Relevant bibliographies by topics / Contemporary german philosophy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Contemporary german philosophy'

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Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Contemporary german philosophy"

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McCormick, John P., and James E. Herget. "Contemporary German Legal Philosophy." University of Toronto Law Journal 47, no. 3 (1997): 403. http://dx.doi.org/10.2307/825976.

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Postl, Gertrude. "Introduction: Contemporary Feminist Philosophy in German." Hypatia 20, no. 2 (2005): viii—xvi. http://dx.doi.org/10.1353/hyp.2005.0087.

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Postl, Gertrude. "Introduction: Contemporary Feminist Philosophy in German." Hypatia 20, no. 2 (2005): viii—xvi. http://dx.doi.org/10.1111/j.1527-2001.2005.tb00463.x.

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O'Shea, Tom. "German Idealism: Contemporary Perspectives." British Journal for the History of Philosophy 17, no. 2 (April 2009): 440–44. http://dx.doi.org/10.1080/09608780902763659.

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Städtler, Michael. "From Reflexivity to Immediacy: Knowledge in Classical and Contemporary German Philosophy." Transcultural Studies 12, no. 2 (February 11, 2016): 193–215. http://dx.doi.org/10.1163/23751606-01202002.

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Classical German Philosophy belongs to the heritage of the European philosophical tradition, in which philosophical knowledge is defined as an epistemological reflection. Philosophy reflects on scientific knowledge to demonstrate its possibility. Thus objective knowledge is defined as a system whose principle is subjectivity. Since the 19th century, this concept of knowledge has been questioned as has subjectivity as such. Since then, philosophy in Germany has departed from comprehensive reflection and turned towards matters of detail or issues of application. In this paper I argue that the trend of skepticism about knowledge in modern German philosophy is associated with the radical social upheavals of modernity, but without being accompanied by a critical understanding of these upheavals. The first task is to reconstruct the classical concept of knowledge as it appeared in German philosophy, including its crucial relation to scientific knowledge and to history. The second task is to engage with the observation that this tradition of thought is in danger of being lost today. I will point out the role which the linguistic turn in philosophy has played and the means of deconstructing it.
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Rosenau, Hartmut. "Contemporary Philosophy of Religion in the German Speaking Countries." Neue Zeitschrift für Systematische Theologie und Religionsphilosophie 42, no. 1 (2000): 1–14. http://dx.doi.org/10.1515/nzst.2000.42.1.1.

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ROCHE, HELEN. "THE PECULIARITIES OF GERMAN PHILHELLENISM." Historical Journal 61, no. 2 (December 18, 2017): 541–60. http://dx.doi.org/10.1017/s0018246x17000322.

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AbstractStudies of German philhellenism have often focused upon the idealization of Greece by German intellectuals, rather than considering the very real, at times reciprocal, at times ambivalent or even brutal, relationship which existed between contemporary Germans and the Greek state from the Greek War of Independence onwards. This review essay surveys historiographical developments in the literature on German philhellenism which have emerged in the past dozen years (2004–16), drawing on research in German studies, classical philology and reception studies, Modern Greek studies, intellectual history, philosophy, art history, and archaeology. The essay explores the extent to which recent research affirms or rebuts that notion of German cultural exceptionalism which posits a HellenophileSonderweg– culminating in the tyranny of Germany over Greece imposed by force of arms under the Third Reich – when interpreting the vicissitudes of the Graeco–German relationship. The discussion of new literature touches upon various themes, including Winckelmann reception at the fin-de-siècle and the anti-positivist aspects of twentieth-century philhellenism, the idealization of ‘Platonic’ homoeroticism in the Stefan George-Kreis, the reciprocal relationship between German idealist philhellenism and historicism, and the ways in which German perceptions of modern Greece's materiality have constantly been mediated through idealized visions of Greek antiquity.
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Göpffarth, Julian. "Rethinking the German nation as German Dasein: intellectuals and Heidegger’s philosophy in contemporary German New Right nationalism." Journal of Political Ideologies 25, no. 3 (June 4, 2020): 248–73. http://dx.doi.org/10.1080/13569317.2020.1773068.

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Sutherland, Claire. "Cosmopolitanism and the Study of German Politics." German Politics and Society 29, no. 3 (September 1, 2011): 1–19. http://dx.doi.org/10.3167/gps.2011.290301.

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This special issue sets out to examine aspects of German politics, philosophy,and society through the multifaceted lens of cosmopolitanism. A complexand contested concept, cosmopolitanism has particularly importantimplications for the study of contemporary nation-states, as conventionalunderstandings of bounded territory and sovereignty are reassessed in thecontext of globalization, migration and transnationalism. Accordingly, thisintroduction aims to outline several key strands of cosmopolitan thoughtwith reference both to contemporary Germany and the wider global conjuncture,in order to provide a conceptual framework for the articles thatfollow. It begins by briefly placing cosmopolitanism in the context of theevolving concepts of German Heimat (homeland) and nation, because contemporarycosmopolitanism can only be fully understood in relation tonationalism. It then looks at the relevance of methodological, political andethical cosmopolitanism for the study of nation-states today, before introducingthe five articles in the special issue.
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Ankersmit, Frank. "Danto's Philosophy of History in Retrospective." Journal of the Philosophy of History 3, no. 2 (2009): 109–45. http://dx.doi.org/10.1163/187226309x436324.

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AbstractDanto's Analytical Philosopy of History is one of the undisputed classics of post-war reflection on the nature of historical writing. Upon its publication in 1965 it was immediately recognized to be a major contribution to contemporary historical thought. Strangely enough, however, little effort was made by philosophers of history to penetrate into the depth of Danto's argument. The explanation is, perhaps, that there was more than a hint of historicism in Danto's conception of historical writing and for which philosophers of history at that time were not yet prepared. This explanation is all the more plausible since German philosophers of history – most notably Hans Michael Baumgartner – were far more sensitive to the book's message than their Anglo-Saxon colleagues. The result is, however, that the book still awaits its proper reception in contemporary philosophy of history.
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Dissertations / Theses on the topic "Contemporary german philosophy"

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Sievers, Wiebke. "Otherness in translation : contemporary German prose in Britain and France." Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/71208/.

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Drawing on contemporary approaches to otherness, this thesis aims to show that, despite the growing interest in so-called foreignizing translation strategies, the current theory and practice of translation in Western Europe is to a large extent still caught in nationalist self-confirmation. In the first part of my study I expose the nationalist agenda underlying the influential theories of translation developed by Antoine Berman and Lawrence Venuti by contrasting them with the ideas formulated by Walter Benjamin and Jacques Derrida. Basing their arguments on Friedrich Schleiermacher's essay on translation, both Berman and Venuti intend to undermine the nationalist stance of current translation practice by replacing it with the belief that translation primarily serves to further the understanding of the foreign other. However, this seemingly noble purpose ultimately veils the fact that the foreign other is a construct which is devised by and thus confirms the national community receiving the translation. Walter Benjamin and Jacques Derrida, by contrast, whose ideas were anticipated by Friedrich Schlegel, believe that the aim of translation is to reveal the otherness of the translating self. Based on these theoretical premises, I examine the significance of otherness in the current practice of translation. This case study focuses on the multidimensional reduction of otherness, as it becomes apparent in the translation of contemporary German prose in Britain, in particular, and to some extent also in France in the two decades preceding and following German unification (1980-1999). In a general overview which compares the selection of texts chosen for translation, the strategies used for their publication as well as the reception of these texts in the press, I conclude that three factors are of particular importance for the rejection of and the ensuing delimitation from German otherness in British and French translations during this period: ideological, generic and linguistic otherness. These particular areas are then further explored in the detailed studies on Monika Maron, Edgar Hilsenrath and Anne Duden. My case study proves that the translators and/or publishers of these authors tend to reject or appropriate those elements of their texts which would highlight the otherness underlying the British and French selves. However, these strategies of dealing with otherness are not limited to interlingual translation. They are anticipated in the reception of the respective texts within Germany.
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Spiers, Emily. "'Alpha-Mädchen sind wir alle' (we're all Alpha Girls) : subjectivity and agency in contemporary pop-feminist writing in the US, Britain and Germany." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:21fd8597-82a0-40e7-9a21-fdcd3da27641.

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This thesis investigates models of subjectivity and agency in early twenty-first-century pop-feminist fiction and non-fiction. Non-fiction accounts of subjectivity (Haaf, Klingner and Streidl, 2008; Valenti, 2007; Moran, 2011 et al.) draw on poststructuralist notions of incoherent, performative identity, yet retain the assumption that there remains a sovereign subject capable of claiming full autonomy. The pop-feminist non-fictions reflect a neoliberal model of entrepreneurial individualism where self-optimisation replaces an ethics of intersubjective relations. In exploring the theoretical blind-spots of pop-feminist claims to female autonomy and agency, this thesis sets out to demonstrate that pop-feminist non-fiction lacks an actual feminist politics. My methodology is comparative and primarily involves the close reading of a corpus of pop-feminist texts from the Anglo-American and German contexts. I utilize my corpus of current essayistic pop-feminist texts as a fixed point of reference, deeming them to be representative of a pervasive kind of contemporary postfeminist thinking. Through the employment of the first-person narrative voice the literary authors explore how subjects are constituted by discourse but also how the subject may shape her choices/actions. Subjectivity becomes a generative capacity characterised by expansive and self-reflexive negotiations between self and other. The fictional portrayal of this process prompts an imaginative and extrapolative process of identification and dis-identification in the reader which opens up a site for the exercise of critique. Through my close readings of the novels (Riley, 2002; Walsh, 2004; Thomas, 2004; Grether, 2006; Roche, 2008; Bronsky, 2008; Baum, 2011; Hegemann, 2010) I develop a model of intersubjective dependency, drawing on Judith Butler’s later work (1994, 1999, and 2005), and identify versions of this model in the 1980s-1990s work of American postmodern feminist writers Kathy Acker and Mary Gaitskill. My thesis reveals hitherto un-discussed lines of literary and critical influence on the contemporary British and German novelists emanating from Acker and Gaitskill, suggesting that their texts may be viewed as representative of a critical pop-literary interest, spanning approximately three decades and shifting across cultural contexts, in the encounter between female subjectivity and agency in the face of late-capitalist manifestations of social constraint.
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Amaral, Antônio Henrique Paz do. "A questão da história em Martin Heidegger." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8891.

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Martin Heidegger did not make a philosophy of history on the side of a philosophy of language, man or being. Nevertheless, the thematic of history was very relevant to his thought, which has always aspired to a unifying totality around the question of the meaning of being. What is the condition of possibility of history? What makes us historical beings? This question is the one that Heidegger calls in Being and Time, the question of the historicity of history. The starting point to think this question is found on the distinctive openness of Dasein to its proper temporality, articulated in three fundamental Ekstasis which unify themselves in the existential of care – in sequence of originality: advenient-future, essential-past and the instant-present. Assuming resolute in its Being-towards-death, the Dasein gives openness to the retrieval of past, as a repetition of utmost and most original possibilities buried by tradition. Another starting point is the questioning of history from the question of the meaning of nihilism and the death of God, which involve our epoch, through a attentive dialogue with Nietzsche’s work. So Heidegger understands our historicity since a essential remission to what that, in its late thinking phase, he calls “history of Being”.
Martin Heidegger não fez uma filosofia da história à parte de uma filosofia da linguagem, da homem, ou do ser. Não obstante, a temática da história foi de suma relevância a seu pensamento, que sempre aspirou uma totalidade unificante em torno da questão do sentido do Ser. Qual é a condição de possibilidade da história? O que faz de nós seres históricos? Esta pergunta é a que Heidegger chama, em Ser e Tempo, de a questão da historicidade da história. O ponto de partida para se pensar esta questão encontra-se na abertura distintiva do Dasein para a sua temporalidade própria, articulada em três ekstases fundamentais que se unificam no existencial do cuidado – em ordem de originariedade: o futuro-adveniente, o passado-essencial e o presente-instante. Pondo-se resoluto em seu ser-para-a-morte, o Dasein dá abertura para a retroveniência do passado, enquanto repetição das possibilidades derradeiras e mais originárias soterradas pela tradição. Outro ponto de partida, é o questionamento da história a partir da pergunta pelo sentido do niilismo e da morte de Deus, que envolvem nossa época, através de um diálogo atento com a obra de Nietzsche. Assim, Heidegger compreende a nossa historicidade desde uma remissão essencial àquilo que, em sua fase tardia de pensamento, ele nomeia de a “história do Ser”
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Gatti, Lucianno Ferreira. "O foco da critica : arte e verdade na Correspondencia entre Adorno e Benjamin." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280412.

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Orientador: Jeanne Marie Gagnebin de Bons
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Este trabalho pretende lidar com a relação entre arte e verdade, tal como ela é iscutida nos debates a respeito de um conceito materialista de crítica de arte, ocorridos durante a década de 1930 entre Theodor W. Adorno e Walter Benjamin. A tarefa central aqui é a de articular a idéia original de um projeto comum aos dois autores, cujo ponto de partida estaria em aspectos da obra de juventude de Benjamin, e o desenvolvimento posterior por cada um deles como uma concepção própria de crítica no momento em que eles são confrontados com elementos das artes de vanguarda e da cultura de massa das primeiras décadas do século XX. Com o intuito de salientar que as divergências surgidas na Correspondência entre Adorno e Benjamin originam-se sobretudo de posicionamentos distintos perante estes fenômenos artísticos, as questões pertinentes são apresentadas e discutidas em três momentos: 1) a exposição de aspectos dos escritos de juventude de Benjamin, fundamentais à compreensão dos debates da década de 1930; 2) as divergências entre Adorno e Benjamin a respeito da interpretação das obras de Bertolt Brecht e Franz Kafka; 3) os posicionamentos distintos dos dois autores perante a arte de massa, tal como apresentados em seus respectivos trabalhos sobre o cinema e o jazz
Abstract: This work intends to deal with the relationship between art and truth as they are discussed in the debates over a materialistic concept of art criticism taken place in the 1930s between Theodor W. Adorno and Walter Benjamin. The main effort here is to articulate the original idea of a common project shared by both authors -- whose background is situated in some aspects of Benjamin¿s early writings -- and its subsequent development by each author as his own distinctive concept of art criticism when they are both confronted with elements of the avant-garde and of the mass culture of the first decades of the 20th century. After pointing out that the divergences discussed on the Correspondence between Adorno and Benjamin rise from different attitudes with regard to the mentioned artistic phenomena, the ensuing questions are presented and discussed in three different moments: 1) the presentation of certain problems of Benjamin¿s early writings, indispensable to an understanding of the discussions emerging later in the 1930s; 2) the divergences between Adorno and Benjamin concerning the interpretation of Bertolt Brecht¿s and Franz Kafka¿s works; 3) their different positions on mass culture so as they are presented in their respective works on film and jazz
Doutorado
Historia da Filosofia Contemporanea
Doutor em Filosofia
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Segatto, Antonio Ianni. "Racionalidade do entendimento: um estudo sobre a pragmática kantiana de Jürgen Habermas." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-07012008-094725/.

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O propósito deste trabalho é examinar a constituição sistemática e histórica da teoria da linguagem de Habermas. Seguindo as indicações do próprio Habermas, segundo as quais essa teoria constitui-se como uma \"pragmática formal apoiada em Kant\", uma \"pragmática formal de herança kantiana\" ou, ainda, um \"kantismo lingüístico\", analisamos em um primeiro momento a maneira como ela promove a convergência de duas linhagens filosóficas aparentemente inconciliáveis: a filosofia kantiana e da virada lingüística. Dito de uma maneira mais específica, analisamos a maneira como ela atualiza o motivo da \"transformação pragmática da filosofia kantiana\", central para a segunda linhagem. Em seguida, comentamos a exposição da teoria da linguagem na década de 1970, quando esta assume a forma de uma teoria da competência comunicativa, associada a uma teoria da verdade como consenso. Por fim, comentamos as modificações que Habermas propõe para sua teoria sobretudo na década de 1980, mostrando como ele procura responder às críticas a que foi submetido.
The aim of this work is to examine the systematic and the historical constitution of Habermas\'s theory of language. By following his own suggestions, according to which it constitutes itself as a \"formal pragmatics tied to Kant\", a \"Kantian formal pragmatics\" or a \"linguistic Kantianism\", we analyze at the first moment how it promotes the convergence of two apparently incompatible philosophical lineages: the Kantian philosophy and the linguistic turn. More specifically, we analyze how it up dates the motive of the \"pragmatic transformation of Kantian philosophy\", fundamental for the second lineage. Later on, we comment on the presentation of the theory of language in the 1970s, when it assumes the form of a theory of communicative competence, associated to a consensus theory of truth. Finally, we comment on the modifications that Habermas proposes to his theory mainly in the 1980s, showing how he tries to respond to the criticism to which he had been exposed.
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Lima, Marcio Jose Silveira. "Filosofia e tragédia. Um exame do dionisíaco na obra de Nietzsche\"." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-12082010-132457/.

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Esta dissertação de mestrado visa a investigar o estatuto que O nascimento da tragédia assume na obra de Nietzsche a partir das análises que o próprio filósofo faz do livro no período tardio de seu pensamento. Examinando a maneira pela qual suas teses sobre o surgimento da tragédia na antiguidade grega se filiam à metafísica da vontade de Schopenhauer, procuramos compreender as interpretações posteriores de Nietzsche, quando ele já havia rompido com seu mestre de outrora e já o tomara como alvo de suas críticas. Nesse contexto, Nietzsche pretende retornar às suas teses sobre a tragédia grega a fim de imiscuí-las na face afirmativa de seu último e mais ambicioso projeto: a transvaloração de todos os valores. Avaliando esse procedimento nietzschiano de retomar seu primeiro livro a partir de várias leituras, investigamos as razões pelas quais essas interpretações revelam ambigüidades. Num primeiro momento, procuramos demonstrar que, tendo entrelaçado suas intuições próprias à filosofia pessimista de Schopenhauer, as avaliações de O Nascimento da tragédia devem passar pelo crivo da autocrítica. Dado esse passo, pesquisamos como Nietzsche doravante trata do livro, fazendo emergir dele a face positiva, ou seja, transpondo o dionisíaco em pathos filosófico, de modo a justificar a sua afirmação de que O nascimento da tragédia foi a sua primeira transvaloração de todos os valores.
This dissertation for the Masters Degree intents to investigate the statute that the book The Birth of Tragedy assumes in the work of Nietzsche, from the analysis that the philosopher himself made on this book in the late period of his thinking. Trough an investigation of the way his ideas about the beginning of the tragedy in the Greek Antiquity connects with the Metaphysics of Will of Schopenhauer, we intent to understand Nietszche´s late interpretations, made when he had already severed his connections with his former master, making him the target oh his criticism. In this context, Nietzsche wanted to renew his ideas about the Greek tragedy, hoping to insert them in the affirmative face of his last and most ambitious project: the transvaluation of all values. We avaliated this nietzschean proceeding, i.e., to retake his first work from differents readings, and investigate the reasons these interpretations reveals ambiguities. In a first instance, we try to demonstrate that, after mingling his owns intuitions with the pessimistic philosophy of Schopenhauer, the avaliations of The Birth of Tragedy must pass by the grind of the auto-criticism. After that, we research how Nietzsche, from this moment on, justify his book, make appear its positive face, ie, translate the dionisiac in a philosophical pathos, in a way that it makes possible to him to justify his affirmation that The Birth of Tragedy was his first transvaluation of all values.
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Aubelle, Marie. "Retour à la maison. Le motif de la maison dans l’œuvre romanesque de J.M.G. Le Clézio, Pascal Quignard, Sylvie Germain et Marie NDiaye." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA001/document.

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L’histoire de la maison et celle du roman se croisent tout particulièrement au XIXe siècle alors que littérature et architecture engagent des chantiers dont Philippe Hamon souligne le parallélisme. La maison comme la maisonnée sont par ailleurs affectées par les évolutions sociétales. Objet privilégié de la description réaliste, la maison a depuis été ébranlée dans ses fondations d’autant que l’intérêt même de son exposition s’est trouvé remis en cause. La question de la représentation est au cœur des crises que traverse le roman. Le retour à la fiction initié au tournant des années 1980, en réactivant le romanesque, favorise-t-il la délivrance de nouveaux permis de construire et le réinvestissement d’un lieu redevenu fréquentable? Cette thèse se propose d’explorer le motif de la maison dans l’œuvre romanesque de quatre romanciers contemporains, J.M.G. Le Clézio, Pascal Quignard, Sylvie Germain et Marie NDiaye, à l’aune des changements sociologiques comme des problématiques du roman, afin de montrer que la maison offre des perspectives nouvelles pour la fiction. Nous envisagerons un «roman de maison» lequel, comme le roman d’aventure, aurait son espace, ses intrigues, ses personnages. En parcourant des espaces domestiques distincts, nous ferons ressortir un certain nombre d’enjeux esthétiques et poétiques liés au thème et nous nous demanderons si le roman ne serait pas, à notre époque, devenu le refuge le plus sûr et le lieu le plus hospitalier
The history of home and that of the novel have crossed paths more than once, but hardly ever more so than in the nineteenth century, when literature and architecture began exploring new forms, the similarities of which were aptly pointed out by Philippe Hamon. At the time, both house and home were subjected to deep societal changes, and their worth as literary object was called into question: thus, home, which had long been a favourite topic of the realists, was shaken to its foundations. The very notion of representation lay at the crux of the crises the novel was going through. Around the 1980s, however, the novel began pivoting back towards fiction, thus reviving its core characteristic. Did this return to home promote new building permits, so to speak? Did it make home, as a literary trope, inhabitable once again ? This dissertation shall explore the motif of home in the complete works of four contemporary authors, namely J.M.G. Le Clézio, Pascal Quignard, Sylvie Germain and Marie NDiaye, as analyzed through the prism of sociological changes, as well as of novel-related problematics. By so doing, I hope to demonstrate that home still bears a slew of new perspectives for the fiction genre. I will put forward the notion of a ‘home novel’, which, just like the ‘adventure novel’, is endowed with its very own set of spaces, plots and characters. By delving into various domestic spaces, I shall bring out some of its key aspects, be they aesthetic or poetic, and wonder whether the novel might have become, in the times we live in, the safest and most hospitable haven at our disposal
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Books on the topic "Contemporary german philosophy"

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Contemporary German legal philosophy. Philadelphia: University of Pennsylvania Press, 1996.

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Ghetto voices in contemporary German culture: Textscapes, filmscapes, and soundscapes. Rochester, N.Y: Camden House, 2012.

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G, Jung C. Essays on contemporary events: Reflections on Nazi Germany. London: Ark, 1988.

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G, Jung C. Essays on contemporary events, 1936-1946. London: Routledge, 2002.

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G, Jung C. Essays on contemporary events: The psychology of Nazism. Princeton, N.J: Princeton University Press, 1989.

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Sherover, Charles M. Heidegger, Kant and time. [Philadelphia, Pa.]: Center for Advanced Research in Phenomenology, 1988.

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Gadamer and Ricoeur: Critical horizons for contemporary hermeneutics. London: Continuum, 2011.

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Present hope: Philosophy, architecture, Judaism. London: Routledge, 1997.

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Li xing shi jian fa lü: Dang dai Deguo de fa zhi shi yong li lun = Practising law rationally : contemporary Germen theories of application of law and right. Beijing Shi: Fa lü chu ban she, 2012.

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Contemporary German Philosophy/1984. Pennsylvania State Univ Pr, 1985.

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Book chapters on the topic "Contemporary german philosophy"

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Pong, Wen-berng. "The Influence of the German Idealists on the Contemporary New Confucians." In Dao Companion to Contemporary Confucian Philosophy, 385–406. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56475-9_18.

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Miller, Elaine P. "Sensibility, Reflection, and Play: Early German Romanticism and Its Legacy in Contemporary Continental Philosophy." In Palgrave Handbooks in German Idealism, 631–59. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53567-4_27.

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Foltz, Bruce V. "Chapter Sixteen From Fichte to Florensky: The Transformation of German Idealism Within Russian Philosophy." In Philosophical Studies in Contemporary Culture, 195–212. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-96673-1_16.

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"Chapter 8. An Assessment of German Legal Philosophy." In Contemporary German Legal Philosophy. Philadelphia: University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802580-009.

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"Preface." In Contemporary German Legal Philosophy. Philadelphia: University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802580-001.

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"Chapter 1. Historical Introduction." In Contemporary German Legal Philosophy, 1–12. Philadelphia: University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802580-002.

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"Chapter 2. A Summary Catalog of Contemporary Scholarship." In Contemporary German Legal Philosophy. Philadelphia: University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802580-003.

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"Chapter 3. Critical Rationalism." In Contemporary German Legal Philosophy. Philadelphia: University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802580-004.

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"Chapter 4. Discourse Theory." In Contemporary German Legal Philosophy. Philadelphia: University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802580-005.

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"Chapter 5. Rhetorical Theory." In Contemporary German Legal Philosophy. Philadelphia: University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802580-006.

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Conference papers on the topic "Contemporary german philosophy"

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Kryshtop, Ludmila E. "Self-determination of Philosophy in the Age of German Enlightenment as the Basis of Contemporary Understanding of Philosophy." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.292.

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Cao, Xianrui. "Research on the Scientificity of Marx’s Dialectics Thought in “German-French Yearbook”." In 5th International Conference on Contemporary Education, Social Sciences and Humanities - Philosophy of Being Human as the Core of Interdisciplinary Research (ICCESSH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200901.016.

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