Relevant bibliographies by topics / Contemporary music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Contemporary music'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Contemporary music"

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Sukmayadi, Yudi. "Musik Kontemporer dalam Kurikulum dan Buku Sekolah di Jerman." Resital: Jurnal Seni Pertunjukan 15, no. 2 (2014): 169–78. http://dx.doi.org/10.24821/resital.v15i2.851.

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Tulisan ini menyajikan tentang posisi musik kontemporer dalam kurikulum dan buku sekolah di Jerman. Hal yang dibahas adalah pemilihan materi musik kontemporer untuk setiap kelas, jenis musik kontemporer yang dibahas, serta metode didaktis yang diterapkan. Berdasarkan analisis dapat disimpulkan bahwa melalui pelajaran musik kontemporer, siswa tidak hanya mempelajari hal musikal, namun juga mempelajari masalah kontekstualnya di masyarakat, termasuk di dalamnya masalah musik kontemporer dan perkembangan teknologi. Contemporary Music in German Curriculum and Schoolbooks. This study presents the po
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Marchenko, Valerii. "Theatricality in Contemporary Symphonic Music." Revista Gestão Inovação e Tecnologias 11, no. 3 (2021): 861–69. http://dx.doi.org/10.47059/revistageintec.v11i3.1981.

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Homan, Shane. "A contemporary cultural policy for contemporary music?" Media International Australia 158, no. 1 (2016): 37–47. http://dx.doi.org/10.1177/1329878x15622077.

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Creative Nation confirmed the shift by federal governments to viewing popular music as part of the Australian cultural economy, where the ‘contemporary music’ industries were expected to contribute to economic growth as much as providing a set of creative practices for musicians and audiences. In the 19 years between Creative Nation and Creative Australia, much has changed. This article examines relationships between the music industries, governments and audiences in three areas. First, it charts the funding of popular music within the broader cultural sector to illuminate the competing discou
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Bagaskara, Akbar, Maria Adinda, and Veronica Yoni Kaestri. "Musik Klasik dalam Paradigma Kontemporer: Penyelidikan tentang Apresiasi dan Pendengar." PROMUSIKA 11, no. 2 (2023): 65–74. http://dx.doi.org/10.24821/promusika.v11i2.11076.

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Penelitian ini bertujuan untuk melacak pergeseran apresiasi musik klasik pada konteks era kontemporer, selain itu juga menganalisis persentase pendengar musik klasik dalam menghadapi tren musik di era kontemporer, dan menakar tantangan serta strategi yang muncul dalam upaya mempertahankan genre musik klasik dalam pergereseran atmosfer era kontemporer. Metode yang digunakan dalam penelitian kali adalah mix method (gabungan antara kuantitatif dan kualitatif) yang mana data bersumber dari bentuk numerik (kuantitatif) dan narasi (kualitatif). Namun, penggunaan kualitatif cenderung lebih dominan da
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LoVetri, Jeannette. "Contemporary Commercial Music." Journal of Voice 22, no. 3 (2008): 260–62. http://dx.doi.org/10.1016/j.jvoice.2006.11.002.

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Lumbantobing, Tomson Saut Parulian, and Aji Suseno. "Studi Trend Ibadah Dalam Nyanyian dan Musik Kontemporer di Gereja-gereja Baptis Masa Kini." Veritas Lux Mea (Jurnal Teologi dan Pendidikan Kristen) 4, no. 1 (2022): 21–31. http://dx.doi.org/10.59177/veritas.v4i1.139.

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The decision of several Baptist churches to start using contemporary singing and music in the early 2000s has caused controversy and has become a polemic in the Association of Indonesian Baptist Churches (GGBI). However, the trend of worship using contemporary songs and music is getting more widespread in Indonesian Baptist churches. This is the background of this research, which is to comprehensively investigate the factors behind the widespread trend of worship using contemporary songs and music in Indonesian Baptist churches. Thus, the formulation of the research problem is a study of the f
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Budi Pramana, I. Putu Riangga, and I. Wayan Suharta. "Contemporary Music Composition “Konfrontasi” | Komposisi Musik Kontemporer “Konfrontasi”." GHURNITA: Jurnal Seni Karawitan 1, no. 4 (2023): 290–98. http://dx.doi.org/10.59997/jurnalsenikarawitan.v1i4.371.

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Komposisi Konfrontasi adalah komposisi musik yang mengacu pada representasi dari salah satu bentuk konflik, yang mendeskripsikan sebuah peristiwa dimana seseorang memancing tindakan atau argumen yang berlawanan dari orang lain yang dianggap lawan secara terang-terangan. Dalam musik, konfrontasi diibaratkan sebagai sebuah kata yang mendeskripsikan pergerakan kalimat-kalimat musik yang dinamis dan cenderung disharmonis. Konfrontasi diwujudkan berdasarkan kesinambungan karakter gamelan Gong Kebyar sebagai media ungkap, yakni karakter dinamis. Konfrontasi diwujudkan dengan tujuan untuk meningkatka
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Haryanto, Tri, and I. Gede Yudana. "Contemporary Music Composition “Embryo”| Komposisi Musik Kontemporer “Embrio”." GHURNITA: Jurnal Seni Karawitan 1, no. 1 (2023): 1–10. http://dx.doi.org/10.59997/jurnalsenikarawitan.v1i1.147.

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Kehidupan makhluk hidup (manusia) merupakan sesuatu yang diawali dengan berbagai proses dan tahap-tahap pertumbuhan dan perkembangan. Seperti tahapan embrio sebagai jasad hidup yang masih dalam tingkat perkembangan (pertumbuhan) awal, belum mempunyai bentuk yang jelas, akan menjadi sesuatu. Dari proses ini, penata angkat menjadi garapan yang berjudul embrio, dengan medium gamelan Semar Pagulingan Saih Pitu dan Selonding style Tenganan, dengan durasi 10-15 menit. Garapan karya embrio dibagi dalam 4 (empat) bagian, tiap bagian mewakili fase embrionik yang masing-masing fase memiliki ciri tersend
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Dunn, Lawrence. "London Contemporary Music Festival." Tempo 72, no. 285 (2018): 86–91. http://dx.doi.org/10.1017/s0040298218000177.

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Does intimacy have anything to do with music? Music – especially acoustic chamber music – is regularly, even unthinkingly, labelled intimate. The implications of this common-enough usage were the major preoccupation of the most recent London Contemporary Music Festival. With multiple images and varieties of intimacy foregrounded – bodily, sexual, aural, psychological, somnolent – Igor Toronyi Lalic's curation was masterful. By turns provocative, baffling, emotional and ear-averting, not without some irony, the concerts were held in a vast underground concrete room.
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Etzkorn, K. Peter. "Contemporary Mediated Music: Challenge to Music Education." International Journal of Music Education os-16, no. 1 (1990): 3–12. http://dx.doi.org/10.1177/025576149001600101.

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Dissertations / Theses on the topic "Contemporary music"

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Kay, Marja Liisa. "Contemporary vocal music : language, technology and contemporary vocal music of Finland." Thesis, University of York, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583263.

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This thesis is centred on a number of contemporary vocal performances and projects I encountered, and often single-handedly organised, during years of study and exploration. An introduction provides insights as to how I came to connect my original performance research goals with additional subject matters in an effort to provide a more complete illustration of the broad span of the music at hand. The bulk of this submission lies within the recordings of performances, which are supported by three exploratory chapters that discuss the relationships of the works to one another. The first chapter
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Mynett, Mark. "Contemporary metal music production." Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/19314/.

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Distinct challenges are posed when conveying Contemporary Metal Music’s(CMM) sounds and performance perspectives within a recorded and mixed form. CMM often features down tuned, heavily distorted timbres, alongside high tempi, fast and frequently complex subdivisions, and highly synchronised instrumentation. The combination of these elements results in a significant concentration of dense musical sound usually referred to as ‘heaviness’. The publications for this thesis present approaches, processes and techniques for capturing, presenting and accentuating heaviness, as well as intelligibility
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Mokhtabad-Amrei, Seyed Abdolhossein. "Iranian contemporary art music." Thesis, Goldsmiths College (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500084.

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Hansen, Chris Robert. "Contemporary choral arrangements product /." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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Thesis (M.C.M.)--Western Conservative Baptist Seminary, 1987.<br>Bound with accompanying tape of the arrangements recorded, by the mixed choral ensemble from Milwaukie First Baptist Church, Milwaukie, Oregon and the men's chorus from Western Seminary in Portland.
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Moretti, Francesco. "Musicians Can Fly : Heterogeneous material, Renaissance sources and contemporary group improvisation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2557.

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Begay, Diane. "Contemporary music in Canada: Alexina Louie." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/6901.

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Alexina Louie (1949-) is one of Canada's foremost composers of contemporary classical music. She was named "Composer of the Year 1986" by the Canada Music Council in the International Year of Canadian music. Her compositions have been commissioned and performed by Canada's major orchestras, ensembles, and soloists and have been played extensively throughout Canada and abroad. Due to the incessant demand for her music, Louie is among the numbered few in Canada who are able to make a living solely by composing. The first chapter of this study outlines Louie's life from childhood until 1993. The
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Ranyard, Marie Phyllis. "Transcontextual mechanisms in contemporary art music." Thesis, City University London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264241.

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Ferlaino, Christian. "Confluences : folk wisdom in contemporary music." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33213.

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This thesis explores ways of adopting elements of Calabrian folk music in compositions of contemporary music beyond the mere adoption of melodies and instruments. Through this work, I aim to create a practice for contemporary improvisation and composition that is deeply imbued with elements derived from the music theory, the sonic environment and the performance practices of Calabria. The work described in this dissertation consists of two components: ethnomusicological research and a practice-based enquiry. This research focuses mainly on three aspects of Calabrian folk music: generative prin
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Nederberg, Annelie. "Corporeality in music for contemporary dance." Thesis, De Montfort University, 2012. http://hdl.handle.net/2086/9879.

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The focus of this thesis is how the body and its corporeal articulations can be used as a tool for composing for contemporary dance, with the aim of creating music with corporeal qualities that communicates on a physical level. For this purpose the author has collaborated with choreographers in a practice-based approach to examine how the body of the composer can be exploited in composition and performance, and how the voice can be exploited as a mediator between body movement and music. The body and its sensorimotor system is the foundation for our understanding of abstract concepts in music;
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DeBoer, Amanda R. "Ingressive Phonation in Contemporary Vocal Music." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1353356284.

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Books on the topic "Contemporary music"

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1936-, Schwartz Elliott, Childs Barney, and Fox James 1953-, eds. Contemporary composers on contemporary music. Da Capo Press, 1998.

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Barrett, Bob. Contemporary music styles. Taylor Made Music, 1996.

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Coleman, Lindsay, and Joakim Tillman, eds. Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9.

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Council, Scottish Arts. Contemporary popular music. Scottish Arts Council, 2001.

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Harrison, Mark. Contemporary music theory. Hal Leonard, 1996.

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Matthews, Stephen Ralph. Contemporary opera & music. The Winston Churchill Memorial Trust, 1998.

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Rudolph, Covach John, Everett Walter 1954-, Fineberg Joshua, and Chapman Jane ed, eds. Contemporary music review. Periodicals Service Company, reprinted with the permission of the original publisher, Taylor & Francis, 2003.

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Mark, Harrison. Contemporary music theory. Hal Leonard, 2001.

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Lang, Benjamin. Lost in contemporary music?: Neue Musik analysieren. ConBrio, 2017.

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Adrian, Shaughnessy, House Julian, and Intro (Firm : London, England), eds. Sampler: Contemporary music graphics. Universe Pub., 1999.

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Book chapters on the topic "Contemporary music"

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Abraham, Ibrahim. "Contemporary Christian Music and Contemporary Worship Music." In The Routledge International Handbook of Sociology and Christianity. Routledge, 2023. http://dx.doi.org/10.4324/9781003277743-26.

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Hepworth-Sawyer, Russ. "Contemporary Production Success." In Producing Music. Routledge, 2019. http://dx.doi.org/10.4324/9781315212241-18.

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Schutz, Rachel. "Contemporary Composers." In Welsh Vocal Music. Routledge, 2025. https://doi.org/10.4324/9781003347347-21.

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Eling, Kim. "Contemporary Music Policy." In The Politics of Cultural Policy in France. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780333982365_4.

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Mynett, Mark. "Contemporary Metal Music." In Metal Music Manual. Routledge, 2017. http://dx.doi.org/10.4324/9781315750071-2.

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Milner, Anthony. "English Contemporary Music." In European Music in the Twentieth Century. Routledge, 2025. https://doi.org/10.4324/9781003645474-8.

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Brindle, Reginald Smith. "Italian Contemporary Music." In European Music in the Twentieth Century. Routledge, 2025. https://doi.org/10.4324/9781003645474-10.

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Hamilton, Iain. "Swiss Contemporary Music." In European Music in the Twentieth Century. Routledge, 2025. https://doi.org/10.4324/9781003645474-9.

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Hartog, Howard. "German Contemporary Music." In European Music in the Twentieth Century. Routledge, 2025. https://doi.org/10.4324/9781003645474-11.

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Dirk, von der Horst. "Music." In Contemporary Theological Approaches to Sexuality. Routledge, 2017. http://dx.doi.org/10.4324/9781315694238-10.

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Conference papers on the topic "Contemporary music"

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Fathima, Syed Ali, Hariram S, Kanagalingam S. M, Nithish Balaji M, and Muthu Manoj M. "Neural Harmony: Advancing Composition with RNN-LSTM in Music Generation." In 2024 IEEE International Conference on Contemporary Computing and Communications (InC4). IEEE, 2024. http://dx.doi.org/10.1109/inc460750.2024.10649223.

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Tamášiová, Laura, Miroslav Karlíček, and Marie Vítová Dušková. "How to Increase the Attendance of Young Czechs in Classical Music Events: A Qualitative Study." In 25th International Joint Conference Central and Eastern Europe in the Changing Business Environment. Vydavateľstvo EKONÓM, 2025. https://doi.org/10.53465/ceecbe.2025.9788022552257.340-350.

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This study explores the barriers to participation in classical music events among young Czechs. It aims to identify factors influencing attendance and provide recommendations for increasing engagement among this demographic. The research employs in-depth interviews with ten young Czechs. Findings reveal that young Czechs discover music through digital channels, preferring a wide range of genres that fit different occasions in their everyday life. The motivation for attending music events is the pursuit of unique experiences. Classical music is appreciated for its relaxing qualities and ability
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Chrysovergis, Antonios. "The Orphic Path to Divine Union: “Theon Therapeian” and Ritual Music in Contemporary Greek Mysteries." In 7th Biennial Conference of the Interdisciplinary Society for Quantitative Research in Music and Medicine 2023. Interdisciplinary Society For Quantitative Research in Music and Medicine (ISQRMM), 2023. https://doi.org/10.52202/078697-0002.

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Orange, Chris. "Reconceptualising Tertiary Contemporary Music Performance Assessment." In Rangahau Horonuku Hou – New Research Landscapes, Unitec/MIT Research Symposium 2021. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2206006.

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Contemporary music performances are typically assessed by criteria such as Musicianship, Accuracy, Technique, Professionalism and Contribution. These measures continue to be used despite low discrimination between them and specific items on the assessment schedules (Thompson &amp; Williamon, 2003). In addition, there is a lack of objective evidence that assessment is truly comprehensive. Greater transparency in domain definition and comprehensiveness may aid understanding of the rubric, and lead to better assessment. This study investigated whether popular-music performance assessment criteria
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Graber, Emily, Charles Picasso, and Elaine Chew. "Viva Contemporary! Mobile Music Laboratory." In MM '22: The 30th ACM International Conference on Multimedia. ACM, 2022. http://dx.doi.org/10.1145/3503161.3549980.

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Li, Xuan. "The Significance of Computer Music Teaching to Contemporary College Music Students." In 2021 International Conference on Internet, Education and Information Technology (IEIT). IEEE, 2021. http://dx.doi.org/10.1109/ieit53597.2021.00088.

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Jumaniyazova, Raushan, and Zhanel Safiyeva. "Exploring Inclusive Evolution in Music Academia: Experimental Practices in Contemporary Music." In The Asian Conference on Education 2024. The International Academic Forum(IAFOR), 2025. https://doi.org/10.22492/issn.2186-5892.2025.75.

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Wang, Min, and Xiaofeng Wang. "Contemporary Cultural Construction of Neoromanticism Music Products." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.102.

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Li, Qingxun. "Application of Regional Music Culture in College Music Teaching." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.401.

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Guo, Chao. "Analysis on Contemporary Chinese Animated Music Development from Jou Hisaishi Animated Music." In 2015 International Conference on Education Technology, Management and Humanities Science (ETMHS 2015). Atlantis Press, 2015. http://dx.doi.org/10.2991/etmhs-15.2015.163.

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Reports on the topic "Contemporary music"

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Elisabeth Pfeiffer, Elisabeth Pfeiffer. Understanding Key Components of Hawaiian Ukulele Playing Technique and its Application in Contemporary Ukulele Music. Experiment, 2024. http://dx.doi.org/10.18258/69667.

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Feller-Simmons, Paul G., and Cesar D. Favila. The Virgin Mary's Essence in New Spanish Song. Society for Seventeenth-Century Music, 2025. https://doi.org/10.53610/bdlm1317.

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This edition features thirteen villancicos transcribed from the Sánchez Garza Collection held in Mexico City’s Centro Nacional de Investigación, Documentación e Información Musical Carlos Chávez (CENIDIM). Their publication provides ensembles music for performance that was originally notated for and performed by women, in this case the nuns of Puebla’s Santísima Trinidad convent. This convent was founded in the seventeenth century in colonial Mexico (New Spain) and left behind the largest collection of women’s notated music from New Spain. The novel organization of this edition, featuring vill
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