Relevant bibliographies by topics / Contemporary indigenous poetry

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  1. Journal articles

Academic literature on the topic 'Contemporary indigenous poetry'

Author: Grafiati
Published: 23 September 2022
Last updated: 28 January 2023

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Journal articles on the topic "Contemporary indigenous poetry"

1

Bosi, Viviana. "BRAZILIAN CONTEMPORARY POETRY: AN OVERVIEW." Revista Brasileira de Literatura Comparada 22, no. 41 (2020): 46–57. http://dx.doi.org/10.1590/2596-304x20202241vb.

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Abstract: Although it may seem an impossible task to offer a panorama of contemporary Brazilian poetry, we will discuss a selection of poets who possibly epitomize the most significant current trends. We start with a brief presentation of four well-regarded authors whose works represent major poetic currents: Augusto de Campos, Francisco Alvim, Armando Freitas Filho and Adélia Prado. We then comment on excerpts from a few important younger poets, whose works embrace several different tones and styles, from indigenous symbolic mythology to crude or ironic testimonials of life in the big city, f
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2

Park, James. "Ethnogenesis or Neo Indigenous Intelligentsia: Contemporary Mapuche-Huilliche Poetry." Latin American Research Review 42, no. 3 (2007): 15–42. http://dx.doi.org/10.1353/lar.2007.0043.

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Sotunsa, Mobolanle Ebunoluwa. "Exploiting Resources of Yorùbá Drum Poetry for Contemporary Global Relevance." Matatu 40, no. 1 (2012): 401–10. http://dx.doi.org/10.1163/18757421-040001026.

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Yorùbá drum poetry has to date enjoyed an indigenous monopoly. However, its attributes as a unique cultural asset of Africans need to be further exploited for greater relevance to the sophistication and demands of the contemporary age. This essay contends that the resources of Yorùbá drum poetry are currently grossly under-utilized; it further asserts that for any art to thrive it must remain dynamic. Suggestions are therefore made concerning various current uses to which the valued resources of Yorùbá drum poetry can be put in order to achieve global relevance. Highlighted here are various me
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Ogundipe, Stephen Toyin. "The Transition from Yorùbá Metaphysics to Islamic Aesthetics in Ọláńrewájú Adépọ̀jù’s Poetry". Yoruba Studies Review 2, № 2 (2021): 1–23. http://dx.doi.org/10.32473/ysr.v2i2.129909.

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This paper explores the poetry of Ọlánrewájú Ade ́ ṕ ọ̀jù, a major contemporary Yorùbá poet, based in Ibadan, southwestern Nigeria. Much of the scholarship on the poet focuses purely on his sociopolitical interest, but the development of his craft has been largely ignored. This paper examines peculiar features of Adépọ̀jù’s poetry based on its fusion of Yorùbá cultural and Islamic religious values with the view to theoretically characterizing his practice. It draws on purposefully selected, recorded audio poetic compositions of Adeṕ ọ̀jù produced between 1974 and 2012 in order to yield a co
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Okuyade, Ogaga. "Aesthetic Metamorphosis Oral Rhetoric in the Poetry of Tanure Ojaide." Matatu 40, no. 1 (2012): 33–50. http://dx.doi.org/10.1163/18757421-040001003.

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The writer's imaginative craft is usually inspired and shaped by the environment s/he hails from. This in turn gives room for constant communication between the creative mind and the immediate physical social world; the environment becomes a determinant of the writer's experiences. The influence of the Urhobo oral tradition on the poetic corpus of Tanure Ojaide is remarkable. The poet's cultural background occupies a looming space in his choices of generic style. Close examination of Ojaide's poetry reveals the exploration and appropriation of the orature of the Urhobo people, which ranges fro
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Estrada, Vivian Jiménez. "Contemporary Expressions of Maya Indigenous Knowledge: Politics and Poetry in Ixim Ulew." Diálogo 19, no. 1 (2016): 89–103. http://dx.doi.org/10.1353/dlg.2016.0035.

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7

Perez, Craig Santos. "The Chamorro Creation Story, Guam Land Struggles, and Contemporary Poetry." English Language Notes 58, no. 1 (2020): 9–20. http://dx.doi.org/10.1215/00138282-8237377.

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Abstract This essay focuses on the creation story of the Indigenous Chamorro people from the western Pacific Island of Guam. The essay presents and analyzes the deeper meaning of the story of Puntan and Fu’una as they birth the island of Guam and the Chamorro people. Moreover, it maps the history of Catholic missionization that displaced and replaced the Chamorro creation story. The essay covers the related issue of how colonization removed Chamorros from their ancestral lands and appropriated these lands for imperial, military, tourism, and urban development. Then it highlights the decades-lo
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8

Dickie, June. "Using Features of Indigenous Poetry and Music in the Oral Performance of Some Praise Psalms in Isizulu." Journal of Translation 13, no. 1 (2017): 1–10. http://dx.doi.org/10.54395/jot-v622c.

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Translation needs to be accessible and acceptable to the receptor community. In the case of the Zulu people, the medium of communication most accessible to the majority is oral performance. Thus biblical text needs to be translated in a way that is prepared for the ear and not the eye. To be acceptable, the translation should sound like “my language,” using indigenous forms and contemporary vocabulary. When translating biblical psalms into isiZulu, they should sound like Zulu songs or poems, with all the richness of performance texture that is part of the long history of Zulu oral art. With th
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9

Washburn, Kathleen. "New Indians and Indigenous Archives." PMLA/Publications of the Modern Language Association of America 127, no. 2 (2012): 380–84. http://dx.doi.org/10.1632/pmla.2012.127.2.380.

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Native americans have long been the missing subjects of american literature, either excised from narratives of nation through colonial erasure or limited to the discourse of the “vanishing Indian.” Such marginalization is no longer the case, or at least not to the same extent, particularly for literary studies of national, transnational, and hemispheric constructions of race and citizenship. As critics from Vine Deloria to Linda Tuhiwai Smith and Craig Womack have demonstrated, a wide range of indigenous practices and forms of knowledge must be reclaimed within academic forms of inquiry, repre
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10

Dr. Muhammad Saleem та Dr. Syeda Bano. "دراسة فنيّة لشعر معروف الرّصافي". Al Basirah 10, № 02 (2022): 43–54. http://dx.doi.org/10.52015/albasirah.v10i02.51.

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Ma’rūf bin Abdul al-Ghanī al-Russāfi was a great Arabic poet and writer. As a great advocate of freedom he opposed his contemporary rulers of Irāq. He was known as a poet of freedom. After serving at various indigenous Educational Institutions, he started work as lecture at the Royal College Istanbul as lecturer, after the fall of the Ottoman Empire, he left Istanbul and travelled to Syria as the British authorities in Irāq. He settled in Damascus for one year. He returned to Irāq and started a newspaper: Al-Amal. He joined the committee for translation as its vice chairman. He became an inspe
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