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Dissertations / Theses on the topic 'Contemporary corporeity'

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1

Nederberg, Annelie. "Corporeality in music for contemporary dance." Thesis, De Montfort University, 2012. http://hdl.handle.net/2086/9879.

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The focus of this thesis is how the body and its corporeal articulations can be used as a tool for composing for contemporary dance, with the aim of creating music with corporeal qualities that communicates on a physical level. For this purpose the author has collaborated with choreographers in a practice-based approach to examine how the body of the composer can be exploited in composition and performance, and how the voice can be exploited as a mediator between body movement and music. The body and its sensorimotor system is the foundation for our understanding of abstract concepts in music;
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2

Xavier, Jussara Janning. "Acontecimentos de dança: corporeidades e teatralidades contemporâneas." Universidade do Estado de Santa Catarina, 2012. http://tede.udesc.br/handle/handle/650.

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Made available in DSpace on 2016-12-08T16:03:14Z (GMT). No. of bitstreams: 1 Jussara.pdf: 3289353 bytes, checksum: ad28478a2395e5f09b3cb9b3166f8df7 (MD5) Previous issue date: 2012-05-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis discusses the concept of contemporary dance as event and realization of an experience in which life is intensified and transformed into a single space-time. Thus, the contemporary in dance is not determined by chronological factor, but as a suspended art where past, present and future crosses each other. The work is composed of diff
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3

Amato, Danielle Anna. "Collage corporeality : body and technology in contemporary American performance /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099913.

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4

Scanlon, Julie. "Novel bodies : corporeality and textuality in contemporary women's fiction." Thesis, University of Sheffield, 2003. http://etheses.whiterose.ac.uk/14749/.

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This thesis queries whether a relationship between bodies in texts and the narratology and stylistics of texts might be reconceived beyond metaphor. Specifically, it examines the textual politics arising from the representation of ambiguously-bounded bodies. Each of the four contemporary women's novels that I examine represents disorderly bodies in the first-person narrative voice, and the implications of this for considerations of identity, agency and feminism are considered. The thesis is divided into five chapters, the first introducing the reader to theories that frame the subsequent close
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5

Bourdeau, Marion. "Espaces et interstices dans l'oeuvre fictionnelle de Colum McCann : éthique et esthétique de l'équilibre." Thesis, Normandie, 2019. http://www.theses.fr/2019NORMC033.

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Utilisant un cadre théorique hybride, mêlant travaux de géographie, notamment culturelle, et approche littéraire et stylistique, ce travail de thèse interroge les diverses spatialités mccanniennes et leur écriture, mais aussi les implications éthiques et esthétiques de cette articulation. Il étudie la manière dont la représentation de ces spatialités pousse l’écriture à chercher son équilibre, alors qu’elle s’inscrit dans des espaces diégétiques et narratifs caractérisés par l’entre-deux et l’hybridité. Ces deux notions sont placées au cœur d’un corpus mu par un élan irréductible et kaléidosco
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6

Di, Prete Laura. ""Foreign bodies" : trauma, corporeality, and textuality in contemporary American culture /." New York : Routledge, 2006. http://catalogue.bnf.fr/ark:/12148/cb40144872h.

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7

Glenat, Jean-Marc. "Des hétérotopies incluantes : exploration des usages du tango argentin dans le champ du handicap." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100151.

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L'objectif de cette thèse est d’explorer des lieux où se rencontrent le monde du handicap et celui du tango argentin. Dans ces espaces, qui relèvent d'institution spécialisées ou d'initiatives associatives, des personnes en situation de handicap font, à travers la pratique du tango argentin, l'expérience d'une relation singulière à leur propre corps, au corps de l'autre et à des modes de sociabilité distincts du monde ordinaire. Ces activités permettent également à des personnes « valides », de se confronter à l'altérité à travers des modalités corporelles et sensorielles particulières. En que
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8

Davies, Hayon Kaya. "The embodiment of subjectivity in contemporary Maghrebi and French cinemas." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/the-embodiment-of-subjectivity-in-contemporary-maghrebi-and-french-cinemas(00c37c24-4395-433d-a8de-8d68fd13493d).html.

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This thesis examines a cluster of recent films that feature people of Maghrebi heritage and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often adopt a sensual aesthetic that prioritises embodied knowledge, the interrelation of the senses and the material realities of emotional experience. However, despite the importance of the body in these films, no study to date has taken corporeality as its primary point of
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9

She, Chia-Ling. "Breaking the silence : nationalism and feminism in contemporary Egyptian women’s writing." Thesis, University of Leicester, 2012. http://hdl.handle.net/2381/10945.

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The works I examine in this thesis for Egyptian women’s narrative liberation strategies span from the nationalist-feminist works of the 1920s in Egypt throughout the twentieth century. I include works by Huda Shaarawi, Zainab al-Ghazali, Nawal El Saadawi, Latifa al-Zayyat, the post-1970s generation such as Ibtihal Salem, Alifa Rifaat and Salwa Bakr and finally, Ahdaf Soueif. The works for examination are organised chronologically and surround anti-colonial independence struggles in Egypt. I argue that writing corporeality for contemporary Egyptian women complicates the modern national space an
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10

Damlé, Amaleena. "Between nomadism and the politics of identity : female corporeality and transformation in contemporary women's writing in Frnech." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611766.

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11

Soejima, Emi. "Sur la question de la corporalité dans l'expression artistique de l'art contemporain japonais." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010683.

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12

Dock, Samuel. "Un signe à la surface : traversée psychanalytique d’un fétichisme contemporain." Thesis, Université de Paris (2019-....), 2020. http://www.theses.fr/2020UNIP7104.

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Le fétichisme s’inscrit dans un lignage épistémologique fait d’emprunts et d’assimilations où les disciplines qui s’en emparent se trouvent transvaluées, dans leurs méthodologies et leurs dogmes, à mesure qu’elles s’en saisissent pour penser des phénomènes internes à leur champ. « Paradigme des perversions » pour Freud, « Perversion des perversions » pour Lacan, le fétichisme joue un rôle décisif dans la constitution des appareils théoriques métapsychologiques permettant l’analyse des variations érotiques, mais aussi du rapport du sujet à l’objet dans une acception plus universelle. Ces modèle
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13

Polls, Camps Eulàlia. "La dansa amb mediació digital. El cas de Catalunya del 2003 al 2013." Doctoral thesis, Universitat Oberta de Catalunya, 2016. http://hdl.handle.net/10803/671208.

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A partir de l'anàlisi d'una sèrie d'obres programades a Catalunya en aquests darrers anys, s'analitzen les aportacions de la tecnologia digital a l'escenari de la dansa actual i les seves repercussions tant en l'àmbit teòric com en el de la producció. S'arriba a la conclusió que la dansa amb mediació digital no deixa de ser dansa contemporània, per bé que el concepte de corporalitat i de tot el que se'n deriva resulti inevitablement alterat. Per tal de poder argumentar el rol de la tecnologia en la dansa actual, ha estat necessari realitzar un estudi diacrònic de l'ús de les tecnologies al lla
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14

Tille-Victorica, Nancy Jacqueline. "The corporeality of trauma, memory, and resistance : writing the body in contemporary fiction from Chile and Argentina." Thesis, 2014. http://hdl.handle.net/2152/30496.

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This dissertation looks at the representation and impact of gendered violence in the novel Pasos bajo el agua (1986) and in the short stories in Ofrenda de propia piel (2004) by Argentine author and former political prisoner Alicia Kozameh (b. 1953), as well as in Jamás el fuego nunca (2007) and Impuesto a la carne (2010), two novels by Chilean writer Diamela Eltit (b. 1949). By examining the particular expressions of physical and psychological pain in the aforementioned texts, I demonstrate that Kozameh and Eltit write the female body to simultaneously represent a corporeality that, until re
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15

Švecová, Veronika. "Zkušenosti těla v tanci." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-339230.

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Key words: dance - body - corporeality - dance aesthetics - aesthetic experience - phenomenology - Maxine Sheets-Johnstone - contemporary dance Abstact: Dance's various forms and appearances are connected through one universal aspect - the presence of corporeality as represented by the moving human body. The role and the experience of body is essential for the description of dance even in its aesthetical and philosophical interpretation. First of all, this diploma theses aims to map the field of aesthetics and philosophy of dance from wider historical perspective and consequently to find suppo
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