Log in

Relevant bibliographies by topics / Contemporary Film / Journal articles

To see the other types of publications on this topic, follow the link: Contemporary Film.

Journal articles on the topic 'Contemporary Film'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Contemporary Film.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Barnes, Heather L. "Digital Curation and Contemporary Documentary Filmmaking." Preservation, Digital Technology & Culture 51, no. 4 (2022): 141–54. http://dx.doi.org/10.1515/pdtc-2022-0021.

Full text

Abstract:

Abstract Documentary films have evolved considerably since 1922s Nanook of the North. Fans of nonfiction now stream multi-episode documentaries on platforms like Netflix or catch a feature at one of many documentary-centered film festivals around the world. Inexpensive video cameras and internet distribution have expanded the documentary film universe exponentially. From 1-min films to feature-length theater releases, moviegoers around the world have embraced this diverse and growing genre. To the benefit of aspiring filmmakers, documentaries can now be filmed on a wide array of digital video

APA, Harvard, Vancouver, ISO, and other styles

2

Morozova, Irina V. "American Biopic in Contemporary Cinema." Journal of Flm Arts and Film Studies 8, no. 1 (2016): 105–14. http://dx.doi.org/10.17816/vgik81105-114.

Full text

Abstract:

Biopic has recently become a leading genre in the world film industry. These films are especially popular in the USA. It is the dominant and most influential trend in the modern American film production. The article analyses American biopic conventions, defines the stages of its evolution and basic types, categorizes its characters.

APA, Harvard, Vancouver, ISO, and other styles

3

Kuang, Yuxuan. "The Interpretation of Contemporary “New Mainstream” Cinema." SHS Web of Conferences 148 (2022): 02013. http://dx.doi.org/10.1051/shsconf/202214802013.

Full text

Abstract:

The new mainstream film is an upgraded version of the main theme film, which is more commercial, entertaining and popular. The themes are more extensive, and the casting is bolder and more grounded. Nowadays, the rise of new mainstream films also means that Chinese films have embarked on a new journey. A new type of film that combines artistry and commercialism skillfully has its unique advantages from both artistic and commercial perspectives.

APA, Harvard, Vancouver, ISO, and other styles

4

Murray, Jonathan. "Contemporary Scottish Film." Irish Review (1986-), no. 28 (2001): 75. http://dx.doi.org/10.2307/29736045.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Miao, Zheng. "Fragmented viewing of movies in contemporary society." Journal of Education, Humanities and Social Sciences 3 (September 22, 2022): 117–28. http://dx.doi.org/10.54097/ehss.v3i.1556.

Full text

Abstract:

With the popularity and rapid development of the Internet, online video has played a very important role in promoting film and television communication. On the basis of online video, the rise of the short video industry has also brought about a huge change in people's movie habits. The fragmented aesthetics of movies are increasingly prominent under the influence of digital technology. The effects stemming from market forces are particularly profound. Marketization requires film production to take into account the types of audiences and to take care of the audience's spiritual fragments, and t

APA, Harvard, Vancouver, ISO, and other styles

6

Kelly, Brendan D. "Psychiatry in contemporary Irish cinema: a qualitative study." Irish Journal of Psychological Medicine 23, no. 2 (2006): 74–79. http://dx.doi.org/10.1017/s0790966700009617.

Full text

Abstract:

AbstractObjective: Media portrayals of mental illness and psychiatry have a considerable impact on public perceptions of mental health issues. This paper aims to focus on portrayals of psychiatry and psychiatrists in four contemporary Irish feature films in order to make wider points on this theme.Methods: Contemporary Irish feature-films that made substantial reference to psychiatry, psychiatrists or mental health in Ireland were identified though electronic searches and consultation with the Film Institute of Ireland. Selected films were viewed. Electronic searches were performed in the medi

APA, Harvard, Vancouver, ISO, and other styles

7

Slattery, James Lawrence. "Matthew Holtmeier (2019) Contemporary Political Cinema." Film-Philosophy 23, no. 3 (2019): 399–402. http://dx.doi.org/10.3366/film.2019.0124.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Ivanova, L. S. "INTERACTIVITY IN CONTEMPORARY FILM." Digitalization 2, no. 3 (2021): 38–46. http://dx.doi.org/10.37993/2712-8733-2021-2-3-38-46.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Halle, Randall. "Re-imagining the German East: Expulsion and Relocation in German Feature and Documentary Film." German Politics and Society 31, no. 4 (2013): 16–39. http://dx.doi.org/10.3167/gps.2013.310402.

Full text

Abstract:

Film history marks the various transformations in the material and imaginative relations between Germans and Poles in the postwar era. This article explores how film—the primary contemporary vehicle for imaginative communities—has played an important role in envisioning various spatial relationships, as well as the political and cultural shifts in the general population of Germany, West and East, and Poland. The article surveys the representation of flight and expulsion from the East first in the fictional feature film and then in the documentary genre. It then turns to contemporary production

APA, Harvard, Vancouver, ISO, and other styles

10

Vital, Feofania Yu. "Emotional Influence on the Viewer in Contemporary American Cinema." Journal of Flm Arts and Film Studies 8, no. 1 (2016): 91–104. http://dx.doi.org/10.17816/vgik8191-104.

Full text

Abstract:

The article studies the methods and means used in modern American film drama to control the audiences emotional state, sorting out the major techniques of such control as exemplified by specific films. The main focus is on the catharsis as the key moment of watching a film.

APA, Harvard, Vancouver, ISO, and other styles

11

Zang, Jinying. "Symbolic Tension in Contemporary Chinese Urban Film: Culture, Space and Community." Tobacco Regulatory Science 7, no. 5 (2021): 3664–70. http://dx.doi.org/10.18001/trs.7.5.1.143.

Full text

Abstract:

Film semiotics is an important theory produced in the modern film period, and urban film closely responds to the process of contemporary Chinese urbanization. Borrowing the theory of film semiotics to analyze Chinese contemporary urban films, it can be found that typical cities have formed a unique symbolic tension, referring to urban culture, and having multiple symbolic elements sets to interpret the new imagination of the city. Urban film and film semiotics should jointly promote the poetic integration of various classes in the city, construct an urban emotional community, and form emotiona

APA, Harvard, Vancouver, ISO, and other styles

12

Robinson, Juneko J. "Jay McRoy (2007) Nightmare Japan: Contemporary Japanese Horror Cinema." Film-Philosophy 14, no. 1 (2010): 350–60. http://dx.doi.org/10.3366/film.2010.0018.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Walters, Caroline. "Tim Palmer (2011) Brutal Intimacy: Analyzing Contemporary French Cinema." Film-Philosophy 16, no. 1 (2012): 303–6. http://dx.doi.org/10.3366/film.2012.0027.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Lupo, Jonathan. "Loaded Canons: Contemporary Film Canons, Film Studies, and Film Discourse." Journal of American Culture 34, no. 3 (2011): 219–33. http://dx.doi.org/10.1111/j.1542-734x.2011.00776.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Andrade, Fábio. "The Monstrification of Underdevelopment in Contemporary Brazilian Cinema." Film Quarterly 74, no. 2 (2020): 61–66. http://dx.doi.org/10.1525/fq.2020.74.2.61.

Full text

Abstract:

This article articulates how two recent Brazilian medium-length films challenge the category of the “hybrid film,” incorporating reenactment to recompose invisible routines of institutionalized oppression. In Seven Years in May, Affonso Uchôa (Araby; The Hidden Tiger) uses collaborative methods to render visible the structure of mass incarceration in Minas Gerais. Shot with a group of young men in Contagem, the film is a tryptic where each part employs a different mode of narrative reconstruction. Directed by a group of first-time Guarani-Kaiowá filmmakers, Ava Yvy Vera retells the murder of t

APA, Harvard, Vancouver, ISO, and other styles

16

Sjö, Sofia. "Struggling bodies and body struggles: explorations of body and religion in contemporary Nordic film." Scripta Instituti Donneriani Aboensis 23 (January 1, 2011): 400–416. http://dx.doi.org/10.30674/scripta.67397.

Full text

Abstract:

This study focuses on representations of the body and religion in Nordic film. The aim is to illustrate the kinds of representations of religion and the body that can be found in contemporary Nordic films, demonstrate how these representations relate to religion, the body and film more generally, and explore what perceptions of and attitudes to the body and religion the representations suggest. The analysis begins with an introduction to religion and film studies, religion in Nordic film and the themes and films chosen for this study. After this a short overview of earlier studies dealing with

APA, Harvard, Vancouver, ISO, and other styles

17

Király, Hajnal. "Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema." Acta Universitatis Sapientiae, Film and Media Studies 18, no. 1 (2020): 57–71. http://dx.doi.org/10.2478/ausfm-2020-0003.

Full text

Abstract:

AbstractThe paper departs from the assumption that while the analysis of the systematic effect that popular cinema (genres like melodrama, horror or action movies) has on its spectators has been largely discussed by film theorists, little has been written on the affective dimensions of arthouse cinema. The lasting effect of visually compelling films on the individual spectator’s emotions has been addressed only sporadically by cognitive film theory, film phenomenology and aesthetics. Therefore, the author proposes to bring together terms and concepts from different discourses (film and literar

APA, Harvard, Vancouver, ISO, and other styles

18

Rifeser, Judith. "Patricia White (2015) Women's Cinema, World Cinema: Projecting Contemporary Feminisms." Film-Philosophy 21, no. 1 (2017): 142–45. http://dx.doi.org/10.3366/film.2017.0037.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Chittick, Kyler. "Lee Carruthers (2016) Doing Time: Temporality, Hermeneutics and Contemporary Cinema." Film-Philosophy 22, no. 1 (2018): 130–33. http://dx.doi.org/10.3366/film.2018.0066.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Chittick, Kyler. "Lee Carruthers (2016) Doing Time: Temporality, Hermeneutics and Contemporary Cinema." Film-Philosophy 22, no. 2 (2018): 306–8. http://dx.doi.org/10.3366/film.2018.0079.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Sjö, Sofia. "The Gendering of Pastors in Contemporary Nordic Films: Norms, Conventions and Contemporary Views." Religion and Gender 5, no. 1 (2015): 91–104. http://dx.doi.org/10.18352/rg.10084.

Full text

Abstract:

The article examines how Lutheran pastors are gendered in six well-known Nordic films. Building on the theory of mediatisation of religion, the study argues for the need to look at how media shapes religion and gender for a thorough understanding of views on religion today. The film analyses show a connection between female pastors and less problematised forms of religion, but also traditional ways of undermining women in films. The films are argued to present a problematised religious view on sexuality, mostly connected to male pastors. Both aspects of gendering religion are tied to larger de

APA, Harvard, Vancouver, ISO, and other styles

22

Ronduda, Łukasz. "Film fabularny jako narzędzie kuratora i badacza sztuki." Artium Quaestiones 31, no. 1 (2020): 209–36. http://dx.doi.org/10.14746/aq.2020.31.8.

Full text

Abstract:

In the essay, the author, Łukasz Ronduda, relates his own work as an artist, a film director, an art historian and curator, discussed in the light of the cinematic turn and the formation of common ground between cinema and contemporary art in both artistic and institutional sense. Ronduda looks closely at his two full-length feature films: Performer (2015) and Serce miłości (Heart of Love) (2017) and highlights their wider context. The first frame of reference spans from experimental films to contemporary full-length productions dedicated to wide audience. The second reference is his own work

APA, Harvard, Vancouver, ISO, and other styles

23

Shahani, Kumar. "Film as a Contemporary Art." Social Scientist 18, no. 3 (1990): 33. http://dx.doi.org/10.2307/3517424.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Compitello, Malcolm Alan, and Thomas G. Deveny. "Contemporary Spanish Film from Fiction." Hispania 85, no. 2 (2002): 251. http://dx.doi.org/10.2307/4141053.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Godfrey, Brian J. "Regional Depiction in Contemporary Film." Geographical Review 83, no. 4 (1993): 428. http://dx.doi.org/10.2307/215824.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Eleftheriotis, Dimitris. "Contemporary Costume Film Julianne Pidduck." Canadian Journal of Film Studies 16, no. 2 (2007): 136–39. http://dx.doi.org/10.3138/cjfs.16.2.136.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Waddell, Terrie. "The Trickster in Contemporary Film." International Journal of Jungian Studies 4, no. 2 (2012): 173–75. http://dx.doi.org/10.1080/19409052.2012.684473.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Celenza, Andrea. "Mutual Influence in Contemporary Film." Contemporary Psychoanalysis 46, no. 2 (2010): 215–23. http://dx.doi.org/10.1080/00107530.2010.10746053.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Philpot, Justin. "The Contemporary Hollywood Film Industry." Journal of Film and Video 63, no. 1 (2011): 71–72. http://dx.doi.org/10.1353/jfv.2011.0006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Dromm, Keith. "Classic Questions and Contemporary Film." Teaching Philosophy 28, no. 4 (2005): 385–87. http://dx.doi.org/10.5840/teachphil200528450.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Schmidt, Klaus H. "Neonaturalism in Contemporary U.S. Film." Studies in American Naturalism 15, no. 1 (2020): 18–48. http://dx.doi.org/10.1353/san.2020.0008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Lim, Yoon Soo. "How Contemporary Art Meet Documentary Film - Based on Documentary Film of Korean Contemporary Artists." CONTENTS PLUS 15, no. 4 (2017): 59–72. http://dx.doi.org/10.14728/kcp.2017.15.04.059.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Latifah, Latifah. "Film as Media of Religious Dialogue: The Reception of Three Indonesian Contemporary Films." DINIKA : Academic Journal of Islamic Studies 1, no. 3 (2016): 263. http://dx.doi.org/10.22515/dinika.v1i3.87.

Full text

Abstract:

The paper examines the audiences response in consuming of religious representation in three Indonesian contemporary films: Ayat-Ayat Cinta (Verses of Love), 3 Doa 3 Cinta (3 Wishes 3 Loves), and Perempuan Berkalung Sorban (Woman with a Scarf Around her Neck). By examining the audiences response in media, particularly through electronic delivery, the paper shows that the public dispute of the Islam representation in this film serves as communication media of religious dialogue. The examination of audiences response on those three films illuminates the various impacts of Islamic film label embed

APA, Harvard, Vancouver, ISO, and other styles

34

Holtmeier, Matthew. "The Modern Political Cinema: From Third Cinema to Contemporary Networked Biopolitics." Film-Philosophy 20, no. 2-3 (2016): 303–23. http://dx.doi.org/10.3366/film.2016.0017.

Full text

Abstract:

Political cinema, particularly third cinema of the 1960s and subsequently inspired films, often relies upon the formation and transformation of subjectivity. Such films depict a becoming-political of their characters, such as Ali LaPointe's transformation from bricklayer and boxer to revolutionary in Battle of Algiers (La battaglia di Algeri, Gillo Pontecorvo, 1966 ). As subjects are politicized, they reveal social, moral, existential, or ethical exigencies that drive the politics of the film. In this respect, most narrative-driven political cinema is biopolitical cinema, although its expressi

APA, Harvard, Vancouver, ISO, and other styles

35

Quinlivan, Davina. "Lucy Bolton (2019) Contemporary Cinema and the Philosophy of Iris Murdoch." Film-Philosophy 25, no. 2 (2021): 220–23. http://dx.doi.org/10.3366/film.2021.0172.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Banko, Anja. "What does cinema think that nothing but it can think?" Maska 35, no. 200 (2020): 68–77. http://dx.doi.org/10.1386/maska_00010_1.

Full text

Abstract:

The article deals with questions of contemporary film theory by explaining and reflecting on the theses as proposed by the American film and literary critic Nico Baumbach in his work Cinema/Politics/Philosophy (Columbia University Press, 2018). Baumbach is able to analyse the questions of what status film has in relation to politics, philosophy and art in a contemporarily relevant way, approaching film studies through reading authors such as Rancire, Badiou and Agamben in dialogue with Althusser, Deleuze and Benjamin. The article focuses on the positioning and meaning of Baumbach’s thought in

APA, Harvard, Vancouver, ISO, and other styles

37

Fortuna Jr., Grzegorz. "Narrative Strategies in Contemporary Independent American Horror Movies." Panoptikum, no. 19 (June 30, 2018): 121–30. http://dx.doi.org/10.26881/pan.2018.19.09.

Full text

Abstract:

The main aim of the article is to paint a picture of contemporary American horror film and mark the division between its mainstream and independent sides. The first part focuses on topics, subgenres and strategies connected with mainstream American horror films; the second part is dedicated to the renaissance of low-budget, but original and artistically fulfilled horror movies produced outside Hollywood and directors that achieved commercial success thanks to following their vision and thinking outside the box. In the article, Grzegorz Fortuna Jr. uses methods connected with production studies

APA, Harvard, Vancouver, ISO, and other styles

38

Pantelić, Ivana, Snežana Savić, Jela Milić, and Gordana Vuleta. "Film-forming materials in contemporary formulations of cosmetic products." Arhiv za farmaciju 68, no. 1 (2018): 46–64. http://dx.doi.org/10.5937/arhfarm1801046p.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Vitali, Valentina. "Contemporary Women Filmmakers in Myanmar: Reflections on a Visit in February 2019." BioScope: South Asian Screen Studies 11, no. 1 (2020): 78–91. http://dx.doi.org/10.1177/0974927620935754.

Full text

Abstract:

Existing accounts of Myanmar’s film industry available to English speakers are more than twenty years out of date. Opening with a brief overview of cinema in Myanmar since 2000, this article is based on a recent visit to the Myanmar Motion Picture Development Department and the Yangon Film School, on conversations with staff, students and alumnae of these institutions and of the National University of Arts and Culture, and with local independent filmmakers. The purpose of my visit was to begin the groundwork needed to answer basic questions: Who are the women making films in Myanmar today? Whe

APA, Harvard, Vancouver, ISO, and other styles

40

Afifulloh, M., and Nurvita Wijayanti. "Body Size on Cinema: A Critical Discourse Analysis on Contemporary Indonesian Cinema." Studies in Media and Communication 11, no. 1 (2022): 25. http://dx.doi.org/10.11114/smc.v11i1.5790.

Full text

Abstract:

This article discusses how a fat body in a film is used as a metaphor for a deviant, dangerous, and irresponsible personality through the various narratives occupied by the characters in the film. This research is qualitative research with the main data source is Imperfect film released in 2020. The approach used is a combination of film studies and Sara Mills' critical discourse analysis. The results of the study show that although Imperfect promotes gender equality in society, the narrative that is built still position fat bodies and black skin as non-ideal, especially for woman. Furthermore

APA, Harvard, Vancouver, ISO, and other styles

41

Pilawska, Roksana. "Film jako kulturowa przestrzeń edukacji nieformalnej." Studia Edukacyjne, no. 61 (June 15, 2021): 207–28. http://dx.doi.org/10.14746/se.2021.61.12.

Full text

Abstract:

The article attempts to theoretically and methodologically capture the potential and possibilities of films within informal education. The author begins by reflecting on the importance of popular culture in the process of shaping the identity of the individual and then proceeds to determine the contemporary role of informal education and the importance of film as an educational medium (in reference to the previously applicable communication model and cognitive theory). In the further part of the article, in order to determine the current discourse, the author tries to present in an orderly man

APA, Harvard, Vancouver, ISO, and other styles

42

Oja, Martin. "Darkness on Screen: Subjectivity-Inducing Mechanisms in Contemporary Estonian Art Film." Baltic Screen Media Review 2, no. 1 (2014): 76–95. http://dx.doi.org/10.1515/bsmr-2015-0016.

Full text

Abstract:

Abstract The main purpose of the article is to bring more clarity to the concept of art film, shedding light on the mechanisms of subjective reception and evaluating the presence of subjectivity-inducing segments as the grounds for defining art film. The second aim is to take a fresh look at the littlediscussed Estonian art cinema, drawing on a framework of cognitive film studies in order to analyse its borders and characteristics. I will evaluate the use of darkness as a device for creating meaning, both independently of and combined with other visual or auditory devices. The dark screen, alt

APA, Harvard, Vancouver, ISO, and other styles

43

Ferriss, Suzanne. "Michelle Devereaux (2019) The Stillness of Solitude: Romanticism and Contemporary American Independent Film." Film-Philosophy 25, no. 2 (2021): 216–19. http://dx.doi.org/10.3366/film.2021.0171.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Pronin, Alexander A. "Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect." Journal of Flm Arts and Film Studies 7, no. 3 (2015): 62–71. http://dx.doi.org/10.17816/vgik7362-71.

Full text

Abstract:

The article analyzes the underresearched practice of using feature film quotations in portrait documentaries. A certain number of contemporary films help to single out the most typical sphere of quotations usage, demonstrate typical means of incorporating film quotations into the new film text, and present a classification of quotation variants according to their functional-semantic aspect.

APA, Harvard, Vancouver, ISO, and other styles

45

Przylipiak, Mirosław. "The Notion of Mainstream Film in Contemporary Cinema." Panoptikum, no. 19 (June 30, 2018): 14–31. http://dx.doi.org/10.26881/pan.2018.19.01.

Full text

Abstract:

The goal of this paper is to establish how the term „a mainstream film” is used and understood, what meaning is assigned to it in contemporary discourse about cinema. Wide research was carried out, aimed at pinpointing its usage both on the Internet, among bloggers and film forum members, as well as in academic papers. It turns out that the term is widely used, but very scarcely defined. Moreover, it is understood in very different, often incompatible manners. At least six meanings were detected. A mainstream film can be a blockbuster, a film which propagates dominant ideologies, a realist fil

APA, Harvard, Vancouver, ISO, and other styles

46

Morley, Rachel. "Cinemasaurus: Russian film in contemporary context." Studies in Russian and Soviet Cinema 16, no. 1 (2022): 82–84. http://dx.doi.org/10.1080/17503132.2022.2031761.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Jones, Jacquie. "The Black South in Contemporary Film." African American Review 27, no. 1 (1993): 19. http://dx.doi.org/10.2307/3042035.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Rountree, Cathleen. "Auteur Film Directors as Contemporary Shamans." Jung Journal 2, no. 2 (2008): 123–34. http://dx.doi.org/10.1525/jung.2008.2.2.123.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Geuens, Jean-Pierre. "Georg Lukács and Contemporary Film Praxis." Quarterly Review of Film and Video 26, no. 3 (2009): 216–25. http://dx.doi.org/10.1080/10509200902841676.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Fyne, Robert. "American History and Contemporary Hollywood Film." Journal of Popular Culture 39, no. 3 (2006): 500–501. http://dx.doi.org/10.1111/j.1540-5931.2006.00264.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!