prospects of contemporary democracy in the face of wide-ranging crises—from the legacies of settler colonialism to the resurgence of right-wing nationalism—and finds possibilities for democratic renewal in aesthetic orientations and practices. Taken together, Jason Frank’s The Democratic Sublime (2021), Andrés Fabián Henao Castro’s Antigone in the Americas (2021), Michael Steinberg’s The Afterlife of Moses (2022), and Elisabeth Anker’s Ugly Freedoms (2022) suggest that the aesthetic turn in democratic theory most closely as

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Erjavec, Aleš. "Art and aesthetics: Three recent perspectives." SAJ - Serbian Architectural Journal 4, no. 2 (2012): 142–59. http://dx.doi.org/10.5937/saj1202142e.

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The author sketches the development of the relationship between art and aesthetics in the recent past. As his starting point, he takes the position that artists established in the sixties in relation to philosophical aesthetics. In his view 1980 represented a historical threshold as concerns transformations both in art and its philosophy. He then discusses three theories of art and aesthetics - Nicolas Bourriaud's "relational aesthetics" from the nineties, Jacques Rancière's aesthetic project from the following decade, and the very recent "theory of contemporary art" developed by Terry Smith.

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Mohammad Nasser AL-Arifi, Tahani. "Phenomenology as an approach to seeing the aesthetics of ugliness in contemporary art designs." Al-Academy, no. 110 (December 15, 2023): 315–50. http://dx.doi.org/10.35560/jcofarts1307.

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With a descriptive and analytical approach, it discusses the concept of phenomenology as an approach to seeing the aesthetics of ugliness as one of the concepts associated with the aesthetic experience in contemporary art designs, as it is the result of communication between artistic production and the recipient, which leads to creating a state of aesthetic pleasure. A phenomenological method is used to uncover the aesthetics of ugly and to connect ugliness and beauty since ugliness in aesthetics incorporates beauty as a modern aesthetic vision from the phenomenological perspective. The study

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Haapala, Arto. "Contemporary Finnish Aesthetics." Philosophy Compass 6, no. 1 (2011): 1–10. http://dx.doi.org/10.1111/j.1747-9991.2010.00371.x.

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Ihringová, Katarína. "The Problem of Aesthetic Experience in Contemporary Art." ESPES. The Slovak Journal of Aesthetics 7, no. 2 (2018): 33–42. https://doi.org/10.5281/zenodo.6377522.

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Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose and goal of art. The aesthetic features of a work of art have been the only criteria used in its evaluation. However, these modernist aspects cannot be applied to the conceptual and neo-avant-garde art of the 2nd half of the 20th century that has not only brought a radical change in the artistic form, but, especially, the ontological nature of the work itself. Modernist theories of art and normative rules which apply to perceptual art are no longer able to reflect the c

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Lai, Sicheng, and Boxiang Zhuang. "The Enlightenment of Marketing Aesthetics to Contemporary Aesthetic Education." OALib 12, no. 02 (2025): 1–8. https://doi.org/10.4236/oalib.1112933.

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8

Pryba, Russell. "Two Modes of Contemporary Pragmatist Aesthetics." Contemporary Pragmatism 12, no. 1 (2015): 1–9. http://dx.doi.org/10.1163/18758185-01201001.

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This paper identifies two central modes of discourse in contemporary pragmatist aesthetics: Cultural Emergentism and Experiential Somaesthetics. Whereas Cultural Emergentism focuses on developing a non-reductive ontology of culture, Experiential Somaesthetics preserves the traditional pragmatist emphasis on embodied experience and examines the place that the care and cultivation of the living soma has in improving our aesthetic transactions.

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Rybakov, Vsevolod V. "THE POLITICAL DIMENSION OF AESTHETICS: WHAT CAN PRACTICAL AESTHETICS DO FOR THE CONTEMPORARY WORLD?" Научное мнение, no. 4 (April 24, 2024): 25–29. http://dx.doi.org/10.25807/22224378_2024_4_25.

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The article considers the expediency of using the ideas of contemporary practical aesthetics in the political action necessary for solving the political and ecological crisis of our time. It is postulated that overcoming the exploitative attitude in human relations with the world is impossible without transforming our desires, aesthetic feelings and habits, which determine everyday actions more directly than reason or duty. As an alternative to the model of aesthetic experience accompanying the logic of consumption, it is proposed to actualise the deliberative component inherent in aesthetics

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Condello, Angela. "Aesthetics of Contemporary Work." Rivista di estetica, no. 79 (April 1, 2022): 3–6. http://dx.doi.org/10.4000/estetica.14622.

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O’Connell, Maureen. "Aesthetics and Contemporary Ethics." Theological Studies 85, no. 1 (2024): 145–61. http://dx.doi.org/10.1177/00405639231225266.

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This article provides a literature review on aesthetics and ethics, with a particular focus on how attention to aesthetics generates needed insights into ethical theory and the dynamics of moral practice.

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Bufardeci, Louisa. "Tacktical Aesthetics: A Propositional Aesthetic Language Starting from Philosophies of Relationality." AM Journal of Art and Media Studies, no. 23 (October 15, 2020): 1–12. http://dx.doi.org/10.25038/am.v0i23.393.

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Tacktical aesthetics is a propositional aesthetic language for an art that seeks to reinforce and reproduce values present in philosophies of relationality in place of those present in contemporary systems of domination. With this text I present some partial declarations about tacktical aesthetics that draw on Indigenous and feminist philosophies of relationality and on ideas of resingularization. As well as reflecting on the value of neologisms for this type of project, I discuss the various implications for tacktical aesthetics, including its relation to contemporary art and shock tactics, a

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Lines, David. "Music and Aesthetics in Education: Towards a Contemporary View." Beijing International Review of Education 4, no. 3 (2022): 408–21. http://dx.doi.org/10.1163/25902539-04030010.

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Abstract Aesthetics provides an important philosophical and practical dimension to arts and music education. It helps teachers and learners consider art more deeply, and find room to explore artistic meaning about the personal, creative, emotional and transformational aspects of human life. However, aesthetic education has not always achieved what it has potential to do because of its disciplinary orientation. At the same time, attempts to negate aesthetic education have neglected to foreground the creative insights and meanings of personal experience, and as such, have not clearly connected w

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Consoli, Gianluca. "Aesthetic Value and Aesthetic Judgment. The Hard Problem for Contemporary Aesthetic Naturalism." Aesthetic Investigations 4, no. 1 (2020): 112–21. https://doi.org/10.5281/zenodo.4415579.

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Contemporary aesthetic naturalism integrates various scientific approaches into the common effort to provide an explanation of the main topics of aesthetics on the basis of empirical methods or in line with available evidence. Although these approaches have recently achieved very relevant empirical and theoretical results, contemporary aesthetic naturalism still does not solve the traditional hard problem of naturalism as such, that is the explanation of value in scientific terms.  Firstly, I analyse the possible responses to this hard problem, showing that aesthetic value, particularly i

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Kordas, O. M. "Lutheran aesthetics." Herald of Omsk University 28, no. 3 (2023): 57–61. http://dx.doi.org/10.24147/1812-3996.2023.28(3).57-61.

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The article discusses the features of the aesthetic expression of religious art in Protestantism. The main features of Lutheran aesthetics are highlighted, which include restraint, expressive simplicity, minimalism, functionality, the prevalence of verbal and musical arts over fine art, the tolerant attitude of Lutherans to the combination of religious and secular aesthetics. Particular attention is paid to the transmission of religious traditions through the active use of the aesthetic possibilities of contemporary art in Lutheran liturgical practice.

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Davydova, Tatiana V. "Instagram as a platform for contemporary aesthetic practice." Digital Scholar: Philosopher`s Lab 4, no. 4 (2021): 104–22. https://doi.org/10.32326/2618-9267-2021-4-4-104-122.

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The article examines the scale, features and capabilities of the social network “Instagram” as a platform for contemporary aesthetical practice. The purpose of the article is to consider the “Instagram” tools which can be used for contributing to modern aesthetic practice: from hashtags under the photo to the increasingly popular video format “reels”. The author focuses on photography as an integral form of the content of this social network and demonstrates how a user can express their identity and aesthetic taste with the help of photography. The following examples show how an aesthetic prac

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Draskic-Vicanovic, Iva. "Three directions of development of contemporary aesthetics." Theoria, Beograd 62, no. 2 (2019): 107–15. http://dx.doi.org/10.2298/theo1902107d.

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The paper deals wit three possible directions of development which contemporary aesthetics can take. First: power of nation?s taste to show off the key characteristics of the whole culture and the spirit of epoche; author calls that ?logic of taste?. Second: development of combined application of phenomenological and iconological method in the analysis of the works of art in order to understand and interprete their context and third: possibility created by Fiedler?s aesthetic interpretation of Kant?s epistemology - development of the idea of formgiving, i.e. aesthetic, essence of human knowled

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Kraner, Kaja. "The Aesthetics of Relations: The Modernist, Contemporary and Post-Contemporary General Conceptualizations of Art." AM Journal of Art and Media Studies, no. 19 (September 15, 2019): 119. http://dx.doi.org/10.25038/am.v0i19.312.

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The article will juxtapose the modernist, contemporary and post-contemporary general conceptualization of art and aesthetic appearance of an artwork. Even though all three conceptualizations can be understood as intertwined because they are largely established in mutual relations, for our purpose they will be analyzed in terms of the basic epistemological terrain on which art enters the Western tradition of knowledge and power: the terrain of aesthetic education. The conceptualization of modernist art/artwork will mainly draw from its link with the autopoietic image of artwork/artistic creativ

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Mako, Vladimir. "Aesthetics in architecture: Contemporary research issues." SAJ - Serbian Architectural Journal 4, no. 2 (2012): 134–41. http://dx.doi.org/10.5937/saj1202134m.

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The aim of this article is to provide an overview regarding research into aesthetic issues concerning architecture, urban design, and environment in general. For this purpose, the article focuses on the period of the last twelve years, as a period of intensive research into the named issues using new philosophical positions and values of interculturality. It seems that in that period research in aesthetics of architecture shifted into complex interdisciplinary fields developing new theoretical ideas enriching at the same time processes of creative practice.

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Haitao, Zhang. "Chinese Classical Aesthetic in the View of Inter-Subjectivity." Lingua Cultura 2, no. 2 (2008): 211. http://dx.doi.org/10.21512/lc.v2i2.312.

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In contemporary China, the theory of intersubjectivity causes great significance to the construction of modern Chinese aesthetic theory but this kind of transverse dimensions of space on the outside of the transplantation of theory gave rise to some bad effects to traditional culture and classical Chinese aesthetics. Article presents a qualitative method. Its purpose to conduct research on intersubjectiveness spirit of Chinese aesthetics and literature from the dimensions of the longitudinal time. The discussion will also cause a vital significance to the building of contemporary Chinese aesth

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Fromm, James R. "Reading Joseph Conrad: Rhetorical Aesthetics/Aesthetic Rhetorics." Roczniki Kulturoznawcze 13, no. 4 (2022): 79–82. http://dx.doi.org/10.18290/rkult22134.10.

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The presented statement is part of the volume it covers a variety of responses from people who interact with art in different ways. The aim is to suggest to the participant of the contemporary world a new, personal perspective to rethink what is this area of our world that we label with art; thoughts with and without theoretical suggestions - reflections by the creators and reflections by the audience, teaching humility and uniqueness, perhaps - forming a fresh perspective on art.

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Christiane, Wagner. "Aesthetic Appreciation: Natural, Artistic, and Media Effects." Art Style, Art & Culture International Magazine 9, no. 9 (2022): 129–47. https://doi.org/10.5281/zenodo.6808426.

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Art Style | Art & Culture International Magazine Abstract This article aims to conceptualize aesthetic appreciation based on the main aesthetic theories of the last decades. The development of this analysis includes the core values that highlight the natural and urban environmental aesthetic experience. The need to know more about aesthetic experience establishes possibilities for research beyond art that focuses on natural and artificial spaces. While other traditional approaches have sought to discuss the object of aesthetics, namely artistic beauty and its relation to natural beauty, or

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Froy, Thomas. "Everyday Aesthetics - Review." Aesthetic Investigations 5, no. 2 (2023): 229–31. http://dx.doi.org/10.58519/aesthinv.v5i2.13535.

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This article reviews the volume 'Everydayness: Contemporary Aesthetic Approaches', edited by Lisa Gombini and Adrián Kvokačka. Thomas Froy assesses the relation, explored by the contributing authors, between the notion of the 'everyday' and the field of aesthetics, focussing on questions about the 'who' and the 'what' of everyday aesthetics, and its place in the modern world.

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Jadrešin-Milić, Renata, and Catherine Mitchell. "The death of aesthetics in architectural education? Possibilities for contemporary pedagogy." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 553–70. http://dx.doi.org/10.5937/saj1903553j.

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The importance of aesthetics within architecture has a long history. Although evidence suggests that the term was not brought into architectural writing until 17351 , the place of aesthetics can be identified across architectural theory and philosophy since the time of Vitruvius. Developing an aesthetic sensibility was seen as crucial for an architect and the study of architecture was understood through the three Vitruvian lenses (utlitas, firmitas, venustas) one of which, venustas, is directly associated with aesthetics. This paper responds to the current and ongoing discussions between archi

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Abdulaziz Mohammd Saqr, Azizah. "The Aesthetics of Lumia Art in Contemporary Textile Arts, An Analytical Study." Al-Academy, no. 110 (December 15, 2023): 159–78. http://dx.doi.org/10.35560/jcofarts1230.

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The research (The Aesthetics of Lumia Art in Contemporary Textile Arts: An Analytical Study) included four chapters, the first to explain the research problem summarized by the question: Does the art of Lumia achieve aesthetic values in contemporary textile arts?, and aims to: Identify the aesthetics of Lumia art and its applied uses in contemporary textile arts, within the time period (2013-2022). The third chapter included: research procedures and sample analysis (4) models according to the descriptive analytical approach, and the fourth chapter dealt with: results, conclusions and recommend

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Yang, Yuling. "A Brief Analysis of the Development Process of Chinese Aesthetics and Aesthetic Education — Based on The Path of Beauty." Journal of Higher Education Research 4, no. 2 (2023): 58. http://dx.doi.org/10.32629/jher.v4i2.1178.

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The Path of Beauty by Li Zehou is a broad outline of the history of Chinese aesthetics and a classic of Chinese aesthetics. According to the law of beauty, human beings shape and form the unique process of aesthetic education which belongs to China, and aesthetic education also feeds back into the process of aesthetic development. The development of aesthetics should also be unified with the contemporary background. The ultimate concern of realizing people manifested in the historical logic and internal logic of beauty is rooted in reality.

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Stojanović Prelević, Ivana, and Zaaresh Zehra. "AESTHETICS OF DEEPFAKE ‒ SPHERE OF ART AND ENTERTAINMENT INDUSTRY." Facta Universitatis, Series: Visual Arts and Music, no. 1 (December 27, 2023): 087. http://dx.doi.org/10.22190/fuvam230918008s.

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The usage of artificial intelligence is one of the main characteristics of contemporary society. Deepfake is one among other forms of AI that uses artificial intelligence called deep learning to make images of fake events. This technology is not just about videos it is about photos and audio, too. It could be applied in different areas such as education, health care, art, commercials, film, propaganda, etc. Authors are interested in deep fakes used in the art and entertainment industry and their effects on audiences and aesthetics. The paper aims to show some characteristics of the aesthetics

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Daudrich, Anna. "Towards post-digital aesthetics." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 213–22. http://dx.doi.org/10.5937/saj1502213d.

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Over the past decades, digital technology and media had firmly integrated into almost all areas of contemporary culture and society. In this context, the Internet, computers or mobile phones are no longer considered products of new media, but instead are taken for granted. With this background in mind, this paper suggests taking a post-digital perspective on today's media society. The concept of post-digital refers to an aesthetics that no longer regards digital technology as a revolutionary phenomenon, but instead as a normal aspect of people's daily life. More precisely, post-digital aesthet

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Miao, Zheng. "Fragmented viewing of movies in contemporary society." Journal of Education, Humanities and Social Sciences 3 (September 22, 2022): 117–28. http://dx.doi.org/10.54097/ehss.v3i.1556.

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With the popularity and rapid development of the Internet, online video has played a very important role in promoting film and television communication. On the basis of online video, the rise of the short video industry has also brought about a huge change in people's movie habits. The fragmented aesthetics of movies are increasingly prominent under the influence of digital technology. The effects stemming from market forces are particularly profound. Marketization requires film production to take into account the types of audiences and to take care of the audience's spiritual fragments, and t

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C. Santander, Jhuren Vicson. "The Aesthetically Meaningful Tattoo: A Gadamerian Case Study." International Multidisciplinary Research Journal 2, no. 2 (2020): 21–27. http://dx.doi.org/10.54476/iimrj362.

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The paper focuses on Gadamer's philosophical aesthetics, explaining the artistic meanings and experiences of contemporary tattoos and tattooing. The paper discusses further by looking specifically at the following sub-concepts concerning an aesthetically meaningful tattoo from the perspective of tattoo artists and enthusiasts. Contemporary tattooing is considered mainstream; it is also one of the fastest growing industries globally. This provided different perspective in the development of contemporary tattooing. It includes the understanding and interpretation of the aesthetic experience and

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الاء عيسى كريم and علي عبدالله عبود. "Fashion Aesthetics in Contemporary Arab Sculpture." Basrah Arts Journal, no. 27 (November 30, 2023): 136–42. http://dx.doi.org/10.59767/2023.11/27.10.

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The art of sculpture in the Arab world formed a solid foundation in the field of art through the various sculptural products presented by Arab sculptors in employing art through which they contributed to the reflection of the cultural heritage due to the forms, symbols, images, forms of clothing and their external formal influences that were included in their works, which reflected the aesthetics of fashion in Arab sculpture. Contemporary, which necessitated highlighting the knowledge of its aspects from the cognitive, social, artistic and cultural aspects, and the connotations expressed by th

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Pritchard, Matthew. "Directions in Contemporary German Aesthetics." Journal of Aesthetic Education 43, no. 3 (2009): 117–27. http://dx.doi.org/10.1353/jae.0.0046.

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Clark, Samantha. "Contemporary Art and Environmental Aesthetics." Environmental Values 19, no. 3 (2010): 351–71. http://dx.doi.org/10.3197/096327110x519871.

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Pritchard, Matthew. "Directions in Contemporary German Aesthetics." Journal of Aesthetic Education 43, no. 3 (2009): 117–27. http://dx.doi.org/10.2307/40263756.

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Giombini, Lisa, and Adrián Kvokačka. "Contemporary Aesthetics. A Topographic Attempt." ESPES 8, no. 2 (2019): 3–9. https://doi.org/10.5281/zenodo.3632430.

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Xu, Jieyu, Ziqing Lv, and Yixuan Lai. "Research on the Development of Contemporary Jingdezhen Carved Floral Techniques." Yixin Publisher 2, no. 2 (2024): 69–76. http://dx.doi.org/10.59825/jhss.2024.2.2.69.

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This article analyzes the development context, technological changes, and aesthetic forms of contemporary Jingdezhen carved flowers, and explores their current development status. The interactive relationship formed between technology and aesthetics reflects the integration of other fields with ceramic art, as well as the inheritance and innovative forms of carved flowers. Through comparative analysis of technology and art, the article proposes an innovative path for carved flowers with aesthetics and materials as the core and inheritance and introspection as the soul.

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Szécsényi, Endre. "“An Habitual Disposition of Mind”: On The Roots of Everyday Aesthetics in the Early Eighteenth Century." Disegno 8, no. 1 (2024): 10–23. https://doi.org/10.21096/disegno_2024_1esz.

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This paper discusses some essays from London daily journals at the time of the emergence of modern aesthetics and attempts to demonstrate that what we nowadays call “everyday aesthetics” was not simply present in the relevant texts of the early eighteenth century, but, in a sense, it was the mainstream of the rising modern aesthetic. The aesthetic basically meant paying closer attention to our everyday reality including our natural and human made environments and also various quotidian activities. Contemporary everyday aesthetics should therefore be seen not so much as an extension of the most

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Zhang, Baogui, and Yanping Gao. "John Dewey's Aesthetic Legacy in China." Journal of Aesthetic Education 58, no. 4 (2024): 13–27. http://dx.doi.org/10.5406/15437809.58.4.02.

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Abstract Modern China's acceptance of Dewey's legacy of aesthetic thought is divided into three main periods. In 1906–49, Dewey's Art as Experience was noticed, but due to the fact that China was more concerned with the social realities and national crisis at that time, its aesthetic thought appeared as an accessory to Dewey's social philosophy and educational thought, and its rich significance was properly realized only within the practice of aesthetic education. From 1949 to 1978, Dewey's aesthetics was effectively suppressed through China's ideological storms. From 1978 to the present, bene

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Zhou, Ziluo. "A Brief Discussion on the Aesthetic Connotation of Eastern Cinema." Communications in Humanities Research 27, no. 1 (2024): 138–43. http://dx.doi.org/10.54254/2753-7064/27/20232158.

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Looking back at the century-long development of Chinese cinema, the deep-rooted influence of traditional Chinese aesthetics has played a crucial role in promoting the sinicization and nationalization of films. The isomorphic relationship between universal film aesthetics and traditional Chinese aesthetics allows Chinese cinema to extract humanistic values, broaden aesthetic categories, and increasingly present the vibrant characteristics of "Eastern cinema." This paper aims to analyze the aesthetic changes during the development of Chinese cinema, explore the aesthetic implications of Eastern

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Deepika, K. "Conformity to Social Media Aesthetics: Capitalism, Induvidualty and Contemporary Literary Perspectives." Shanlax International Journal of Arts, Science and Humanities 12, S1-Apr (2025): 62–66. https://doi.org/10.34293/sijash.v12is1-apr.8940.

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The paper deals with how the ideas of what “aesthetics” originally were and how it differs massively with present day notions of “aesthetic” which is predominantly connected with social media. Initially aesthetics was a rebellious charge against rigid and conventional norms of the society but what is available today is a set of pre-regulated rules on how to attain a particular aesthetic. Which was initially a means of self-expression, has become a subculture that has been commodified. Capitalism has been a driving force to these commodified online personas. However, this aesthetics promote a l

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Zuska, Vlastimil. "Funkce Rozumu v estetickém prožitku." Teorie vědy / Theory of Science 32, no. 1 (2010): 227–34. http://dx.doi.org/10.46938/tv.2010.50.

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The study considers Whitehead’s conception of the Reason (articulated especially in his The Function of Reason) as a regulative factor in every aesthetic experience along with Whitehead’s opinion of the basic aesthetic character of every experience. These thoughts are compared with contemporary findings of neuroaesthetics and the Reception aesthetics, in order to demonstrate how stimulating Whitehead’s philosophy is even for the present-day aesthetics.

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Shevchuk, Dmytro, and Kateryna Shevchuk. "Aesthetics and Politics." Symposion 10, no. 2 (2023): 261–73. http://dx.doi.org/10.5840/symposion202310215.

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The paper examines the relationship between aesthetics and politics. In modern humanities, we can find few conceptions of this relationship. These conceptions are not only part of political philosophy or political theory, but also a methodological instrument for analyzing modern politics and aesthetics. They provide an opportunity to understand both the features of contemporary politics and the state of modern aesthetic theory in light of the significant changes that have affected both of these spheres. This article analyzes the main models of the relation between aesthetics and politics. We i

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Oliva, Stefano. "Risonanze della Teoria della Formatività di Luigi Pareyson nell’Estetica Musicale Contemporanea." Philosophy of Music 74, no. 4 (2018): 1077–92. http://dx.doi.org/10.17990/rpf/2018_74_4_1077.

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In spite of its limited influence on Italian Aesthetics, Luigi Pareyson’s Aesthetics. Theory of formativity is often cited in the contemporary debate about Aesthetic of music. In this paper I will present the context and reception of Pareyson’s theory of formativity, one of the main post-Crocian aesthetic theories. Then, I will introduce some of the key concepts of Pareyson’s Aesthetics as person, form and interpretation; at last, I will show the relevance of these concepts for issues such as: musical gesture, improvisation, written and not written music, musical ontology. Although these terms

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Berleant, Arnold. "What is Aesthetic Engagement?" International Yearbook of Aesthetics 18 (January 1, 2015): 17–19. https://doi.org/10.17613/M60G3GX6W.

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Aesthetic engagement is the central concept of an aesthetic theory that came as an alternative to the aesthetic disinterestedness of traditional aesthetics. It emerged in response to developments in the contemporary arts that emphasized the direct involvement of an active appreciator in the art object, overcoming the customary separation between them. Aesthetic engagement thus rejects the dualism inherent in customary accounts of aesthetic appreciation and epitomized in Kantian aesthetics, which treats aesthetic experience as the subjective appreciation of a beautiful object. Instead, aestheti

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Kuletin-Ćulafić, Irena. "From the Big Mac and Ikea society to the environmental aesthetics, smart cities and storytelling architecture." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 441–62. http://dx.doi.org/10.5937/saj1903441k.

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Our global society is encountering different challenges of the twentyfirst century. Our cities are in the process of constant transformation influenced by urbanisation, globalisation, advanced technologies, environmental and ecological changes, social, political and economic crises. While corporative capitalism has flourished, world population is growing and our cities are sprawling, architecture is reaching almost utopian visions and the boundaries of aesthetics are becoming more and more loose and permeable. Today our contemporary society lives and acts aesthetically. From art, architecture,

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Defrančeski, Jan. "Environmental Aesthetics and Land Art." Pannoniana 6, no. 1 (2022): 9–34. http://dx.doi.org/10.32903/p.6.1.1.

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In this paper, the author reflects on the relationship between environmental aesthetics and land art. By considering their historical development, the author first addresses the terminology problem which prompted him to understand land art as a hypernym – i.e. a term that semantically encompasses other art practices (e.g. “Earth art”, “Earthworks”, “Site art”, “Arte Povera”, “Environment(al) art”, and “Ecological art”). Moreover, by considering certain features of land art (e.g. integration, interruption, involvement, implementation, and imagining), the author proposes a thesis according to wh

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Vuksanovic, Divna, and Katarina Smakic. "Aesthetics of Disability: Aesthetic Values in the Era of Artificial Intelligence." Diogenes 32, no. 2 (2024): 146–63. http://dx.doi.org/10.54664/fmva4776.

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This paper deals with the interpretation of the impact of artificial intelligence (AI) in the field of artistic creation from the standpoint of aesthetic evaluation, emphasizing the distinction between aesthetic and artistic valorisation within contemporary aesthetics research. The paper broadly compares two aesthetic perspectives – traditional and contemporary: the former is value-determined through the idea of beauty, while the latter directs its interpretive focus on the body, specifically the disabled body. By recognizing the similarity between the representation of disabled bodies and wor

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杨, 静. "The Contemporary Value of Kant’s Aesthetic Self-Discipline to Chinese Aesthetics." Advances in Philosophy 12, no. 02 (2023): 341–45. http://dx.doi.org/10.12677/acpp.2023.122060.

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Lisovetc, Irina, and Boris Orlov. "Urban Art Practices in the Vision of Projective Aesthetics." AM Journal of Art and Media Studies, no. 22 (September 15, 2020): 77–84. http://dx.doi.org/10.25038/am.v0i22.389.

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Modern urban art practices (public art, street art, flash mob, performance, etc.), are engaged in a radical aesthetic transformation of everyday life. The problem of projective aesthetics is taken as a variant of the praxis of modern aesthetics. Projective aesthetics suggests that one should mark out art projects which are created in the real aesthetic experience and which represent topical cultural issues in daily human life. Being the subject of projective aesthetics, the main examples of that kind are the projects of actual art in the urban environment. It is a group of artifacts at the bor

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Balogh, Piroska, and Botond Csuka. "Aesthetics in Hungary: Traditions and Perspectives." ESPES. The Slovak Journal of Aesthetics 10, no. 1 (2021): 7–11. https://doi.org/10.5281/zenodo.5885388.

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The paper is meant to introduce a symposium on aesthetics in Hungary today. Through a brief survey of the Hungarian aesthetic tradition, which goes back to the eclectic “university aesthetics” of the late 18th century and produced a number of prominent figures such as Georg Lukács and his disciples in the “Budapest School” in the 20th century, the paper seeks to point out some key characteristics of this tradition and to reflect on the intellectual landscape of contemporary aesthetics in Hungary, diversified by many fields of study, methods and subdiscipline

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