Relevant bibliographies by topics / Contemporary art production

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Contemporary art production'

Author: Grafiati
Published: 9 March 2023
Last updated: 31 July 2025

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Journal articles on the topic "Contemporary art production"

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Kolotaev, Vladimir A., and Alexander V. Markov. "TOPOLOGY OF CONTEMPORARY ART PRODUCTION: NEW APPROACHES." Articult, no. 1 (2021): 43–48. http://dx.doi.org/10.28995/2227-6165-2021-1-43-48.

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The article examines the applicability of new interdisciplinary methods to the artistic process in Russia using the example of three new books exploring the problems of contemporary art. These books prove the applicability of the achievements of intellectual magazine criticism (Kira Dolinina), institutional criticism (Stanislav Savitsky), and gender criticism (Olesya Avramenko) to the local artistic life of recent decades. What unites these books is criticism of criticism: an articulated metaposition to the critical strategies that have developed in the art community. Each of the three books i
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W. Mohd Apandi, Wan Nurhasyimah, and Ahmad Rashdi Yan Ibrahim. "Metaphors in Contemporary Art." Idealogy Journal 3, no. 2 (2018): 235–40. http://dx.doi.org/10.24191/idealogy.v3i2.69.

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The use of metaphors in producing contemporary works of art is often used by artists to convey current ideas and issues in the era of contemporary visual art. The metaphor used is as a symbol for the meaning of a work in conveying the ideas and narrative of the story more creatively. In addition, the use of metaphors should be in line with the selection of subjects and meanings to be used and conveyed more accurately and effectively in the production of works to be seen and studied by art critics.
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Matuscak, Melissa. "Redefining Production-Contemporary Art Museums in Post-Industrial Spaces: The Massachusetts Museum of Contemporary Art." International Journal of the Arts in Society: Annual Review 3, no. 3 (2008): 55–66. http://dx.doi.org/10.18848/1833-1866/cgp/v03i03/35479.

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A’Bear, Luke, James Curtis Hayward, and Meredith Root-Bernstein. "Conservation Science and Contemporary Art: Thinking about Tenerife." Leonardo 50, no. 1 (2017): 27–30. http://dx.doi.org/10.1162/leon_a_01153.

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Art has long been seen as a way to illustrate conservation science for public outreach, especially to children. However, art has a greater role to play as a partner in interdisciplinary practice. Here we explore four examples where early-career conservationists have used the production of artwork inspired by contemporary art movements to engage critically and emotionally through the formalisms of art with conservation issues on the island of Tenerife. The authors suggest that the production of art by conservationists and as conservation (and vice versa) is key to learning to translate between
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Esposito, Claudia. "Traces of Souffles: on cultural production in contemporary Morocco." Contemporary French Civilization 45, no. 3-4 (2020): 305–15. http://dx.doi.org/10.3828/cfc.2020.18.

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This article examines contemporary cultural production in Morocco and focuses in particular on how poet-artist Abdellatif Laâbi, founder of the journal Souffles, and writer-artist Mahi Binebine display ties of filiation. Bringing to light the artistic and social collaborations that these two cultural actors nurture in Morocco, the article traces a filial genealogy between Laâbi and Binebine and examines the post-independence years to reveal the spirit of combat that lies at the origin of the current artistic scene in Morocco. Questioning the link between art and the public, the article conclud
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Enxuto, João, and Erica Love. "The Institute for Southern Contemporary Art (ISCA)." Finance and Society 2, no. 2 (2016): 173–74. http://dx.doi.org/10.2218/finsoc.v2i2.1730.

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The Institute for Southern Contemporary Art (ISCA) was founded in 2016 to advance a meaningful alternative to the problem of contemporary art production and its political economy. While technology is intensifying the soft power of speculation, reputation, and the hype of networks, recent changes in technical infrastructure have done very little to shake the narrowly-defined and limited objectives of contemporary art. Technological change alone hasn’t curtailed an art field defined by individualism and competition, despite counter-claims made by progressive artists and collectives. Following a
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Belting, Hans. "Contemporary art and the museum in the global age." Disputatio. Philosophical Research Bulletin 1, no. 2 (2012): 16–30. https://doi.org/10.5281/zenodo.5064060.

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For a long time, art museums seemed to have been born with a secure identity safeguarded by their designation to exhibit art and even to provide art with the necessary ritual of visibility. Yet now, as .we embark upon the global age, they face a new challenge. It remains to be seen whether the art museum, as an institution with a history looking back at least two hundred years in the West, is prepared for the age of globalization. There is no common notion of art that necessarily applies to all societies around the world. Contemporary art, which is what I will concentrate on in what follows, r
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Đorđević, Marko. "Između proizvoda i dela: estetski fetišizam i finansijalizacija umetnosti." Život umjetnosti, no. 104 (July 2019): 86–99. http://dx.doi.org/10.31664/zu.2019.104.05.

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This paper focuses on the ideological transformation of modernistic aesthetic fetishism into what Professor Rastko Močnik has termed “aesthetic imperialism” in contemporary art. Our hypothesis is that this transformation is an effect of the overdetermination of artistic production to fictitious capital. In order to examine this hypothesis, we shall explore the transformation of the simple, modernist work of art into the twofold, contemporary work of art (which must first be a claim to aesthetic evaluation and only then a work of art). We do not suggest that modernism did not know the term “art
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Firstenberg, Lauri, and Sidney Littlefield Kasfir. "Negotiating the Taxonomy. Contemporary African Art: Production, Exhibition, Commodification." Art Journal 59, no. 3 (2000): 108. http://dx.doi.org/10.2307/778033.

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Hassan, Salah M. "Contemporary African Art as a Paradox." Nka Journal of Contemporary African Art 2020, no. 46 (2020): 8–26. http://dx.doi.org/10.1215/10757163-8308138.

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The field of contemporary African and African diaspora art and culture is currently riddled by two paradoxes. First, in Africa and its diaspora, we are witnessing a burgeoning of creative energy and an increasing visibility of artists in the international arts arena. Yet, this energy and visibility has not been matched by a parallel regime of art criticism that lives up to the levels of their work. Second, we find a rising interest in exhibiting and collecting works by contemporary African and diaspora artists among Western museums as well as private and public collections. This growing intere
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Dissertations / Theses on the topic "Contemporary art production"

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Willis, Gary C. "Contemporary art: the key issues: art, philosophy and politics in the context of contemporary cultural production." Connect to thesis, 2007. http://repository.unimelb.edu.au/10187/2245.

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This submission comes in two parts; the written dissertation, Contemporary art: the key issues, and the exhibition Melbourne - Moderne. When taken together they present a discourse on the conditions facing contemporary art practice and one artist’s response to these conditions in the context of Melbourne 2003-2007. (For complete abstract open document)
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Whitehouse, Denise Mary 1947. "The Contemporary Art Society of NSW and the theory and production of contemporary abstraction in Australia, 1947-1961." Monash University, Dept. of Visual Arts, 1999. http://arrow.monash.edu.au/hdl/1959.1/8387.

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Underhill, Helen P. V. "Art school, art world, art circuit : an ethnography of contemporary visual art education and production in two Palestinian locations." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30303/.

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Bader, Vilma. "Hysterical attributes in the production and subjects of art work." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/12073.

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Perhaps no other disorder known to man has been more misunderstood than hysteria. Approaches to hysteria have tended to use outmoded models drawn from ancient medicine, relegating it as an exclusively female medical category. Within contemporary medicine approaches to hysteria have been further hindered by polemical arguments that it is exclusively or almost exclusively a female disorder and whether its causes are psychological or physiological, mind or organic. This paper takes a considered approach to hysteria and situates it as a universal condition that integrates both male and female, min
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Shojai, Kaveh Darya <1995&gt. "Contemporary Iranian Art: Emerging Interest in Iranian Art in the International Art Markets and the Reception, Production and Assessment of Iranian Contemporary Art in the International Sphere." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15423.

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Contemporary Iranian Art has recently become a new entry in International art markets, a condition possibly derived from the current political situation. Both Christie's and Sotheby's, two of the most important auction houses in the world, have introduced specialist departments dedicated to Iranian Contemporary Art, as early as 2007, within their Modern & Contemporary Middle Eastern Art departments. Increasing interest in contemporary Iranian art can be traced by its exponential economic growth in such markets. The aim of this thesis is to investigate and observe the changes in the reception o
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Maier, Johannes. "Embeddedness as condition and strategy in contemporary art and cultural production." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6516/.

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This thesis examines the concept of ‘embeddedness’ as condition and strategy in contemporary art and cultural production. Identifying embeddedness as a motif of contextual proximity and a strategy in contemporary art, the thesis proposes immediacy to be the result of intrinsic mediation. The project’s main concern is how embeddedness is contextualised by the current conditions that authors and cultural producers engage with. The primary question is whether and how embeddedness can convey a critical relation to the mediation that it undertakes. These concerns inform and arise from my work as an
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Lindström, Matilda. "Contemporary Art as a Catalyst for Social Change : Public Art and Art Production in a Community of Practice." Thesis, Linköpings universitet, Avdelningen för Kultur, samhälle, mediegestaltning – KSM, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-113465.

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This master thesis contextualise, and discuss the contemporary art as a catalyst for change, and raises social issues through art production in the urban district Nima. Perspectives of "community", and "community of practice" affiliates with examples of placed based art, mainly mural paintings performed in the urban landscape of the community, in the stigmatised community Nima, an area in Ghana’s capital Accra. The study has identified an artistic climate that is emerging from within the community, where artists have created a system for various forms of arts education. The artistic climate is
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Rollman, Louise. "Curating the city: Unpacking contemporary art production and spatial politics in Brisbane." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/123515/1/Louise%20Rollman%20Thesis.pdf.

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Contemporary art and exhibition-making is increasingly deployed in the urban development and marketing of cities for political-economic benefit, yet the examination of the aesthetic and cultural aspects of urban life is curiously limited. In probing the unique political conditions of Brisbane, Australia, this thesis contrasts two periods — 1985-1988 and 2012-2015 — in order to more fully understand the critical pressures impacting upon the production of contemporary aesthetic projects. While drawing upon Henri Lefebvre's right to the city, and insisting upon a right to imagine the city, this t
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Couret, Magali. "La production de l'œuvre publique d'art contemporain." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010256/document.

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L'art contemporain se veut transgressif, c'est un art fugitif dont on garde trace dans ses souvenirs, grâce à des photographies et des protocoles conservés dans les archives des institutions et prêts à être «réactivés». Située à la frontière de plusieurs domaines de création et confrontée à une forte dématérialisation, l'œuvre d'art contemporain déroute le juriste. Aujourd'hui, elle ne résulte plus du travail d'un artiste agissant seul dans son atelier, mais d'équipes réunissant les talents de multiples professions qui fragmentent sa réalisation en plusieurs phases. De fait, la scénographie ou
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Matsinhe, Sebastiao Filipe. "The production of local art for a global cultural market in contemporary Mozambique." Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4062_1363774738.

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<p>This thesis examines the production of commercial art in contemporary Mozambique. It explores the power relationship between local artists &ndash<br>painters and sculptors &ndash<br>and their patrons and brokers in the art market. This means, on one hand, that it looks at the artworks that have been produced during the late colonial period (1962 &ndash<br>1974) and the post-colonial periods (June 1975 - 2010) and relates this to the changing political landscape in Mozambique. On the other hand, the aim is to explore the artists&rsquo<br>life histories,&nbsp<br>especially how their talent wa
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Books on the topic "Contemporary art production"

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Chieh-Jen, Chen. The Bianwen Book: Images, Production, Action and Documents of Chen Chieh-Jen. The Cube Project Space, 2015.

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Murphy, Jill, and Laura Rascaroli, eds. Theorizing Film Through Contemporary Art. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989467.

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As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space. How to read these reformulations of the cinematic medium - and their critique of what it is and has been? In Theorizing Cinema Through Contemporary Art: Expanding Cinema, leading film theorists consider artworks that incorporate, restage, and re-present cinema's configuration of the key categories of space, experience, presence/absence, production a
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Colin, Ledwith, Staple Polly, and Museo d'arte contemporanea Donnaregina, eds. You have not been honest: Contemporary film and video from the UK. British Council, 2007.

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(Firm), Sotheby's, ed. Russian avant-garde and Soviet contemporary art: The property of members of the All Union Artistic Production Association named after E.V. Vuchetich.. Sotheby's, 1988.

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Daina, Augaitis, Pakasaar Helga, and Walter Phillips Gallery, eds. Heroics, a critical view: Ida Applebroog ... [et al.] : February 2-28, 1988, Walter Phillips Gallery for the production, presentation and exhibition of contemporary art. The Gallery, 1988.

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M, Delgado Maria, and Rebellato Dan 1968-, eds. Contemporary European theatre directors: A companion. Routledge, 2010.

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Richmond, Dick. Produced by Contemporary. Published for Contemporary Productions by Virginia Pub. Co., 2008.

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Greenaway, Peter. Peter Greenaway: Cine y pintura : ubicuidades y artificios. Museo Rufino Tamayo, 1997.

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Greenaway, Peter. Papers =: Papiers. Dis Voir, 1990.

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Greenaway, Peter. Fear of drowning by numbers règles du yeu. Dis Voir, 1996.

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Book chapters on the topic "Contemporary art production"

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ul-Haq, Razwan. "The Nature of Islamic Art." In Contemporary British Muslim Arts and Cultural Production. Routledge, 2023. http://dx.doi.org/10.4324/9781003330714-6.

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Horătău, Dorina. "Teaching About “Fibre”: Between Art and Contemporary Design." In Sustainable Textiles: Production, Processing, Manufacturing & Chemistry. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5665-1_3.

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Srivastava, Kamal, Ganesh Gule, and Ashish Sheje. "The Growing Influence of the Digital Medium in Contemporary Indian Art." In Manufacturing Technologies and Production Systems. CRC Press, 2023. http://dx.doi.org/10.1201/9781003367161-2.

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Ullrich, Jessica. "Bio-Aesthetics: The Production of Life in Contemporary Art." In Life After Literature. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33738-4_12.

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Barok, Dušan. "Sharing Knowledge in Art Conservation: From Repository Building to Research Publishing." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_13.

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AbstractAs contemporary art makes its way into museum collections, knowledge sharing between organisations is important for developing a common frame of reference and identifying best practices in an evolving field, but is hampered by ethical, legal and technical complexities. In this article, I ask how constraints to knowledge and documentation sharing between institutions can be overcome. Over the past decades, there have been a number of initiatives for the inter-institutional exchange of documentation and research materials on the conservation of contemporary art. I focus on an online data
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Choudhrey, Sara. "Flawed and Toxic? Challenges in Contemporary Islamic Art in the UK." In Contemporary British Muslim Arts and Cultural Production. Routledge, 2023. http://dx.doi.org/10.4324/9781003330714-12.

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Gržinić, Marina. "Racialized Bodies and the Digital (Financial) Mode of Production." In Regimes of Invisibility in Contemporary Art, Theory and Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55173-9_2.

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Manfredi, Camille. "Filming Space: Transenunciation as Re-production. Susan Kemp’s Nort Atlantik Drift: A Portrait of Robert Alan Jamieson and Roseanne Watt’s Quoys." In Nature and Space in Contemporary Scottish Writing and Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18760-6_8.

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Fok, Silvia. "The roles of international art fairs in Hong Kong in facilitating the production and consumption of contemporary art in Asia." In Routledge Handbook of Cultural and Creative Industries in Asia. Routledge, 2018. http://dx.doi.org/10.4324/9781315660509-20.

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Moore-Cherry, Niamh. "Beyond Art in ‘Meanwhile Spaces’: Temporary Parks, Urban Governance and the Co-production of Urban Space." In The Impact of Artists on Contemporary Urban Development in Europe. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53217-2_9.

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Conference papers on the topic "Contemporary art production"

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Stanley, Mark. "The Work of Art in the Age of Algorithmic (Re)production." In 113th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2025. https://doi.org/10.35483/acsa.am.113.19.

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This essay revisits Walter Benjamin’s 1935 essay, The Work of Art in the Age of Mechanical Reproduction, to frame the contemporary proliferation of images in the age of social media and artificial intelligence—an age of algorithmic reproduction. It examines how Benjamin’s ideas about aura, authenticity, and authorship are relevant to generative AI and platforms like Instagram, and extends his arguments into contemporary techno-cultural contexts. The essay draws on writing of McKenzie Wark, Benjamin Bratton, and Helen Hester, as well as older media theory such as Marshall McLuhan and Roland Bar
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Yang, Yuan, Yingzhou Zhu, and Chaoqun Sui. "Study on Design and Production of Augmented Reality Work Integrated with Shadow Art Element." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.150.

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Perez Martinez, Marta. "EROTICISM, FEMININITY AND CRAFTS, AN APPROACH TO CONTEMPORARY CERAMICS. THE ARTISTIC PRODUCTION OF PALOMA DE LA CRUZ." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs08.10.

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By the analysis of Paloma de la Cruz's work, this study seeks to approach contemporary ceramics from a gender perspective, exploring its potential as a container of visual metaphors with which to establish a current artistic discourse on the body. Although it is true that, historically, the female body has occupied a predominant role in the field of artistic representation rather than in the creative sphere, in recent decades certain changes have led artists to explore new artistic and craft genres, among which we will highlight, for the purposes of this study, the ceramic discipline. Thanks t
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Fattah RADHI, Raghad. "DEVELOPING THE FINE ART STRUCTURE OF THE NATURAL HISTORY MUSEUM LOGO'S DESIGN." In X. International Research Congress of Contemporary Studies in Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/rimarcongress10-6.

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The characteristic feature of a structure is that it accepts changes in form; this fact gives the structure features represented by the unity of its parts and wholeness. Accordingly, structure theorists consider the structure the major factor in composing the parts within the wholeness of the visual cognition according to a methodological adaptation of the creative processes in treating the elements of the logo, and this would make the logo have a visual identity that provides the recipient with a holistic description of the content of the materialistic representation. Additionally, the logo a
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Tadeu de Godoy, Guilherme. "Manga Rosa Group and Alienarte Magazine: dialogues between editorial design and experimental art." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.232.

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This presentation is part of a doctoral thesis that carries out an investigative analysis of the first two editions of Alienarte magazine (1978 and 1979) and the dialogues that emerge from their analysis between graphic design and experimental visual arts, focusing on the work of the Manga Rosa group. The conceptualisations of what can be identified as a magazine editorial product were described, accompanied by a panoramic mapping of the production of editorial products prior to the 1970s. The aim is to identify a connection that brings the production of Alienarte magazines closer to the conte
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Kravchenko, E. "ARCHITECTURAL AND LANDSCAPE WINERY COMPLEXES IN THE CONTEMPORARY AESTHETICS PERSPECTIVE." In Aesthetic Problems of Environmental Design. LCC MAKS Press, 2024. https://doi.org/10.29003/m4234.978-5-317-07275-9/217-224.

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In contemporary environmental design, the “postpandemic renaissance” of rural areas has led to an increasing researchers' attention not only to the urbanism issues but also to the agricultural sector renovation. For its part, one of the most promising topics in this field is the analysis of wine clusters as a research object having rich resources for contemporary aesthetics: philosophy of art, everyday aesthetics and aesthetics of atmosphere as well as aesthetics of secondary senses. Over the last 30 years, the activities of some wineries, especially in Italy, have gone beyond the functions ai
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Ho, Amic, and Ruth Chau. "Bridging the Gap: A Comparative Analysis in Creative Processes between AI-Generative and Traditional Art." In 12th International Conference on Human Interaction and Emerging Technologies (IHIET 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005472.

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The creative process has significant importance in the realm of artistic creation, as it involves a series of cognitive and generative acts that culminate in the production of unique and original artworks. The advent of artificial intelligence has given rise to a new kind of creative output, hence posing inquiries on the essence of creativity in machines. An examination of the creative processes used in AI art may provide valuable insights into the mechanisms via which AI systems generate artworks and the extent to which these processes align with human creative practices.This study undertook
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Netto, Marinilse, Ana Maria Duarte, and Ketlin Hass Tibes. "Signification and resignification of kaingang indigenous art in contemporaneity: cultural resistance and survival." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-192.

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The present research has as its theme the Kaingang indigenous handicrafts in contemporary times, evidencing how the meaning and resignification of cultural elements occurs in processes involving trade for income generation and survival. The work presents a brief history of the Kaingang indigenous cultural universe with a focus on handicrafts, in order to understand its original context of production, including the materials commonly used, as well as the representation of symbolic elements. It records the perception of an indigenous Kaingang in the process of signification and resignification o
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Johnson, Nnadikwe, and Iheme Chigozie. "Elevating Sustainability in Design: Advancing State-of-the-Art Food Drying Methods to Optimize Efficiency, Preserve Nutritional Value, and Minimize Waste in Contemporary Food Production." In International Electronic Conference on Processes. MDPI, 2024. http://dx.doi.org/10.3390/proceedings2024105120.

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Monteiro, Caique Cahon. "Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.

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Artistic institutions are traditionally places of cultural and social memory reverberation. Such spaces have a character of institutionalisation of the cultural market. Contemporary works of art and the exhibition format are factors that shape the possibilities of consumption and experience from visitors within these spaces. By taking advantage of the artifices of their time, art and artists appropriate new digital Technologies, digital culture contextualizes this movement, interweaving new paradigms in the exhibition spaces of museums, galleries and cultural centres. It is clear that the arti
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Reports on the topic "Contemporary art production"

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Newell, Peter, and Mohamed Adow. Cutting the Supply of Climate Injustice. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/1968-2021.129.

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This article considers the role of activism and politics to restrict the supply of fossil fuels as a key means to prevent further climate injustices. We firstly explore the historical production of climate injustice through extractive economies of colonial control, the accumulation of climate debts, and ongoing patterns of uneven exchange. We develop an account which highlights the relationship between the production, exchange, and consumption of fossil fuels and historical and contemporary inequalities around race, class, and gender which need to be addressed if a meaningful account of climat
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Lianos, Vasilis. Automation and Artificial Intelligence in the possible transition to a postcapitalist society. Mέta | Centre for Postcapitalist Civilisation, 2023. http://dx.doi.org/10.55405/mwp17en.

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Throughout history, technology and its evolution have significantly impacted the societal modes of production and organisation. The highest rise in technological evolution has been observed under the capitalist system. Technology has not, as of yet, proved to be capitalism’s demise. However, some believe that advances in Artificial Intelligence and automation render them radically different technologies to those of the past and will mean capitalism’s demise and the dawn of a new, postcapitalist era. This paper will assess this claim by looking at historical evidence and contemporary theoretica
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Weninger, Csilla, Suzanne S. Choo, Guangwei Hu, Patrick Williams, and Katy Hoi-Yi Kan. Media literacy in the teaching of English in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2020. https://doi.org/10.32658/10497/22725.

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Given the extraordinary pace at which especially new media technologies have developed in the last five to ten years, as well as the unprecedented amount of leisure time youth spend engaging with media such as television, Facebook, or games, there has been greater recognition by scholars, educators, and policymakers of the importance of incorporating media education and media literacy in schools and curricula. Current curricular approaches have moved away from a protectionist rationale toward a concern with supporting youth to become active media users (Buckingham, 2002). This shift towards re
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Khemani, Shreya, Jharna Sahu, Maya Yadav, and Triveni Sahu. Interrogating What Reproduces a Teacher: A Study of the Working Lives of Teachers in Birgaon, Raipur. Indian Institute for Human Settlements, 2023. http://dx.doi.org/10.24943/tesf1307.2023.

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This study, situated in an industrial working-class neighbourhood in Raipur, Chhattisgarh, aims to look at what sustains and reproduces an elementary school teacher in low-fee private schools. Within a highly stratified system of education such as ours (NCERT 2005), both at the level of school and teacher education itself, as well as in the context of a highly stratified society—where the imagination and reality of ‘a teacher’ is informed as much by a historical domination of teaching by specific caste groups as it is by a contemporary reality in which the bulk of the teachers in schools acros
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Rosenberg, Andrew (Andrew B. )., Bryan Pratt, David Arnold, and Ryan Williams. Land use of rejected, enrolled, and expiring fields in the Conservation Reserve Program. Economic Research Service, U.S. Department of Agriculture, 2024. http://dx.doi.org/10.32747/2024.8583173.ers.

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The U.S. Department of Agriculture's Conservation Reserve Program (CRP)--the agency's largest land retirement program--pays landowners a yearly rental fee to plant and maintain environmentally beneficial land covers on eligible portions of their land instead of crops. In this report, the authors determine the extent to which the CRP removes land from production and examines land-use outcomes of parcels that were both offered and rejected in 2016 from the General Signup, the CRP's competitive auction mechanism. The 2016 General Signup had the highest rate of rejection in the history of the cont
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Deitelhoff, Nicole, Rainer Forst, Vinzenz Hediger, and Tobias Wille. Trust in conflict : notes on a research program. ConTrust - Trust in Conflict. Research Centre "Normative Orders" of Goethe University Frankfurt am Main, 2025. https://doi.org/10.21248/gups.90950.

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The ConTrust research initiative challenges the conventional wisdom that trust is antithetical to conflict. Instead, ConTrust posits that under certain social and institutional conditions, trust can also emerge in and through conflict. To lay the groundwork for this agenda, this working paper develops a basic concept of trust that is the foundation for more specific conceptions of trust. Furthermore, it distinguishes between justified and unjustified trust, introduces a notion of social integration through conflict, highlights the role of uncertainty and crisis in contemporary trust dynamics,
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Cahaner, Avigdor, Sacit F. Bilgili, Orna Halevy, Roger J. Lien, and Kellye S. Joiner. effects of enhanced hypertrophy, reduced oxygen supply and heat load on breast meat yield and quality in broilers. United States Department of Agriculture, 2014. http://dx.doi.org/10.32747/2014.7699855.bard.

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Original objectivesThe objectives of this project were to evaluate the growth performance, meat yield and quality attributes of broiler strains widely differing in their genetic potential under normal temperature vs. warm temperature (short and long-term) conditions. Strain differences in breast muscle accretion rate, metabolic responses under heat load and, gross and histopathological changes in breast muscle under thermal load was also to be characterized. BackgroundTremendous genetic progress has been made in broiler chicken growth rate and meat yield since the 1950s. Higher growth rate is
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i
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Revill, James. Verifying the BWC: A Primer. The United Nations Institute for Disarmament Research, 2023. http://dx.doi.org/10.37559/wmd/23/bio.verification.primer1.

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At the Ninth Review Conference of the Convention on the Prohibition of the Development, Production and Stockpiling of Bacteriological (Biological) and Toxin Weapons and on their Destruction (BWC) in 2022, States Parties agreed to establish a new Working Group on the strengthening of the Convention, which will operate during the next intersessional period between 2023 and 2026. The agenda for the Working Group includes discussion on, among other things, compliance and verification. This is the first time in 20 years that verification will be formally discussed within the BWC framework, initiati
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Ivanova, Iryna, and Elena Afanasieva. MODEL OF INTERACTION BETWEEN ADVERTISING, PR AND JOURNALISM. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11060.

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The article is an overview of the journalism – PR – advertising relationship at the terminological, empirical-analytical and practical levels. It traces the state of the discussion of these correlations in the post-soviet media such as Ukraine. The study describes that domesticating the importance of the appropriate partnership between the three communication technologies. The thesis is that journalism, advertising and PR create a mutual connection that takes place in an atmosphere of PR and advertising permissiveness and deepens with the development of digitalization, Social network developme
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