Academic literature on the topic 'Contemporary India'

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Journal articles on the topic "Contemporary India"

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Parameswaran, Uma, and Erin B. Mee. "Drama Contemporary India." World Literature Today 76, no. 1 (2002): 144. http://dx.doi.org/10.2307/40157080.

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Wentz, Margaret R. "India, Contemporary Textiles." Mayo Clinic Proceedings 94, no. 9 (2019): e113. http://dx.doi.org/10.1016/j.mayocp.2019.07.011.

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Dr. L.P. Raju, Dr L. P. Raju. "Relevance of Gandhian Principles in Contemporary India." Indian Journal of Applied Research 4, no. 7 (2011): 260–61. http://dx.doi.org/10.15373/2249555x/july2014/80.

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Ahmed, Imran. "Labour in Contemporary India." FIIB Business Review 6, no. 4 (2017): 25. http://dx.doi.org/10.5958/2455-2658.2017.00004.1.

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Thirumal, P. "Caste in Contemporary India." Journal of Intercultural Studies 36, no. 4 (2015): 506–8. http://dx.doi.org/10.1080/07256868.2015.1050313.

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Nag], [Moni, and Suhas K. Biswas. "Aging in Contemporary India." Population and Development Review 15, no. 2 (1989): 371. http://dx.doi.org/10.2307/1973714.

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Mckinney, Stephen J. "Religion in Contemporary India." Expository Times 121, no. 11 (2010): 568. http://dx.doi.org/10.1177/00145246101210110702.

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Singh, Satnam. "Gender Equality in Contemporary India : Issues and Challenges." Contemporary Social Sciences 27, no. 4 (2018): 171–77. http://dx.doi.org/10.29070/27/58318.

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Dr. R.B.Patil, Dr R. B. Patil. "Agrarian Crises in Contemporary India: Some Sociological Reflections." Paripex - Indian Journal Of Research 3, no. 2 (2012): 14–18. http://dx.doi.org/10.15373/22501991/feb2014/4.

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Mehta, Dr Adarsh Preet. "New Paradigms in Contemporary Management Education in India." Paripex - Indian Journal Of Research 3, no. 5 (2012): 57–58. http://dx.doi.org/10.15373/22501991/may2014/86.

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Dissertations / Theses on the topic "Contemporary India"

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Barley, Alexandra Fiona. "At home in India : geographies of home in contemporary indian novels." Thesis, Durham University, 2007. http://etheses.dur.ac.uk/1327/.

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This thesis explores the geographies ofhome in contemporary Indian literature in English through an in-depth reading ofmainstream Indian novels by a number ofprominent writers including Anita Desai, Amit Chaudhuri, Shobha De, Shama Futehally, Raj Kamal Jha, Pankaj Mishra, Jaishree Misra, and Rohinton Mistry. Concepts ofhome are explored including identity, self, nation, and how these are reflected in the narratives and genre ofthe novels. Chapter one introduces the thesis by outlining the thematic focus and reviewing the literature on home. Chapter two outlines the reading strategies used in the thesis: concepts ofworldliness and affiliation, to examine the discourses ofhome in the novels. These provide the foundation for the subsequent exploration ofhome in the novels in chapters three, four and five, where each chapter considers 'home' at different scales: self, family, nation and diaspora. Chapter three examines the conflict of identity between the self and the nation in the novels showing the failure of the home. Chapter four considers the family and addresses how the Indian middle classes are adapting to changes in Indian society such as globalisation, and economic and cultural changes. These novels in this chapter demonstrate the ambiyalence ofthe old middle class towards these changes expressed as feelings offear and nostalgia. Chapter five explores how particular groups experience displacement and marginalisation in the nation on the grounds ofcaste, gender and religion. The focus of the novels in this chapter is on the 'State ofEmergency' in the 1970s and the Hindu nationalism of the 1980s and 1990s rendering the changing political situation in India textually. Chapter six focuses on how the gendered discourses ofdaughter, wife and mother place limitations on the spatial mobilities ofthe female protagonists. Through attention to themes of courtship and marriage, the chapter also considers how these Indian novels destabilise the genre ofdomestic novels by portraying protagonists going against the grain ofdomestic discourses by not marrying, or by divorcing. Finally, the conclusion in Chapter Seven draws together these different threads ofhome by placing them in the wider South Asian context in literature and film, and ends with an examination of the film Monsoon Wedding showing how domestic themes are captured on screen.
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Chhachhi, Amrita. "Eroding citizenship gender and labour in contemporary India /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2004. http://dare.uva.nl/document/73687.

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Das, Anup Kumar. "Open Access to Research Literature in India: Contemporary Scenario." International Society for Scientometrics and Informetrics (ISSI), 2009. http://hdl.handle.net/10150/105456.

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This paper discusses how Indian open access journals get international visibility with increased outreach through primary and secondary open access journal gateways and aggregators. This paper proposes a self-sustainability model and an international visibility model for open access journals as well as for open access journal publishers from developing countries.
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Bajpai, Rochana. "The legitimating vocabulary of group rights in contemporary India." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423348.

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Sarkar, Swagato. "Limits of Politics : Dominance and Resistance in Contemporary India." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508696.

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Sharma, Chinmay. "Many Mahabharatas : linking mythic re-tellings in contemporary India." Thesis, SOAS, University of London, 2017. http://eprints.soas.ac.uk/24908/.

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The 'Many Ramayanas' paradigm has argued for decentering the Sanskrit Ramayana, suggesting that the Sanskrit text(s) are rarely the first point of engagement with the narrative for large portions of the audience (A.K. Ramanujan, 1999). Drawing upon this paradigm, my thesis analyzes and compares the specific networks of production, circulation and influence that exist between different contemporary Mahabharata re-tellings and their cultural milieus. The thesis seeks to understand the re-tellings conjuncturally - the formal choices that each retelling makes and why, their articulation given the resources available and new demands, the relation of the re-tellings produced after liberalization to older ones, and the position of each in their respective cultural field. The thesis argues that to understand the ways and forms in which the Mahabahrata narrative circulates today, we must excavate and foreground the retellings, their multiple aesthetics, and their networks of production and circulation. In particular, the thesis focuses on specific fields - television, modern Indian theatre and poetry, and Hindi and English fiction and publishing. Chapter 1 argues that while there was a correlation between the rise of the Hindu Right and 1988 Mahabharata television serial (Arvind Rajagopal 2003), the serial drew extensively from already popular aesthetics of Hindi films and popular visual art, and created and instituted a mythological aesthetic for Indian television. Chapter 2 focuses on modern Indian theatre and poetry, which eschewed commercialism, took greater liberties to experiment, and carved out a cultural niche through official canonisation and historic and repeat performances. Chapter 3 deals with popular English abridged translations, arguing that these were specifically meant to 'teach' Indian culture to supposedly deracinated Indian readers and international readers. Deceptively simple, their narrative tends to iron out the problematic episodes from the epic. Chapter 4 charts the new wave of mythological fiction in Indian English literature that has followed the liberalisation of the economy and the growth of Indian English book publishing and market. Chapter 5 turns towards the mythological novel in Hindi, arguing that the pauranik upanyas carves a separate aesthetic niche for itself from Hindi mythological verse, drama and television by re-telling the mythological through psychological realism.
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Chadha, Anupa. "Major Indian cities under conditions of contemporary globalisation." Thesis, Loughborough University, 2006. https://dspace.lboro.ac.uk/2134/7794.

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This is a study of India's major cities and how they are faring under the conditions of contemporary globalisation. This contemporary globalisation is a part of the economic globalisation that took place in India especially after 1991, when the new economic policies were incorporated. These new economic policies were targeted at making India integrate into the larger world economy by introducing more open trade. The sectors that received major attention under the new policies were industrial and the services sector as a whole with particular emphasis on producer services (banking and insurance). As a result of liberalisation and privatisation of these sectors many new producer services firms came up in major Indian cities. Therefore, the main focus is on the inter-city relations based upon the type of advance producer services firms that are operating from these cities. Also it looks at the nodes that the major Indian cities form in larger world city network.
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de, Feo-Giet Danielle Karanjeet J. "Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0.

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My thesis is dedicated to the study of popular, commercial cinema as a force within the discourse of national and personal identity in the rapidly changing mega-economies of India and China, and their diasporas, since the watershed year of 1990. Its purpose is to reveal the unique pattern of like and unlike that exists between the "Social Representations" (Serge Moscovici 2000) of contemporary India and China on screen through a juxtapositional comparative approach, close visual analysis, and the development of original theoretical tools. Tense networks of fantasy and anxiety emerge as popular culture actively circulates their shared experiences of changing global status, uneven economic growth (Gong Haomin 2012), and social change. Transnational subjects, Hua and Desi, arrive on screen ready to carve out culturally inflected modernities, in search of "tradition" and "values" to suit contemporary cultural-nations-beyond-borders. I treat film as consumer product, diegetic entity, and text: hence narrative, visual, linguistic and contextual aspects of over fourteen popular commercial films ("Bollywood" and "Yulepian"), are explored. My analysis comprises two interlocking halves: the first two chapters focus chiefly on identities - Hua and Desi, and diasporic persons. The former, conduits for the cultural nation to re-think modernity, the latter a dreamed vanguard of "claim-staking" ethnicised global consumers, defenders of the cultural nation in the "host" country. Chapters Three and Four focus on genres - comedy and history films. Through comedy, these films create state-serving heterotopias or challenge the status quo; perhaps they build cultural nationalist mythos, or lace cynical questions through lavish history film. To understand internecine relationships between economics, society and the imagination, entertainment film cannot be dismissed - in India and China, where change has had intended and unintended consequences unfolding even as uncertainty looms, I show that fresh study, especially in comparison, is absolutely essential.
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Savory, Fuller Rebecca. "Embodying 'new India' through remixed global performance : flash mobs redefined in contemporary urban India, 2003-15." Thesis, University of Exeter, 2018. http://hdl.handle.net/10871/33146.

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This thesis conducts a history of flash mob performance in India, asking how the form has evolved over a 12-year period from its first emergence in 2003. Due to its rhizomatic appearance worldwide and its close association with internet technologies and digital culture, the flash mob has typically been treated as a ‘global’ phenomenon, and theories of flash mob performance derived from Euro-American contexts are frequently glossed as generic. However, this thesis asks what a close history of the genre in India can reveal, both in terms of the performance practice itself, and as a reflection of the specific cultural moment in which it emerged. It offers an examination of the processes of adaptation and remix underway as a ‘global’ performance practice has been re-interpreted and re-enacted from this specific, local and historical perspective, and it argues that these processes demonstrate one of the ways in which performance, particularly in a digital sphere, can operate to effect a ‘politics of forgetting’ in globalising India. To do so, the thesis employs an interdisciplinary approach combining ethnographic and archival research, and draws on literature and theory from both performance studies and social sciences. The flash mob form is shown to have emerged in two distinct waves, marked by aesthetic and formal shifts which I relate to the evolving mediascape of the internet during this period. In its second wave, the genre has become spectacularised for an online video context and ‘Bollywoodised’ within an Indian context, reflecting broader practices of hybridity as well as cultural tensions surrounding national identity in globalising India. The thesis positions flash mob performance in this context as a social media practice engaged in symbolic, representational discourses which perform place and identity within a global sphere.
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Neuman, Sandra. "The issue of sexual violence against women in contemporary India." Thesis, Linnéuniversitetet, Institutionen för samhällsstudier (SS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27363.

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India is often described to be a country with a fast growing economy and progressive indicators of human development. However, over the last decade there has been a growing concern of increased reporting of sexual violence in India which seems to contradict the first description. Therefore this creates a problem on how we can understand and explain this. The objective of this study is to try to gain a deeper understanding of some of the underlying factors of increased reporting of sexual violence in India, and to understand in what way the ‘modernization’ process possibly could be put in relation to this, something that is analyzed with help from Durkheim’s theory of anomie. This study draws on a qualitative desk study with a compilation of material from existing research on sexual violence against women, both at home and in public spaces. The findings were analyzed in relation to Durkheim’s theory of anomie and gender theories from two authors. The results show that some of the underlying factors for increased reports of sexual violence against women in India, like patriarchy, education and employment for women and gendered power inequalities are in a complex interplay. It was further seen as ‘traditional’ norms and values clashed with ‘modernity’ and caused these factors for violence. The outcome of the study showed that the increased reporting of sexual violence can be related to the ’modernization’ process both in a positive and negative way. Through Durkheim’s theory of anomie it was possible to see that ‘modernization’ could have caused a state of anomie, which has lead to deviant behavior and resulted in increased reporting of sexual violence against women.
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Books on the topic "Contemporary India"

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Indian homosexuality: Ancient India to contemporary India. Allied Publishers, 2010.

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(Museum), GEM, ed. India contemporary. D'jonge Hond, 2009.

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Adeney, Katharine, and Andrew Wyatt. Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9.

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1966-, Wyatt Andrew, ed. Contemporary India. Palgrave Macmillan, 2010.

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name, No. Understanding contemporary India. Lynne Rienner Publishers, 2003.

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Understanding contemporary India. 2nd ed. Lynne Rienner Publishers, 2010.

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K, Seshadri. Contemporary Marxism and India. South Asian Publishers, 1990.

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Roy, Ajit. Contemporary India, a perspective. BUILD Documentation Centre, 1986.

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Reflections on contemporary India. Har-Anand Publications, 2014.

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Kendrīya-Tibbatī-Ucca-Śikṣā-Saṃsthānam, ed. Hinduism in contemporary India. Central Institute of Higher Tibetan Studies, 2007.

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Book chapters on the topic "Contemporary India"

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Adeney, Katharine, and Andrew Wyatt. "Conclusion." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_10.

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Adeney, Katharine, and Andrew Wyatt. "Introduction." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_1.

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Adeney, Katharine, and Andrew Wyatt. "The Making of Modern India." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_2.

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Adeney, Katharine, and Andrew Wyatt. "The Diversity of India." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_3.

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Adeney, Katharine, and Andrew Wyatt. "Governing Structures." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_4.

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Adeney, Katharine, and Andrew Wyatt. "Social Change." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_5.

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Adeney, Katharine, and Andrew Wyatt. "Politics and Society." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_6.

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Adeney, Katharine, and Andrew Wyatt. "Nationalism and Culture." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_7.

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Adeney, Katharine, and Andrew Wyatt. "Political Economy." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_8.

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Adeney, Katharine, and Andrew Wyatt. "India and the World." In Contemporary India. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-36434-9_9.

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Conference papers on the topic "Contemporary India"

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Iyer, Nagesh R. "Contemporary Wind Engineering Studies in India." In Eighth Asia-Pacific Conference on Wind Engineering. Research Publishing Services, 2013. http://dx.doi.org/10.3850/978-981-07-8012-8_key-07.

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Vaikuntam, Aparna, and Vinodh Kumar Perumal. "Evaluation of contemporary graph databases." In the 7th ACM India Computing Conference. ACM Press, 2014. http://dx.doi.org/10.1145/2675744.2675752.

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Jana, Sambaran, Debasri Roy, and Subhasish Das. "ASSESSMENT OF WATER AVAILABILITY IN A RIVER BASIN OF INDIA FOR CHANGING CLIMATE." In CONTEMPORARY ISSUES IN COMPUTING. VOLKSON PRESS, 2020. http://dx.doi.org/10.26480/cic.01.2020.05.08.

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"2018 Eleventh International Conference on Contemporary Computing (IC3), Noida, India." In 2018 Eleventh International Conference on Contemporary Computing (IC3). IEEE, 2018. http://dx.doi.org/10.1109/ic3.2018.8530454.

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Kumar, Mantosh, Thipendra Pal Singh, Tanupriya Choudhury, and Subhash Chand Gupta. "ICT- The Smart Education System in India." In 2019 International Conference on contemporary Computing and Informatics (IC3I). IEEE, 2019. http://dx.doi.org/10.1109/ic3i46837.2019.9055562.

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Kumari, Bindia, and Ashwni kumar. "IOT Based Precision Horticulture in North India." In 2018 3rd International Conference on Contemporary Computing and Informatics (IC3I). IEEE, 2018. http://dx.doi.org/10.1109/ic3i44769.2018.9007294.

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Chakraborty, Souvik, and Subhasish Das. "PRESENT SCENARIO OF GROUNDWATER TABLE IN SALINE PRONE AREAS OF PURBA MEDINIPUR IN WEST BENGAL, INDIA." In CONTEMPORARY ISSUES IN COMPUTING. VOLKSON PRESS, 2020. http://dx.doi.org/10.26480/cic.01.2020.09.13.

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Singhal, Khushboo, Sumit Kumar Banshal, Ashraf Uddin, and Vivek Kumar Singh. "A Scientometric analysis of computer science research in India." In 2015 Eighth International Conference on Contemporary Computing (IC3). IEEE, 2015. http://dx.doi.org/10.1109/ic3.2015.7346675.

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Dhar, Sudipta, and Aniruddha Dasgupta. "NFC technology: Current and future trends in India." In 2014 International Conference on Contemporary Computing and Informatics (IC3I). IEEE, 2014. http://dx.doi.org/10.1109/ic3i.2014.7019680.

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Nazneen, Fathima, and Palak Jagtiani. "E-Governance: Contemporary Facets- A Comparative Study Between India and UAE." In 2021 International Conference on Computational Intelligence and Knowledge Economy (ICCIKE). IEEE, 2021. http://dx.doi.org/10.1109/iccike51210.2021.9410723.

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