Relevant bibliographies by topics / Contemporary Embroidery

Contents

  1. Journal articles

Academic literature on the topic 'Contemporary Embroidery'

Author: Grafiati
Published: 19 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Contemporary Embroidery.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Contemporary Embroidery"

1

Qi, Yan, Xue Rong Fan, and Rong Rong Cui. "Lu Embroidery Patterns on Costumes in Shandong Province." Advanced Materials Research 821-822 (September 2013): 717–20. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.717.

Full text
Abstract:
Lu embroidery, one of the famous embroideries in Shandong province of China, is the earliest recorded Chinese embroidered species found in historical documents of China. Lu embroidery patterns on costumes have a wide range of subjects; their folk contents coagulate plenty of folk emotions. The motifs of Lu embroidery patterns on costumes express the totemism and the nature worship. They are the rites of passage and spiritual religious expressions. The cultural connotations in Lu embroidery patterns on costumes can inspire current designs, provide useful references for contemporary fashion designers and promote the development of embroidery costume markets.
APA, Harvard, Vancouver, ISO, and other styles
2

Maskiell, Michelle. "Embroidering the Past: Phulkari Textiles and Gendered Work as “Tradition” and “Heritage” in Colonial and Contemporary Punjab." Journal of Asian Studies 58, no. 2 (1999): 361–88. http://dx.doi.org/10.2307/2659401.

Full text
Abstract:
While the men worked in the fields in the wine-like [winter] air, the women sat in the afternoon sun spinning and embroidering while they sang together, before starting to cook for their men. They embroidered phulkaris….” (Tandon 1968, 65). These stereotypes of feminine and masculine work in Prakash Tandon's memory book Punjabi Century illustrate dominant literary representations of economic production in Punjab, a province of the British Raj from the mid-nineteenth century until it was partitioned between independent India and Pakistan in 1947 (see fig. 1). Many Punjabi women used phulkari (literally, “flower-work”) embroidery to decorate their daily garments and handmade gifts in the nineteenth century. Illustrations only partially convey the vibrant visual impact of phulkaris, and even color photographs fail to capture fully the sheen of the silk thread. The embroidery ranges from striking geometric medallions in reds, shocking pinks, and maroons, through almost monochromatic golden tapestry-like, fabric-covering designs, to narrative embroideries depicting people and objects of rural Punjab. Women stitched phulkaris generally on handwoven cotton cloth (khadi), and phulkaris shared linked construction techniques, a dominant embroidery stitch (the darning stitch), and several distinctive motifs (Frater 1993, 71–74; Yacopino 1977, 42–45; Askari and Crill 1997, 95–101).
APA, Harvard, Vancouver, ISO, and other styles
3

Ning, Jun, Tuerxun MaiDiNaiMu, Yang Liu, and Limin Duan. "Interpretation of the harmony culture phenomenon of Hami Uyghur embroidery patterns from the perspective of the Silk Road." Advances in Education, Humanities and Social Science Research 1, no. 3 (2023): 158. http://dx.doi.org/10.56028/aehssr.3.1.158.

Full text
Abstract:
This article takes the Hami Uyghur embroidery patterns from the perspective of the Silk Road as the research object，explore the embodiment of harmony thought of Chinese traditional culture in Hami Uygur embroidery patterns. Through field investigation, literature analysis, analytical induction to systematically orders and studies the embroidery patterns of Hami Uygur, further summarizes the cultural causes of embroidery patterns and the harmonious cultural phenomenon. The research shows that: Hami Uygur embroidery patterns of the skills, themes and forms are reflected in the thought of harmony, and presents compatible with a variety of famous embroidery techniques, the theme of multiple integration, and the characteristics of harmony in form. It also puts forward the contemporary value of the research on Hami embroidery patterns and culture, which provides an important reference for the inheritance and development of Hami embroidery culture.
APA, Harvard, Vancouver, ISO, and other styles
4

ja, Poo, Vivek Singh, and Nisha Arya. "Development of Contemporary Kathiawar Embroidery Designs for Jacket." International Journal of Current Microbiology and Applied Sciences 8, no. 02 (2019): 2073–80. http://dx.doi.org/10.20546/ijcmas.2019.802.240.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Salles, Claire. "Mots en cheveux. Hériter de l’histoire genrée de la broderie à travers l’écriture." Cahiers ERTA, no. 24 (2020): 10–25. http://dx.doi.org/10.4467/23538953ce.20.015.13217.

Full text
Abstract:
Words made of hair. Women’s reappropriations of writing through embroidery Contemporary pieces of embroidery showing words made of human hair open up reflections upon how women artists challenge the traditional partition between the needle (for women) and the pen (for men). The article offers a synthesis on the historical construction of this gendered assignation of needlework to women, from Renaissance to the early twentieth century. The idea of physical and moral coercion appears in the feminine history of needlework as well as in the history of the access of young women to reading and writing. Finally, if embroidery was for a long time excluded from metaphorical descriptions of literature, unlike weaving, the article ends up showing how the crossroads between writing and embroidery can be seen as a part of women’s emancipation.
APA, Harvard, Vancouver, ISO, and other styles
6

Salles, Claire. "Mots en cheveux. Hériter de l’histoire genrée de la broderie à travers l’écriture." Cahiers ERTA, no. 24 (2020): 10–25. http://dx.doi.org/10.4467/23538953ce.20.015.13217.

Full text
Abstract:
Words made of hair. Women’s reappropriations of writing through embroidery Contemporary pieces of embroidery showing words made of human hair open up reflections upon how women artists challenge the traditional partition between the needle (for women) and the pen (for men). The article offers a synthesis on the historical construction of this gendered assignation of needlework to women, from Renaissance to the early twentieth century. The idea of physical and moral coercion appears in the feminine history of needlework as well as in the history of the access of young women to reading and writing. Finally, if embroidery was for a long time excluded from metaphorical descriptions of literature, unlike weaving, the article ends up showing how the crossroads between writing and embroidery can be seen as a part of women’s emancipation.
APA, Harvard, Vancouver, ISO, and other styles
7

Chuprina, N. V., T. V. Remenieva, I. V. Frolov, and O. H. Tereshchenko. "DESIGN OF THE CONTEMPORARY GARMENTS ON THE BASIS OF THE TRANSFORMATION OF STYLISTIC AND ARTISTIC-COMPOSITIONAL CHARACTERISTICS OF TRADITIONAL DECORATIVE ART." Art and Design, no. 3 (December 13, 2021): 30–44. http://dx.doi.org/10.30857/2617-0272.2021.3.3.

Full text
Abstract:
The purpose. This research aims to analyze artistic-compositional characteristics of Ukrainian traditional embroidery and decorative-applied art (using the example of M. Prymachenko’s art) used in the decoration of the actual ethno-styled garments. Methodology. A systematic approach was used in this research to project authorial contemporary garments: literary-analytical, morphological, and comparative analysis of the creative primary source, associative means of its adaptation to the actual fashion trends. The methodology of the research is based on the systematic analysis of the design projects using elements of the cultural heritage of Ukraine. Systematic-informational and visual-analytical methods were used in this research. Systematic-structural analysis was used to analyze the transformation of artistic-compositional elements in the process of shaping contemporary costumes based on associative transformations. Results. In the process of design project of the authorial collection of female Ethno-style clothes, it was found that decorative art and national garments have a high level of authentic symbolism if used for the actual projection image in conditions of contemporary design activity. Characterizations were given to some principles of implementation of the national image in contemporary trends of fashion industry development. Symbolic image of the floral ornament adapted from Prymachenko’s works as well as stylization of her works in ornamental motifs of the collection were used. Based on pre-project analysis and customer survey it was defined that there is significant interest in national motifs. A collection of female clothes targeted at a wide group of customers was designed. Scientific novelty. Principles of design-project of the collection of contemporary garments with authorial embroidery were proposed using an adaptation of national traditions of female clothes embroidery and folk-art decoration as a basis. Usage of different floral motifs and geometric ornament in ethno-style and implementation of this image as popular among contemporary women in their everyday life were justified. Practical significance lies in the development of principles of formation of authorial costume collection project-image, in justification of principles of ethnographically oriented prints and embroidery and the choice of decoration methods of contemporary female clothes.
APA, Harvard, Vancouver, ISO, and other styles
8

Devi, Saroj, Parveen Punia, Neelam Pruthi, and Nidhi Sisodia. "Development of Kantha Embroidery Motifs to Designs: Traditional to Contemporary." International Journal of Current Microbiology and Applied Sciences 6, no. 7 (2017): 4479–88. http://dx.doi.org/10.20546/ijcmas.2017.607.467.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sindhu, Godi, and Shahnaz Jahan. "Adaptation of Lambadi Embroidery to Embellish Contemporary Apparel and Accessories." International Journal of Current Microbiology and Applied Sciences 7, no. 11 (2018): 183–94. http://dx.doi.org/10.20546/ijcmas.2018.711.022.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Setterington, Lynn. "‘Threads of Identity’: Uncovering the benefits and tensions found in the hand-sewn signature as a method of engagement to challenge stereotypes about embroidering with boys." Journal of Arts & Communities 11, no. 1-2 (2020): 93–108. http://dx.doi.org/10.1386/jaac_00017_1.

Full text
Abstract:
This article describes a stitch-based research project that took place in 2016 in Manchester. It involved the Ahmed Iqbal Ullah Race Relations Archive, Burnage Academy for Boys and a professional embroiderer. Central to the enquiry is a signature cloth – a textile made up of hand-sewn autographs – used as a vehicle to explore young male identity and stereotypes about embroidery. The investigation signposts the flexibility of the signature that is utilized in the research to locate accessible activities and processes. In so doing, it formulates new avenues to access historical textile artefacts and illuminates their significance and contemporary relevance. The enquiry also outlines some of the tensions and dilemmas that permeate socially engaged practice(s) and offers new insights into the stitch-based collaborative/participatory process, in which the production of the tactile artefact is but one element; for alongside the stitch workshops a commemorative banner was a second outcome, made to memorialize a pupil killed in the school in a racially motivated crime in 1986. Shedding light on embroidery as a form of social engagement, the investigation also provides evidence of its applicability as an alternative, tactile means of communication. It similarly reveals and elucidates the dynamics inherent in this stitch-based community collaboration and draws attention to some of the planned and unexpected outcomes that emerge. The methodology offers a transparent model for those who may engage in similar practices and highlights its applicability to different audiences.
APA, Harvard, Vancouver, ISO, and other styles
More sources
You might also be interested in the extended bibliographies on the topic 'Contemporary Embroidery' for particular source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography