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Relevant bibliographies by topics / Contemporary art production / Dissertations / Theses

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Dissertations / Theses on the topic 'Contemporary art production'

Author: Grafiati

Published: 9 March 2023

Last updated: 19 July 2025

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1

Willis, Gary C. "Contemporary art: the key issues: art, philosophy and politics in the context of contemporary cultural production." Connect to thesis, 2007. http://repository.unimelb.edu.au/10187/2245.

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This submission comes in two parts; the written dissertation, Contemporary art: the key issues, and the exhibition Melbourne - Moderne. When taken together they present a discourse on the conditions facing contemporary art practice and one artist’s response to these conditions in the context of Melbourne 2003-2007. (For complete abstract open document)

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2

Whitehouse, Denise Mary 1947. "The Contemporary Art Society of NSW and the theory and production of contemporary abstraction in Australia, 1947-1961." Monash University, Dept. of Visual Arts, 1999. http://arrow.monash.edu.au/hdl/1959.1/8387.

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3

Underhill, Helen P. V. "Art school, art world, art circuit : an ethnography of contemporary visual art education and production in two Palestinian locations." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30303/.

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4

Bader, Vilma. "Hysterical attributes in the production and subjects of art work." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/12073.

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Perhaps no other disorder known to man has been more misunderstood than hysteria. Approaches to hysteria have tended to use outmoded models drawn from ancient medicine, relegating it as an exclusively female medical category. Within contemporary medicine approaches to hysteria have been further hindered by polemical arguments that it is exclusively or almost exclusively a female disorder and whether its causes are psychological or physiological, mind or organic. This paper takes a considered approach to hysteria and situates it as a universal condition that integrates both male and female, min

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Shojai, Kaveh Darya <1995&gt. "Contemporary Iranian Art: Emerging Interest in Iranian Art in the International Art Markets and the Reception, Production and Assessment of Iranian Contemporary Art in the International Sphere." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15423.

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Contemporary Iranian Art has recently become a new entry in International art markets, a condition possibly derived from the current political situation. Both Christie's and Sotheby's, two of the most important auction houses in the world, have introduced specialist departments dedicated to Iranian Contemporary Art, as early as 2007, within their Modern & Contemporary Middle Eastern Art departments. Increasing interest in contemporary Iranian art can be traced by its exponential economic growth in such markets. The aim of this thesis is to investigate and observe the changes in the reception o

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Maier, Johannes. "Embeddedness as condition and strategy in contemporary art and cultural production." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6516/.

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This thesis examines the concept of ‘embeddedness’ as condition and strategy in contemporary art and cultural production. Identifying embeddedness as a motif of contextual proximity and a strategy in contemporary art, the thesis proposes immediacy to be the result of intrinsic mediation. The project’s main concern is how embeddedness is contextualised by the current conditions that authors and cultural producers engage with. The primary question is whether and how embeddedness can convey a critical relation to the mediation that it undertakes. These concerns inform and arise from my work as an

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Lindström, Matilda. "Contemporary Art as a Catalyst for Social Change : Public Art and Art Production in a Community of Practice." Thesis, Linköpings universitet, Avdelningen för Kultur, samhälle, mediegestaltning – KSM, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-113465.

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This master thesis contextualise, and discuss the contemporary art as a catalyst for change, and raises social issues through art production in the urban district Nima. Perspectives of "community", and "community of practice" affiliates with examples of placed based art, mainly mural paintings performed in the urban landscape of the community, in the stigmatised community Nima, an area in Ghana’s capital Accra. The study has identified an artistic climate that is emerging from within the community, where artists have created a system for various forms of arts education. The artistic climate is

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Rollman, Louise. "Curating the city: Unpacking contemporary art production and spatial politics in Brisbane." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/123515/1/Louise%20Rollman%20Thesis.pdf.

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Contemporary art and exhibition-making is increasingly deployed in the urban development and marketing of cities for political-economic benefit, yet the examination of the aesthetic and cultural aspects of urban life is curiously limited. In probing the unique political conditions of Brisbane, Australia, this thesis contrasts two periods — 1985-1988 and 2012-2015 — in order to more fully understand the critical pressures impacting upon the production of contemporary aesthetic projects. While drawing upon Henri Lefebvre's right to the city, and insisting upon a right to imagine the city, this t

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9

Couret, Magali. "La production de l'œuvre publique d'art contemporain." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010256/document.

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L'art contemporain se veut transgressif, c'est un art fugitif dont on garde trace dans ses souvenirs, grâce à des photographies et des protocoles conservés dans les archives des institutions et prêts à être «réactivés». Située à la frontière de plusieurs domaines de création et confrontée à une forte dématérialisation, l'œuvre d'art contemporain déroute le juriste. Aujourd'hui, elle ne résulte plus du travail d'un artiste agissant seul dans son atelier, mais d'équipes réunissant les talents de multiples professions qui fragmentent sa réalisation en plusieurs phases. De fait, la scénographie ou

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Matsinhe, Sebastiao Filipe. "The production of local art for a global cultural market in contemporary Mozambique." Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4062_1363774738.

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<p>This thesis examines the production of commercial art in contemporary Mozambique. It explores the power relationship between local artists &ndash<br>painters and sculptors &ndash<br>and their patrons and brokers in the art market. This means, on one hand, that it looks at the artworks that have been produced during the late colonial period (1962 &ndash<br>1974) and the post-colonial periods (June 1975 - 2010) and relates this to the changing political landscape in Mozambique. On the other hand, the aim is to explore the artists&rsquo<br>life histories,&nbsp<br>especially how their talent wa

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Adendorff, Delaida Adéle. "The princess in the veld : curating liminality in contemporary South African female art production." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/63007.

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I aim to showcase post-African female identity through the exhibition, The princess in the veld. The exhibition displays selected works produced by South African women artists, underpinned by the proposed curatorial framework. This curatorial approach is feminist, and may allow for a liminal reading of local female identity. I premise my theorised curatorial framework liminally, in-between binary oppositions. This position allows for a feminist position and/or reading of female identities that simultaneously allude to, and reject a so-called local (essentialised) women’s art production w

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Luther, Anne-Katrin. "Collecting contemporary art : a visual analysis of a qualitative investigation into patterns of collecting and production." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9885/.

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The dissertation presents a cultural analysis of contemporary art collecting and art production with an illustration of patterns that overlap in collecting and art production practices in contemporary art. The illustrated visual network shows how institutions, local context, social strategies and prestige overlap in their influences on art production as a cause for collecting contemporary art. Economic exchange, reputation, a perception of time, and the personal and emotional understanding of objects and material are four patterns that illustrate reasons for collecting contemporary art in conc

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Gallagher, Meghan M. "Claiming Images: The Production and Preservation of Desire in Richard Prince's Re-Photography." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/679.

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This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.

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Baracchini, Leïla Gaelle. "Quand l'art vient à D'kar : émergence et production d'un art san contemporain." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0026.

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Quel(s) discours une ethnologie peut-elle porter sur des objets d’art ? Qu’est-ce qu’une sociologie de l’art appliquée à une production artistique "non-occidentale" ? Ou plus précisément encore comment faire une ethnologie d’un art san contemporain ? Partant de ces questionnements, cette thèse ouvre à une réflexion sur les opérations nécessaires à la création d’un art san contemporain et sur les conditions et les enjeux d’une expression ethnographique sur l’expression d’autrui en contexte postcolonial.Basée sur une ethnographie du Kuru Art Project, seul atelier d’art san contemporain en activi

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Ledur, Rejane Reckziegel. "Arte contemporânea e produção de sentidos no ensino da arte : a experiência estética dos alunos na Bienal do Mercosul sob o olhar da semiótica discursiva." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/83257.

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A tese tem por finalidade problematizar a produção de sentido na arte contemporânea. O foco de investigação está voltado para as experiências estéticas dos alunos em saídas pedagógicas à 8ª Bienal do Mercosul. A pesquisa caracteriza-se por uma abordagem qualitativa que busca compreender os significados atribuídos pelos sujeitos às suas experiências. Fundamenta-se no conceito de experiência de John Dewey, encontrando, na semiótica discursiva de A. J. Greimas, o referencial teórico-metodológico para a análise da significação. O estudo discute os desafios da educação atual, a partir do olhar e da

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Acord, Sophia Krzys. "Beyond the code : unpacking tacit knowledge and embodied cognition in the practical action of curating contemporary art." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/89473.

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Re-evaluating classic work in the sociology of the visual arts, this Ph.D. thesis explores the tacit and practical bases of artistic mediation with reference to curatorial exhibition making in contemporary art. Data presented here derive from a visual microethnographic study of the exhibition-making process in two elite European centres for contemporary art (London’s Institute of Contemporary Art and ARC/Musée D’Art Moderne de la ville de Paris), combined with an additional thirty-five interviews with other curatorial professionals. By focusing on the visual dimensions of curatorial work, this

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Tuomaala, Outi. "INTERNATIONALIZATION OF CONTEMPORARY ART : Case studies of three Finnish artists who have exhibited in Sweden." Thesis, Stockholms universitet, Konstvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104625.

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This thesis examines the internationalization of Finnish contemporary artists. The focus is on their exhibitions at contemporary art institutions in Sweden, covering the period 2004–2013. The aim is to investigate what makes these exhibitions to materialize. The main question is: How do different actors, networks, collaborations, and the field of artistic production look like when art is exported for exhibition purposes from Finland to Sweden? Pierre Bourdieu’s field theory and the Uppsala internationalization process model are used as the theoretical framework. Information is collected via in

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CODIGNOLA, FEDERICA. "Mercato dell'arte e prodotto artistico contemporaneo." Doctoral thesis, Università degli Studi di Milano - Bicocca, 2006. http://hdl.handle.net/10281/46013.

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The author agrees with the current hypothesis, namely, that the contemporary art market can be examined from an economic perspective, by using analytical instruments that are typical of the management and marketing sciences. It is a fact that the evolution of the artist-as-artisan towards the artist-as-creator is based upon the concept of the non-retribution of the creative act. (The latter is described as the artist's intimate expression.) This fact, however, does not prevent the result of such a creative act from becoming the object of a monetary exchange and being assigned a price tag. The

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Dernbach, Rafael Karl. "Anticipatory realism : constructions of futures and regimes of prediction in contemporary post-cinematic art." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289021.

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This thesis examines strategies of anticipation in contemporary post-cinematic art. In the Introduction and the first chapter, I make the case for anticipation as a cultural technique for the construction of and adjustment to future scenarios. This framing allows analysis of constructions of futures as culturally and media-historically specific operations. Via anticipation, constructions of futures become addressable as embedded in specific performative and material economies: as regimes of prediction. The hypothesis is that cultural techniques of anticipation do not only serve to construct pa

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Maddock, Daniel. "REFRAMING CINEMATOGRAPHY: Interpreting Cinematography in an Emerging Virtual Practice." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/380997.

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Many of the current discussions around the practice of cinematography focus on the extension or disruption of the art form as it is increasingly practiced in the realm of the virtual. Since Avatar (Cameron 2009) won the Oscar for Best Cinematography at the Academy of Motion Picture Arts and Sciences Awards, a significant number of the nominated and winning live-action feature films in this category have been characterised by a heavy component of virtual images rather than images produced by a camera. Although cinema has a history that spans over a century, computer-generated imagery (CGI) has

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Scott, Mary Katherine. "Representation and art production among the contemporary Maya : form, meaning and value of the artesanías from the Puuc region of Yucatán, Mexico." Thesis, University of East Anglia, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.588760.

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The steady rise in tourism in Yucatan beginning in the 1960s has made producing and selling handicrafts a profitable industry and an appealing alternative to other lines of work. The exotic or timeless image of the Maya presented by the tourism industry and popular media sources has influenced the kinds of artistic objects that are produced and sold within Yucatan. Recognising this, artisans create pieces that will appeal to tourists' perceptions of what constitutes authentic Maya culture. Similar situations exist all over the world in indigenous communities that have experienced a sharp rise

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Kapelusz, Anyssa. "Usages du dispositif au théâtre. Fabrique et expérience d'un art contemporain." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030170.

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Cette recherche est consacrée à l’évolution de la représentation théâtrale immédiatement contemporaine, à l’aune de mutations induites par un ensemble de croisements interartistiques, intermédiaux et, plus largement, interdisciplinaires. Elle est fondée sur l’analyse d’un corpus de créations mixtes et récentes, qui opèrent un recentrement sur leurs dispositifs, c'est-à-dire un agencement matériel, spatialement installé et multimédiatique. Généralement immersifs, ces derniers provoquent, chez le spectateur, une expérience esthétique individualisée de l’ordre de l’activation physique, de la part

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Souliotou, Anastasia Zoé. "Art en réseaux : la structure des réseaux comme une nouvelle matrice pour la production des œuvres artistiques." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080121.

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La problématique de ce doctorat est : comment la structure des réseaux constitue une nouvelle matrice pour la production d’oeuvres artistiques. Pour répondre à cette question, nous commencerons en étudiant l’évolution de la notion de « réseau » de l’antiquité jusqu’à aujourd’hui ; les théories des réseaux concernant leur structure et/ou leur dynamique. Ensuite nous présenterons les applications –de la notion ou des théories de réseaux– tant dans les sciences que dans l’art. Nous listerons et nous analyserons huit types de réseaux et puis nous mentionnerons des oeuvres artistiques qui ont été i

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Sneddon, Andrew Graeme. "Confusions of meaning in the concept of place : an investigation into the role place occupies in influencing the production and reception of the artwork." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31517.

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This practice-led research examines ideas surrounding the interpretation of place; the representation and experience of place are explored in my practice and throughout the thesis. The practice and thesis develop an interdependent relationship where one informs the other and each provides a critical platform whereby existing beliefs are brought into question and new ideas emerge. During the research period the practice is tested against different circumstances in a variety of situations and novel responses are generated. The thesis critically analyses approaches to interpreting place through a

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Millhouse, Llewellyn David. "Fantasy in Public." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/380458.

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This thesis consists of artworks and an exegesis in response to the question: How can the appeal of advertising narratives aimed at contemporary Australian youth culture be scrutinised through restaging narrative content? The exegesis will be structured around a chronological reflection on studio outcomes, interspersing evaluation of exhibited works with relevant theoretical frameworks and significant practices within this field of research. In response to the dense implicit ideological content of narrative in advertising and the historical field of cultural texts responding to consumer capita

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Souliotou, Anastasia Zoé. "Art en réseaux : la structure des réseaux comme une nouvelle matrice pour la production des œuvres artistiques." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080121.

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La problématique de ce doctorat est : comment la structure des réseaux constitue une nouvelle matrice pour la production d’oeuvres artistiques. Pour répondre à cette question, nous commencerons en étudiant l’évolution de la notion de « réseau » de l’antiquité jusqu’à aujourd’hui ; les théories des réseaux concernant leur structure et/ou leur dynamique. Ensuite nous présenterons les applications –de la notion ou des théories de réseaux– tant dans les sciences que dans l’art. Nous listerons et nous analyserons huit types de réseaux et puis nous mentionnerons des oeuvres artistiques qui ont été i

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27

Serraille, Guillaume. "Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20011.

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L’identification et la définition des acteurs du verre italien actuel est complexe dans la mesure où leur situation est paradoxale : ils sont à la fois emblématiques et relativement absents dans l’art du verre « libre » actuel. Ce « mouvement » qui prit son essor dans le courant des années soixante aux États-Unis expérimenta à la fois de nouvelles pratiques et formes sculpturales, ainsi que des structures plus petites et plus souples que le traditionnel atelier-manufacture. En outre, cette révolution du Studio Glass Movement se produit aux prémices d’une postmodernité durant laquelle les arts

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Araujo, Yone Corrêa de. "Memória e gênese = singularidade e ressignificação na construção de uma poética visual." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284908.

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Orientador: Ivanir Cozeniosque Silva<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:04:33Z (GMT). No. of bitstreams: 1 Araujo_YoneCorreade_M.pdf: 5475428 bytes, checksum: ada1e5a3b3cc8e3abc5742d4f043ea7c (MD5) Previous issue date: 2010<br>Resumo: O trabalho que aqui se apresenta percorreu o caminho de análise de um processo criativo, com reflexão teórica e pesquisa sobre a identificação, apropriação e transformação do material utilizado para a produção de uma obra realizada em 1993. O material analisado foi o bam

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Michelkevičė, Lina. "Dalyvavimo praktikos Lietuvos šiuolaikiniame mene: analizės kriterijų ir vertinimo problema." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_155322-88180.

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Disertacijoje analizuojama problematika, susijusi su šiuolaikinio meno praktikomis, kai menininkas ar kuratorius, siekdamas įgyvendinti savo kūrybinį sumanymą, meno projekte kaip medžiagą pasitelkia žmones. Tokie projektai paprastai išeina už estetinio lauko ribų: jie nebe reprezentuoja socialinę ar politinę tikrovę, bet ją atlieka. Todėl disertacijoje siekiama suformuoti koncepcinį modelį, kuris leistų kelti ir analizuoti dalyvaujamojo meno, kaip lygiagrečiai estetinėje ir socialinėje sferoje egzistuojančios praktikos, problemas. Modelis pagrindžiamas ir išplėtojamas remiantis pirmiausia klas

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May, Adrian. "Lignes, an intellectual revue : twenty-five years of politics, philosophy, art and literature." Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/251334.

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The thesis takes the French revue Lignes (1987-present) as its object of study to provide a new account of French intellectual culture over the last twenty-five years. Whilst there are now many studies covering the role of such revues throughout the twentieth-century, the majority of such monographs extend no further than the mid-1980s: the major novelty of this thesis is extending these accounts up until the present moment. It is largely assumed that a reaction against the Marxist and structuralist theories of the 1960s and 1970s led to embrace of liberalism and an intellectual drift to the r

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Veiga, Luana Marchiori. "Poética da esquiva: modos como a arte colabora para a produção da subjetividade que escapamàs sociedades de controle." Universidade do Estado de Santa Catarina, 2008. http://tede.udesc.br/handle/handle/749.

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Made available in DSpace on 2016-12-08T16:19:03Z (GMT). No. of bitstreams: 1 luana.pdf: 90940 bytes, checksum: 4a099e39b7885f5627482840718ace70 (MD5) Previous issue date: 2008-11-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This study investigates ways in which Art can collaborate to create singular modes of existence, in the context of technological social-cultural transformations that eliminates singularities and promotes indifference and anesthesia. Adiagnosis ofthe context in which artistic production takes place nowadays is outlined, highlighting the wild impleme

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Moraes, Marcos Jose Santos de. "Residência artistíca: ambientes de formação, criação e difusão." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-29042010-093532/.

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Essa tese discute o potencial das residências artísticas como ambientes de formação, criação e difusão, defendendo a compreensão de sua atuação, como forma ampliada de atender a uma necessidade de repensar os processos de ensino e aprendizagem em artes visuais, na contemporaneidade. Apresenta como objeto de estudo o Programa de residência artística da Fundação Armando Alvares Penteado FAAP, na Cité Internationale des Arts, em Paris e a criação e implantação da Residência Artística FAAP, em São Paulo, e seu respectivo programa de residência artística, para compreendê-los como plataformas atuant

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Teixeira, Vitor Hugo Lima. "Solos mestiços : ciência, arte contemporânea e cinema." Universidade Federal de Sergipe, 2015. https://ri.ufs.br/handle/riufs/5976.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Considering that science becomes increasingly science of events, in this study we follow interconnections between fields of knowledge that are produced by processuality, exchanges, interferences, mixing, unknown. One of these fields is Social Psychology. Specifically the social psychology that is not interested in dealing with concepts or objects already built, but with concepts and objects to appear. Here we conducted an experimentation, a composition between science, art and subjectivity production. We have no interest in f

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Fourgeaud, Nicolas. "La performance au miroir des médiations. Enjeux théoriques et critiques." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030057.

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À l’orée des années soixante, la performance a cherché à imposer un art de l’action éphémère que n’entraverait aucun type de médiation, qu’il soit symbolique (la distance acteur/spectateur), technique (les médias), ou même linguistique (le langage, les signes). Enjeu de nombreux débats entre les années 1960 et 1990, ces tentatives ont trouvé de multiples formulations théoriques s’appuyant sur les outils du poststructuralisme en particulier, mais aussi sur des cadres de pensée différents, directement hérités du modernisme de Greenberg. On explore ici les étapes et enjeux de ce croisement, jusqu

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Kafetzi, Eleni. "Interdisciplinarité en représentation théâtrale. Éléments du Musical dans le spectacle interdisciplinaire contemporain." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA046.

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L’interdisciplinarité est une pratique largement employée dans le spectacle vivant contemporain. Que l'on aborde le concept de coopération ou celui d’intégration, il s’agit d’une procédure de fusion qui, dans le cas des arts du spectacle, se concrétise par la croisée des disciplines artistiques entre elles, avec d’autres sciences, ou d’autres arts. Dans la scène théâtrale l’interdisciplinarité se présente sous plusieurs formes. La présente étude se concentre sur les spectacles contemporains mariant théâtre, musique et danse et leur relation avec le genre interdisciplinaire par excellence que r

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Gregoris, Sílvia Regina. "Revista Zupi Design e a comunicação visual na contemporaneidade (2006-2010)." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/2071.

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Made available in DSpace on 2016-03-15T19:44:10Z (GMT). No. of bitstreams: 1 Silvia Regina Gregoris.pdf: 6520117 bytes, checksum: b1a3fbb6d83382ccdcd6ee601b996bb6 (MD5) Previous issue date: 2012-08-17<br>This study aims to understand and evaluate the intellectual and graphical production that is illustrated in the Hoods Zupi Design Magazine in its contemporary (2006-2010). To analyze its significance and representativeness as a contemporary artistic production deals with such issues as the object of analysis: theme to be historicized and treating them as a source, which subsidizes research t

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Cousin, Marion. "L'Auteur en scène. Analyse d'un geste théâtral et dramaturgie du texte né de la scène." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030158.

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Cette thèse de doctorat en études théâtrales présente la pratique d'artistes que nous nommons auteurs en scène, et propose des outils pour l'analyse dramaturgique des textes qui naissent de celle-ci. Émergeant au tournant du XXIe siècle, et affranchis du débat sur la primauté du texte ou de la scène, les auteurs en scène réunissent les fonctions d'auteur et de metteur en scène, mais ne se contentent pas de les cumuler, il les enchevêtrent jusqu'à les rendre indissociables, jusqu'à ce qu'elles forment une seule activité. Ils conçoivent ensemble écriture textuelle et écriture scénique, mettant e

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Cambron, Maxence. "De la remembrance théâtrale : poétique et politique de la mémoire dans la création scénique contemporaine en Europe (François Tanguy, Christoph Marthaler, Maguy Marin)." Thesis, Artois, 2016. http://www.theses.fr/2016ARTO0011.

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Sous l’intitulé « remembrance théâtrale », la thèse se propose d’examiner la présence du passé ainsi que les usages de l’Histoire et de la mémoire dans la création scénique contemporaine en Europe. Quel regard les artistes de la scène contemporaine portent-ils sur le passé ? Quelle lecture nous donnent-ils de l’Histoire et dans quelle perspective ? Comment, et à quelles fins, intègrent-ils ce passé dans leur processus d’écriture scénique ? En quoi la scène et ses possibilités artistiques sont-elles propices à l’exploration de la mémoire ? Quel rôle ces artistes délèguent-ils au spectateur dans

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Fernandes, Marta Sofia Bento Pires. "Biografia e Autobiografia Universal (Para um Modelo de Análise dos Rituais de Produção e Consumo na Arte Multimédia)." Master's thesis, Faculdade de Belas Artes da Universidade do Porto, 2007. http://hdl.handle.net/10216/10917.

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Mestrado em Arte Multimédia<br>Biografia e Autobiografia Universal: para um modelo de análise dos rituais de produção e consumo na arte multimédia trata do estudo e análise de formas alternativas que questionam o modo como criamos a nossa memória cultural colectiva por meio de objectos e rituais. O campo de investigação aqui exposto permanece distinto da História ou Crítica da arte. A abordagem aos rituais é realizada pelo do ponto de vista sócio-cultural, ambicionando reconhecer um modelo de profusão cultural. Inicialmente, é analisado o papel da memória na construção de conteúdos culturais.

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Fernandes, Marta Sofia Bento Pires. "Biografia e Autobiografia Universal (Para um Modelo de Análise dos Rituais de Produção e Consumo na Arte Multimédia)." Dissertação, Faculdade de Belas Artes da Universidade do Porto, 2007. http://hdl.handle.net/10216/10917.

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Mestrado em Arte Multimédia<br>Biografia e Autobiografia Universal: para um modelo de análise dos rituais de produção e consumo na arte multimédia trata do estudo e análise de formas alternativas que questionam o modo como criamos a nossa memória cultural colectiva por meio de objectos e rituais. O campo de investigação aqui exposto permanece distinto da História ou Crítica da arte. A abordagem aos rituais é realizada pelo do ponto de vista sócio-cultural, ambicionando reconhecer um modelo de profusão cultural. Inicialmente, é analisado o papel da memória na construção de conteúdos culturais.

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Fritz, Vivian. "Danse et nouvelles technologies vers d'inédites écritures chorégraphiques." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC001/document.

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Les avancées technologiques, principalement au niveau des télécommunications, interrogent les formes de relation et les transferts d’informations dans le monde actuel. La danse contemporaine, affectée par l’usage des technologies sur la scène (image vidéo, internet, logiciel), voit se modifier les manières de chorégraphier. Si les éléments de base de la création chorégraphique, à savoir le corps dansant, l’espace scénique et le temps de la danse, sont transgressés par l’usage des technologies de la télécommunication (téléprésence), comment les chorégraphes pensent-ils et écrivent-ils la danse

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Brito, Isa Marcia Bandeira de. "Movimento de Arte Contemporânea de Moçambique MUVART: 2004 a 2010." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-29052012-162146/.

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O objetivo do presente trabalho é apresentar o Movimento de Arte Contemporânea de Moçambique, MUVART, no período compreendido entre 2004 e 2010, especificamente em sua cidade capital Maputo. Este título foi dado a um grupo formado em sua maioria por jovens artistas moçambicanos e seus fundadores foram Anésia Manjate, Carmem Muianga, Gemuce, Jorge Dias, Ivan Serra, Marcos Muthewuye, Mudaulane, Lourenço Cossa, Vânia Lemos, Quentin Lambert e Xavier MBeve. Inicialmente, situamos a arte africana e a arte africana contemporânea, tendo em vista a construção de um cenário de apreciação da arte em Moça

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Brinker, Virginie. "Le génocide des tutsi au Rwanda dans les productions littéraires et cinématogaphiques : construction, transmission et médiatisation de la mémoire face aux enjeux contemporains de la représentation de l’événement." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040105.

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Des auteurs africains subsahariens francophones de l’opération « Rwanda : écrire par devoir de mémoire », au réalisateur haïtien Raoul Peck, en passant par nombre d’auteurs belges ou québécois, le génocide des Tutsi du Rwanda est devenu, en une quinzaine d’années, un véritable objet de création littéraire et cinématographique, et le centre d’œuvres qui construisent, perpétuent mais aussi questionnent sans fin sa mémoire. En effet, souvent considéré comme le premier génocide « télévisé », une mémoire médiatique du génocide de 1994 préexiste à ce travail de l’écriture et a contribué à « informer

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Huang, Hui-Yu, and 黃慧瑜. "Contemporary Art is Beyond Art─The Cultual Production of Urban Renewal in Taiwan." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/qs7592.

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碩士<br>國立臺北藝術大學<br>藝術跨域研究所<br>101<br>In recent years, the activities of the redevelopment of space in the Taipei metropolitan area, including the urban development policies of urban planning and urban renewal, have been intensely conducted, and the target of policies has been redirected to the financial-oriented investment market from the already saturated housing market. The rise of large-scale urban planning and urban renewal cases has extremely tremendous impacts on the cultural diversity, environment and the right to housing of the Great Taipei Area. Since 2010, with great capital, the real

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Burger, Maria Anna Consiglio. "Transformation within personal and public realms through contemporary artmaking processes." Thesis, 2012. http://hdl.handle.net/10210/5247.

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M.Tech.<br>My research explores how process, i.e. the physical means of material production, can embody and conceptually signify transformation within personal and public realms. My practical work draws on multiple material sources which I subject to various physical processes in order to produce alteration. These material processes function as metaphors for processes of self-exploration. In my theoretical argument, I propose speculative connections between my sense of liberation (experienced in the processes of artmaking and through my adoption of instability, dissolution, hybridity and open-

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Purdie, Jocelyn. "The neighbourhood imaginary : considerations of local art production in unconventional spaces." Thesis, 2008. http://hdl.handle.net/1974/1051.

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This thesis examines contemporary art projects that are installed in unconventional sites in urban neighbourhoods. Using the conceptual framework of the neighbourhood imaginary, I propose that these local art practices utilize neighbourhood spaces to engage with nation, identity and citizenship practices within the contemporary discourse of globalization. The three art projects I investigate address different aspects of neighbourhood. Cuban artist René Francisco Rodriguez’s (René Francisco) project, El Patio de Nin, foregrounds the citizen in an urban neighbourhood. His project merges creativi

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Jia, Jia. "Remaking China dolls : imitation and visual rhetoric in contemporary Chinese cultural production /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3242882.

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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4025. Adviser: David Desser. Includes bibliographical references (leaves 226-230) Available on microfilm from Pro Quest Information and Learning.

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Pinheiro, Teresa Sousa Veloso da Costa. "The exhibition as knowledge production." Master's thesis, 2017. http://hdl.handle.net/10400.14/29377.

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A exposição de arte contemporânea, desde o seu aparecimento no contexto museológico e curatorial, tem sofrido diversas alterações de carácter social, político e económico, influenciadas pelo período histórico e artístico onde se inserem. A figura do curador, igualmente em constante transformação, tem vindo a assumir um papel de mediador que estabelece e fortalece as relações entre os artistas, o público, os profissionais dos museus e outras instituições culturais. Recentemente, este conjunto de mudanças contribuiu para um diluir de fronteiras institucionais entre profissões, departamento

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Tseng, Chien-Lin, and 曾建霖. "Production Mechanism in Contemporary Art Museums— A Study based on the New Media Department of Centre Georges Pompidou." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/n3ckpu.

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碩士<br>國立臺北藝術大學<br>藝術行政與管理研究所<br>98<br>Reliance on technology to create artworks is a growing trend on the development of contemporary art. The rise of new media art to create artworks is considered one of the reference indicators that signal that trend. Consequently, a response mechanism set up in art museums on addressing the demand in digital techniques hence emerges. Given that the built mechanism of new media art in Taiwan is relatively young compared with its foreign counterparts, this study will therefore use the New Media Department of Centre Georges Pompidou in France as the base of ex

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Olivier, Audrey. "A particle in a wave : a self-study of an evolving consciousness and its concomitant art production, in the context of twentieth century contemporary spirituality." Thesis, 2000. http://hdl.handle.net/10413/3518.

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In this dissertation the tracing of a personal shift in consciousness is evidenced in my art production and through self-interrogation. Investigations into feminist theology proved resonant with a personal apostasy and provided a base for a feminine identity and language. The schism perpetrated by this pivotal thesis in the revisioning of women, its subsequent antithesis, motivated a search for synthesis. A scientific enlightenment in the field of quantum physics promotes the notion of a unified consciousness. Psychology investigates the realities of mysticism and exposes commonalities within

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