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Books on the topic 'Contemporary flute'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Consult the top 24 books for your research on the topic 'Contemporary flute.'

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1

Koizumi, Hiroshi. Technique for contemporary flute music: For players and composers. Japan: Schott, 1996.

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2

Variation on a theme. New York, N.Y: HarperTorch, 2001.

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3

(Editor), Mardi McSullea, Lawrence Whiffin (Editor), and Richard Vella (Editor), eds. Contemporary Australian Flute (Currency Music). Currency Press, 1998.

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4

Hal Leonard Publishing Corporation (COR). Contemporary Christian Music Hits: Flute. Hal Leonard Corporation, 2004.

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5

(Editor), Mardi McSullea, Lawrence Whiffin (Editor), and Richard Vella (Editor), eds. Contemporary Australian Flute (Currency Music). Currency Press, 1998.

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6

Renaissance Flute: A Contemporary Guide. Oxford University Press, Incorporated, 2020.

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7

Renaissance Flute: A Contemporary Guide. Oxford University Press, Incorporated, 2020.

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8

Hal Leonard Publishing Corporation (COR). Contemporary Gospel Favorites: Flute or Violin. Hal Leonard Corporation, 1988.

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9

Elderberry Flute Song: Contemporary Coyote Tales. 4th ed. White Pine Press (NY), 2002.

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10

Elderberry Flute Song Contemporary Coyote Tales. White Pine Pr, 1989.

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11

(COR), Hal Leonard Publishing Corporation. Contemporary Hits: For Flute Instrumental Play-Along Pack. Hal Leonard Corporation, 2005.

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12

Hal Leonard Publishing Corporation (COR). Praise and Worship Hymn Solos: Flute Play-Along Pack. Hal Leonard Corporation, 1998.

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13

Band Today, Part 2 (C Flute) (Contemporary Band Course). Alfred Publishing Company, 1985.

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14

Dick, Robert. The Other Flute: A Performance Manual of Contemporary Techniques. 2nd ed. Multiple Breath Music Company, 1989.

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15

Band Today, Part 3 (C Flute) (Contemporary Band Course). Alfred Publishing Company, 1985.

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16

Hal Leonard Publishing Corporation (COR). Great Is The Lord and Other Contemporary Christian Favorites: Flute. Hal Leonard Corporation, 1997.

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17

Ployhar, James. Band Today, Part 1 in French (C Flute) (Contemporary Band Course). Alfred Publishing Company, 1985.

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18

12 Contemporary Jazz Etudes: C Instruments--Flute, Guitar, Vibes, Violin (Book & CD) (12 Contemporary Jazz Etudes). Warner Bros. Publications, 2005.

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19

Flute and Shakuhachi (Contemporary Music Review, Vol 8, Part 2 With Tape). Routledge, 1994.

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20

Seale, Doris. A Broken Flute: The Native Experience in Books for Children (Contemporary Native American Communities). AltaMira Press, 2005.

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21

Doris, Seale. A Broken Flute: The Native Experience in Books for Children (Contemporary Native American Communities). AltaMira Press, 2006.

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22

McCleskey, Wayne, and John Sarantos. A Kokopelli Christmas: Songs for the Winter Season, Compiled and Arranged in NAF-TABlature for the Contemporary Native American Flute. Wind Warrior Publications, 1998.

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23

Anno, Mariko. Piercing the Structure of Tradition. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781939161079.001.0001.

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What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? This book investigates flute performance as a space to explore the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. The book examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Issō School nohkan players maintain to this day the continuity of their musical traditions in three contemporary Noh plays influenced by William Butler Yeats. The book's ethnographic approach draws on interviews with performers and case studies, as well as the author's personal reflection as a nohkan performer and disciple under the tutelage of Noh masters. The book argues that traditions of musical style and usage remain influential in shaping contemporary Noh composition and performance practice, and the existing freedom within fixed patterns can be understood through a firm foundation in Noh tradition.

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24

Gill, Denise. Separation, the Sound of the Rhizomatic Ney, and Sacred Embodiment. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190495008.003.0003.

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Chapter 2 demonstrates the depth to which rhizomatic analysis can be utilized with a single sound and word: Hû. I study Hû as a sound, as instrument technique for the end-blown reed flute, the ney, as sacred embodiment, and as representative of the city of Istanbul. This chapter also offers a history of Sufism in relation to contemporary Turkish classical music production. This chapter challenges secular discursive and theoretical frameworks used to analyze Turkish classical music as I focus on Hû as a case study to demonstrate how we can identify spirituality and melancholy in something as small as a single sound.

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