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1

Jordan, Eamonn. Dissident dramaturgies: Contemporary Irish theatre. Dublin: Irish Academic Press, 2010.

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2

Dissident dramaturgies: Contemporary Irish theatre. Dublin: Irish Academic Press, 2010.

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3

Bradbury, Jim. Shakespeare and his theatre: Illustrated from contemporary sources. 2nd ed. Harlow: Longman, 1990.

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4

Olu, Obafemi. Contemporary Nigerian theatre: Cultural heritage and social vision. Lagos: Centre for Black and African Arts and Civilization (CBAAC), 2001.

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5

Contemporary Nigerian theatre: Cultural heritage and social vision. Bayreuth, Germany: Bayreuth University, 1996.

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6

Stage right: Crisis and recovery in British contemporary mainstream theatre. New York: St. Martin's Press, 1994.

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7

Bull, John. Stage right: Crisis and recovery in British contemporary mainstream theatre. Houndmills, Basingstoke, Hampshire: Macmillan, 1994.

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8

Sacred play: Soul-journeys in contemporary Irish theatre. Dublin: Carysfort Press, 2004.

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9

The girls in the big picture: Gender in contemporary Ulster theatre. Belfast: Blackstaff Press, 2003.

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10

Immigration and contemporary theatre in Britain: Finding a home on the stage. New York: Peter Lang, 2012.

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11

Tobrise, Mabel. Nigerian feminist theatre: Essays on female axes in contemporary Nigerian drama. Ibadan, Nigeria: Sam Bookman Publishers for Humanities Research Centre, 1998.

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12

Race, sex, and gender in contemporary women's theatre: The construction of "woman". Brighton [England]: Sussex Academic Press, 1999.

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13

Feminist theatre: An introduction to plays of contemporary British and American women. New York: Grove Press, 1985.

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14

Guralnick, Elissa S. Sight unseen: Beckett, Pinter, Stoppard, and other contemporary dramatists on radio. Athens: Ohio University Press, 1996.

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15

Shakespeare, William. A midsummer night's dream: A facing-pages translation into contemporary English. Los Angeles: Lorenz Educational Publishers, 1995.

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16

Deutsche Gesellschaft für das Englischsprachige Theater und Drama der Gegenwart. Conference. Beyond the mainstream: Papers given on the occasion of the fourth annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: Wissenschaftlicher Verlag, 1997.

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17

Martín, Rosana Herrero. The doing of telling on the Irish stage: A study of language performativity in modern and contemporary Irish theatre. Frankfurt am Main: P. Lang, 2008.

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18

Christoph, Henke, and Middeke Martin 1963-, eds. Drama and/after postmodernism: Papers given on the occasion of the Fifteenth Annual Conference of the German Society for Contemporary Theatre and Drama in English. Trier: WVT, Wissenschaftlicher Verlag Trier, 2007.

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19

Shakespeare, William. The tragedy of Macbeth: A facing-pages translation into contemporary English. Los Angeles: Lorenz Educational Publishers, 1995.

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20

Shakespeare, William. Hamlet: With contemporary essays. San Francisco: Ignatius Press, 2008.

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21

Shakespeare, William. Hamlet: With contemporary essays. San Francisco: Ignatius Press, 2008.

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22

Deutsche Gesellschaft für das Englischsprachige Theater und Drama der Gegenwart. Conference. Extending the code: New forms of dramatic and theatrical expression ; papers given on the occasion of the twelfth annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: WVT, Wissenschaflicher Verlag Trier, 2004.

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23

Shakespeare, William. The tragedy of Hamlet, Prince of Denmark: A facing-pages translation into contemporary English. Los Angeles, CA: Lorenz Educational Publishers, 1996.

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24

Performing Asian America: Race and ethnicity on the contemporary stage. Philadelphia: Temple Univ. Press, 1997.

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25

Winkler, Elizabeth Hale. The function of song in contemporary British drama. Newark: University of Delaware Press, 1990.

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26

Normington, Katie. Modern mysteries: Contemporary productions of medieval English cycle dramas. Cambridge [U.K.]: D.S. Brewer, 2007.

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27

DiGaetani, John Louis. A search for a postmodern theater: Interviews with contemporary playwrights. New York: Greenwood Press, 1991.

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28

Rothkirch, Alyce von. The place of Wales: Staging place in contemporary Welsh drama in English. Trier: WVT, Wissenschaftlicher Verlag Trier, 2007.

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29

Modern and contemporary Black British drama. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015.

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30

Contemporary Black British playwrights: Margins to mainstream. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015.

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31

Shakespeare, William. Hamlet: Complete, authoritative text with biographical and historical contexts, critical history, and essays from five contemporary critical perspectives. Boston: Bedford Books of St. Martin's Press, 1994.

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32

Shakespeare, William. Hamlet: Complete,authoritative text with biographical and historical contexts, critical history, and essays from five contemporary critical perspectives. London: Macmillan, 1994.

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33

Kao, Wei H. Contemporary Irish Theatre. Lang Publishing, Incorporated, Peter, 2015.

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34

(Editor), Eamonn Jordan, and Arts Council of Ireland (Corporate Author), eds. Theatre Stuff: Critical Essays on Contemporary Irish Theatre. Carysfort Press, 2003.

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35

1964-, Jordan Eamonn, and Arts Council of Ireland, eds. Theatre stuff: Critical essays on contemporary Irish theatre. Dublin: Carysfort Press, 2000.

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36

Jordan, Eamonn. Theatre Stuff: Critical Essays on Contemporary Irish Theatre. Hachette Groupe Livre, 2019.

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37

Ethical Speculations In Contemporary British Theatre. Palgrave Macmillan, 2014.

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38

Verbatim, Verbatim: Contemporary Documentary Theatre. Oberon Books, Limited, 2008.

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39

1973-, Sihra Melissa, and Murphy Paul 1971-, eds. The dreaming body: Contemporary Irish theatre. Gerrards Cross, Buckinghamshire [England]: Colin Smythe Limited, 2009.

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40

Aston, Elaine, and Gabriele Griffin. Pulp (Routledge Harwood Contemporary Theatre Studies). Routledge, 1996.

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41

Elaine, Aston, and Gabriele Griffin. Curfew (Routledge Harwood Contemporary Theatre Studies). Routledge, 1996.

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42

O'Reilly, Anne F. Sacred Play: Soul-Journeys In Contemporary Irish Theatre (Theatre Arts). Carysfort Press, 2005.

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43

Eric, Weitz, ed. The power of laughter: Comedy and contemporary Irish theatre. Dublin: Carysfort Press, 2004.

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44

Rod Wooden: Smoke and Moby Dick (Contemporary Theatre Review). Routledge, 1997.

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45

O'Reilly, Anne F. Sacred Play: Soul-Journeys in Contemporary Irish Theatre. Lang AG International Academic Publishers, Peter, 2020.

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46

Olesha, Yurii, and Konstansy Ildefons Galczynski. The Conspiracy of Feelings / the Little Theatre of the Green Goose (Contemporary Theatre Review). Harwood Academic (Performing Arts), 2001.

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47

Boireau. Beyond Taboos: Images of Outrageousness in Recent English-Speaking Drama (Contemporary Theatre Review). Routledge, 1995.

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48

Shade, Ruth. "Welsh assemblies": The phenomenon of contemporary, professional, English-language theatre practice in Wales. 1999.

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49

1953-, Hart Lynda, ed. Making a spectacle: Feminist essays on contemporary women's theatre. Ann Arbor: University of Michigan Press, 1989.

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50

1946-, Reitz Bernhard, and Deutsche Gesellschaft für das Englischsprachige Theater und Drama der Gegenwart., eds. Race and religion in contemporary theatre and drama in English: Papers given on the occasion of the seventh annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: Wissenschaftlicher Verlag, 1999.

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