Academic literature on the topic 'Contemporary Jewellery'

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Journal articles on the topic "Contemporary Jewellery"

1

Galanin, Sergey I., and Kirill N. Kolupaev. "TITANIUM IN JEWELLERY AND COSTUME JEWELLERY." Technologies & Quality 55, no. 1 (2022): 59–64. http://dx.doi.org/10.34216/2587-6147-2022-1-55-59-64.

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The article deals with the peculiarities of the use of titanium in jewellery and costume jewellery. It is shown, under what conditions products, where titanium is used, are jewellery, and under what conditions, costume jewellery. Advantages and disadvantages of titanium jewellery and peculiarities of its design, production and operation are considered. It is shown that for several years leading jewellery brands have been successfully using titanium for production of advanced collections. Some examples are given. Contemporary Russian jewellers also keep up with the leading jewellery brands, dem
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2

Yan, Siyu. "Exploring the muti-dimensional characteristic artistic expression of jewellery function under the contemporary aesthetic background." SHS Web of Conferences 158 (2023): 01003. http://dx.doi.org/10.1051/shsconf/202315801003.

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From the aesthetic point of view, the function of contemporary art jewellery is a muti-dimensional form of expression, which goes beyond the definition of traditional jewellery and is displayed through visual, auditory, tactile sense and other artistic forms. As an intuitive art symbol, the paper conveys the attitude of contemporary art jewellery from the aspects of emotion, attitude, national culture, etc., and expounds the manifestations of the diversified functional characteristics of contemporary art jewellery, aiming to explore the multi-dimensional manifestations of contemporary art jewe
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3

Beningfield, Karen. "Contemporary geometric beaded jewellery." Journal of Mathematics and the Arts 14, no. 1-2 (2020): 15–18. http://dx.doi.org/10.1080/17513472.2020.1729455.

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4

Rani, Punam, and Vivek Singh. "Traditional to Contemporary Indian Jewellery: A Review." Global Journal For Research Analysis 2, no. 1 (2012): 87–88. http://dx.doi.org/10.15373/22778160/january2013/52.

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5

Peng, Xinyu. "“A Bird’s Eye View” in Jewellery Design." Learning & Education 9, no. 3 (2020): 139. http://dx.doi.org/10.18282/l-e.v9i3.1600.

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The article focuses on exploring “bird’s eye view” theme in jewellery design. Writer describes the progress of how to get inspiration from the works of temari ball artist Tatiana Vigdorova and Korean contemporary jewellery artist Mi-sook Hur, and using those ideas to create personal jewellery series with “bird’s eye view” theme.
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O’Hana, S., A. J. Pinkerton, K. Shoba, A. W. Gale, and L. Li. "Laser surface colouring of titanium for contemporary jewellery." Surface Engineering 24, no. 2 (2008): 147–53. http://dx.doi.org/10.1179/174329408x315607.

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7

Vones, Katharina. "Foreign Bodies – The Creation of Symbiotic Jewellery through the Development and Application of Stimulus-Responsive Smart Materials and Microelectromechanical Systems." Advances in Science and Technology 81 (September 2012): 49–54. http://dx.doi.org/10.4028/www.scientific.net/ast.81.49.

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With the increased prevalence of digital technologies in our everyday lives, the questions posed to the contemporary craft practitioner regarding creation of an emotionally resonant interaction between the digitally enhanced object and its wearer have become progressively more prominent in the applied arts. Through examining the notion that human biology is a part of material culture, where the body can be shaped, customised or altered through surgical intervention and scientific innovation, this extended abstract explores how recent developments in material science and wearable technologies c
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8

Wrześniak, Małgorzata. "Historia jednego motywu – rzecz o związkach biżuterii z architekturą." Załącznik Kulturoznawczy, no. 4 (2017): 221–49. http://dx.doi.org/10.21697/zk.2017.4.10.

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The hereby text is a short study on the relationship between architecture and jewellery. In the first part, it presents the history of occurrence of architectural forms in jewellery from antiquity to present day in the European culture. The second part delivers the examples of contemporary artefacts, particularly rings with microarchitecture. The analysis of the collected examples proves that architecture – its form, construction and detail − is a motive of decoration willingly used in jewellery design, often of a symbolic meaning related to the household or the temple (wedding rings, ritual r
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9

Wrześniak, Małgorzata. "The Story of One Theme – on the Relationship Between Jewellery and Archi." Załącznik Kulturoznawczy ENGLISH EDITION, no. 1 (2019): 379–404. http://dx.doi.org/10.21697/zk.2019ee.01.20.

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The hereby text is a short study on the relationship between architecture and jewellery. In the first part, it presents the history of occurrence of architectural forms in jewellery from antiquity to present day in the European culture. The second part delivers the examples of contemporary artefacts, particularly rings with microarchitecture. The analysis of the collected examples proves that architecture – its form, construction and detail − is a motive of decoration willingly used in jewellery design, often of a symbolic meaning related to the household or the temple (wedding rings, ritual r
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10

Hayward, John. "VIII. The Arnold Lulls Book of Jewels and the Court Jewellers of Queen Anne of Denmark." Archaeologia 108 (1986): 227–37. http://dx.doi.org/10.1017/s0261340900011760.

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While few surviving jewels can be identified with any certainty as English work of the sixteenth or early seventeenth centuries, much descriptive evidence exists in the form of inventories and lists of gifts of jewels and plate exchanged between the sovereign and the courtiers each year on New Year's Day. A further fruitful source of information lies in the many contemporary portraits, those of ladies usually showing them with a lavish display of jewellery. Such jewels cannot, however, be claimed as certainly of English make; jewellery was an article of international commerce and much was impo
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