Relevant bibliographies by topics / Contemporary English fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Contemporary English fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Contemporary English fiction"

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Hynes, Joseph, Michael North, and Patrick Swinden. "Contemporary English Fiction." Contemporary Literature 27, no. 1 (1986): 90. http://dx.doi.org/10.2307/1208601.

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Bekhta, I. A. "INNER SPEECH IN CONTEMPORARY ENGLISH FICTION." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 4, no. 2 (2019): 11–17. http://dx.doi.org/10.32838/2663-6069/2019.4-2/03.

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Luca, Ioana. "Performance and Performativity in Contemporary English Fiction in English." Indialogs 5 (March 20, 2018): 161. http://dx.doi.org/10.5565/rev/indialogs.111.

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Karim, Asim. "Female Sexuality in Contemporary Pakistani English Fiction." Khazar Journal of Humanities and Social Sciences 22, no. 4 (December 2019): 24–44. http://dx.doi.org/10.5782/2223-2621.2019.22.4.24.

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Female sexuality has remained a taboo subject in Pakistani literary and cultural representations. However, a considerable shift has occurred in contemporary Pakistani English fiction. Focusing on female bodily behaviour, the fiction explicates multiple shades of female sexual relations and experiences outside the cultural and religious norms in an unusually direct and explicit fashion. This study analyses the way Pakistani fiction, written in English, responds to the variety of different ideologies imposed upon women’s bodies and sexuality. It analyses some key sexual experiences of pubertal sexual awakening, postmarital sex, women’s urge for proactive sexual intercourse, and disavowal of motherhood, pregnancy and birthing. The collective representation of female sexuality in each case embodies a transgressive experience outside the shame/shameless, licit/illicit binaries. However, the representation, despite its explicitness, does not constitute in any way women’s sexual autonomy against the predominant masculine discourses. The issues have been analyzed within the framework of debates on the female body, heterosexuality, the male gaze and commodity fetishism.
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Amanuddin, Syed, and A. N. Dwivedi. "Studies in Contemporary Indian Fiction in English." World Literature Today 62, no. 4 (1988): 728. http://dx.doi.org/10.2307/40144778.

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Sil, Esha. "South-Asian fiction in English: Contemporary transformations." Journal of Postcolonial Writing 53, no. 5 (January 31, 2017): 626–27. http://dx.doi.org/10.1080/17449855.2017.1283726.

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Rasool, Syed, and Jehangir Khan. "Pashtun Images in Contemporary Pakistani Fiction in English." University of Chitral Journal of Linguistics and Literature 1, no. 1 (March 3, 2018): 23–38. http://dx.doi.org/10.33195/uochjll/1/1/02/2017.

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Living in an area that has long been a battlefield where various world powers have often been at loggerheads, Pashtuns have frequently drawn the attention of several works of fiction. Yet literary scholars have largely ignored the importance of these works of fiction looking into the lives of Pashtuns. This paper proposes that from the times of the Cold War to those of the War on Terror, Pashtun identities have been clouded by the hegemonic discourses of the contesting global powers, leading to gaps and silences in their depiction in literature.This paper argues that the Pashtun images in contemporary Pakistani fiction in English exhibit strong influences of the dominating narratives; simultaneously, however, they seem to offer various patterns of subversion of the prevailing power narratives. Despite the fact that Pashtuns are generally regarded as the most subversive people of South Asia and that their lands have been regarded significant strategically as well as geographically, yet they are portrayed as the Others of the mainstream cultural discourses. This paper aims to highlight the contours of the socio-cultural and political valuation of Pashtuns in contemporary Pakistani fiction in English.
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Von Mücke, Dorothea. "Humanist vestiges in contemporary science fiction." Cadernos de Letras da UFF 29, no. 58 (July 12, 2019): 127–47. http://dx.doi.org/10.22409/cadletrasuff.2019n58a658.

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Both Spike Jonze’s her and Alex Garland’s ex machina make references to such outdated media and cultural techniques as the handwritten letter, the hand-drawn sketch, oil paintings and the bound volume of the book. An analysis of the use and function of these seemingly obsolete cultural techniques in the two science fiction movies reveals a surprising commitment to traditionally humanist values as grounded in the invocation of the individualized, mortal human body.---Original in English.
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Mehmood, Sadaf. "Voicing The Silences: Women In Contemporary Pakistani Fiction In English." Pakistan Journal of Gender Studies 18, no. 1 (March 8, 2019): 113–28. http://dx.doi.org/10.46568/pjgs.v18i1.28.

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Indigenous women of Pakistan have long been struggling with the patriarchal norms. Categorization of their existence in the conventional oppressions connotes diversified victimization. Grappling with such assorted repressions and articulating the subsequent silences, women writers of Pakistan and the social activists are incessantly engaged to empower women from societal peripheries. The selected fiction exposes how the indigenous woman is controlled and exploited on the name of religio-cultural rhetoric. The present article outlines the historical developments in changing the social positioning of women after independence by highlighting the urgency of raising women consciousness in the academic sphere to form an alliance for collective identity. This article evaluates Ice Candy Man (1988), My Feudal Lord (1994) and Trespassing (2003) to explore the changing images of indigenous Pakistani women after partition. It aims to highlight the struggle and resistance of female characters against the patriarchal propriety of Pakistani society. The study is significant to highlight the struggles of women writers to articulate the silences of assorted exploitation buried under the hegemony of socio-historical discourses. The study concludes that through female characterization the women writers organize specific academic movement of awakening that provides situational analysis to relate with the turbulences of the fictional world to correspond the real challenges.
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Aldama, Frederick Luis, and Meenakshi Bharat. "Desert in Bloom: Contemporary Indian Women's Fiction in English." World Literature Today 79, no. 1 (2005): 87. http://dx.doi.org/10.2307/40158807.

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Dissertations / Theses on the topic "Contemporary English fiction"

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Oehling, Richard. "Contemporary Irish Fiction: Lavin and Trevor." W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539625307.

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Barker, Anna. "Green fiction : ecocriticism of the contemporary novel." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/32673/.

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Sacks, Michelle Tamara. "Apocalypse and elegy in contemporary american fiction." Thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/6724.

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In this dissertation, the use of apocalypse and elegy in contemporary American literature has been explored in an attempt to draw some conclusions about America's complex twenty-first century consciousness. I have selected the millennial novels of Joyce Carol Oates (Blonde), Don DeLillo (Underworld), and Philip Roth (American Pastoral), since all three, written at the century's end, are at once apocalyptic and elegiac in tone, and comprise a useful trilogy tor giving voice to the fracturedness of the American experience. My analysis of the texts traces apocalyptic moments in the novels -- moments of destruction and rebirth, endings, new beginnings, and great revelations -- against some of the most turbulent and often despairing twentieth-century events, in an attempt to show the connection between public and private history. While contemporary apocalypse diners from its biblical origins, the desire for regeneration and renewal persists despite its necessary deferment -- and, even, failure. Yet the apocalyptic impulse persists, and it is this determined future-looking and repeated self-reinvention that I discuss. In terms of the elegy, I argue that the overwhelming sense of loss and mourning that permeates the novels is reflective of a much larger national sense of disillusionment and disappointment at the failure of the American Dream and the dissolution of the America conceived of in the imagination of its first European settlers. While the traditional elegy moves towards consolation, the contemporary elegy often denies the mourner such release from grief. Consequently, in the contemporary novels discussed, consolation is to be found elsewhere. Indeed, I conclude that despite the melancholia of novels that deal so intensely with death, suffering, and tragedy, the act of writing an apocalyptic novel -- of presenting an image of the apocalypse, even if not an apocalypse that gives way to rebirth -- is itself an act of hope, and a call for change.
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Graham-Bertolini, Alison. "Home of the Brave: Vigilante Women in Contemporary American Fiction." LSU, 2009. http://etd.lsu.edu/docs/available/etd-04142009-191748/.

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Vigilante literature tells the stories of individuals who rectify injustice by taking matters into their own hands. Examples of this plot can be found in American literature dating from colonial times, when settlers made an effort to preserve their moral code without the aid of an established justice system. The popularity of this theme finds further currency in tales of the frontier and the Wild West, and more recently, Hollywood has capitalized on its popularity by drawing from the myth of American pioneer culture and the theme of the lone avenger. This project identifies an analogous theme in contemporary fiction by women writers, who in the twentieth century began frequently employing female avatars of vigilante justice to challenge (in an illegal or extralegal fashion) those who violate the economic, social, or political rights of women. This dissertation analyzes a collection of novels and short stories by contemporary American women who employ the avatar of the vigilante woman, and demonstrates how female avengers, warriors, bandits, and killers extend and amend the vigilante tradition in the United States.
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Jayawickrama, Sharanya. "Cross-cultural perspectives in contemporary Sri Lankan fiction in English." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615180.

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Alexandru, Maria-Sabina. "Estrangement and return performances in contemporary Indian fiction in English." Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435063.

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Szilágyi, Anikó. "Gabriel the Victorious and Hungarian fiction in contemporary English translation." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30644/.

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This thesis employs multiple methodologies in order to explore Hungarian fiction in contemporary English translation as a distinct body of literature. It comprises three interrelated contributions: a bibliography, three case studies, and a translation. A bibliography of English translations of Hungarian novels published between 2000 and 2016 is presented in Appendix A, and Chapter 1 contains an overview of contemporary Hungarian-to-English fiction translation based on the bibliographic data, including a description of the assembly process. Chapters 2-4 focus more closely on a selection of these texts, tracing publication histories as well as target culture reception and interpreting translation shifts. Chapter 2 considers the language of Seiobo There Below by László Krasznahorkai (2013, tr. Ottilie Mulzet) in relation to the author’s vernacular oeuvre, and offers meta-artistic commentary on the target text. Chapter 3 investigates the concept of corporeal writing in Parallel Stories by Péter Nádas (2011, tr. Imre Goldstein), arguing that the organising principle of the source text is compromised in translation, which produces a fragmented work. Chapter 4 uncovers and categorises translation shifts in Journey by Moonlight by Antal Szerb (2002, tr. Len Rix) as an example of a recently translated Hungarian classic. Chapter 5 connects the analytical section of the thesis with the creative component that follows it. It departs from traditional academic discourse and uses a more reflective, lyrical mode of writing to explore the subjectivity of the translator and introduce the new text to its English-language readership. Finally, my English translation of the 1967 Hungarian novel Győzelmes Gábriel by György Méhes is presented under the title Gabriel the Victorious.
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Cox, Katharine May. "Labyrinths : navigating Daedalus' legacy : the role of labyrinths in selected contemporary fiction." Thesis, University of Hull, 2005. http://hydra.hull.ac.uk/resources/hull:5646.

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This study initially engages in an historical survey of the varying key realisations of labyrinths and their applications from antiquity through to the beginnings of the twentieth century. The shifting cultural significance of the labyrinth and its deployment in historical documents and literature alike is also evaluated. In particular, it focuses on two distinctive manifestations of the labyrinth: the Egyptian and the Cretan. The examination of these ancient artefacts affords an analysis of the intersection of archaeology, mythology and cultural productions. At the core of this study is the analysis of the fecundity of labyrinths in late twentieth-century fiction, focalised through four salient texts: Umberto Eco's The Name of the Rose (1980), Peter Ackroyd's Hawksmoor (1985), Jeanette Winterson's The Passion (1987) and Mark Z. Danielewski's House of Leaves (2000). These novels target specific usages of the trope, whereby the physical event of the labyrinth and its navigation, coupled with the labyrinthine text, intensifies an exploration of thematic issues. I will argue that a late twentieth-century engagement with complexity and ideas of selfhood coupled with a propensity for self-reflective narratology recalls the Egyptian and the Cretan labyrinths and so privileges these models. The labyrinth is considered as an appropriate medium to describe narrative construction and consumption in a manner that deconstructs the text as artifice and prioritises the reader's and the author's relationship to it. Specifically, the adoption of the labyrinth addresses the interplay between space and history in the textual arena and so encourages the individual to be envisaged as a transhistorical wandering figure. These textual usages foreground the apposite deployment of the labyrinth as this ancient meta-signifier is an entirely apposite vehicle for the interrogation of the late twentieth-century postmodern condition.
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Moudouma, Moudouma Sydoine. "Intra- and inter-continental migrations and diaspora in contemporary African fiction." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80117.

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Thesis (PhD)--Stellenbosch University, 2013.
ENGLISH ABSTRACT: The focus of this dissertation is the examination of the relationship between space and identity in recent narratives of migration, in contemporary African literature. Migrant narratives suggest that there is a correlation between identity formation and the types of boundaries and borders migrants engage with in their various attempts to find new homes away from their old ones. Be it voluntary or involuntary, the process of migrating from a familial place transforms the individual who has to negotiate new social formations; and tensions often accrue from the confrontation between one’s culture and the culture of the receiving society. Return migration to the supposed country of origin is an equally important trajectory dealt with in African migrant literature. The reverse narrative stipulates similar tensions between one’s diasporic culture – the culture of the diasporic space – and the culture of the homeland. Thus, intra- and inter-continental migrations and diaspora is a bifurcated inquiry that examines both outward and return migrations. These movements reveal the ways in which Africans make sense of their Africanity and their place in the world. The concepts of “border”, “boundary” and “borderland” are useful to examine notions of difference and separation both within the nation-state and in relation to transnational, intra-African as well as inter-continental exchanges. I focus more fully on these notions in the texts that examine migrations within Africa, both outward and return movements. This study is not only interested in the physical features of borders, boundaries or borderlands, but also on their consequences for the processes of identity formation and translation, and how they can help to reveal the social and historical characteristics of diasporic formations. What undergirds much of the analysis is the assumption that the negotiation of belonging and space cannot be separated from the crossing or breaching of borders and boundaries; and that these negotiations entail attempts to enter the borderland, which is a zone of exchange, crisscrossing networks, dissolution of notions of singularity and exclusive identities.
AFRIKAANSE OPSOMMING: Die fokus van hierdie proefskrif is ‘n ondersoek na die verhouding tussen ruimte en identiteit in onlangse migrasie-narratiewe in kontemporêre Afrika-literatuur. Migrasienarratiewe dui op ’n korrelasie tussen identiteitsvorming en die soorte skeidings en grense waarmee migrante gemoeid raak in hulle onderskeie pogings om nuwe tuistes weg van die oues te vind. Hetsy willekeurig of gedwonge, die migrasieproses weg van ’n familiale plek verander die individu wat nuwe sosiale formasies moet oorkom, en spanning neem dikwels toe weens die konfrontasie tussen die eie kultuur en dié van die ontvangersamelewing. Migrasie terug na die sogenaamde land van herkoms is net so ’n belangrike onderwerp in Afrika-migrasieliteratuur. Die terugkeernarratief stipuleer dat daar ooreenkomstige spanning heers tussen ’n persoon se diasporiese kultuur – die kultuur van die diaspora-ruimte – en die kultuur van die land van oorsprong. Die ondersoek na intra- en interkontinentale migrasies en diasporas is dus ’n tweeledige proses wat uitwaartse sowel as terugkerende migrasies beskou. Hierdie bewegings openbaar die ware maniere waarop Afrikane sin maak uit hulle Afrikaniteit en hulle plek in die wêreld. Die konsepte van “grens”, “grenslyn” en “grensgebied” is nuttig wanneer die begrippe van verskil en verwydering ondersoek word binne die nasiestaat asook in verhouding tot transnasionale, intra-Afrika en interkontinentale wisseling. Ek fokus meer volledig op hierdie begrippe in die tekste wat ondersoek instel na migrasie binne Afrika, beide uitwaartse en terugkerende bewegings. Hierdie studie gaan nie net oor die fisiese kenmerke van grense, grenslyne en grensgebiede nie, maar bestudeer ook die gevolge daarvan op die prosesse van identiteitsvorming en vertaling, en die manier waarop hulle kan help om die sosiale en historiese eienskappe van diasporiese formasies te openbaar. ’n Groot deel van die analise word ondersteun deur die aanname dat die onderhandeling tussen tuishoort en ruimte nie geskei kan word van die oorsteek of deurbreek van grense en grenslyne nie, en dat hierdie onderhandelinge lei tot pogings om die grensgebied te betree, waar die grensgebied gekenmerk word deur wisseling, kruising van netwerke en die verwording van begrippe soos sonderlingheid en eksklusiewe identiteite.
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Newns, Lucinda. "At home in the metropole : gender and domesticity in contemporary migration fiction." Thesis, London Metropolitan University, 2014. http://repository.londonmet.ac.uk/698/.

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This thesis looks at a selection of novels by diasporic writers which engage significantly with the domestic sphere and its associated practices in their narratives of migration to Britain from postcolonial spaces. Employing a feminist postcolonial approach to works by Buchi Emecheta, Monica Ali, Andrea Levy, Abdulrazak Gurnah and Leila Aboulela, this thesis challenges dominant readings of migration fiction that have been shaped by postmodern and diasporic frameworks of displacement and rupture, emphasising instead placement, dwelling and (re)rooting as important features of the migratory process. It also aims to re-centre the domestic, private and ‘everyday’ in conceptions of home in current debates about migration, while also generating a productive theorisation of 'home' which synthesises its feminist and postcolonial critiques. My approach is about reading more than the allegorical into literary representations of home-spaces, as I trace the interdependence of public and private, domestic and political, across both form and content in the novels covered. Through my analysis of individual texts, I show how writers draw on the colonial and postcolonial politics of home and domesticity as discursive resources in their narratives of cross-cultural encounter, challenging the devaluation of the private sphere as a static, unproductive and uncreative space. I unpack how these texts engage with the domestic as a material space of inspiration, but also as a political space constructed by histories of colonialism and immigration, as well as by policy and academic scholarship, showing how they respond to and subvert these discourses. Through their engagement with familiar tropes of house and home, many of these works challenge representations of migrant women as passive recipients and reproducers of an externally defined ‘culture’. Instead, I argue, they offer alternative interior geographies which re-map both the British domestic space and that of the home-culture, reframing the home as an important carrier of meaning but one that is constantly in flux, remaking itself according to the needs and desires of those who dwell within its walls.
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Books on the topic "Contemporary English fiction"

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1939-, Drabble Margaret, ed. Contemporary fiction. London: Book Trust, 1988.

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Contemporary fiction. New York: Routledge, 2003.

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Contemporary Fiction. London: Taylor & Francis Group Plc, 2004.

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Contemporary British fiction. Edinburgh: Edinburgh University Press, 2008.

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Anand, Agam. A Non Entity: Contemporary English Fiction. Edited by Richa Singh. India: Janaki Prakashan, 2015.

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Wang, Ching-chih. Japanese Imperialism in Contemporary English Fiction. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0462-4.

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The postmodern fantastic in contemporary British fiction. Trier: Wissenschaftlicher Verlag Trier, 2004.

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The novel now: Contemporary British fiction. Malden, MA: Blackwell Pub., 2007.

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Contemporary novelists: British fiction since 1970. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

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Contemporary fiction: The novel since 1990. Cambridge: Cambridge University Press, 2008.

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Book chapters on the topic "Contemporary English fiction"

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Gupta, Suman. "Indian Commercial Fiction in English." In Consumable Texts in Contemporary India, 18–38. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137489296_2.

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Gupta, Suman. "Contemporary Indian Commercial Fiction in English." In South-Asian Fiction in English, 139–61. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-40354-4_8.

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Bertens, Hans, and Theo D’haen. "The ‘English Tradition’ in Contemporary American Crime Fiction." In Contemporary American Crime Fiction, 129–45. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230508316_8.

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Gupta, Suman. "Indian Vernacular Pulp Fiction in English Translation." In Consumable Texts in Contemporary India, 39–60. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137489296_3.

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Kabir, Ananya Jahanara. "The New Pastoral: Environmentalism and Conflict in Contemporary Writing from Kashmir." In South-Asian Fiction in English, 199–215. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-40354-4_11.

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Wang, Ching-chih. "Introduction: Japanese Empire as an Excrescence of Imperialism." In Japanese Imperialism in Contemporary English Fiction, 1–11. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0462-4_1.

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Wang, Ching-chih. "Riches and Realities: The Uncommon Wealth in David Mitchell’s The Thousand Autumns of Jacob de Zoet." In Japanese Imperialism in Contemporary English Fiction, 13–29. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0462-4_2.

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Wang, Ching-chih. "The “Broader Canvas” in Kazuo Ishiguro’s Pacific War Stories." In Japanese Imperialism in Contemporary English Fiction, 31–54. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0462-4_3.

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Wang, Ching-chih. "Inscribing the Legacy of Japanese Imperialism in The Garden of Evening Mists." In Japanese Imperialism in Contemporary English Fiction, 55–78. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0462-4_4.

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Wang, Ching-chih. "Conclusion: Borrowing Scenes from Japan’s Colonial Empire." In Japanese Imperialism in Contemporary English Fiction, 79–82. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0462-4_5.

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